Mozart's Viennese instrumental music: a study of stylistic re-invention
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Woodbridge
Boydell Press
2007
|
| Ausgabe: | 1. publ. |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | VIII, 217 S. Notenbeisp. |
| ISBN: | 9781843833192 |
Internformat
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Datensatz im Suchindex
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| adam_text | Contents
List of
Musical
Examples
vìi
List of Figures
ix
Acknowledgements
xi
Introduction: Mozart and Stylistic Re-Invention
1
I. PIANO CONCERTOS
1.
An Entirely Special Manner : Mozart s Piano Concerto No.
14
in B>,
K.
449,
and the Stylistic Implications of Confrontation
19
K.
449
as a hybrid of Mozart s
1782-83
and spring
1784
concertos
25
The stylistic implications of confrontation in K.
449 34
2.
On the Grand, Brilliant and Intimate: Mozart s Piano Concertos
K.
450 -
K.
503 (1784-86) 43
Grandeur, intimacy and brilliance in late eighteenth-century
concerto criticism
44
Grandeur, brilliance and intimacy in Mozart s piano concertos
47
Mozart s piano concertos K.
450-503 (1784-86) 49
K.
449
re-visited
53
K.
491
and K.
503 55
3.
A Complementary Pair: Stylistic Experimentation in Mozart s Final
Piano Concertos, No.
26
in D, K.
537
(the Coronation ), and No.
27
in B >,
К.
595 64
Stylistic experimentation in the first movements of K.
537
and
595 68
Mozart s stylistic experimentation in context
77
K.
491
re-visited
80
II. STRING QUARTETS
4.
An Integrated Dissonance : Mozart s Haydn Quartets and the Slow
Introduction of K.
465 89
K. 465/i and the Haydn set
94
K. 465 s slow introduction as peroration
102
5.
Mozart s Prussian Quartets, K.
575,589
and
590:
Towards a New
Aesthetic of the String Quartet
105
Musical contrast in the Prussian quartets
107
K.
465
re-visited
121
The Prussian quartets in musical and aesthetic context
123
III. SYMPHONIES
6.
The Jupiter Symphony in C, K.
551 :
The Dramatic Finale and its
Stylistic Significance in Mozart s Orchestral
Oeuvre 137
The Jupiter finale: reception and context
139
Dramatic dialogue and the late eighteenth-century symphony
144
Dramatic dialogue in the Jupiter finale
152
The stylistic significance of the Jupiter finale in Mozart s
oeuvre
160
IV. CONCLUSIONS
7.
Mozart s Stylistic Re-Invention in Musical Context
167
The Quintet for Piano and Winds, K.
452 169
The piano quartets
174
The piano trios,
Kegelstatt
trio and string trio
177
The piano sonatas and violin sonatas
182
Conclusion: the process of re-invention
188
Bibliography
201
Index of Mozart s Works by
Köchel
Number
211
Index of Mozart s Works by Genre
213
General Index
215
Mozart s Piano Concertos: Dramatic
Dialogue in the Age of Enlightenment
This masterly study will expand every reader s appreciation of Mozart s most original
genre. Andrew Willis, NOTES
This closely written and thoroughly researched study adds much to our appreciation of the
concept of dramatic dialogue in Mozart s mature piano concertos... What Keefe offer[s]
us is fascinating.
..
his book is of value in that the higher meaning of these subtle works is
often obscure... he does much to make it clearer. INTERNATIONAL PIANO
The interactive relationship between the piano and the orchestra in Mozart s
concertos is an issue central to the appreciation of these great works, explored in
this study in the context of the historical implications and hermeneutic potential
of dramatic dialogue. Simon Keefe shows that invocations of dramatic dialogue
are deeply ingrained in late-eighteenth-century writings on instrumental music,
and he develops this theme into an original and highly positive view of solo/
orchestra relations in Mozart s concertos. He analyses behavioural patterns in
the concertos and links them to theoretical discussion of late-eighteenth-century
drama and to analogous relational development in Mozart s operas Idomeneo, Die
Entführung aus dem Serail,
Le nozze di Figaro and Don Giovanni.
