From sacred to secular: visual images in early American publications
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Newark
Univ. of Delaware Press
2007
|
Schriftenreihe: | The University of Delaware Press studies in seventeenth- and eighteenth-century art and culture
|
Schlagworte: | |
Online-Zugang: | Table of contents only Klappentext Inhaltsverzeichnis |
Beschreibung: | 220 S. zahlr. Ill. |
ISBN: | 9780874139617 0874139619 |
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Datensatz im Suchindex
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adam_text | From Sacred to Secular
Visual Images
in Early American Publications
BARBARA E. LACEY
From Sacred to Secular: Visual Images in
Early American Publications is a path-
breaking interdisciplinary study of
eighteenth-century American culture based
on the evidence of illustrated books, maga¬
zines, pamphlets, almanacs, and broadsides.
It uses the illustrated publications as material
artifacts to be studied for what they tell of a
society s values, ideas, attitudes, and assump¬
tions. It employs the literature of a variety of
fields, including history, art history, literature,
religion, and the growing scholarship on the
history of the book, thus bridging the gap
between disciplines. The present study is un¬
usual because it concentrates on the illustra¬
tions, restoring little-known images to the
modern viewer, and explores the meanings of
an image situated in a text.
Although the American Puritans are often
said to have been iconoclastic devotees of
the Word, their early illustrated publica¬
tions show they utilized a wide variety of
visual images to communicate ideas about re¬
ligion, people, and politics. The images in the
printed texts clarify the meaning of complex
ideas, mediating between lay culture and
learned culture. While many scholars of
image-and-text concentrate on literary as¬
pects, this study emphasizes the visual im¬
ages as primary source materials, analyzing
them, pointing to how the image supports or
in some cases deconstructs the text.
The term From Sacred to Secular refers
not to two opposing views, nor to a complete
transformation of imagery, but to a spectrum
of religious, cultural, and political ideas.
Chapters are devoted to memento
ery, children s readers, visionary literature,
and illustrated Bibles. One chapter shows the
demonization of the Indian even as the Indian
was being adopted as a symbol of America.
Other chapters deal with propaganda for the
American Revolution, canonization of lead¬
ers, secularized roles for women, and
zation of sites in the new nation. Throughout,
analysis of image and text shows that the
religious and secular contrasted, coexisted,
and intermingled in eighteenth-century
American illustrated imprint.
The images, first identified in the micro¬
form Charles Evans Early American imprint
Collection, include many little-known wood¬
cuts and engravings. From this collection, ap¬
proximately one hundred images were se¬
lected for reproduction by means of photo¬
graphing the original. The publication of this
study is timely, appearing when academic
discourse and everyday language is engaged
in what W. J. T. Mitchell calls the pictorial
turn, a fundamental shift involving encoun¬
ters with and concerns about the visual. Both
textbook writers and research scholars are at¬
tempting to address the role of nonverbal ex¬
perience in transmitting and transforming cul¬
ture and ideology. The meanings of the
eighteenth-century images are not self-
evident, because they draw upon knowledge
of allegories, emblems, and classical refer¬
ences as well as medieval symbolism, all of
which require explication.
The book will be of interest to students of
American history and American art at both
the undergraduate and graduate levels,
scholars of the eighteenth century, and gener¬
al readers interested in the arts.
LC
Printed in the U.S.A.
Jacket illustrations: The Evangelist S. Mark, by
Cornelius Tiebout, from the Douay Bible (Phila¬
delphia: Mathew Carey,
An East View of M Neal s Ferry at Saratoga,
engraved by Scoles for the New York Magazine,
or Literary Repository (December
Courtesy, American Antiquarian Society.
CONTENTS LIST OF ILLUSTRATIONS 7 ACKNOWLEDGMENTS I 1 INTRODUCTION 15 1.
