Genre and cinema: Ireland and transnationalism
Gespeichert in:
| Format: | Buch |
|---|---|
| Sprache: | English |
| Veröffentlicht: |
New York [u.a.]
Routledge
2007
|
| Schriftenreihe: | Routledge studies in cultural history
4 |
| Schlagworte: | |
| Online-Zugang: | Table of contents only Inhaltsverzeichnis |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | XIV, 284 S. Ill. |
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Datensatz im Suchindex
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| adam_text | Genre and Cinema
Ireland and Transnationalism
Edited by
Brian Mcllroy
11 Routledge
jj^ Taylor amp; Francis Croup
New York London
Contents
Preface xi
Illustrations xiii
Acknowledgments xv
Introduction 1
BRIAN MCILROY
PARTI
Genre, Ireland, and theory 9
1 Genre and nation 11
CHRISTINE GLEDHILL
2 Discovering and uncovering genre in Irish cinema 27
DERVILA LAYDEN
3 Playing cops and robbers: Recent Irish cinema and genre
performance 45
BARRY MONAHAN
PART II
Genre, Ireland, and Hollywood 59
4 Is californication a mortal sin?: The influence of classic
Hollywood cinema on indigenous Irish film 61
MICHAEL PATRICK GIIXESPIE
viii Contents
5 Hollywood genre formulas as contact zones: The case of Jim
Sheridan s The Boxer 11
THOMAS HEMMETER
6 Triangulating influence: Genre in / Went Down, Eat the Peach,
and The General 97
SCOTT RUSTON
PART III
Transnational and transformational contexts 109
7 Images of migration in Irish film: Thinking inside the box 111
CHERYL HERR
8 Sometimes the imagination is a safer place: Fantastic spaces
and The Fifth Province 123
MATTHEW FEE
9 Opening the peasant play: Friel on film 137
JOAN FITZPATRICK DEAN
PART IV
Genre and the Irish short film 149
10 The Ireland they dream of: Eireville, Coolockland, and the
appropriation of science fiction and fantasy narratives in Irish
short filmmaking 151
RUTH BARTON
11 Breac Scannain/Speckled films: Genre and Irish-language
filmmaking 163
FIDELMA FARLEY
PARTV
Jordan, gothic, horror 177
12 Neil Jordan s postmodern gothic, or, why The Good Thief-was
originally entitled Double Down 179
MARIA PRAMAGGIORE
Contents ix
13 Straying from the path: Horror and Neil Jordan s The Company
ofWolves 191
DANA OCH
PART VI
Genre and the city film 203
14 Cinema, city, and imaginative space: Hip hedonism and
recent Irish cinema 205
MARTIN MCLOONE
15 Cityscapes of fluid desire: Queering the romantic comedy in Liz
Gill s Goldfish Memory 211
NATALIE HARROWER
PART VII
Northern Irish commemorative cinema 231
16 Mourning and solidarity: The commemorative models of Some
Mother s Son and H3 233
JENNIE CARLSTEN
17 Genre Politics: Bloody Sunday as documentary and discourse 245
JOSEPH MOSER
18 Memory work: Omagh and the Northern Irish monumentary 261
BRIAN MCILROY
Contributors 273
Index 277
|
| adam_txt |
Genre and Cinema
Ireland and Transnationalism
Edited by
Brian Mcllroy
11 Routledge
jj^ Taylor amp; Francis Croup
New York London
Contents
Preface xi
Illustrations xiii
Acknowledgments xv
Introduction 1
BRIAN MCILROY
PARTI
Genre, Ireland, and theory 9
1 Genre and nation 11
CHRISTINE GLEDHILL
2 Discovering and uncovering genre in Irish cinema 27
DERVILA LAYDEN
3 Playing cops and robbers: Recent Irish cinema and genre
performance 45
BARRY MONAHAN
PART II
Genre, Ireland, and Hollywood 59
4 Is californication a mortal sin?: The influence of classic
Hollywood cinema on indigenous Irish film 61
MICHAEL PATRICK GIIXESPIE
viii Contents
5 Hollywood genre formulas as contact zones: The case of Jim
Sheridan's The Boxer 11
THOMAS HEMMETER
6 Triangulating influence: Genre in / Went Down, Eat the Peach,
and The General 97
SCOTT RUSTON
PART III
Transnational and transformational contexts 109
7 Images of migration in Irish film: Thinking inside the box 111
CHERYL HERR
8 Sometimes the imagination is a safer place: Fantastic spaces
and The Fifth Province 123
MATTHEW FEE
9 Opening the peasant play: Friel on film 137
JOAN FITZPATRICK DEAN
PART IV
Genre and the Irish short film 149
10 The Ireland they dream of: Eireville, Coolockland, and the
appropriation of science fiction and fantasy narratives in Irish
short filmmaking 151
RUTH BARTON
11 Breac Scannain/Speckled films: Genre and Irish-language
filmmaking 163
FIDELMA FARLEY
PARTV
Jordan, gothic, horror 177
12 Neil Jordan's postmodern gothic, or, why The Good Thief-was
originally entitled Double Down 179
MARIA PRAMAGGIORE
Contents ix
13 Straying from the path: Horror and Neil Jordan's The Company
ofWolves 191
DANA OCH
PART VI
Genre and the city film 203
14 Cinema, city, and imaginative space: Hip hedonism and
recent Irish cinema 205
MARTIN MCLOONE
15 Cityscapes of fluid desire: Queering the romantic comedy in Liz
Gill's Goldfish Memory 211
NATALIE HARROWER
PART VII
Northern Irish commemorative cinema 231
16 Mourning and solidarity: The commemorative models of Some
Mother's Son and H3 233
JENNIE CARLSTEN
17 Genre Politics: Bloody Sunday as documentary and discourse 245
JOSEPH MOSER
18 Memory work: Omagh and the Northern Irish monumentary 261
BRIAN MCILROY
Contributors 273
Index 277 |
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| title | Genre and cinema Ireland and transnationalism |
| title_auth | Genre and cinema Ireland and transnationalism |
| title_exact_search | Genre and cinema Ireland and transnationalism |
| title_exact_search_txtP | Genre and cinema Ireland and transnationalism |
| title_full | Genre and cinema Ireland and transnationalism ed. by Brian McIlroy |
| title_fullStr | Genre and cinema Ireland and transnationalism ed. by Brian McIlroy |
| title_full_unstemmed | Genre and cinema Ireland and transnationalism ed. by Brian McIlroy |
| title_short | Genre and cinema |
| title_sort | genre and cinema ireland and transnationalism |
| title_sub | Ireland and transnationalism |
| topic | Film Motion pictures Ireland Film genres Ireland Film (DE-588)4017102-4 gnd Filmgenre (DE-588)4328427-9 gnd |
| topic_facet | Film Motion pictures Ireland Film genres Ireland Filmgenre Irland Aufsatzsammlung |
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