Beginning postmodernism:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Manchester [u.a.]
Manchester Univ. Press
2003
|
| Ausgabe: | 1. publ., [Nachdr.] |
| Schriftenreihe: | Beginnings
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | XIV, 284 S. Ill. |
| ISBN: | 0719052106 0719052114 |
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Datensatz im Suchindex
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|---|---|
| adam_text | Contents
Listof
page
Acknowledgements
xiii
1
1
What is/are/was/were postmodernism^)?
1
Stop and think
4
2
18
Philosophical champions of postmodernism
19
French double-acts
19
Stop and think
24
Stop and think
29
Schizoanalysis: Deleuze and Guattari
30
Adversaries of postmodernism
32
Jürgen Habermas
34
Fredric Jameson
35
Stop and think
37
Postmodernism and feminism
38
Stop and think
41
Postcołonialism
41
Stop and think
46
Selected reading
47
3
49
Postmodern fiction
49
Exhaustion and replenishment: postmodern fiction s
attack on realism
51
Stop and think
53
і
Contents
Postmodern
54
Irony and transgression
57
Stop and think
61
Postmodern fiction by other means
61
Key characteristics of postmodern fiction
65
Postmodern fiction: an example
66
Postmodern poetry
68
Reading language writing
71
Stop and think
76
Key characteristics of postmodern poetry
76
Postmodern poetry: an example
77
Postmodern theatre and performance
79
Stop and think
84
Selected reading
85
I Postmodern architecture and concepts of space
89
Modernist architecture
89
Postmodernist reactions
93
What there is to learn from Las Vegas
95
Charles Jencks and dual-coding
98
Stop and think
101
Architectural languages
102
Deconstructive architecture
104
Monstrous carbuncles or rural retreats?
109
Stop and think
111
Key characteristics of postmodernist architecture
112
Postmodern architecture: some examples
114
Spatial experience and geography
117
Selected reading
122
5
design arts
124
Visual art
125
Craig Owens: postmodernism as the return of
allegory
131
Feminist art
134
Photography
137
Stop and think
139
Key characteristics of postmodern visual art
140
Contents
Postmodern visual art: some examples
140
Sculpture, plastic and performance art
146
Rosalind Krauss: postmodernism and land art
147
Installations and performance art
149
Stop and think
150
Key characteristics of sculpture, plastic and
performance art
151
Postmodern sculpture and performance art: some
examples
151
Creative design
156
Key characteristics of creative design
160
Postmodern design: some examples
160
Selected reading
162
6
164
Debates in popular culture
165
Pop music and eclectic styles
171
Stop and think
176
Key characteristics of postmodern pop music
178
Postmodern pop music: some examples
178
Experimental music: well-tempered music and
bad-tempered debate
179
Stop and think
187
Key characteristics of postmodern experimental
music
188
Postmodern music: an example
188
Selected reading
192
7
194
Television: zipping and zapping
194
Stop and think
203
VJs displace
204
Stop and think
209
Screening the image: postmodern film
209
Stop and think
214
Key characteristics of postmodern film
214
Postmodern film: an example
215
Televisual prosthetics and postmodern cyberbodies
218
Selected reading
223
Contents
8
226
Positivism and the social sciences
227
Social psychology
235
Stop and think
238
International relations theory
239
Stop and think
242
The postmodernist challenge: textualising
Stop and think
248
Selected reading
249
9
252
Select bibliography
259
Index
277
Postmodernism has become the buzzword of contemporary society in
the
definitions, contexts and associations. Beginning postmodernism aims
to offer clear, accessible and step-by-step introductions to
postmodernism across a wide range of subjects. It encourages readers
to explore how the debates about postmodernism have emerged from
basic philosophical and cultural ideas, and to develop comparative
connections and ideas from one area to another. With its emphasis
firmly on postmodernism in practice , the book contains exercises and
questions designed to help readers understand and reflect upon a
variety of positions within the following areas of contemporary culture:
philosophy and cultural theory; architecture and concepts of space;
visual art, sculpture and the design arts; popular culture and music;
Rim, video and television culture, and the social sciences.
