Jeg elsker dig !: lytterens argument ; grammofonspillinger av Edvard Griegs opus 5 nr. 3
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | Norwegian |
| Veröffentlicht: |
Stavanger
Humanistiske Fakultet, Univ. Stavanger
2006
|
| Schriftenreihe: | Doktorgradsavhandling ved UiS
28 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | Zugl.: Stavanger, Univ., Diss., 2006 |
| Beschreibung: | 301 S. graph. Darst., Notenbeisp. |
| ISBN: | 8276443044 |
Internformat
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| 264 | 1 | |a Stavanger |b Humanistiske Fakultet, Univ. Stavanger |c 2006 | |
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| 490 | 1 | |a Doktorgradsavhandling ved UiS |v 28 | |
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Datensatz im Suchindex
| _version_ | 1804136541023371264 |
|---|---|
| adam_text | INNHOLDSFORTEGNELSE
FORORD
.................................................................................................1
INNHOLDSFORTEGNELSE
........................................................................
З
KORT SAMMENDRAG
..............................................................................................6
SUMMARY.................................................................................................................
7
I BACKGROUND
....................................................................................................7
II MELODIES OF THE HEART
..............................................................................7
III NATURE AND DESIGN OF THE PROJECT
......................................................8
IV METHODOLOGY
.................................................................................................8
V RESULTS
.............................................................................................................11
VI CONCLUSIONS
..................................................................................................12
VII
DISCOGRAPHY
.................................................................................................14
I BAKGRUNN
.....................................................................................................15
Min Tankes Tanke .............................................................................................................
15
1.1
Merte
med
en samler
.................................................................................................15
1.2
En annerledes musikkhistorie
...................................................................................16
1.3
Noen
trekk
fra
lydfestingens
historie
.......................................................................17
1.4
Noen
trekk
fra
grammofonindustriens
historie........................................................
20
1.5
Skriftlighet, muntlighet og kommersialisering
.........................................................22
II HJERTETS
MELODIER
....................................................................................25
ene du er vorden
.................................................................................................................25
2.1
Fra
Hans Christian
Andersen
til Edvard Grieg
........................................................25
2.2
Fra
manuskript til notetrykk
.....................................................................................26
2.3
En revisjonsberetning
...............................................................................................28
2.4
Ninas
anmerkninger og andre kilder
........................................................................31
2.5
Verkanalytisk inndeling
...........................................................................................33
2.6
Tolkningselementer
..................................................................................................36
2.7
En sammenfatning/interpretasjon
.............................................................................37
III PROBLEMSTILLINGER
................................................................................41
Du er mit Hjertes
fierste Kaerlighed,
.................................................................................41
3.1
Nye lyttevaner
..........................................................................................................41
3.2
Grammofonplatens demokratisering av musikkfremf0ringen.................................
45
3.3
Hovedproblemstilling
...............................................................................................46
3.3.1
Musikkmarkedets hovedretninger
....................................................................46
3.3.2
På hvilke måter har tolkningene endret seg
.....................................................48
3.3.3
Årsaker til endringene
......................................................................................52
3.3.4
Har
Jeg
elsker Dig behov for förnyelse
............................................................53
3.4
Grammofonplaten som kulturbasrer
.........................................................................54
IV
TEORIUTVIKLING
.........................................................................................57
Jeg elsker Dig
som ingen
her paa
Jorden .........................................................................
57
4.1
Lytterens argument
...................................................................................................57
4.1.1
Bakgrunn
..........................................................................................................57
4.1.2
Utfordringen
.....................................................................................................58
4.1.3
Presentasjon av
noen
aktuelle teoriområder
.....................................................59
4.1.3 a)
Musikkestetikk
............................................................................................59
4.1.3 b)
Verkanalysen
...............................................................................................62
4.1.3
c) Musikalsk kognisjon
...................................................................................64
4.1.4
Drafting
............................................................................................................65
4.1.4.1 Eduard Hanslick: Vom-Musikalisch-Schönen.............................................66
4.1.4.2 Musikk og
språk
...........................................................................................69
4.1.4.3 Analyse og kritikk........................................................................................76
4.1.4.4 Kognisjon og musikk...................................................................................82
4.2
En teori om musikkopplevelsen
...............................................................................90
4.2.1 Rammefaktorer.................................................................................................90
4.2.2 Lytting
som erkjennelsesprosess
......................................................................92
4.2.3 Kontekstuell argumentasjon.............................................................................96
4.2.4 Lytterens musikkopplevelse...........................................................................101
V
RESULTATER.................................................................................................105
Jeg elsker Dig, jeg elsker Dig,
..........................................................................................105
5.1
Hvordan har tolkningene endret
seg
.......................................................................105
5.1.1
Språkfordeling................................................................................................
