How to get somewhere in the music business: from nowhere with nothing
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Dallas
CQK Books
2007
|
Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis |
Beschreibung: | 237 S. |
ISBN: | 0615133800 |
Internformat
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Datensatz im Suchindex
_version_ | 1804136633614729216 |
---|---|
adam_text | CONTBNTS>
PA R-T
O NB
LEARNING THE BASICS
Chapters
1-6
Chapter
1
SQUARE ONE
3
The very beginning
—
answering such questions as: What is
a Song? What is a Songwriter? What if I Only Write Lyrics!
Chapter
2
DO-IT-YOURSELF MUSIC PUBLISHING
13
Discusses the two hats of the music publisher:
mentor and promoter. Includes suggestions for
mentoring yourself when you don t have a publisher
Chapter
3
THE DEMO
25
A step-by-step guide for producing a professional demo
at a reasonable cost
Chapter
4
THE PRESENTATION
43
How to create an appealing visual presentation
for your songs
Chapter
5
DEAL OR NO DEAL
55
A basic discussion of music business terminology and
concepts including: Intellectual Property, Royalties,
Copyright Ownership, Songwriter s Agreements,
Co-Writing and Co-Publishing
Chapter
6
CO-WRITING AND COMMON SENSE
83
Down-to-earth suggestions for making the most
of the wonderful benefits of collaboration and avoiding
problems before they arise
Part Two
LIFTING THE BARRIERS
Chapters
7-12
Chapter
7
Chapter
8
Chapter
9
Chapter
10
Chapter
11
Chapter
12
Epilogue
Appendix A
Appendix
В
Appendix
С
THE TIMES THEY ARE A-CH
ANGIN
101
A brief overview of changes sweeping the music industry
in the twenty-first century with the advent of the Internet
and affordable home recording technologies
DEVELOPING YOUR UNIQUE SHTICK
119
A challenge to discover and utilize all the gifts and
talents that make you unique and create the edge
required for recognition and credibility
GROWING INTO BUSINESS
143
How songwriters and artists may begin where they are
to promote themselves, utilizing the resources available in
their own music communities
SONGPLUGGING FROM BOONDOCKS
165
A review of traditional methods for promoting and
pitching songs from outside the major music cities
CREATIVE CONNECTIONS
181
Explores new and out-of-the-box methods of
song promotion that have proven successful for many
writers and artists (real-life stories included)
SETTING GOALS AND OPENING DOORS
203
The importance of both short-range and long-range
goals for accomplishing the ultimate objective
222
Copyright Registration Information
Lyric Sheets
&
Cover Letters
229
Letters of Agreement
234
226
|
adam_txt |
CONTBNTS>
PA R-T
O NB
LEARNING THE BASICS
Chapters
1-6
Chapter
1
SQUARE ONE
3
The very beginning
—
answering such questions as: What is
a Song? What is a Songwriter? What if I Only Write Lyrics!
Chapter
2
DO-IT-YOURSELF MUSIC PUBLISHING
13
Discusses the two "hats" of the music publisher:
mentor and promoter. Includes suggestions for
mentoring yourself when you don't have a publisher
Chapter
3
THE DEMO
25
A step-by-step guide for producing a professional demo
at a reasonable cost
Chapter
4
THE PRESENTATION
43
How to create an appealing visual presentation
for your songs
Chapter
5
DEAL OR NO DEAL
55
A basic discussion of music business terminology and
concepts including: Intellectual Property, Royalties,
Copyright Ownership, Songwriter's Agreements,
Co-Writing and Co-Publishing
Chapter
6
CO-WRITING AND COMMON SENSE
83
Down-to-earth suggestions for making the most
of the wonderful benefits of collaboration and avoiding
problems before they arise
Part Two
LIFTING THE BARRIERS
Chapters
7-12
Chapter
7
Chapter
8
Chapter
9
Chapter
10
Chapter
11
Chapter
12
Epilogue
Appendix A
Appendix
В
Appendix
С
THE TIMES THEY ARE A-CH
ANGIN'
101
A brief overview of changes sweeping the music industry
in the twenty-first century with the advent of the Internet
and affordable home recording technologies
DEVELOPING YOUR UNIQUE SHTICK
119
A challenge to discover and utilize all the gifts and
talents that make you unique and create the "edge"
required for recognition and credibility
GROWING INTO BUSINESS
143
How songwriters and artists may begin where they are
to promote themselves, utilizing the resources available in
their own music communities
SONGPLUGGING FROM BOONDOCKS
165
A review of traditional methods for promoting and
pitching songs from outside the major music cities
CREATIVE CONNECTIONS
181
Explores new and out-of-the-box methods of
song promotion that have proven successful for many
writers and artists (real-life stories included)
SETTING GOALS AND OPENING DOORS
203
The importance of both short-range and long-range
goals for accomplishing the ultimate objective
222
Copyright Registration Information
Lyric Sheets
&
Cover Letters
229
Letters of Agreement
234
226 |
any_adam_object | 1 |
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callnumber-first | M - Music |
callnumber-label | ML3795 |
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ctrlnum | (OCoLC)145380148 (DE-599)BVBBV022525731 |
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dewey-hundreds | 700 - The arts |
dewey-ones | 782 - Vocal music |
dewey-raw | 782.42164/0233 |
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dewey-sort | 3782.42164 3233 |
dewey-tens | 780 - Music |
discipline | Musikwissenschaft |
discipline_str_mv | Musikwissenschaft |
format | Book |
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institution | BVB |
isbn | 0615133800 |
language | English |
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physical | 237 S. |
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spelling | Dawson, Mary Verfasser aut How to get somewhere in the music business from nowhere with nothing Mary Dawson Dallas CQK Books 2007 237 S. txt rdacontent n rdamedia nc rdacarrier Popular music Writing and publishing Vocational guidance Popmusik (DE-588)4046781-8 gnd rswk-swf Musikwirtschaft (DE-588)4268614-3 gnd rswk-swf (DE-588)4048476-2 Ratgeber gnd-content Popmusik (DE-588)4046781-8 s Musikwirtschaft (DE-588)4268614-3 s DE-604 Digitalisierung BSBMuenchen application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=015732413&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
spellingShingle | Dawson, Mary How to get somewhere in the music business from nowhere with nothing Popular music Writing and publishing Vocational guidance Popmusik (DE-588)4046781-8 gnd Musikwirtschaft (DE-588)4268614-3 gnd |
subject_GND | (DE-588)4046781-8 (DE-588)4268614-3 (DE-588)4048476-2 |
title | How to get somewhere in the music business from nowhere with nothing |
title_auth | How to get somewhere in the music business from nowhere with nothing |
title_exact_search | How to get somewhere in the music business from nowhere with nothing |
title_exact_search_txtP | How to get somewhere in the music business from nowhere with nothing |
title_full | How to get somewhere in the music business from nowhere with nothing Mary Dawson |
title_fullStr | How to get somewhere in the music business from nowhere with nothing Mary Dawson |
title_full_unstemmed | How to get somewhere in the music business from nowhere with nothing Mary Dawson |
title_short | How to get somewhere in the music business |
title_sort | how to get somewhere in the music business from nowhere with nothing |
title_sub | from nowhere with nothing |
topic | Popular music Writing and publishing Vocational guidance Popmusik (DE-588)4046781-8 gnd Musikwirtschaft (DE-588)4268614-3 gnd |
topic_facet | Popular music Writing and publishing Vocational guidance Popmusik Musikwirtschaft Ratgeber |
url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=015732413&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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