Shakespeare and the rise of the editor:
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Cambridge [u.a.]
Cambridge Univ. Press
2007
|
Ausgabe: | 1. publ. |
Schlagworte: | |
Online-Zugang: | Klappentext Inhaltsverzeichnis |
Beschreibung: | XII, 254 S. Ill. |
ISBN: | 9780521878050 |
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Datensatz im Suchindex
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adam_text | Sonia
Massai s
central
claim in this book is that the
texts of early printed editions of Renaissance drama,
including Shakespeare s, did not simply degenerate
or corrupt over time, as subsequent editions were
printed using their immediate predecessor as their
basis. By focusing on early correctors of dramatic
texts for the press, this book identifies a previously
overlooked category of textual agents involved in
the circulation of early English drama in print and
challenges the common assumption that the first
editor of Shakespeare was Nicholas Rowe, who
published his edition of Shakespeare s Works in
1709.
This study offers the first sustained account of
a prehistory of editing from the rise of English
drama in print at the beginning of the sixteenth
century to the official rise of the editorial tradition
of Shakespeare at the beginning of the eighteenth
century.
Massai s
argument forces us to consider
that our understanding of what editing is and what
it should do may be at odds with early modern
understandings of the text of printed playbooks as
both imperfect and continually and progressively
perfectible.
Contents
List of illustrations and tables page viii
Acknowledgements x
Introduction i
PART I THE RISE OF ENGLISH DRAMA IN PRINT 39
1 English humanism and the publication of early Tudor drama 41
2 Italian influences on the publication of late Tudor drama 69
PART II THE RISE OF SHAKESPEARE IN PRINT 89
3 The Wise Quartos (1597-1602) 91
4 The Pavier Quartos (1619) 106
5 The making of the First Folio (1623) 136
6 Perfecting Shakespeare in the Fourth Folio (1685) 180
Conclusion 196
Notes 206
References 235
Index M7
Illustrations and tables
1 Page oftext: The Pedlar s Prophecy, 1595, STC 25782
Reproduced by permission of the British Library, London page 15
2 Page oftext: The Downfall of Robert, Earl ofHuntingdon,
1601, STC 18271
Reproduced by permission of the British Library, London 16
3 Page oftext: A Knack to Know a Knave, 1594, stc 15027
Reproduced by permission of the British Library, London 17
4 Page of text: Tamburlaine, 1606, STC 17428a
Reproduced by permission of the British Library, London 18
5 Page oftext: Orlando Furioso, 1599, STC 12266
Reproduced by permission of the British Library, London 19
6 Page of text: The Malcontent, 1604, STC 17480
Reproduced by permission of the British Library, London 20
7 Page of text: The Maid s Tragedy, 1638, STC 1680
Reproduced by permission of the Bodleian Library, Oxford 22
8 Page oftext: Edward 1,1593, stc 19535
Reproduced by permission of the British Library, London 23
9 Page of text: Othello, 1622, stc 22305
Reproduced by permission of the Huntington Library,
San Marino, California 25
10 Page of text: Othello, 1622, stc 22305
Reproduced by permission of the Huntington Library,
San Marino, California 26
n Page oftext: Othello, 1622, stc 22305
Reproduced by permission of the Huntington Library,
San Marino, California 27
12 Page oftext: Othello, 1622, stc 22305
Reproduced by permission of the Huntington Library,
San Marino, California 28
viii
i) rage or cexi: ^jirjtuu, iozz, ml zz^u
Reproduced by permission of the Huntington Library,
San Marino, California 29
14 Woodcut: From Thomas More s Utopia, 3rd edition, 1518, by
Ambrosius Holbein
Reproduced by permission of the Cambridge University Library 50
15 Painting: Portrait ofErasmus, by Quentin Massys, 1517
