Science fiction cinema: between fantasy and reality
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Edinburgh
Edinburgh Univ. Press
2007
|
| Schlagworte: | |
| Online-Zugang: | Klappentext Inhaltsverzeichnis |
| Beschreibung: | Includes bibliographical references and index and filmography |
| Beschreibung: | XII, 308 S. Ill. |
| ISBN: | 9780748624652 9780748616428 |
Internformat
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Datensatz im Suchindex
| _version_ | 1804136583201292288 |
|---|---|
| adam_text | This major new study offers a broad historical and theoretical reassessment of the
science fiction film genre. The book explores the development of science fiction in
cinema from its beginnings in early film through to recent examples of the genre.
Each chapter sets analyses of chosen films within a wider historical/cultural
context, while concentrating on a specific thematic issue. The book therefore
presents vital and unique perspectives in its approach to the genre, which include
discussion of the relevance of psychedelic imagery, the new woman of science ,
generic performance and the prevalence of techno-orientalism in recent films.
While American films are one of the principle areas covered, the author also
engages with a range of pertinent examples from other nations, as well as
discussing the centrality of science fiction as a transnational film genre. Films
discussed include The Day the Earth Stood Still, The Body Snatchers, Forbidden
Planet, The Quatermass Experiment,
The Motion Picture, Star Wars, Altered States, Alien, Blade Runner, The Brother
from Another Planet, Back to the Future, The Terminator, Predator, The One, Dark
City, The Matrix, Fifth Element and eXistenZ.
Key Features
•
•
of the main themes, approaches and areas of study
•
aspects of postmodern identity
•
Emmerich, Paul
Aldiss, |oe Morton, Dean Norris and Billy Gray
CONTENTS
Acknowledgements
and Thanks
vii
Preface
ix
List of Illustrations
xii
1.
Introduction: The Formation of the Genre
1
Definitions and Approaches
2
Traditions, Forerunners and Science Fiction Films
11
Interview: Writer Brian Aldiss
22
Interview: Writer William Gibson
26
2.
Science Fiction Films in the
1950s 29
Fathers, Sons and Alien Visitations
37
Romantic Encounters
45
Daddy s Girl
53
Outside Influences
58
Interview: Actor Billy Gray
65
3.
Spaced Out: Between the Golden Years
75
The Odyssey Begins
82
New Worlds and Old Worlds
100
Interview: Director Ken Russell
103
CONTENTS
4.
The Masculine Subject of Science Fiction in the
1980s
Blockbuster Era
Ш
The Family Films H2
The
1980s
Cyborg Film
120
Science Fiction and the Global Film Market
130
Interview: Director Paul
Verhoeven
134
5.
Gender Blending and the Feminine Subject in
Science Fiction Film
145
Horror and the Female Subject of Science Fiction as Composite
Being
147
Replicating the
Femme Fatale
154
Beyond the
Femme Fatale
160
Mind over Matter
166
Female Hero Meets
Femme Fatale
167
Interview: Director Paul
Verhoeven
(Part
2) 169
6.
Alien Others: Race and the Science Fiction Film
175
Representations of Blackness in Science Fiction of the
1960s
and
1970s 179
The African American Alien in
1980s
Science Fiction Film
182
Issues of Authenticity in the
1990s
Virtual Reality Film
187
The Asian American and the Oriental
193
The Oriental in the Euro-American Science Fiction Film
201
Interview: Actor Joe Morton
208
7.
Generic Performance and Science Fiction Cinema
215
Externalising Performance
221
Internalising Performance
231
Interview: Actor Dean Norris
238
8.
Conclusion: The Technology of Science Fiction Cinema
247
Computer Graphics Imagery and Contemporary Science Fiction
250
Interview: Special Effects Technician Stan Winston
267
Interview: Director Roland Emmerich
275
Bibliography
282
Films Cited
289
Index
295
vi
|
| adam_txt |
This major new study offers a broad historical and theoretical reassessment of the
science fiction film genre. The book explores the development of science fiction in
cinema from its beginnings in early film through to recent examples of the genre.
Each chapter sets analyses of chosen films within a wider historical/cultural
context, while concentrating on a specific thematic issue. The book therefore
presents vital and unique perspectives in its approach to the genre, which include
discussion of the relevance of psychedelic imagery, the 'new woman of science',
generic performance and the prevalence of 'techno-orientalism' in recent films.
While American films are one of the principle areas covered, the author also
engages with a range of pertinent examples from other nations, as well as
discussing the centrality of science fiction as a transnational film genre. Films
discussed include The Day the Earth Stood Still, The Body Snatchers, Forbidden
Planet, The Quatermass Experiment,
The Motion Picture, Star Wars, Altered States, Alien, Blade Runner, The Brother
from Another Planet, Back to the Future, The Terminator, Predator, The One, Dark
City, The Matrix, Fifth Element and eXistenZ.