106
5.1.2
Oversettelser
...................................................................................................107
5.1.3
Arrangementer/orkestreringer
........................................................................108
5.1.4 Tempoendringer.............................................................................................110
5.1.5
Fraseawik
......................................................................................................112
5.1.6
Formendringer
................................................................................................116
5.1.7
Endringer
і
dynaniikk
.....................................................................................117
5.1.8
Endringer
і
klangen........................................................................................117
5.1.9 Stemmen.........................................................................................................119
5.1.10 Detotradisjonene..........................................................................................121
5.1.10.a
Verkrelaterte
skiller
...................................................................................122
5.1.10.b
Fremf0ringsrelaterte skiller
.......................................................................123
5.2 Hvorfor
har
tolkningene endret
seg
........................................................................124
5.2.1 Opptakstekniske endringer.............................................................................124
5.2.2 Lyttertilpassede endringer..............................................................................126
5.2.3 Individuelle endringer....................................................................................127
VI
KONKLUSJONER
...........................................................................................131
Jeg elsker Dig
i Tid og Evighed! .....................................................................................
131
6.1
Grammofonnålen som historisk kompass
..............................................................131
6.2
En lovesong til konsert og kommers
..................................................................135
6.3
Tradisjon som en kombinasjon av förnyelse og forglemmelse
..............................139
6.3.1
Musikk som sosial konstruksjon
....................................................................140
6.3.2
Autentisitet
.....................................................................................................142
6.3.3
Tradisjonens
rammer
......................................................................................143
6.3.4
Förnyelse
........................................................................................................145
6.3.5
Forglemmelse
.................................................................................................147
VII
DISKOGRAFI
...............................................................................................149
Jeg
elsker Dig i Tid og Evighed!
.....................................................................................149
7.1
Arbeidet med en kronologiske
diskografi
..............................................................149
7.2
Kronologisk
diskografi
over
Edvard Griegs opus
5
nr.3:
Jeg
elsker Dig
........151
7.3
Lytterapporter
.........................................................................................................171
VIII LITTERATURLISTER OG PERSONREGISTER
.........................................255
8.1
Litteramrliste (almen litteratur)
..............................................................................255
8.2
Litteratur brukt i det diskografiske arbeidet
...........................................................272
8.3
Personregister
.........................................................................................................277
V
E D L E G G
.........................................................................................................289
Vediegg
1 :
Jeg elsker Dig!
Manuskriptet
....................................................................290
Vedlegg
2:
Utgavene
fra
Horneman og Wilhelm
Hansen...........................................291
Vediegg
3:
Petersutgaven
1888...................................................................................292
Vedlegg
4:
GGA/Peters
1990......................................................................................293
Vedlegg
5:
Tekster og oversettelser:
...........................................................................294
Vedlegg
6:
Databaser
..................................................................................................297
Diskografibasen
..........................................................................................................297
Tolkningsbasen
...........................................................................................................297
Generelle
karakteristika
og registreringer
..................................................................297
Rammer
for Lytterapportene
......................................................................................298
Vedlegg
7:
Seksjonert notetrykk
.................................................................................300
|
| adam_txt |
INNHOLDSFORTEGNELSE
FORORD
.1
INNHOLDSFORTEGNELSE
.
З
KORT SAMMENDRAG
.6
SUMMARY.
7
I BACKGROUND
.7
II MELODIES OF THE HEART
.7
III NATURE AND DESIGN OF THE PROJECT
.8
IV METHODOLOGY
.8
V RESULTS
.11
VI CONCLUSIONS
.12
VII
DISCOGRAPHY
.14
I BAKGRUNN
.15
"Min Tankes Tanke".
15
1.1
Merte
med
en samler
.15
1.2
En annerledes musikkhistorie
.16
1.3
Noen
trekk
fra
lydfestingens
historie
.17
1.4
Noen
trekk
fra
grammofonindustriens
historie.
20
1.5
Skriftlighet, muntlighet og kommersialisering
.22
II HJERTETS
MELODIER
.25
"ene du er vorden"
.25
2.1
Fra
Hans Christian
Andersen
til Edvard Grieg
.25
2.2
Fra
manuskript til notetrykk
.26
2.3
En revisjonsberetning
.28
2.4
Ninas
anmerkninger og andre kilder
.31
2.5
Verkanalytisk inndeling
.33
2.6
Tolkningselementer
.36
2.7
En sammenfatning/interpretasjon
.37
III PROBLEMSTILLINGER
.41
"Du er mit Hjertes
fierste Kaerlighed,"
.41
3.1
Nye lyttevaner
.41
3.2
Grammofonplatens demokratisering av musikkfremf0ringen.
