Henrik Ibsens versdramatik:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | Norwegian |
| Veröffentlicht: |
Oslo
Aschehoug
2007
|
| Schriftenreihe: | Ibsen ad notam
6 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | 241 S. |
| ISBN: | 9788203192494 |
Internformat
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Datensatz im Suchindex
| _version_ | 1804136620362825728 |
|---|---|
| adam_text | Titel: Henrik Ibsens versdramatik
Autor: Fafner, Jørgen
Jahr: 2007
Innhold
Forord........................................................................................................... 9
Indledning: Vers på scenen.............................................................. 13
/. Det mangfoldige drama............................................................................ 13
/./ Dramaets elementer............................................................................ 15
1.2 Det talte drama................................................................................... 19
1.3 Drama og litteratur........................................................................... 20
1.4 Aktion og kontemplation.................................................................. 22
i.j Transparens og opacitet................................................................... 2 3
1.6Korrespondensen mellem de to modsætningspar....................... 26
1.7 Mundtlighed........................................................................................ 27
1.8 Mere om dramaets ontologi........................................................... 29
i.p Dramaets persuasio........................................................................... 31
1.10 Hypotyposis......................................................................................... 34
2. Bunden og ubunden stil........................................................................... 36
2.1 Vers ogprosa i dramaet.................................................................... 39
2.2 Prosaens sejr....................................................................................... 41
3. Aktionens vers............................................................................................ 42
3.1 Hexametret.......................................................................................... 45
3.2 De manges tale.................................................................................... 46
3.2.1 Trimetret...................................................................................... 48
3.2.2 Knittelverset................................................................................ 48
3.2.3 Alexandrineren.......................................................................... 51
Madrigaler og Faustvers....................................................... 52
5
J.2.J Blankverset................................................................................ 54
J.2J.I «zur Prosa herunter»............................................................ 55
3.3 Aktionsversenes etos.......................................................................... 5 7
.f Kontemplationens vers........................................................................... 58
Ibsens vers dramaer: fra femfodsjamber til folkevers..... 62
j. Hovedfaserne i Ibsens dialogkunst...................................................... 62
6. Metrisk komposition................................................................................ 63
7. Den romantiske dialogs to hovedformer............................................ 66
8. Ibsen ogfemfodsjamben............................................................................ 67
8.i Metrisk komposition i Catilina................................................... 68
8.1.1 Podiforholdene............................................................................. 69
8.1.2 Konflikter...................................................................................... 71
8.1.3 Linjestil og bindingsstil........................................................... 75
8.1.4 Replik og vers............................................................................. 76
8.1.J At tdle stavelser........................................................................ 81
8.1.6 Rimet............................................................................................ 86
8.1.7 Forgængerne................................................................................ 88
8.1.8 Shakespeareske og Schillerske blankvers........................... 90
8.i.j At slutte en scene....................................................................... 96
8.1.10 Sange» i dramaet..................................................................... 99
8.1.11 De trokæiske tetrametre.......................................................... 101
8.1.12 Sammenfattende karakteristik............................................. 104
8.2 Dramatisk idyl: Kjæmpehøien ................................................ 105
8.2.1 Metrisk komposition................................................................. 110
8.2.2 Anden version «/Kjæmpehøien ..................................... 115
