Images and identity in fifteenth-century Florence:
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Buch |
Sprache: | English |
Veröffentlicht: |
New Haven [u.a.]
Yale Univ. Press
2007
|
Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis Klappentext |
Beschreibung: | XXIII, 418 S. zahlr. Ill. |
ISBN: | 0300123426 9780300123425 |
Internformat
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Datensatz im Suchindex
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adam_text | Contents
Foreword and Acknowledgments
Note on Money, Measurement, and Dates
Part
і
Acquiring Honor
Objects and Occasions
più e più masserìzie
2
Expenditure
The Utility of Wealth
Style and Substance
3
The Middling Classes
Masters of their Arts: Giovanni
Sanminiato and
Part ii
4
Scrutiny: Sight and Social Practice
Visual Testimony
5
The poet for shoemakers and bakers
Oh memory that wrote down what I saw, here shall your
worthiness appear!
Sweet hue of oriental sapphire
I cannot but enjoy statues
1
Old Sacristy, San Lorenzo, Florence.
viii Contents
Part iii
6
The eyes of the watchful heart
For our conversation is in heaven
What manner of salutation this should
7
Marriage and Lineage
.. .
Notes
Bibliographic Notes
1
describing florence
più e più masserizie
people and projects 3io
2
HISTORY OF THE PERIOD
THE ETHICS OF EXPENDITURE 3I3
PATRONAGE AND PATRONS 316
ARTISTS AND PROJECTS
5
THE ROUNDEL
DONATELLO S REPUTATION
GIOVANNI
ARTISTIC PRACTICE
SOCIAL DEFINITION
4
optics and the definition of sight and seeing
the period eye
sight and social practice 33i
artists and projects
j
dante alghieri: primo splendore del nome fiorentino
picturing dante
purgatory, canto
artists reputations and the reputation of the arts
artists and projects
6
CORPOREAL AND SPIRITUAL VISION: SEEING WITH THE EYES
OF COMPASSION
Contents ix
DEVOTION:
DEVOTIONAL ART
ARTISTS AND PROJECTS
7
the panels
botticelli and boccaccio
marriage: its objectives and related objects
Bibliography
Primary Sources
Secondary Literature
Index
Photograph Credits
Appearances mattered in fifteenth-century
Florence. Patricia Lee Rubin s fascinating book
deals with the interaction of social expectations
and visual experience in a city that made
beauty a matter of civic policy. In exploring
this heightened sensitivity to display, Rubin
seeks out the meeting places of meaning in
churches, in palaces, in piazzas
-
places of
exchange where identities were taken on and
transformée!,
often with the mediation of
images. She asks an array of questions: Why
were works of art made? Who commissioned
them, and who supplied them? How did they
look, and how were they looked at? The
answers illuminate the contexts of their
production, and explain how they were valued
and viewed.
The book describes the factors that
conditioned artistic awareness in Florence.
It examines the contemporary definitions of
sight and of seeing found in sources as diverse
as Dante
Alighieris
Divine Comedy, Lc
renzo
de
Medici s love poetry, and Leonardo da
Vinci s notebooks, along with the theories of
optical science and the practices of political
scrutiny, criminal justice, and eyewitness
testimony.
Rubin discusses sacred and secular works by
artists such as
Donatello,
Fra Angelico, Fra
Filippo Lippi,
Botticelli, and
Filippino Lippi
and shows in some detail how they created
paintings and sculptures that involved their
viewers in nuaneed modes of beholding,
inextricably linking perception to reception.
She deciphers the behavioral codes and
expressions of identity
-
artistic, institutional,
and familial
—
represented in these remarkably
crafted objects. She outlines the notions of
expenditure that influenced developments in
the visual arts as well as the status of those arts
m
fifteenth-century Florence. The uniquely
rich resources of the Florentine archives are
exploited to define the social position of the
artisans responsible for fashioning the city s
splendor.
This handsome book provides an original
guide to a major period of art history.
