How political singers facilitated the Spanish transition to democracy: 1960 - 1982 ; the cultural construction of a new identity
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Lewiston, NY [u.a.]
Mellen
2007
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | II, 401 S. |
| ISBN: | 9780773454170 |
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| 245 | 1 | 0 | |a How political singers facilitated the Spanish transition to democracy |b 1960 - 1982 ; the cultural construction of a new identity |c Esther Pérez-Villalba |
| 264 | 1 | |a Lewiston, NY [u.a.] |b Mellen |c 2007 | |
| 300 | |a II, 401 S. | ||
| 336 | |b txt |2 rdacontent | ||
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| 500 | |a Includes bibliographical references and index | ||
| 600 | 1 | 4 | |a Víctor Manuel |d 1947- |x Criticism and interpretation |
| 600 | 1 | 4 | |a Belén, Ana |x Criticism and interpretation |
| 600 | 1 | 4 | |a Sabina, Joaquín |x Criticism and interpretation |
| 648 | 4 | |a Geschichte 1900-2000 | |
| 648 | 7 | |a Geschichte 1960-1982 |2 gnd |9 rswk-swf | |
| 650 | 4 | |a Democratization - Spain - History - 20th century | |
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| 650 | 4 | |a Popular music - Spain - History and criticism | |
| 650 | 4 | |a Demokratisierung | |
| 650 | 4 | |a Geschichte | |
| 650 | 4 | |a Musik | |
| 650 | 4 | |a Politik | |
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Datensatz im Suchindex
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| adam_text |
CONTENTS
Preface Dr Mercedes Carbayo Abengozar I
Acknowledgments iij
INTRODUCTION
Context 1
Subjects of Research 2
Aims of the Book 4
Theoretical Framework 5
Outline of Subsequent Chapters 6
PART I THEORY, CONTEXT AND METHOD OF RESEARCH
Chapter 1 Theorising the Nation: Gramsci, Feminism and Popular Agency
Introduction 11
Gramsci's Theories, the Spanish Transition, and Spanish
Singer songwriting and Political Singers 11
Adding a Feminist Perspective 21
The Spanish Nation and National Identity during the Transition:
A Feminist Gramscian Approach 23
Conclusion 28
Chapter 2 The Spanish Transition: Concept, Dates and Agents
Introduction 31
Some Theoretical Notes on History, Historical Contextualisation,
Knowledge and Truth 31
The Spanish Transition: Conceptual and Chronological Boundaries 34
The 1960s: the Beginning of the Spanish Transition 38
Economy and Society 38
Culture 40
1982: the End of the Spanish Transition 41
Politics 41
Culture 42
1968 1982: Victor Manuel, Ana Belen, Joaquin Sabina and the
Spanish Transition 43
Counter hegemonic Agency during the Spanish Transition 44
Feminist Counter Hegemony: Spanish Women Led Organisations
and the Fight for Democracy 47
Spanish Feminists and their Field of Action between 1960 and 1982 48
Spanish Feminisms and their Achievements 52
Counter hegemonic Cultural Agency: Popular Culture, Political Song
and the Democratisation of Spain 53
Spanish cancion de autor/a between 1960 and 1982 55
Spanish Singer songwriters' Music 58
Audience Typology 61
Cancion de autor/a and the Political Establishment
between 1968 and 1982 63
Conclusion 66
Chapter 3 Research Methods: Scope and Rationale
Introduction 71
Historical Contextualisation 71
Song Analysis 73
Criteria for Song Selection 73
Method of Song Analysis: Scope and Rationale 76
Inspiring Models 76
The Textual and Extra textual Analysis of Songs 77
1) The Textual Analysis 77
Music 78
Voice 79
Lyrics 80
2) The Extra textual Analysis 86
Qualitative Research on Audience Reception 87
Why Consider Audiences 88
Epistemological Issues regarding Audience Reception 92
Ethnographic based Investigation as a Method for Audience
Research: Qualitative One to one Interviewing and Focus Groups 94