45
3.3
Hovedproblemstilling
.46
3.3.1
Musikkmarkedets hovedretninger
.46
3.3.2
På hvilke måter har tolkningene endret seg
.48
3.3.3
Årsaker til endringene
.52
3.3.4
Har
Jeg
elsker Dig behov for förnyelse
.53
3.4
Grammofonplaten som kulturbasrer
.54
IV
TEORIUTVIKLING
.57
"Jeg elsker Dig
som ingen
her paa
Jorden".
57
4.1
Lytterens argument
.57
4.1.1
Bakgrunn
.57
4.1.2
Utfordringen
.58
4.1.3
Presentasjon av
noen
aktuelle teoriområder
.59
4.1.3 a)
Musikkestetikk
.59
4.1.3 b)
Verkanalysen
.62
4.1.3
c) Musikalsk kognisjon
.64
4.1.4
Drafting
.65
4.1.4.1 Eduard Hanslick: Vom-Musikalisch-Schönen.66
4.1.4.2 Musikk og
språk
.69
4.1.4.3 Analyse og kritikk.76
4.1.4.4 Kognisjon og musikk.82
4.2
En teori om musikkopplevelsen
.90
4.2.1 Rammefaktorer.90
4.2.2 Lytting
som erkjennelsesprosess
.92
4.2.3 Kontekstuell argumentasjon.96
4.2.4 Lytterens musikkopplevelse.101
V
RESULTATER.105
"Jeg elsker Dig, jeg elsker Dig,"
.105
5.1
Hvordan har tolkningene endret
seg
.105
5.1.1
Språkfordeling.
106
5.1.2
Oversettelser
.107
5.1.3
Arrangementer/orkestreringer
.108
5.1.4 Tempoendringer.110
5.1.5
Fraseawik
.112
5.1.6
Formendringer
.116
5.1.7
Endringer
і
dynaniikk
.117
5.1.8
Endringer
і
klangen.117
5.1.9 Stemmen.119
5.1.10 Detotradisjonene.121
5.1.10.a
Verkrelaterte
skiller
.122
5.1.10.b
Fremf0ringsrelaterte skiller
.123
5.2 Hvorfor
har
tolkningene endret
seg
.124
5.2.1 Opptakstekniske endringer.124
5.2.2 Lyttertilpassede endringer.126
5.2.3 Individuelle endringer.127
VI
KONKLUSJONER
.131
"Jeg elsker Dig
i Tid og Evighed!".
131
6.1
Grammofonnålen som historisk kompass
.131
6.2
En "lovesong" til konsert og kommers
.135
6.3
Tradisjon som en kombinasjon av förnyelse og forglemmelse
.139
6.3.1
Musikk som sosial konstruksjon
.140
6.3.2
Autentisitet
.142
6.3.3
Tradisjonens
rammer
.143
6.3.4
Förnyelse
.145
6.3.5
Forglemmelse
.147
VII
DISKOGRAFI
.149
"Jeg
elsker Dig i Tid og Evighed!"
.149
7.1
Arbeidet med en kronologiske
diskografi
.149
7.2
Kronologisk
diskografi
over
Edvard Griegs opus
5
nr.3:
Jeg
elsker Dig
.151
7.3
Lytterapporter
.171
VIII LITTERATURLISTER OG PERSONREGISTER
.255
8.1
Litteramrliste (almen litteratur)
.255
8.2
Litteratur brukt i det diskografiske arbeidet
.272
8.3
Personregister
.277
V
E D L E G G
.289
Vediegg
1 :
Jeg elsker Dig!