It demonstrates how things were seen at the
time and how we, consequently, can see them
in new and revealing ways. Extensive
illustration, abundant supporting material, and
comprehensive bibliographic essays make
Iniiigcs
und
Identity in Fifteenth-Century
Florence a
handbook for the study of Renaissance art and
essential reading for anyone interested in the
connections between seeing and being.
|
adam_txt |
Contents
Foreword and Acknowledgments
Note on Money, Measurement, and Dates
Part
і
Acquiring Honor
Objects and Occasions
"più e più masserìzie"
2
Expenditure
The Utility of Wealth
Style and Substance
3
The "Middling" Classes
Masters of their Arts: Giovanni
Sanminiato and
Part ii
4
Scrutiny: Sight and Social Practice
Visual Testimony
5
The "poet for shoemakers and bakers"
"Oh memory that wrote down what I saw, here shall your
worthiness appear!"
"Sweet hue of oriental sapphire
"I cannot but enjoy statues"
1
Old Sacristy, San Lorenzo, Florence.
viii Contents
Part iii
6
"The eyes of the watchful heart"
"For our conversation is in heaven"
"What manner of salutation this should
7
Marriage and Lineage
". .
Notes
Bibliographic Notes
1
describing florence
"più e più masserizie"
people and projects 3io
2
HISTORY OF THE PERIOD
THE ETHICS OF EXPENDITURE 3I3
PATRONAGE AND PATRONS 316
ARTISTS AND PROJECTS
5
THE ROUNDEL
DONATELLO'S REPUTATION
GIOVANNI
ARTISTIC PRACTICE
SOCIAL DEFINITION
4
optics and the definition of sight and seeing
the "period eye"
sight and social practice 33i
artists and projects
j
dante alghieri: "primo splendore del nome fiorentino"
picturing dante
purgatory, canto
artists' reputations and the reputation of the arts
artists and projects
6
CORPOREAL AND SPIRITUAL VISION: SEEING "WITH THE EYES
OF COMPASSION"
Contents ix
DEVOTION:
DEVOTIONAL ART
ARTISTS AND PROJECTS
7
the panels
botticelli and boccaccio
marriage: its objectives and related objects
Bibliography
Primary Sources
Secondary Literature
Index
Photograph Credits
Appearances mattered in fifteenth-century
Florence. Patricia Lee Rubin's fascinating book
deals with the interaction of social expectations
and visual experience in a city that made
beauty a matter of civic policy. In exploring
this heightened sensitivity to display, Rubin
seeks out the meeting places of meaning in
churches, in palaces, in piazzas
-
places of
exchange where identities were taken on and
transformée!,
often with the mediation of
images. She asks an array of questions: Why
were works of art made? Who commissioned
them, and who supplied them? How did they
look, and how were they looked at? The
answers illuminate the contexts of their
production, and explain how they were valued
and viewed.
The book describes the factors that
conditioned artistic awareness in Florence.
It examines the contemporary definitions of
sight and of seeing found in sources as diverse
as Dante
Alighieris
Divine Comedy, Lc
renzo
de'
Medici's love poetry, and Leonardo da
Vinci's notebooks, along with the theories of
optical science and the practices of political
scrutiny, criminal justice, and eyewitness
testimony.
Rubin discusses sacred and secular works by
artists such as
Donatello,
Fra Angelico, Fra
Filippo Lippi,
Botticelli, and
Filippino Lippi
and shows in some detail how they created
paintings and sculptures that involved their
viewers in nuaneed modes of beholding,
inextricably linking perception to reception.
She deciphers the behavioral codes and
expressions of identity
-
artistic, institutional,
and familial
—
represented in these remarkably
crafted objects. She outlines the notions of
expenditure that influenced developments in
the visual arts as well as the status of those arts
m
fifteenth-century Florence. The uniquely
rich resources of the Florentine archives are
exploited to define the social position of the
artisans responsible for fashioning the city's
splendor.
This handsome book provides an original
guide to a major period of art history.