THE BEGINNING, 1675-1775: FROM MATHER TO WHITEFIELD 23 2. IMAGES FOR THE
YOUNG 40 3. VISIONS AND DREAMS 63 4. BIBLE ILLUSTRATION 80 5. RELATIONS
WITH THE INDIANS 99 6. THE AMERICAN REVOLUTION 117 7. PORTRAITS IN THE
EARLY REPUBLIC 134 8. FROM GOOD WIFE TO LADY: CHANGING IMAGES OF WOMEN
150 9. SACRED SITES: THE CITY AND THE NEW NATION 167 CONCLUSION 181
APPENDIX 187 NOTES 191 SELECTED BIBLIOGRAPHY 213 INDEX 215
|
adam_txt |
From Sacred to Secular
Visual Images
in Early American Publications
BARBARA E. LACEY
From Sacred to Secular: Visual Images in
Early American Publications is a path-
breaking interdisciplinary study of
eighteenth-century American culture based
on the evidence of illustrated books, maga¬
zines, pamphlets, almanacs, and broadsides.
It uses the illustrated publications as material
artifacts to be studied for what they tell of a
society's values, ideas, attitudes, and assump¬
tions. It employs the literature of a variety of
fields, including history, art history, literature,
religion, and the growing scholarship on the
history of the book, thus bridging the gap
between disciplines. The present study is un¬
usual because it concentrates on the illustra¬
tions, restoring little-known images to the
modern viewer, and explores the meanings of
an image situated in a text.
Although the American Puritans are often
said to have been iconoclastic devotees of
"the Word," their early illustrated publica¬
tions show they utilized a wide variety of
visual images to communicate ideas about re¬
ligion, people, and politics. The images in the
printed texts clarify the meaning of complex
ideas, mediating between lay culture and
learned culture. While many scholars of
image-and-text concentrate on literary as¬
pects, this study emphasizes the visual im¬
ages as primary source materials, analyzing
them, pointing to how the image supports or
in some cases deconstructs the text.
The term "From Sacred to Secular" refers
not to two opposing views, nor to a complete
transformation of imagery, but to a spectrum
of religious, cultural, and political ideas.
Chapters are devoted to memento
ery, children's readers, visionary literature,
and illustrated Bibles. One chapter shows the
demonization of the Indian even as the Indian
was being adopted as a symbol of America.
Other chapters deal with propaganda for the
American Revolution, canonization of lead¬
ers, secularized roles for women, and
zation of sites in the new nation. Throughout,
analysis of image and text shows that the
religious and secular contrasted, coexisted,
and intermingled in eighteenth-century
American illustrated imprint.
The images, first identified in the micro¬
form Charles Evans Early American imprint
Collection, include many little-known wood¬
cuts and engravings. From this collection, ap¬
proximately one hundred images were se¬
lected for reproduction by means of photo¬
graphing the original. The publication of this
study is timely, appearing when academic
discourse and everyday language is engaged
in what W. J. T. Mitchell calls the "pictorial
turn," a fundamental shift involving encoun¬
ters with and concerns about the visual. Both
textbook writers and research scholars are at¬
tempting to address the role of nonverbal ex¬
perience in transmitting and transforming cul¬
ture and ideology. The meanings of the
eighteenth-century images are not self-
evident, because they draw upon knowledge
of allegories, emblems, and classical refer¬
ences as well as medieval symbolism, all of
which require explication.
The book will be of interest to students of
American history and American art at both
the undergraduate and graduate levels,
scholars of the eighteenth century, and gener¬
al readers interested in the arts.
LC
Printed in the U.S.A.
Jacket illustrations: The Evangelist S. Mark, by
Cornelius Tiebout, from the Douay Bible (Phila¬
delphia: Mathew Carey,
An East View of M'Neal's Ferry at Saratoga,
engraved by Scoles for the New York Magazine,
or Literary Repository (December
Courtesy, American Antiquarian Society.
CONTENTS LIST OF ILLUSTRATIONS 7 ACKNOWLEDGMENTS I 1 INTRODUCTION 15 1.