8.2.3 en symbolske botanik............................................................ 117
8.3 Blankverset og Rypen i Justedal............................................... 120
8.3.1 Om antilabe, tirade og monolog............................................. 124
8.j Elegancens og komikkens rytme: Kjærlighedens
Komedie............................................................................................... j 2 7
8.J.-I Frappante rim.......................................................................... 132
8.4.2 Billedsproget: konsekvens og slagkraft.............................. 136
8.j Femfodsjambens etiske tale: [Episk Brand] og Peer Gynt 138
p. Fra klassik til karakter: folkeverset.................................................... 143
p.i Folkeversets toner............................................................................... 143
p.2 Ibsen og folkeverset: Norma......................................................... 145
9.3 Djævelen på vers: Kongs-Emnerne og Peer Gynt.......... 148
p.4. Ibsens lyriske folkevers: Peer Gynt og Gildet paa
Solhoug..................................................................................................... 151
p.j Sancthansnatten................................................................................ 158
p.j.i De to verdener............................................................................ 158
p.j.2 Nationalromantik..................................................................... 159
p.j.j Sancthansnattens tema....................................................... 160
p.j.4. Romantisk scenografi.............................................................. 161
p.j.j Ibsens ambivalens..................................................................... 162
p.j./f Prosastilen i Sancthansnatten......................................... 164
p.j.j Poleret natur og kultiverede bandeord............................... 166
p.j.8 Biedermeier-komedie............................................................... 166
p.j.p Bjergkonge og Dovregubbe..................................................... 167
p.j.io Versene i Sancthansnatten.............................................. 168
p.j.11 Konklusion.................................................................................. 172
p.6 Ibsens nationalromantiske dramaer: Gildet paa Solhoug
og Olaf Liljekrans................................................................................. 174
p.6.1 Prosastilen i de nationalromantiske skuespil.................. 174
p.6.2 Mere om folkeverset................................................................. 179
p.6.3 Eksperiment med lyrisk prosa ogfolkevers...................... 183
p.6.4 Takten, takten, pas på takten.............................................. 186
p.tf.j Takt som decorum.................................................................... 188
p.6.6Ibsen og takten.......................................................................... 190
p.6.7 Taktens herredømme.............................................................. 192
p.6.8 Folkelige strofer........................................................................ 194
7
g.6.9 Konflikterne............................................................................... 200
w. Ibsens kortversstrofer: Fjeldfuglen, Kejser og Galilæer og
Peer Gynt................................................................................................ 202
Ibsens prosadramaer: et rids af den videre udvikling i
forfatterskabet........................................................................................... 215
//. Formbevidsthed og eksperiment........................................................... 215
//./ Prosatragedie med arkaiserende kolorit: Fru Inger til
Østeraad.................................................................................................... 217
Forklaring av metrikknotasjon..................................................... 220
Analysemetoder......................................................................................... 220
Spesialtegn og termer i metrisk beskrivelse............................. 223
Appendiks: oversettelser av lengre tekstutdrag................... 226
Litteraturliste............................................................................................ 230
Klassiske kilder........................................................................................... 230
Manuskriptmateriale.............................................................................. 230
Øvrige kilder............................................................................................... 2 30
|
| adam_txt |
Titel: Henrik Ibsens versdramatik
Autor: Fafner, Jørgen
Jahr: 2007
Innhold
Forord. 9
Indledning: Vers på scenen. 13
/. Det mangfoldige drama. 13
/./ Dramaets elementer. 15
1.2 Det talte drama. 19
1.3 Drama og litteratur. 20
1.4 Aktion og kontemplation. 22
i.j Transparens og opacitet. 2 3
1.6Korrespondensen mellem de to modsætningspar. 26
1.7 Mundtlighed. 27
1.8 Mere om dramaets ontologi. 29
i.p Dramaets persuasio. 31
1.10 Hypotyposis. 34