Individual Qualitative Interviewing 95
Focus Groups Meetings 98
Table I: Ethnographic Research on Audience Reception 103
First Informants 106
Pilot Focus Group Meetings 106
'Teleinterviewing' 106
Conclusion 107
PART II SONG ANALYSIS
Chapter 4 "Soy de Espafla": Contesting Francoist Historiography
Introduction 111
History in Works by Victor Manuel, Ana Belen and Joaquin Sabina 111
1) Revisiting Spanish History (1968 1977/8) 113
a) Centring and Normalising the Margins 115
New Approaches to (the Civil) War and its Participants, and the
Rejection of Imperialism 115
Spanish Women and History 122
The Goodness of Socialism 124
b) 'Othering' the Francoist Center 126
Mocking Franco's Bureaucrats and Supporters, and Rejecting the
Excesses of Militant Patriotism 127
The Evils of Catholicism 132
Victor Manuel's Later Option: Looking for a Consensual Spain 137
2) The Weakening of History as a Recurrent Political Tool
(1978/9 1982) 138
Reasserting the Need for a Progressive Understanding oiPatria 139
Sabina's desencanto 143
Singer songwriting, Political Singers and (the Different Pueblos of)
Spain in the World 144
Spain as the Sum of Iberian Identities 145
Plural Spain Open to Foreign Influences 150
Ni coplas ni pasodobles 150
Welcoming Foreign Musical Influences 153
Some Audience Reactions to Ana Beldn's "La muralla":
A Case Study 154
Conclusion 160
Chapter 5 "Me matan si no trabajo, y si trabajo me matan":
Reworking the Francoist Fallacy of Class Harmony
Introduction 163
Constructions of Class in Works by Victor Manuel, Ana Beldn and
Joaquin Sabina 163
1) Class Struggle and the Fight for a Socialist oriented Society
(1968 1977/8) 166
For a Socialist oriented Society, rather than for Communism 167
Early Attempts to Get around Censorship and Show the Existence
of Class Inequalities 169
Singing Openly for Socialism and Praising the Role of Socialist Leaders 171
Highlighting the Existence of Labour Exploitation and Stressing
the Need for an Active Fight against Class Inequalities 175
A History Lesson from an Internationalist, Class conscious,
Left wing Perspective 180
2) The Weakening of Socialism and the Rise of Social
Disillusionment (1978/9 1982) 183
The Remnants of Socialist Politics. New Times, Old Songs 184
Class Concerns: Gone with the Wind? 186
Sabina's Social Disillusionment 188
Class and Education 192
Class and Gender between 1968 and 1982 196
Some Audience Responses to Victor Manuel's "La planta 14":
A Case Study 200
Conclusion 207
Chapter 6 "La redenci6n que busco entre tus muslos": Love and
Sex against Franco
Introduction 211
Gender and Sexuality in Love Songs by Victor Manuel, Ana Bel6n
and Joaquin Sabina 211
1) Playing Subversive: Politicising Sexuality and 'Unconventional'
Love (1968 1977/8) 213
Love between Left wing Politically committed Partners 214
Mocking Francoist Discourses on Women's Domesticity 217
Love and Existentialism 219
The Subversiveness of Fantasy 222
When (Love Meets Sex and) Sex Becomes Politics 225
Spanish Women's Sexuality 227
Celebrating the Body. Spanish Women and Men as both
Sexually Active and Passive 229
Ambiguity and the Possibility of a Gay Reading 231
Sabina's Sexual Overindulgence and Coarseness 232
2) Standing in between Two Worlds: the Use of'Romantic' Love
and Innovation in other Love and Sexuality Issues (1978/9 1982) 234
The Legitimacy of Romance and the Need for LOVE 236
Reflecting upon Lost Love 241
'I will Survive': Spanish Women's Determination to Overcome
the Loss of Love 242
New Perspectives on Love and Sexuality: Making a Difference
through Innovation 244
Love between Differently abled People 244
Love between Gay Men 247
Sex without Love: Opening Spaces for Sexually Liberated Women 248
