Verfügbarkeit: Ezra Pound: poet

Ezra Pound: poet: a portrait of the man and his work 1 The young genius : 1885 - 1920

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Bibliographische Detailangaben
1. Verfasser:	Moody, Anthony David 1932- (VerfasserIn)
Format:	Buch
Sprache:	English
Veröffentlicht:	Oxford [u.a.] Oxford Univ. Press 2007
Ausgabe:	1. publ.
Schlagworte:	Pound, Ezra <1885-1972> Geschichte 1900-2000 Poètes américains - 20e siècle - Biographies Poets, American > 20th century > Biography Biografie
Online-Zugang:	Inhaltsverzeichnis Klappentext
Beschreibung:	XV, 507 S. Ill.
ISBN:	9780199215577

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Datensatz im Suchindex

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adam_text	CONTENTS ILLUSTRATIONS ix PREFACE xi CHRONOLOGY xiii PART ONE : 1885-1911 1. Bom in the USA Four generations — The Westons — A small boy in Wyncote — Homer — Isabel — Cheltenham Military Academy — The Grand Tour with Aunt Frank — Suburban prejudice — XRa — What he wanted to do 3 2. In a World of Books College of Liberal Arts, University of Pennsylvania: 1901-1903 — Hamilton College, Class of 05— Graduate School of Arts and Sciences: Ό5-Ό7 14 3. First Poems: 1901-1908 Dryad — Katherine Ruth Heyman — Aesthetics — False starts — A Lume Spento 34 4. Hell and Deliverance The gadfly — Wabash College, Crawfordsville, Indiana 55 5. Outward and Away Via Gibraltar and Venice 62 6. London 1908-1910 A stiff white collar — A letter to his mother — Elkin Mathews — A Quinzaine for This Yule — People are interested — The Dawn and Dorothy — Personae of Ezra Pound — Yeats — Exultations of Ezra Pound — Ford Madox Hueffer — The Spirit of Romance — A tirade on the epic — Our renaissance in the egg 68 7. Patria Mia The exile s mission — Dorothy — Canzoni 127 vu CONTENTS PART TWO : 1911-1920, LONDON 8. Prelude in Paris 43 9. 1911-1912: Settling In Of heaven and the ground under it — A passive engagement — The work of genius — Ripostes of Ezra Pound — This is where I belong 158 10. In the Steps of the Troubadours 182 11. Stirring Things Up: 1912-1913 Embroidery and vortex — One thing and another — Taking on the contemporary — Making enemies in The New Age — Making a renaissance in Poetry — Individualism in The New Freewoman — The Imagiste vortex — Odd ends 196 12. Going to War: 1913-1915 Spirits at Stone Cottage — A marriage — The BLAST vortex — The coming of war — Poets in a world at war: Cathay — Finding himself 236 13. Shaping an Intelligence Unit: 1915-1916 Caring for Wyndham Lewis and James Joyce — Lustra of Ezra Pound: the censor censored — Dialogues at Stone Cottage — Works and days — Poems of 1915-16, and the measure of realism — Three Cantos : finding his form 276 14. Into Action: 1917-1918 Editor, male, seeks magazine (1912-16) — Thomas S. Eliot (1914— 16)— The Little Review and the Great War: arrival of new force — From a letter to his father — The Little Review and the Great War: the enemy — His several fronts: chronicle — Langue d Oc and Homage to Sextus Propertius 316 15. Goodbye to England: 1919-1920 The smell of French asphalt — The Fourth Canto, and a new poetic — Public affairs — Hugh Selwyn Mauberley — A pair of old shoes — ... out of the dead land 355 ABBREVIATIONS 411 NOTES 421 ACKNOWLEDGEMENTS 486 INDEX 492 Vili This first volume of what will be a full-scale portrait presents Ezra Pound as a very determined and energetic young genius setting out to make his way both as a poet, and as a force for civilization, in England and America in the years before, during and just after the 1914-18 war. A. David Moody weaves a story of Pound s early life and loves; of his education in America; of his apprentice years in London, devoted to training himself to be as good and powerful a poet as he had it in him to become; of his learning there from W. B.Yeats and Ford Madox Hueffer, then forming his own Imagiste group, and going on from that to join with Wyndham Lewis in his Vorticism, and to link up also with James Joyce and IS. Eliot to create the modernist vortex in the midst of the 1914-18 war. We see Pound scraping a living by writing prose for individualist and socialist periodicals, and emerging as not only an inspired literary critic, but as a critic of music and society as well. Above all, Moody shows Pound s evolution as a poet from the derivative idealism and aestheticism of his precocious youth into the truly original author of Homage to Sextus Propertius and Hugh Selwyn Mauberley. By 1920 Pound had established himself as a principal agent of revolution in poetry, working for the liberation of the individual from stifling conventions and for renaissance in America. We find him becoming committed, moreover, to the reform of the capitalist system in the name of economic justice for all. This is the first biography to put Pound s poetry at the heart of his existence, where he himself placed it. and to view his extraordinarily active life, his loves, and his creative effort, as a single complex drama. The altogether new and comprehensive account of all of his poems, from the earliest through Cathay and up to Hugh Selwyn Mauberieymú the first Cantos, will illuminate his poetry and make it more accessible. With that there is a clear and cogent analysis of his ideas: those that informed Imagismeanü Vorticism. those that shaped his commitments to the freedom and fulfilment of the individual, to a cultural renaissance, and to social and economic reform. The poetry, tne prose writings and tfie personal life are all woven together into a brilliant narrative portrait of the poet as a young man A second volume will carry on the narrative of his life and works from 1921. tne year ¡n which he took up residence in Paris.