Reproduced by permission of Royal Enterprises, London 52
16 Painting: Portrait of Peter Giles, by Quentin Massys, 1517
Reproduced by permission of the Koninklijk
Museum, Antwerp 53
17 Page oftext: Fulgens and Lucrece, 1512-16?, STC 17778
Reproduced by permission of the Huntington Library,
San Marino, California 63
18 Page oftext: Fulgens and Lucrece, 1512-16?, STC 17778
Reproduced by permission of the Huntington Library,
San Marino, California 65
19 Page of text: Fulgens and Lucrece, 1512-16?, STC 17778
Reproduced by permission of the Huntington Library,
San Marino, California 66
20 Page of text: Richard LL, 1597, STC 22307
Reproduced by permission of the Huntington Library,
San Marino, California 94
Tables
3.1 Books published by Andrew Wise (1593-1602) 96
4.1 The Pavier Quartos (1619) 107
|
adam_txt |
Sonia
Massai's
central
claim in this book is that the
texts of early printed editions of Renaissance drama,
including Shakespeare's, did not simply 'degenerate'
or 'corrupt' over time, as subsequent editions were
printed using their immediate predecessor as their
basis. By focusing on early correctors of dramatic
texts for the press, this book identifies a previously
overlooked category of textual agents involved in
the circulation of early English drama in print and
challenges the common assumption that the first
editor of Shakespeare was Nicholas Rowe, who
published his edition of Shakespeare's Works in
1709.
This study offers the first sustained account of
a 'prehistory' of editing from the rise of English
drama in print at the beginning of the sixteenth
century to the official rise of the editorial tradition
of Shakespeare at the beginning of the eighteenth
century.
Massai's
argument forces us to consider
that our understanding of what editing is and what
it should do may be at odds with early modern
understandings of the text of printed playbooks as
both imperfect and continually and progressively
perfectible.
Contents
List of illustrations and tables page viii
Acknowledgements x
Introduction i
PART I THE RISE OF ENGLISH DRAMA IN PRINT 39
1 English humanism and the publication of early Tudor drama 41
2 Italian influences on the publication of late Tudor drama 69
PART II THE RISE OF SHAKESPEARE IN PRINT 89
3 The Wise Quartos (1597-1602) 91
4 The Pavier Quartos (1619) 106
5 The making of the First Folio (1623) 136
6 Perfecting Shakespeare in the Fourth Folio (1685) 180
Conclusion 196
Notes 206
References 235
Index M7
Illustrations and tables
1 Page oftext: The Pedlar's Prophecy, 1595, STC 25782
Reproduced by permission of the British Library, London page 15
2 Page oftext: The Downfall of Robert, Earl ofHuntingdon,
1601, STC 18271
Reproduced by permission of the British Library, London 16
3 Page oftext: A Knack to Know a Knave, 1594, stc 15027
Reproduced by permission of the British Library, London 17
4 Page of text: Tamburlaine, 1606, STC 17428a
Reproduced by permission of the British Library, London 18
5 Page oftext: Orlando Furioso, 1599, STC 12266
Reproduced by permission of the British Library, London 19
6 Page of text: The Malcontent, 1604, STC 17480
Reproduced by permission of the British Library, London 20
7 Page of text: The Maid's Tragedy, 1638, STC 1680
Reproduced by permission of the Bodleian Library, Oxford 22
8 Page oftext: Edward 1,1593, stc 19535
Reproduced by permission of the British Library, London 23
9 Page of text: Othello, 1622, stc 22305
Reproduced by permission of the Huntington Library,
San Marino, California 25
10 Page of text: Othello, 1622, stc 22305
Reproduced by permission of the Huntington Library,
San Marino, California 26
n Page oftext: Othello, 1622, stc 22305
Reproduced by permission of the Huntington Library,
San Marino, California 27
12 Page oftext: Othello, 1622, stc 22305
Reproduced by permission of the Huntington Library,
