The all-sustaining air: romantic legacies and renewals in British, American, and Irish poetry since 1900
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Oxford [u.a.]
Oxford Univ. Press
2007
|
| Ausgabe: | 1. publ. |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | VIII, 208 S. |
| ISBN: | 0199299285 9780199299287 |
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Datensatz im Suchindex
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| adam_text | Contents
Note
on Texts
xi
Introduction: Original Response
1
1.
The All-Sustaining Air : Variations on a Romantic Metaphor
15
2.
A Vision of Reality
:
Mid-to- Late Yeats
34
3.
Dialectic Ways : T. S. Eliot and Counter-Romanticism
60
4.
The Guts of the Living : Auden and Spender in the
1930s 83
5.
The Death of Satan : Stevens s
Esthétique du Mal ,
Evil,
and the Romantic Imagination
105
6.
Shining in Modest Glory : Post-Romantic Strains
in Kavanagh, Heaney, Mahon, Carson, and Others
121
7.
Just Another Twist in the Plot :
Paul Muldoon s Madoc: A Mystery
145
8.
Deep Shocks of Recognition and Gutted Romanticism:
Geoffrey Hill and Roy Fisher
165
Bibliography
192
Index
203
Drawn from Shelley s Prometheus Unbound, the title of this book
suggests the cultural and literary persistence of the Romantic in
the work of many British, American, and Irish poets since I goo.
Allowing for and celebrating the multiple, even fractured nature
of Romantic legacies, Michael O Neill focuses on the creative
impact of Romantic poetry on twentieth- and twenty-first century
poetry. Individual chapters embrace numerous authors and texts,
and span different cultures; the intention is not the forlorn hope
of completeness, but the wish to open up possibilities and inter¬
sections, and there is a strong sense throughout of poetry serving
as a form of literary criticism,
A wide-ranging introduction analyzes the persistence of the
Romantic in poets such as Ted
Hughes,Wilfřed
Owen, Robert
Frost,
Denise Levertov,
Robert
Loweß,
and others, and sets the
scene for subsequent discussions. Chapter
1
dwells on images
of air , using these to understand the efforts of a number of
twentieth-century poets to sustain* Romanticism, or forms
of it. Chapters
з
and
3
focus on Yeats and Eliot, respectively, the
latter apparently shunning the Romantic, the former seeming
to embrace it, but both responding with acute subtlety and indiv¬
iduality to the Romantic bequest. Chapter
4
discusses the work
of
W
H. Auden
and Stephen Spender, exploring the complex
response of both poets to the Romantic, Auden complicated in
his post-Romantic attitudes, Spender daring in his attempts to
renew a Romantic lyricism in a post-Romantic age. Chapter
5
argues that Wallace Stevera s
Esthétique du Mal
should be read
as a work that illuminates the writings of the major Romantics,
especially about
evü
and suffering. Chapter
6
returns to a broader
sweep as it investigates the response of a range of contemporary
poets from or associated with Northern Ireland, including Heaney,
Kavanagh,
Manon,
and Carson, to Romantic poetry. Chapter
7
sustains the Irish connection, discussing Paul Mnldoon s dealings
with Byron and other Romantics, especially in Madoc. And
Chapter
8
focuses on Geoffrey Hill s tense and tensed relations
with Romantic poetry,and on Roy Fishers sense of being a
gutted Romantic, in order to illustrate two diverse ways of
being post-Romantic in contemporary culture.
Michael O NeiH is Professor of English at Durham University.
|
| adam_txt |
Contents
Note
on Texts
xi
Introduction: 'Original Response'
1
1.
'The All-Sustaining Air': Variations on a Romantic Metaphor
15
2.
'A Vision of Reality'
:
Mid-to- Late Yeats
34
3.
'Dialectic Ways': T. S. Eliot and Counter-Romanticism
60
4.
'The Guts of the Living': Auden and Spender in the
1930s 83
5.
'The Death of Satan': Stevens's
'Esthétique du Mal',
Evil,
and the Romantic Imagination
105
6.
'Shining in Modest Glory': Post-Romantic Strains
in Kavanagh, Heaney, Mahon, Carson, and Others
121
7.
'Just Another Twist in the Plot':
Paul Muldoon's 'Madoc: A Mystery'
145
8.
'Deep Shocks of Recognition' and 'Gutted' Romanticism:
Geoffrey Hill and Roy Fisher
165
Bibliography
192
Index
203
Drawn from Shelley's Prometheus Unbound, the title of this book
suggests the cultural and literary persistence of the Romantic in
the work of many British, American, and Irish poets since I goo.