adam_txt	CONTENTS ILLUSTRATIONS ix PREFACE xi CHRONOLOGY xiii PART ONE : 1885-1911 1. Bom in the USA Four generations — The Westons — A small boy in Wyncote — Homer — Isabel — Cheltenham Military Academy — The Grand Tour with Aunt Frank — Suburban prejudice — XRa — What he wanted to do 3 2. In a World of Books College of Liberal Arts, University of Pennsylvania: 1901-1903 — Hamilton College, Class of '05— Graduate School of Arts and Sciences: Ό5-Ό7 14 3. First Poems: 1901-1908 Dryad — Katherine Ruth Heyman — Aesthetics — False starts — A Lume Spento 34 4. Hell and Deliverance The gadfly — Wabash College, Crawfordsville, Indiana 55 5. Outward and Away Via Gibraltar and Venice 62 6. London 1908-1910 A stiff white collar — A letter to his mother — Elkin Mathews — A Quinzaine for This Yule — 'People are interested' — 'The Dawn' and Dorothy — Personae of Ezra Pound — Yeats — Exultations of Ezra Pound — Ford Madox Hueffer — The Spirit of Romance — A tirade on the epic — 'Our renaissance in the egg' 68 7. Patria Mia The exile's mission — Dorothy — Canzoni 127 vu CONTENTS PART TWO : 1911-1920, LONDON 8. Prelude in Paris 43 9. 1911-1912: Settling In Of heaven and the ground under it — A passive engagement — The work of genius — Ripostes of Ezra Pound — 'This is where I belong' 158 10. In the Steps of the Troubadours 182 11. Stirring Things Up: 1912-1913 Embroidery and vortex — One thing and another — Taking on the contemporary — Making enemies in The New Age — Making a renaissance in Poetry — Individualism in The New Freewoman — The Imagiste vortex — Odd ends 196 12. Going to War: 1913-1915 Spirits at Stone Cottage — A marriage — The BLAST vortex — The coming of war — Poets in a world at war: Cathay — Finding himself 236 13. Shaping an Intelligence Unit: 1915-1916 Caring for Wyndham Lewis and James Joyce — Lustra of Ezra Pound: the censor censored — Dialogues at Stone Cottage — Works and days — Poems of 1915-16, and the measure of realism — 'Three Cantos': finding his form 276 14. Into Action: 1917-1918 Editor, male, seeks magazine (1912-16) — Thomas S. Eliot (1914— 16)— The Little Review and the Great War: arrival of new force — From a letter to his father — The Little Review and the Great War: the enemy — His several fronts: chronicle — 'Langue d'Oc' and Homage to Sextus Propertius 316 15. Goodbye to England: 1919-1920 The smell of French asphalt — The Fourth Canto, and a new poetic — Public affairs — Hugh Selwyn Mauberley — A pair of old shoes —'. out of the dead land' 355 ABBREVIATIONS 411 NOTES 421 ACKNOWLEDGEMENTS 486 INDEX 492 Vili This first volume of what will be a full-scale portrait presents Ezra Pound as a very determined and energetic young genius setting out to make his way both as a poet, and as a force for civilization, in England and America in the years before, during and just after the 1914-18 war. A. David Moody weaves a story of Pound's early life and loves; of his education in America; of his apprentice years in London, devoted to training himself to be as good and powerful a poet as he had it in him to become; of his learning there from W. B.Yeats and Ford Madox Hueffer, then forming his own Imagiste group, and going on from that to join with Wyndham Lewis in his Vorticism, and to link up also with James Joyce and IS. Eliot to create the modernist vortex in the midst of the 1914-18 war. We see Pound scraping a living by writing prose for individualist and socialist periodicals, and emerging as not only an inspired literary critic, but as a critic of music and society as well. Above all, Moody shows Pound's evolution as a poet from the derivative idealism and aestheticism of his precocious youth into the truly original author of Homage to Sextus Propertius and Hugh Selwyn Mauberley. By 1920 Pound had established himself as a principal agent of revolution in poetry, working for the liberation of the individual from stifling conventions and for renaissance in America. We find him becoming committed, moreover, to the reform of the capitalist system in the name of economic justice for all. This is the first biography to put Pound's poetry at the heart of his existence, where he himself placed it. and to view his extraordinarily active life, his loves, and his creative effort, as a single complex drama. The altogether new and comprehensive account of all of his poems, from the earliest through Cathay and up to Hugh Selwyn Mauberieymú the first Cantos, will illuminate his poetry and make it more accessible. With that there is a clear and cogent analysis of his ideas: those that informed Imagismeanü Vorticism. those that shaped his commitments to the freedom and fulfilment of the individual, to a cultural renaissance, and to social and economic reform. The poetry, tne prose writings and tfie personal life are all woven together into a brilliant narrative portrait of the poet as a young man A second volume will carry on the narrative of his life and works from 1921. tne year ¡n which he took up residence in Paris.
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