Music, performance, meaning: selected essays
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Aldershot
Ashgate
2007
|
Schriftenreihe: | Ashgate contemporary thinkers on critical musicology series
|
Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis |
Beschreibung: | Includes index. |
Beschreibung: | XXVII, 349 S. Ill., Notenbeisp. |
ISBN: | 9780754627180 |
Internformat
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Datensatz im Suchindex
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---|---|
adam_text | Contents
Acknowledgements
vii
Introduction
ix
Published Writings
xix
1.
Musical Form and the Listener
(1987) 1
2.
The Perception of Large-Scale Tonal Closure
(1987) 9
3.
Beethoven s Unfinished Piano Concerto: a Case of Double Vision?
(1989) 19
4.
Schenker s Theory of Music as Ethics
(1989) 57
5.
The Editor and the Virtuoso, or
Schenker
vs.
Bülow
(1991) 83
6. Heinrich
Schenker,
Polemicist: a Reading of the Ninth
Symphony Monograph
(1995) 101
7.
Music Minus One: Rock, Theory, and Performance
(1995-96) 119
8.
The Domestic
Gesamtkunstwerk,
or Record Sleeves and Reception
(1998) 139
9.
At the Borders of Musical Identity:
Schenker, Corelli
and the Graces
(1999) 157
10.
Theorizing Musical Meaning
(2001) 213
11.
Form and Syntax: a Tale of Two Terms
(2002) 241
12.
The Other Beethoven: Heroism, the Canon, and the Works of
1813-14 (2003) 261
13.
Performance Writ Large: Desultory Remarks on Furnishing the Abode of the
Retired Scholar
(2003) 283
14.
In Praise of Symbolic Poverty
(2004) 301
15.
Writing on Music or Axes to Grind: Road Rage and Musical Community
(2003) 307
16.
Making Music Together, or Improvisation and its Others
(2004) 321
Index
343
|
adam_txt |
Contents
Acknowledgements
vii
Introduction
ix
Published Writings
xix
1.
Musical Form and the Listener
(1987) 1
2.
The Perception of Large-Scale Tonal Closure
(1987) 9
3.
Beethoven's Unfinished Piano Concerto: a Case of Double Vision?
(1989) 19
4.
Schenker's Theory of Music as Ethics
(1989) 57
5.
The Editor and the Virtuoso, or
Schenker
vs.
Bülow
(1991) 83
6. Heinrich
Schenker,
Polemicist: a Reading of the Ninth
Symphony Monograph
(1995) 101
7.
Music Minus One: Rock, Theory, and Performance
(1995-96) 119
8.
The Domestic
Gesamtkunstwerk,
or Record Sleeves and Reception
(1998) 139
9.
At the Borders of Musical Identity:
Schenker, Corelli
and the Graces
(1999) 157
10.
Theorizing Musical Meaning
(2001) 213
11.
Form and Syntax: a Tale of Two Terms
(2002) 241
12.
The Other Beethoven: Heroism, the Canon, and the Works of
1813-14 (2003) 261
13.
Performance Writ Large: Desultory Remarks on Furnishing the Abode of the
Retired Scholar
(2003) 283
14.
In Praise of Symbolic Poverty
(2004) 301
15.
Writing on Music or Axes to Grind: Road Rage and Musical Community
(2003) 307
16.
Making Music Together, or Improvisation and its Others
(2004) 321
Index
343 |
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dewey-search | 780.72 781.1/7 |
dewey-sort | 3780.72 |
dewey-tens | 780 - Music |
discipline | Musikwissenschaft |
discipline_str_mv | Musikwissenschaft |
format | Book |
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index_date | 2024-07-02T17:36:52Z |
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institution | BVB |
isbn | 9780754627180 |
language | English |
lccn | 2007013633 |
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spelling | Cook, Nicholas 1950- Verfasser (DE-588)114097305 aut Music, performance, meaning selected essays Nicholas Cook Aldershot Ashgate 2007 XXVII, 349 S. Ill., Notenbeisp. txt rdacontent n rdamedia nc rdacarrier Ashgate contemporary thinkers on critical musicology series Includes index. Schenker, Heinrich 1868-1935 (DE-588)118607154 gnd rswk-swf Musik Music Philosophy and aesthetics Musikphilosophie (DE-588)4123809-6 gnd rswk-swf Musikästhetik (DE-588)4040808-5 gnd rswk-swf Musiktheorie (DE-588)4040876-0 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content Musikphilosophie (DE-588)4123809-6 s Musikästhetik (DE-588)4040808-5 s DE-604 Schenker, Heinrich 1868-1935 (DE-588)118607154 p Musiktheorie (DE-588)4040876-0 s Digitalisierung BSBMuenchen application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=015659911&sequence=000004&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
spellingShingle | Cook, Nicholas 1950- Music, performance, meaning selected essays Schenker, Heinrich 1868-1935 (DE-588)118607154 gnd Musik Music Philosophy and aesthetics Musikphilosophie (DE-588)4123809-6 gnd Musikästhetik (DE-588)4040808-5 gnd Musiktheorie (DE-588)4040876-0 gnd |
subject_GND | (DE-588)118607154 (DE-588)4123809-6 (DE-588)4040808-5 (DE-588)4040876-0 (DE-588)4143413-4 |
title | Music, performance, meaning selected essays |
title_auth | Music, performance, meaning selected essays |
title_exact_search | Music, performance, meaning selected essays |
title_exact_search_txtP | Music, performance, meaning selected essays |
title_full | Music, performance, meaning selected essays Nicholas Cook |
title_fullStr | Music, performance, meaning selected essays Nicholas Cook |
title_full_unstemmed | Music, performance, meaning selected essays Nicholas Cook |
title_short | Music, performance, meaning |
title_sort | music performance meaning selected essays |
title_sub | selected essays |
topic | Schenker, Heinrich 1868-1935 (DE-588)118607154 gnd Musik Music Philosophy and aesthetics Musikphilosophie (DE-588)4123809-6 gnd Musikästhetik (DE-588)4040808-5 gnd Musiktheorie (DE-588)4040876-0 gnd |
topic_facet | Schenker, Heinrich 1868-1935 Musik Music Philosophy and aesthetics Musikphilosophie Musikästhetik Musiktheorie Aufsatzsammlung |
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