Mozart s
piano
concertos
emerge
afresh from this new approach as an extraordinary medium
of Enlightenment, as significant in their way as the greatest late-eighteenth-
century operatic and theatrical works.
978085Í15834Í
|
| adam_txt |
Contents
List of
Musical
Examples
vìi
List of Figures
ix
Acknowledgements
xi
Introduction: Mozart and Stylistic Re-Invention
1
I. PIANO CONCERTOS
1.
'An Entirely Special Manner': Mozart's Piano Concerto No.
14
in B>,
K.
449,
and the Stylistic Implications of Confrontation
19
K.
449
as a hybrid of Mozart's
1782-83
and spring
1784
concertos
25
The stylistic implications of confrontation in K.
449 34
2.
On the Grand, Brilliant and Intimate: Mozart's Piano Concertos
K.
450 -
K.
503 (1784-86) 43
Grandeur, intimacy and brilliance in late eighteenth-century
concerto criticism
44
Grandeur, brilliance and intimacy in Mozart's piano concertos
47
Mozart's piano concertos K.
450-503 (1784-86) 49
K.
449
re-visited
53
K.
491
and K.
503 55
3.
A Complementary Pair: Stylistic Experimentation in Mozart's Final
Piano Concertos, No.
26
in D, K.
537
(the 'Coronation'), and No.
27
in B\>,
К.
595 64
Stylistic experimentation in the first movements of K.
537
and
595 68
Mozart's stylistic experimentation in context
77
K.
491
re-visited
80
II. STRING QUARTETS
4.
An Integrated 'Dissonance': Mozart's 'Haydn' Quartets and the Slow
Introduction of K.
465 89
K. 465/i and the 'Haydn' set
94
K. 465's slow introduction as peroration
102
5.
Mozart's 'Prussian' Quartets, K.
575,589
and
590:
Towards a New
Aesthetic of the String Quartet
105
Musical contrast in the 'Prussian' quartets
107
K.
465
re-visited
121
The 'Prussian' quartets in musical and aesthetic context
123
III. SYMPHONIES
6.
The 'Jupiter' Symphony in C, K.
551 :
The Dramatic Finale and its
Stylistic Significance in Mozart's Orchestral
Oeuvre 137
The 'Jupiter' finale: reception and context
139
Dramatic dialogue and the late eighteenth-century symphony
144
Dramatic dialogue in the 'Jupiter' finale
152
The stylistic significance of the 'Jupiter' finale in Mozart's
oeuvre
160
IV. CONCLUSIONS
7.
Mozart's Stylistic Re-Invention in Musical Context
167
The Quintet for Piano and Winds, K.
452 169
The piano quartets
174
The piano trios,
'Kegelstatt'
trio and string trio
177
The piano sonatas and violin sonatas
182
Conclusion: the process of re-invention
188
Bibliography
201
Index of Mozart's Works by
Köchel
Number
211
Index of Mozart's Works by Genre
213
General Index
215
Mozart's Piano Concertos: Dramatic
Dialogue in the Age of Enlightenment
This masterly study will expand every reader's appreciation of Mozart's most original
genre. Andrew Willis, NOTES
This closely written and thoroughly researched study adds much to our appreciation of the
concept of dramatic dialogue in Mozart's mature piano concertos. What Keefe offer[s]
us is fascinating.
.
his book is of value in that the higher meaning of these subtle works is
often obscure. he does much to make it clearer. INTERNATIONAL PIANO
The interactive relationship between the piano and the orchestra in Mozart's
concertos is an issue central to the appreciation of these great works, explored in
this study in the context of the historical implications and hermeneutic potential
of dramatic dialogue. Simon Keefe shows that invocations of dramatic dialogue
are deeply ingrained in late-eighteenth-century writings on instrumental music,
and he develops this theme into an original and highly positive view of solo/
orchestra relations in Mozart's concertos. He analyses behavioural patterns in
the concertos and links them to theoretical discussion of late-eighteenth-century
drama and to analogous relational development in Mozart's operas Idomeneo, Die
Entführung aus dem Serail,
Le nozze di Figaro and Don Giovanni.