2. Bunden og ubunden stil. 36
2.1 Vers ogprosa i dramaet. 39
2.2 Prosaens sejr. 41
3. Aktionens vers. 42
3.1 Hexametret. 45
3.2 De manges tale. 46
3.2.1 Trimetret. 48
3.2.2 Knittelverset. 48
3.2.3 Alexandrineren. 51
Madrigaler og Faustvers. 52
5
J.2.J Blankverset. 54
J.2J.I «zur Prosa herunter». 55
3.3 Aktionsversenes etos. 5 7
.f Kontemplationens vers. 58
Ibsens vers dramaer: fra femfodsjamber til folkevers. 62
j. Hovedfaserne i Ibsens dialogkunst. 62
6. Metrisk komposition. 63
7. Den romantiske dialogs to hovedformer. 66
8. Ibsen ogfemfodsjamben. 67
8.i Metrisk komposition i Catilina. 68
8.1.1 Podiforholdene. 69
8.1.2 Konflikter. 71
8.1.3 Linjestil og bindingsstil. 75
8.1.4 Replik og vers. 76
8.1.J At tdle stavelser. 81
8.1.6 Rimet. 86
8.1.7 Forgængerne. 88
8.1.8 Shakespeareske og Schillerske blankvers. 90
8.i.j At slutte en scene. 96
8.1.10 Sange» i dramaet. 99
8.1.11 De trokæiske tetrametre. 101
8.1.12 Sammenfattende karakteristik. 104
8.2 Dramatisk idyl: Kjæmpehøien . 105
8.2.1 Metrisk komposition. 110
8.2.2 Anden version «/Kjæmpehøien . 115
8.2.3 en symbolske botanik. 117
8.3 Blankverset og Rypen i Justedal. 120
8.3.1 Om antilabe, tirade og monolog. 124
8.j Elegancens og komikkens rytme: Kjærlighedens
Komedie. j 2 7
8.J.-I Frappante rim. 132
8.4.2 Billedsproget: konsekvens og slagkraft. 136
8.j Femfodsjambens etiske tale: [Episk Brand] og Peer Gynt 138
p. Fra klassik til karakter: folkeverset. 143
p.i Folkeversets toner. 143
p.2 Ibsen og folkeverset: Norma. 145
9.3 Djævelen på vers: Kongs-Emnerne og Peer Gynt. 148
p.4. Ibsens lyriske folkevers: Peer Gynt og Gildet paa
Solhoug. 151
p.j Sancthansnatten. 158
p.j.i De to verdener. 158
p.j.2 Nationalromantik. 159
p.j.j Sancthansnattens tema. 160
p.j.4. Romantisk scenografi. 161
p.j.j Ibsens ambivalens. 162
p.j./f Prosastilen i Sancthansnatten. 164
p.j.j Poleret natur og kultiverede bandeord. 166
p.j.8 Biedermeier-komedie. 166
p.j.p Bjergkonge og Dovregubbe. 167
p.j.io Versene i Sancthansnatten. 168
p.j.11 Konklusion. 172
p.6 Ibsens nationalromantiske dramaer: Gildet paa Solhoug
og Olaf Liljekrans. 174
p.6.1 Prosastilen i de nationalromantiske skuespil. 174
p.6.2 Mere om folkeverset. 179
p.6.3 Eksperiment med lyrisk prosa ogfolkevers. 183
p.6.4 Takten, takten, pas på takten. 186
p.tf.j Takt som decorum. 188
p.6.6Ibsen og takten. 190
p.6.7 Taktens herredømme. 192
p.6.8 Folkelige strofer. 194
7
g.6.9 Konflikterne. 200
w. Ibsens kortversstrofer: Fjeldfuglen, Kejser og Galilæer og
Peer Gynt. 202
Ibsens prosadramaer: et rids af den videre udvikling i
forfatterskabet. 215
//. Formbevidsthed og eksperiment. 215
//./ Prosatragedie med arkaiserende kolorit: Fru Inger til
Østeraad. 217
Forklaring av metrikknotasjon. 220
Analysemetoder. 220
Spesialtegn og termer i metrisk beskrivelse. 223
Appendiks: oversettelser av lengre tekstutdrag. 226
Litteraturliste. 230
Klassiske kilder. 230
Manuskriptmateriale. 230
Øvrige kilder. 2 30 |
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| illustrated | Not Illustrated |
| index_date | 2024-07-02T18:01:14Z |
| indexdate | 2024-07-09T20:59:18Z |
| institution | BVB |
| isbn | 9788203192494 |
| language | Norwegian |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-015722608 |
| oclc_num | 190791177 |
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| physical | 241 S. |
| publishDate | 2007 |
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| publisher | Aschehoug |
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| series | Ibsen ad notam |
| series2 | Ibsen ad notam |
| spelling | Fafner, Jørgen 1925-2005 Verfasser (DE-588)130522538 aut Henrik Ibsens versdramatik Jørgen Fafner Oslo Aschehoug 2007 241 S. txt rdacontent n rdamedia nc rdacarrier Ibsen ad notam 6 Ibsen, Henrik <1828-1906> Criticism and interpretation Ibsen, Henrik 1828-1906 (DE-588)118555286 gnd rswk-swf Versdrama (DE-588)4187986-7 gnd rswk-swf Ibsen, Henrik 1828-1906 (DE-588)118555286 p Versdrama (DE-588)4187986-7 s DE-604 Ibsen ad notam 6 (DE-604)BV019986904 6 HBZ Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=015722608&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Fafner, Jørgen 1925-2005 Henrik Ibsens versdramatik Ibsen ad notam Ibsen, Henrik <1828-1906> Criticism and interpretation Ibsen, Henrik 1828-1906 (DE-588)118555286 gnd Versdrama (DE-588)4187986-7 gnd |
| subject_GND | (DE-588)118555286 (DE-588)4187986-7 |
| title | Henrik Ibsens versdramatik |
| title_auth | Henrik Ibsens versdramatik |
| title_exact_search | Henrik Ibsens versdramatik |
| title_exact_search_txtP | Henrik Ibsens versdramatik |
| title_full | Henrik Ibsens versdramatik Jørgen Fafner |
| title_fullStr | Henrik Ibsens versdramatik Jørgen Fafner |
| title_full_unstemmed | Henrik Ibsens versdramatik Jørgen Fafner |
| title_short | Henrik Ibsens versdramatik |
| title_sort | henrik ibsens versdramatik |
| topic | Ibsen, Henrik <1828-1906> Criticism and interpretation Ibsen, Henrik 1828-1906 (DE-588)118555286 gnd Versdrama (DE-588)4187986-7 gnd |
| topic_facet | Ibsen, Henrik <1828-1906> Criticism and interpretation Ibsen, Henrik 1828-1906 Versdrama |
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