THE BEGINNING, 1675-1775: FROM MATHER TO WHITEFIELD 23 2. IMAGES FOR THE
YOUNG 40 3. VISIONS AND DREAMS 63 4. BIBLE ILLUSTRATION 80 5. RELATIONS
WITH THE INDIANS 99 6. THE AMERICAN REVOLUTION 117 7. PORTRAITS IN THE
EARLY REPUBLIC 134 8. FROM GOOD WIFE TO LADY: CHANGING IMAGES OF WOMEN
150 9. SACRED SITES: THE CITY AND THE NEW NATION 167 CONCLUSION 181
APPENDIX 187 NOTES 191 SELECTED BIBLIOGRAPHY 213 INDEX 215 |
any_adam_object | 1 |
any_adam_object_boolean | 1 |
author | Lacey, Barbara E. 1937- |
author_GND | (DE-588)133432505 |
author_facet | Lacey, Barbara E. 1937- |
author_role | aut |
author_sort | Lacey, Barbara E. 1937- |
author_variant | b e l be bel |
building | Verbundindex |
bvnumber | BV022511540 |
callnumber-first | N - Fine Arts |
callnumber-label | NC975 |
callnumber-raw | NC975 |
callnumber-search | NC975 |
callnumber-sort | NC 3975 |
callnumber-subject | NC - Drawing, Design, Illustration |
classification_rvk | HS 1520 LO 96700 |
ctrlnum | (OCoLC)76937291 (DE-599)BVBBV022511540 |
dewey-full | 306.4/7 |
dewey-hundreds | 300 - Social sciences |
dewey-ones | 306 - Culture and institutions |
dewey-raw | 306.4/7 |
dewey-search | 306.4/7 |
dewey-sort | 3306.4 17 |
dewey-tens | 300 - Social sciences |
discipline | Kunstgeschichte Soziologie Anglistik / Amerikanistik |
discipline_str_mv | Kunstgeschichte Soziologie Anglistik / Amerikanistik |
era | Geschichte 1700-1800 Geschichte 1675-1800 gnd |
era_facet | Geschichte 1700-1800 Geschichte 1675-1800 |
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spelling | Lacey, Barbara E. 1937- Verfasser (DE-588)133432505 aut From sacred to secular visual images in early American publications Barbara E. Lacey Newark Univ. of Delaware Press 2007 220 S. zahlr. Ill. txt rdacontent n rdamedia nc rdacarrier The University of Delaware Press studies in seventeenth- and eighteenth-century art and culture Geschichte 1700-1800 Geschichte 1675-1800 gnd rswk-swf Geschichte Illustration of books United States 18th century Magazine illustration United States 18th century Popular culture United States 18th century Social values United States History 18th century Illustration (DE-588)4123412-1 gnd rswk-swf Illustriertes Buch (DE-588)4136134-9 gnd rswk-swf USA USA (DE-588)4078704-7 gnd rswk-swf USA (DE-588)4078704-7 g Illustration (DE-588)4123412-1 s Geschichte 1675-1800 z DE-604 Illustriertes Buch (DE-588)4136134-9 s http://www.loc.gov/catdir/toc/ecip076/2006039084.html Table of contents only Digitalisierung UB Regensburg application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=015718434&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Klappentext SWB Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=015718434&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
spellingShingle | Lacey, Barbara E. 1937- From sacred to secular visual images in early American publications Geschichte Illustration of books United States 18th century Magazine illustration United States 18th century Popular culture United States 18th century Social values United States History 18th century Illustration (DE-588)4123412-1 gnd Illustriertes Buch (DE-588)4136134-9 gnd |
subject_GND | (DE-588)4123412-1 (DE-588)4136134-9 (DE-588)4078704-7 |
title | From sacred to secular visual images in early American publications |
title_auth | From sacred to secular visual images in early American publications |
title_exact_search | From sacred to secular visual images in early American publications |
title_exact_search_txtP | From sacred to secular visual images in early American publications |
title_full | From sacred to secular visual images in early American publications Barbara E. Lacey |
title_fullStr | From sacred to secular visual images in early American publications Barbara E. Lacey |
title_full_unstemmed | From sacred to secular visual images in early American publications Barbara E. Lacey |
title_short | From sacred to secular |
title_sort | from sacred to secular visual images in early american publications |
title_sub | visual images in early American publications |
topic | Geschichte Illustration of books United States 18th century Magazine illustration United States 18th century Popular culture United States 18th century Social values United States History 18th century Illustration (DE-588)4123412-1 gnd Illustriertes Buch (DE-588)4136134-9 gnd |
topic_facet | Geschichte Illustration of books United States 18th century Magazine illustration United States 18th century Popular culture United States 18th century Social values United States History 18th century Illustration Illustriertes Buch USA |
url | http://www.loc.gov/catdir/toc/ecip076/2006039084.html http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=015718434&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=015718434&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
work_keys_str_mv | AT laceybarbarae fromsacredtosecularvisualimagesinearlyamericanpublications |