San Marino, California 28
viii
i) rage or cexi: ^jirjtuu, iozz, ml zz^u
Reproduced by permission of the Huntington Library,
San Marino, California 29
14 Woodcut: From Thomas More's Utopia, 3rd edition, 1518, by
Ambrosius Holbein
Reproduced by permission of the Cambridge University Library 50
15 Painting: Portrait ofErasmus, by Quentin Massys, 1517
Reproduced by permission of Royal Enterprises, London 52
16 Painting: Portrait of Peter Giles, by Quentin Massys, 1517
Reproduced by permission of the Koninklijk
Museum, Antwerp 53
17 Page oftext: Fulgens and Lucrece, 1512-16?, STC 17778
Reproduced by permission of the Huntington Library,
San Marino, California 63
18 Page oftext: Fulgens and Lucrece, 1512-16?, STC 17778
Reproduced by permission of the Huntington Library,
San Marino, California 65
19 Page of text: Fulgens and Lucrece, 1512-16?, STC 17778
Reproduced by permission of the Huntington Library,
San Marino, California 66
20 Page of text: Richard LL, 1597, STC 22307
Reproduced by permission of the Huntington Library,
San Marino, California 94
Tables
3.1 Books published by Andrew Wise (1593-1602) 96
4.1 The 'Pavier Quartos' (1619) 107 |
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spelling | Massai, Sonia 1969- Verfasser (DE-588)142782866 aut Shakespeare and the rise of the editor Sonia Massai 1. publ. Cambridge [u.a.] Cambridge Univ. Press 2007 XII, 254 S. Ill. txt rdacontent n rdamedia nc rdacarrier Shakespeare, William <1564-1616> Criticism, Textual Shakespeare, William 1564-1616 (DE-588)118613723 gnd rswk-swf Geschichte 1590-1700 gnd rswk-swf Drama Editing English drama Early modern and Elizabethan, 1500-1600 Criticism, Textual Edition (DE-588)4132033-5 gnd rswk-swf Englisch (DE-588)4014777-0 gnd rswk-swf Drama (DE-588)4012899-4 gnd rswk-swf Shakespeare, William 1564-1616 (DE-588)118613723 p Drama (DE-588)4012899-4 s Edition (DE-588)4132033-5 s Geschichte 1590-1700 z DE-604 Englisch (DE-588)4014777-0 s Digitalisierung UB Augsburg application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=015673813&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Klappentext HBZ Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=015673813&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
spellingShingle | Massai, Sonia 1969- Shakespeare and the rise of the editor Shakespeare, William <1564-1616> Criticism, Textual Shakespeare, William 1564-1616 (DE-588)118613723 gnd Drama Editing English drama Early modern and Elizabethan, 1500-1600 Criticism, Textual Edition (DE-588)4132033-5 gnd Englisch (DE-588)4014777-0 gnd Drama (DE-588)4012899-4 gnd |
subject_GND | (DE-588)118613723 (DE-588)4132033-5 (DE-588)4014777-0 (DE-588)4012899-4 |
title | Shakespeare and the rise of the editor |
title_auth | Shakespeare and the rise of the editor |
title_exact_search | Shakespeare and the rise of the editor |
title_exact_search_txtP | Shakespeare and the rise of the editor |
title_full | Shakespeare and the rise of the editor Sonia Massai |
title_fullStr | Shakespeare and the rise of the editor Sonia Massai |
title_full_unstemmed | Shakespeare and the rise of the editor Sonia Massai |
title_short | Shakespeare and the rise of the editor |
title_sort | shakespeare and the rise of the editor |
topic | Shakespeare, William <1564-1616> Criticism, Textual Shakespeare, William 1564-1616 (DE-588)118613723 gnd Drama Editing English drama Early modern and Elizabethan, 1500-1600 Criticism, Textual Edition (DE-588)4132033-5 gnd Englisch (DE-588)4014777-0 gnd Drama (DE-588)4012899-4 gnd |
topic_facet | Shakespeare, William <1564-1616> Criticism, Textual Shakespeare, William 1564-1616 Drama Editing English drama Early modern and Elizabethan, 1500-1600 Criticism, Textual Edition Englisch Drama |
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