Manuskriptet
.290
Vedlegg
2:
Utgavene
fra
Horneman og Wilhelm
Hansen.291
Vediegg
3:
Petersutgaven
1888.292
Vedlegg
4:
GGA/Peters
1990.293
Vedlegg
5:
Tekster og oversettelser:
.294
Vedlegg
6:
Databaser
.297
Diskografibasen
.297
Tolkningsbasen
.297
Generelle
karakteristika
og registreringer
.297
Rammer
for Lytterapportene
.298
Vedlegg
7:
Seksjonert notetrykk
.300 |
| any_adam_object | 1 |
| any_adam_object_boolean | 1 |
| author | Dahl, Per |
| author_GND | (DE-588)127453423 |
| author_facet | Dahl, Per |
| author_role | aut |
| author_sort | Dahl, Per |
| author_variant | p d pd |
| building | Verbundindex |
| bvnumber | BV022458740 |
| ctrlnum | (OCoLC)643108744 (DE-599)BVBBV022458740 |
| format | Book |
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| genre | (DE-588)4113937-9 Hochschulschrift gnd-content |
| genre_facet | Hochschulschrift |
| id | DE-604.BV022458740 |
| illustrated | Illustrated |
| index_date | 2024-07-02T17:39:18Z |
| indexdate | 2024-07-09T20:58:02Z |
| institution | BVB |
| isbn | 8276443044 |
| language | Norwegian |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-015666465 |
| oclc_num | 643108744 |
| open_access_boolean | |
| owner | DE-12 |
| owner_facet | DE-12 |
| physical | 301 S. graph. Darst., Notenbeisp. |
| publishDate | 2006 |
| publishDateSearch | 2006 |
| publishDateSort | 2006 |
| publisher | Humanistiske Fakultet, Univ. Stavanger |
| record_format | marc |
| series | Doktorgradsavhandling ved UiS |
| series2 | Doktorgradsavhandling ved UiS |
| spelling | Dahl, Per Verfasser (DE-588)127453423 aut Jeg elsker dig ! lytterens argument ; grammofonspillinger av Edvard Griegs opus 5 nr. 3 Per Dahl Stavanger Humanistiske Fakultet, Univ. Stavanger 2006 301 S. graph. Darst., Notenbeisp. txt rdacontent n rdamedia nc rdacarrier Doktorgradsavhandling ved UiS 28 Zugl.: Stavanger, Univ., Diss., 2006 Grieg, Edvard 1843-1907 (DE-588)118697641 gnd rswk-swf Grieg, Edvard 1843-1907 "Hjertets melodier" af H.C. Andersen (DE-588)4441977-6 gnd rswk-swf Klavierlied (DE-588)4164066-4 gnd rswk-swf Vergleich (DE-588)4187713-5 gnd rswk-swf Interpretation (DE-588)4072905-9 gnd rswk-swf (DE-588)4113937-9 Hochschulschrift gnd-content Grieg, Edvard 1843-1907 "Hjertets melodier" af H.C. Andersen (DE-588)4441977-6 u Interpretation (DE-588)4072905-9 s Vergleich (DE-588)4187713-5 s DE-604 Grieg, Edvard 1843-1907 (DE-588)118697641 p Klavierlied (DE-588)4164066-4 s Doktorgradsavhandling ved UiS 28 (DE-604)BV022459387 28 Digitalisierung BSBMuenchen application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=015666465&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Dahl, Per Jeg elsker dig ! lytterens argument ; grammofonspillinger av Edvard Griegs opus 5 nr. 3 Doktorgradsavhandling ved UiS Grieg, Edvard 1843-1907 (DE-588)118697641 gnd Grieg, Edvard 1843-1907 "Hjertets melodier" af H.C. Andersen (DE-588)4441977-6 gnd Klavierlied (DE-588)4164066-4 gnd Vergleich (DE-588)4187713-5 gnd Interpretation (DE-588)4072905-9 gnd |
| subject_GND | (DE-588)118697641 (DE-588)4441977-6 (DE-588)4164066-4 (DE-588)4187713-5 (DE-588)4072905-9 (DE-588)4113937-9 |
| title | Jeg elsker dig ! lytterens argument ; grammofonspillinger av Edvard Griegs opus 5 nr. 3 |
| title_auth | Jeg elsker dig ! lytterens argument ; grammofonspillinger av Edvard Griegs opus 5 nr. 3 |
| title_exact_search | Jeg elsker dig ! lytterens argument ; grammofonspillinger av Edvard Griegs opus 5 nr. 3 |
| title_exact_search_txtP | Jeg elsker dig ! lytterens argument ; grammofonspillinger av Edvard Griegs opus 5 nr. 3 |
| title_full | Jeg elsker dig ! lytterens argument ; grammofonspillinger av Edvard Griegs opus 5 nr. 3 Per Dahl |
| title_fullStr | Jeg elsker dig ! lytterens argument ; grammofonspillinger av Edvard Griegs opus 5 nr. 3 Per Dahl |
| title_full_unstemmed | Jeg elsker dig ! lytterens argument ; grammofonspillinger av Edvard Griegs opus 5 nr. 3 Per Dahl |
| title_short | Jeg elsker dig ! |
| title_sort | jeg elsker dig lytterens argument grammofonspillinger av edvard griegs opus 5 nr 3 |
| title_sub | lytterens argument ; grammofonspillinger av Edvard Griegs opus 5 nr. 3 |
| topic | Grieg, Edvard 1843-1907 (DE-588)118697641 gnd Grieg, Edvard 1843-1907 "Hjertets melodier" af H.C. Andersen (DE-588)4441977-6 gnd Klavierlied (DE-588)4164066-4 gnd Vergleich (DE-588)4187713-5 gnd Interpretation (DE-588)4072905-9 gnd |
| topic_facet | Grieg, Edvard 1843-1907 Grieg, Edvard 1843-1907 "Hjertets melodier" af H.C. Andersen Klavierlied Vergleich Interpretation Hochschulschrift |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=015666465&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| volume_link | (DE-604)BV022459387 |
| work_keys_str_mv | AT dahlper jegelskerdiglytterensargumentgrammofonspillingeravedvardgriegsopus5nr3 |