Allowing for and celebrating the multiple, even fractured nature
of Romantic legacies, Michael O'Neill focuses on the creative
impact of Romantic poetry on twentieth- and twenty-first century
poetry. Individual chapters embrace numerous authors and texts,
and span different cultures; the intention is not the forlorn hope
of completeness, but the wish to open up possibilities and inter¬
sections, and there is a strong sense throughout of poetry serving
as a form of literary criticism,
A wide-ranging introduction analyzes the persistence of the
Romantic in poets such as Ted
Hughes,Wilfřed
Owen, Robert
Frost,
Denise Levertov,
Robert
Loweß,
and others, and sets the
scene for subsequent discussions. Chapter
1
dwells on images
of 'air', using these to understand the efforts of a number of
twentieth-century poets to 'sustain* Romanticism, or forms
of it. Chapters
з
and
3
focus on Yeats and Eliot, respectively, the
latter apparently shunning the Romantic, the former seeming
to embrace it, but both responding with acute subtlety and indiv¬
iduality to the Romantic bequest. Chapter
4
discusses the work
of
W
H. Auden
and Stephen Spender, exploring the complex
response of both poets to the Romantic, Auden complicated in
his post-Romantic attitudes, Spender daring in his attempts to
renew a Romantic lyricism in a post-Romantic age. Chapter
5
argues that Wallace Stevera's
'Esthétique du Mal'
should be read
as a work that illuminates the writings of the major Romantics,
especially about
evü
and suffering. Chapter
6
returns to a broader
sweep as it investigates the response of a range of contemporary
poets from or associated with Northern Ireland, including Heaney,
Kavanagh,
Manon,
and Carson, to Romantic poetry. Chapter
7
sustains the Irish connection, discussing Paul Mnldoon's dealings
with Byron and other Romantics, especially in Madoc. And
Chapter
8
focuses on Geoffrey Hill's tense and tensed relations
with Romantic poetry,and on Roy Fishers sense of being a
'gutted'Romantic, in order to illustrate two diverse ways of
being post-Romantic in contemporary culture.
Michael O'NeiH is Professor of English at Durham University. |
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| spelling | O'Neill, Michael 1953-2018 Verfasser (DE-588)136197108 aut The all-sustaining air romantic legacies and renewals in British, American, and Irish poetry since 1900 Michael O'Neill 1. publ. Oxford [u.a.] Oxford Univ. Press 2007 VIII, 208 S. txt rdacontent n rdamedia nc rdacarrier Geschichte 1900-2000 Geschichte 1900-2005 gnd rswk-swf Geschichte American poetry 20th century History and criticism English poetry Irish authors History and criticism English poetry 20th century History and criticism Romanticism Great Britain History 20th century Romanticism United States History 20th century Lyrik (DE-588)4036774-5 gnd rswk-swf Rezeption (DE-588)4049716-1 gnd rswk-swf Englisch (DE-588)4014777-0 gnd rswk-swf Romantik (DE-588)4050491-8 gnd rswk-swf Großbritannien USA USA (DE-588)4078704-7 gnd rswk-swf Englisch (DE-588)4014777-0 s Lyrik (DE-588)4036774-5 s Romantik (DE-588)4050491-8 s Rezeption (DE-588)4049716-1 s Geschichte 1900-2005 z DE-604 USA (DE-588)4078704-7 g Erscheint auch als Online-Ausgabe 978-0-19-171509-9 Digitalisierung UB Bamberg application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=015673833&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Regensburg application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=015673833&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
| spellingShingle | O'Neill, Michael 1953-2018 The all-sustaining air romantic legacies and renewals in British, American, and Irish poetry since 1900 Geschichte American poetry 20th century History and criticism English poetry Irish authors History and criticism English poetry 20th century History and criticism Romanticism Great Britain History 20th century Romanticism United States History 20th century Lyrik (DE-588)4036774-5 gnd Rezeption (DE-588)4049716-1 gnd Englisch (DE-588)4014777-0 gnd Romantik (DE-588)4050491-8 gnd |
| subject_GND | (DE-588)4036774-5 (DE-588)4049716-1 (DE-588)4014777-0 (DE-588)4050491-8 (DE-588)4078704-7 |
| title | The all-sustaining air romantic legacies and renewals in British, American, and Irish poetry since 1900 |
| title_auth | The all-sustaining air romantic legacies and renewals in British, American, and Irish poetry since 1900 |
| title_exact_search | The all-sustaining air romantic legacies and renewals in British, American, and Irish poetry since 1900 |
| title_exact_search_txtP | The all-sustaining air romantic legacies and renewals in British, American, and Irish poetry since 1900 |
| title_full | The all-sustaining air romantic legacies and renewals in British, American, and Irish poetry since 1900 Michael O'Neill |
| title_fullStr | The all-sustaining air romantic legacies and renewals in British, American, and Irish poetry since 1900 Michael O'Neill |
| title_full_unstemmed | The all-sustaining air romantic legacies and renewals in British, American, and Irish poetry since 1900 Michael O'Neill |
| title_short | The all-sustaining air |
| title_sort | the all sustaining air romantic legacies and renewals in british american and irish poetry since 1900 |
| title_sub | romantic legacies and renewals in British, American, and Irish poetry since 1900 |
| topic | Geschichte American poetry 20th century History and criticism English poetry Irish authors History and criticism English poetry 20th century History and criticism Romanticism Great Britain History 20th century Romanticism United States History 20th century Lyrik (DE-588)4036774-5 gnd Rezeption (DE-588)4049716-1 gnd Englisch (DE-588)4014777-0 gnd Romantik (DE-588)4050491-8 gnd |
| topic_facet | Geschichte American poetry 20th century History and criticism English poetry Irish authors History and criticism English poetry 20th century History and criticism Romanticism Great Britain History 20th century Romanticism United States History 20th century Lyrik Rezeption Englisch Romantik Großbritannien USA |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=015673833&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=015673833&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT oneillmichael theallsustainingairromanticlegaciesandrenewalsinbritishamericanandirishpoetrysince1900 |