Mozart's
piano
concertos
emerge
afresh from this new approach as an extraordinary medium
of Enlightenment, as significant in their way as the greatest late-eighteenth-
century operatic and theatrical works.
978085Í15834Í |
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| indexdate | 2024-07-09T20:59:05Z |
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| spelling | Keefe, Simon P. 1968- Verfasser (DE-588)128762888 aut Mozart's Viennese instrumental music a study of stylistic re-invention Simon P. Keefe 1. publ. Woodbridge Boydell Press 2007 VIII, 217 S. Notenbeisp. txt rdacontent n rdamedia nc rdacarrier Mozart, Wolfgang Amadeus <1756-1791> / Concertos - piano, orchestre Mozart, Wolfgang Amadeus <1756-1791> / Musique instrumentale Mozart, Wolfgang Amadeus <1756-1791> Criticism and interpretation Mozart, Wolfgang Amadeus 1756-1791 (DE-588)118584596 gnd rswk-swf Musique instrumentale - Analyse et appréciation Instrumentalmusik (DE-588)4129951-6 gnd rswk-swf Wien (DE-588)4066009-6 gnd rswk-swf Mozart, Wolfgang Amadeus 1756-1791 (DE-588)118584596 p Instrumentalmusik (DE-588)4129951-6 s Wien (DE-588)4066009-6 g DE-604 Digitalisierung BSBMuenchen application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=015713299&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Regensburg application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=015713299&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
| spellingShingle | Keefe, Simon P. 1968- Mozart's Viennese instrumental music a study of stylistic re-invention Mozart, Wolfgang Amadeus <1756-1791> / Concertos - piano, orchestre Mozart, Wolfgang Amadeus <1756-1791> / Musique instrumentale Mozart, Wolfgang Amadeus <1756-1791> Criticism and interpretation Mozart, Wolfgang Amadeus 1756-1791 (DE-588)118584596 gnd Musique instrumentale - Analyse et appréciation Instrumentalmusik (DE-588)4129951-6 gnd |
| subject_GND | (DE-588)118584596 (DE-588)4129951-6 (DE-588)4066009-6 |
| title | Mozart's Viennese instrumental music a study of stylistic re-invention |
| title_auth | Mozart's Viennese instrumental music a study of stylistic re-invention |
| title_exact_search | Mozart's Viennese instrumental music a study of stylistic re-invention |
| title_exact_search_txtP | Mozart's Viennese instrumental music a study of stylistic re-invention |
| title_full | Mozart's Viennese instrumental music a study of stylistic re-invention Simon P. Keefe |
| title_fullStr | Mozart's Viennese instrumental music a study of stylistic re-invention Simon P. Keefe |
| title_full_unstemmed | Mozart's Viennese instrumental music a study of stylistic re-invention Simon P. Keefe |
| title_short | Mozart's Viennese instrumental music |
| title_sort | mozart s viennese instrumental music a study of stylistic re invention |
| title_sub | a study of stylistic re-invention |
| topic | Mozart, Wolfgang Amadeus <1756-1791> / Concertos - piano, orchestre Mozart, Wolfgang Amadeus <1756-1791> / Musique instrumentale Mozart, Wolfgang Amadeus <1756-1791> Criticism and interpretation Mozart, Wolfgang Amadeus 1756-1791 (DE-588)118584596 gnd Musique instrumentale - Analyse et appréciation Instrumentalmusik (DE-588)4129951-6 gnd |
| topic_facet | Mozart, Wolfgang Amadeus <1756-1791> / Concertos - piano, orchestre Mozart, Wolfgang Amadeus <1756-1791> / Musique instrumentale Mozart, Wolfgang Amadeus <1756-1791> Criticism and interpretation Mozart, Wolfgang Amadeus 1756-1791 Musique instrumentale - Analyse et appréciation Instrumentalmusik Wien |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=015713299&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=015713299&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT keefesimonp mozartsvienneseinstrumentalmusicastudyofstylisticreinvention |