Key Features
•
•
of the main themes, approaches and areas of study
•
aspects of postmodern identity
•
Emmerich, Paul
Aldiss, |oe Morton, Dean Norris and Billy Gray
CONTENTS
Acknowledgements
and Thanks
vii
Preface
ix
List of Illustrations
xii
1.
Introduction: The Formation of the Genre
1
Definitions and Approaches
2
Traditions, Forerunners and Science Fiction Films
11
Interview: Writer Brian Aldiss
22
Interview: Writer William Gibson
26
2.
Science Fiction Films in the
1950s 29
Fathers, Sons and Alien Visitations
37
Romantic Encounters
45
Daddy's Girl
53
Outside Influences
58
Interview: Actor Billy Gray
65
3.
Spaced Out: Between the'Golden Years'
75
The Odyssey Begins
82
New Worlds and Old Worlds
100
Interview: Director Ken Russell
103
CONTENTS
4.
The Masculine Subject of Science Fiction in the
1980s
Blockbuster Era
Ш
The Family Films H2
The
1980s
Cyborg Film
120
Science Fiction and the Global Film Market
130
Interview: Director Paul
Verhoeven
134
5.
Gender Blending and the Feminine Subject in
Science Fiction Film
145
Horror and the Female Subject of Science Fiction as 'Composite'
Being
147
Replicating the
Femme Fatale
154
Beyond the
Femme Fatale
160
Mind over Matter
166
Female Hero Meets
Femme Fatale
167
Interview: Director Paul
Verhoeven
(Part
2) 169
6.
Alien Others: Race and the Science Fiction Film
175
Representations of 'Blackness' in Science Fiction of the
1960s
and
1970s 179
The African American Alien in
1980s
Science Fiction Film
182
Issues of Authenticity in the
1990s
Virtual Reality Film
187
The Asian American and the Oriental'
193
The Oriental' in the Euro-American Science Fiction Film
201
Interview: Actor Joe Morton
208
7.
Generic Performance and Science Fiction Cinema
215
Externalising Performance
221
Internalising Performance
231
Interview: Actor Dean Norris
238
8.
Conclusion: The Technology of Science Fiction Cinema
247
Computer Graphics Imagery and Contemporary Science Fiction
250
Interview: Special Effects Technician Stan Winston
267
Interview: Director Roland Emmerich
275
Bibliography
282
Films Cited
289
Index
295
vi |
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| illustrated | Illustrated |
| index_date | 2024-07-02T17:51:03Z |
| indexdate | 2024-07-09T20:58:42Z |
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| isbn | 9780748624652 9780748616428 |
| language | English |
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| spelling | Cornea, Christine Verfasser (DE-588)173940420 aut Science fiction cinema between fantasy and reality Christine Cornea Edinburgh Edinburgh Univ. Press 2007 XII, 308 S. Ill. txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references and index and filmography Geschichte 1950-2000 gnd rswk-swf Science fiction-films gtt Science fiction films United States History and criticism Science-Fiction-Film (DE-588)4054023-6 gnd rswk-swf USA Science-Fiction-Film (DE-588)4054023-6 s Geschichte 1950-2000 z DE-604 Erscheint auch als Online-Ausgabe 978-0-7486-2870-4 Digitalisierung UB Augsburg application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=015696184&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Klappentext Digitalisierung UB Regensburg application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=015696184&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Cornea, Christine Science fiction cinema between fantasy and reality Science fiction-films gtt Science fiction films United States History and criticism Science-Fiction-Film (DE-588)4054023-6 gnd |
| subject_GND | (DE-588)4054023-6 |
| title | Science fiction cinema between fantasy and reality |
| title_auth | Science fiction cinema between fantasy and reality |
| title_exact_search | Science fiction cinema between fantasy and reality |
| title_exact_search_txtP | Science fiction cinema between fantasy and reality |
| title_full | Science fiction cinema between fantasy and reality Christine Cornea |
| title_fullStr | Science fiction cinema between fantasy and reality Christine Cornea |
| title_full_unstemmed | Science fiction cinema between fantasy and reality Christine Cornea |
| title_short | Science fiction cinema |
| title_sort | science fiction cinema between fantasy and reality |
| title_sub | between fantasy and reality |
| topic | Science fiction-films gtt Science fiction films United States History and criticism Science-Fiction-Film (DE-588)4054023-6 gnd |
| topic_facet | Science fiction-films Science fiction films United States History and criticism Science-Fiction-Film USA |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=015696184&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=015696184&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
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