Gender Constructions in Other Songs by Victor Manuel, Ana Beten
And Joaquin Sabina 252
Representations of Femininity 252
Constructions of Masculinity 254
Some Audience Views on Joaquin Sabina's "Mi vecino de arriba":
A Case Study 255
Conclusion 262
PART III AUDIENCE RESEARCH: IN DIALOGUE WITH SOME
LISTENERS TO CANCldN DE AUTOR/A OF THE TRANSITION
Chapter 7 Listeners' Views on Gender and Singer songwriting
Introduction 267
Victor Manuel's, Ana Belen's and Joaquin Sabina's Genered Personae 267
Gender in Singer songwriting 272
Understanding Audiences' Responses in the Context of the Transition 280
Conclusion 287
Chapter 8 "Esto no es solo una canci6n": the Roles and
Significance of Singer songwriters and Political Song during
The Spanish Transition
Introduction 291
The Specific Significance of Victor Manuel, Ana Belen and
Joaquin Sabina 291
Victor Manuel: the Real Voice of Mining Asturias 293
Ana Bel£n: a Communist with Make up Making the Personal Political 296
Joaquin Sabina: Publicising Overseas the Lack of Liberties
in Spain. Sabina and his World: Carnival and the Carnivalesque 301
The Roles and Significance of Singer Songwriting and Political
Singers during the Spanish Transition 307
Educating Audiences: Transmission of Ideas, Ideological
Formation of Listeners and Socio political Awareness Raising 307
United in the Democratic Fight: Group Identity and Group
Creation and/or Cohesion 314
Recitals and Concerts as Actual and Symbolic Meeting Points:
Public Transgression and the Establishment of a
Dissident Public Voice and Identity 319
Singer songwriting/ers, Political Singing/ers and Political
Activism beyond Recitals and Concerts 322
Some Keys to the Socio Political Success of Singer songwriting
and Political singers 328
The Power of Music and Song: Listening to Song as a Potentially
Powerful Physical and Emotional Experience 328
"Solo/a no puedo, con amigos si": the Importance of the
Collective Experience of Music 334
Cancion de autor/a and Micro politics 340
Biographies that Matter: Singer songwriters Practising what they Preach 342
Conclusion 345
CONCLUSION 349
APPENDIX 361
BIBLIOGRAPHY 369
INDEX 389 |
| adam_txt |
CONTENTS
Preface Dr Mercedes Carbayo Abengozar I
Acknowledgments iij
INTRODUCTION
Context 1
Subjects of Research 2
Aims of the Book 4
Theoretical Framework 5
Outline of Subsequent Chapters 6
PART I THEORY, CONTEXT AND METHOD OF RESEARCH
Chapter 1 Theorising the Nation: Gramsci, Feminism and Popular Agency
Introduction 11
Gramsci's Theories, the Spanish Transition, and Spanish
Singer songwriting and Political Singers 11
Adding a Feminist Perspective 21
The Spanish Nation and National Identity during the Transition:
A Feminist Gramscian Approach 23
Conclusion 28
Chapter 2 The Spanish Transition: Concept, Dates and Agents
Introduction 31
Some Theoretical Notes on History, Historical Contextualisation,
Knowledge and Truth 31
The Spanish Transition: Conceptual and Chronological Boundaries 34
The 1960s: the Beginning of the Spanish Transition 38
Economy and Society 38
Culture 40
1982: the End of the Spanish Transition 41
Politics 41
Culture 42
1968 1982: Victor Manuel, Ana Belen, Joaquin Sabina and the
Spanish Transition 43
Counter hegemonic Agency during the Spanish Transition 44
Feminist Counter Hegemony: Spanish Women Led Organisations
and the Fight for Democracy 47
Spanish Feminists and their Field of Action between 1960 and 1982 48
Spanish Feminisms and their Achievements 52
Counter hegemonic Cultural Agency: Popular Culture, Political Song
and the Democratisation of Spain 53
Spanish cancion de autor/a between 1960 and 1982 55
Spanish Singer songwriters' Music 58
Audience Typology 61
Cancion de autor/a and the Political Establishment