Tim Woods is Lecturer in English and American Studies at the
University of Wales, Aberystwyth.
|
| adam_txt |
Contents
Listof
page
Acknowledgements
xiii
1
1
What is/are/was/were postmodernism^)?
1
Stop and think
4
2
18
Philosophical champions of postmodernism
19
French double-acts
19
Stop and think
24
Stop and think
29
Schizoanalysis: Deleuze and Guattari
30
Adversaries of postmodernism
32
Jürgen Habermas
34
Fredric Jameson
35
Stop and think
37
Postmodernism and feminism
38
Stop and think
41
Postcołonialism
41
Stop and think
46
Selected reading
47
3
49
Postmodern fiction
49
Exhaustion and replenishment: postmodern fiction's
attack on realism
51
Stop and think
53
і
Contents
Postmodern
54
Irony and transgression
57
Stop and think
61
Postmodern fiction by other means
61
Key characteristics of postmodern fiction
65
Postmodern fiction: an example
66
Postmodern poetry
68
Reading language writing
71
Stop and think
76
Key characteristics of postmodern poetry
76
Postmodern poetry: an example
77
Postmodern theatre and performance
79
Stop and think
84
Selected reading
85
I Postmodern architecture and concepts of space
89
Modernist architecture
89
Postmodernist reactions
93
What there is to learn from Las Vegas
95
Charles Jencks and 'dual-coding'
98
Stop and think
101
Architectural languages
102
Deconstructive architecture
104
'Monstrous carbuncles' or rural retreats?
109
Stop and think
111
Key characteristics of postmodernist architecture
112
Postmodern architecture: some examples
114
Spatial experience and geography
117
Selected reading
122
5
design arts
124
Visual art
125
Craig Owens: postmodernism as the return of
allegory
131
Feminist art
134
Photography
137
Stop and think
139
Key characteristics of postmodern visual art
140
Contents
Postmodern visual art: some examples
140
Sculpture, plastic and performance art
146
Rosalind Krauss: postmodernism and land art
147
Installations and performance art
149
Stop and think
150
Key characteristics of sculpture, plastic and
performance art
151
Postmodern sculpture and performance art: some
examples
151
Creative design
156
Key characteristics of creative design
160
Postmodern design: some examples
160
Selected reading
162
6
164
Debates in popular culture
165
Pop music and eclectic styles
171
Stop and think
176
Key characteristics of postmodern pop music
178
Postmodern pop music: some examples
178
'Experimental' music: well-tempered music and
bad-tempered debate
179
Stop and think
187
Key characteristics of postmodern 'experimental'
music
188
Postmodern music: an example
188
Selected reading
192
7
194
Television: zipping and zapping
194
Stop and think
203
VJs displace
204
Stop and think
209
Screening the image: postmodern film
209
Stop and think
214
Key characteristics of postmodern film
214
Postmodern film: an example
215
Televisual prosthetics and postmodern cyberbodies
218
Selected reading
223
Contents
8
226
Positivism and the social sciences
227
Social psychology
235
Stop and think
238
International relations theory
239
Stop and think
242
The postmodernist challenge: textualising
Stop and think
248
Selected reading
249
9
252
Select bibliography
259
Index
277
'Postmodernism' has become the buzzword of contemporary society in
the
definitions, contexts and associations. Beginning postmodernism aims
to offer clear, accessible and step-by-step introductions to
postmodernism across a wide range of subjects. It encourages readers
to explore how the debates about postmodernism have emerged from
basic philosophical and cultural ideas, and to develop comparative
connections and ideas from one area to another. With its emphasis
firmly on 'postmodernism in practice', the book contains exercises and
questions designed to help readers understand and reflect upon a
variety of positions within the following areas of contemporary culture:
philosophy and cultural theory; architecture and concepts of space;
visual art, sculpture and the design arts; popular culture and music;
Rim, video and television culture, and the social sciences.
Tim Woods is Lecturer in English and American Studies at the
University of Wales, Aberystwyth. |
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| language | English |
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