It demonstrates how things were seen at the
time and how we, consequently, can see them
in new and revealing ways. Extensive
illustration, abundant supporting material, and
comprehensive bibliographic essays make
Iniiigcs
und
Identity in Fifteenth-Century
Florence a
handbook for the study of Renaissance art and
essential reading for anyone interested in the
connections between seeing and being. |
any_adam_object | 1 |
any_adam_object_boolean | 1 |
author | Rubin, Patricia Lee 1951- |
author_GND | (DE-588)133209784 |
author_facet | Rubin, Patricia Lee 1951- |
author_role | aut |
author_sort | Rubin, Patricia Lee 1951- |
author_variant | p l r pl plr |
building | Verbundindex |
bvnumber | BV022512387 |
callnumber-first | N - Fine Arts |
callnumber-label | N6921 |
callnumber-raw | N6921.F7 |
callnumber-search | N6921.F7 |
callnumber-sort | N 46921 F7 |
callnumber-subject | N - Visual Arts |
classification_rvk | LN 37107 |
ctrlnum | (OCoLC)76902016 (DE-599)BVBBV022512387 |
dewey-full | 709.45/51024 709.455109024 |
dewey-hundreds | 700 - The arts |
dewey-ones | 709 - History, geographic treatment, biography |
dewey-raw | 709.45/51024 709.455109024 |
dewey-search | 709.45/51024 709.455109024 |
dewey-sort | 3709.45 551024 |
dewey-tens | 700 - The arts |
discipline | Kunstgeschichte |
discipline_str_mv | Kunstgeschichte |
era | Geschichte 1400-1500 Geschichte 1400-1500 gnd |
era_facet | Geschichte 1400-1500 |
format | Book |
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illustrated | Illustrated |
index_date | 2024-07-02T17:59:48Z |
indexdate | 2024-07-09T20:59:13Z |
institution | BVB |
isbn | 0300123426 9780300123425 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-015719255 |
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physical | XXIII, 418 S. zahlr. Ill. |
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publisher | Yale Univ. Press |
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spelling | Rubin, Patricia Lee 1951- Verfasser (DE-588)133209784 aut Images and identity in fifteenth-century Florence Patricia Lee Rubin New Haven [u.a.] Yale Univ. Press 2007 XXIII, 418 S. zahlr. Ill. txt rdacontent n rdamedia nc rdacarrier Geschichte 1400-1500 Geschichte 1400-1500 gnd rswk-swf Geschichte Art and society Italy Florence History 15th century Art patronage Italy Florence History 15th century Art, Italian Italy Florence 15th century Art, Renaissance Italy Florence Visual perception History 15th century Kunstbetrieb (DE-588)4208853-7 gnd rswk-swf Soziale Situation (DE-588)4077575-6 gnd rswk-swf Italien Florenz (DE-588)4017581-9 gnd rswk-swf Florenz (DE-588)4017581-9 g Kunstbetrieb (DE-588)4208853-7 s Soziale Situation (DE-588)4077575-6 s Geschichte 1400-1500 z DE-604 Digitalisierung BSBMuenchen application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=015719255&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Passau application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=015719255&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
spellingShingle | Rubin, Patricia Lee 1951- Images and identity in fifteenth-century Florence Geschichte Art and society Italy Florence History 15th century Art patronage Italy Florence History 15th century Art, Italian Italy Florence 15th century Art, Renaissance Italy Florence Visual perception History 15th century Kunstbetrieb (DE-588)4208853-7 gnd Soziale Situation (DE-588)4077575-6 gnd |
subject_GND | (DE-588)4208853-7 (DE-588)4077575-6 (DE-588)4017581-9 |
title | Images and identity in fifteenth-century Florence |
title_auth | Images and identity in fifteenth-century Florence |
title_exact_search | Images and identity in fifteenth-century Florence |
title_exact_search_txtP | Images and identity in fifteenth-century Florence |
title_full | Images and identity in fifteenth-century Florence Patricia Lee Rubin |
title_fullStr | Images and identity in fifteenth-century Florence Patricia Lee Rubin |
title_full_unstemmed | Images and identity in fifteenth-century Florence Patricia Lee Rubin |
title_short | Images and identity in fifteenth-century Florence |
title_sort | images and identity in fifteenth century florence |
topic | Geschichte Art and society Italy Florence History 15th century Art patronage Italy Florence History 15th century Art, Italian Italy Florence 15th century Art, Renaissance Italy Florence Visual perception History 15th century Kunstbetrieb (DE-588)4208853-7 gnd Soziale Situation (DE-588)4077575-6 gnd |
topic_facet | Geschichte Art and society Italy Florence History 15th century Art patronage Italy Florence History 15th century Art, Italian Italy Florence 15th century Art, Renaissance Italy Florence Visual perception History 15th century Kunstbetrieb Soziale Situation Italien Florenz |
url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=015719255&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=015719255&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
work_keys_str_mv | AT rubinpatricialee imagesandidentityinfifteenthcenturyflorence |