between 1968 and 1982 63
Conclusion 66
Chapter 3 Research Methods: Scope and Rationale
Introduction 71
Historical Contextualisation 71
Song Analysis 73
Criteria for Song Selection 73
Method of Song Analysis: Scope and Rationale 76
Inspiring Models 76
The Textual and Extra textual Analysis of Songs 77
1) The Textual Analysis 77
Music 78
Voice 79
Lyrics 80
2) The Extra textual Analysis 86
Qualitative Research on Audience Reception 87
Why Consider Audiences 88
Epistemological Issues regarding Audience Reception 92
Ethnographic based Investigation as a Method for Audience
Research: Qualitative One to one Interviewing and Focus Groups 94
Individual Qualitative Interviewing 95
Focus Groups Meetings 98
Table I: Ethnographic Research on Audience Reception 103
First Informants 106
Pilot Focus Group Meetings 106
'Teleinterviewing' 106
Conclusion 107
PART II SONG ANALYSIS
Chapter 4 "Soy de Espafla": Contesting Francoist Historiography
Introduction 111
History in Works by Victor Manuel, Ana Belen and Joaquin Sabina 111
1) Revisiting Spanish History (1968 1977/8) 113
a) Centring and Normalising the Margins 115
New Approaches to (the Civil) War and its Participants, and the
Rejection of Imperialism 115
Spanish Women and History 122
The Goodness of Socialism 124
b) 'Othering' the Francoist Center 126
Mocking Franco's Bureaucrats and Supporters, and Rejecting the
Excesses of Militant Patriotism 127
The Evils of Catholicism 132
Victor Manuel's Later Option: Looking for a Consensual Spain 137
2) The Weakening of History as a Recurrent Political Tool
(1978/9 1982) 138
Reasserting the Need for a Progressive Understanding oiPatria 139
Sabina's desencanto 143
Singer songwriting, Political Singers and (the Different Pueblos of)
Spain in the World 144
Spain as the Sum of Iberian Identities 145
Plural Spain Open to Foreign Influences 150
Ni coplas ni pasodobles 150
Welcoming Foreign Musical Influences 153
Some Audience Reactions to Ana Beldn's "La muralla":
A Case Study 154
Conclusion 160
Chapter 5 "Me matan si no trabajo, y si trabajo me matan":
Reworking the Francoist Fallacy of Class Harmony
Introduction 163
Constructions of Class in Works by Victor Manuel, Ana Beldn and
Joaquin Sabina 163
1) Class Struggle and the Fight for a Socialist oriented Society
(1968 1977/8) 166
For a Socialist oriented Society, rather than for Communism 167
Early Attempts to Get around Censorship and Show the Existence
of Class Inequalities 169
Singing Openly for Socialism and Praising the Role of Socialist Leaders 171
Highlighting the Existence of Labour Exploitation and Stressing
the Need for an Active Fight against Class Inequalities 175
A History Lesson from an Internationalist, Class conscious,
Left wing Perspective 180
2) The Weakening of Socialism and the Rise of Social
Disillusionment (1978/9 1982) 183
The Remnants of Socialist Politics. New Times, Old Songs 184
Class Concerns: Gone with the Wind? 186
Sabina's Social Disillusionment 188
Class and Education 192
Class and Gender between 1968 and 1982 196
Some Audience Responses to Victor Manuel's "La planta 14":
A Case Study 200
Conclusion 207
Chapter 6 "La redenci6n que busco entre tus muslos": Love and
Sex against Franco
Introduction 211
Gender and Sexuality in Love Songs by Victor Manuel, Ana Bel6n
and Joaquin Sabina 211
1) Playing Subversive: Politicising Sexuality and 'Unconventional'
Love (1968 1977/8) 213
Love between Left wing Politically committed Partners 214
Mocking Francoist Discourses on Women's Domesticity 217
Love and Existentialism 219
The Subversiveness of Fantasy 222
When (Love Meets Sex and) Sex Becomes Politics 225
Spanish Women's Sexuality 227
Celebrating the Body. Spanish Women and Men as both
Sexually Active and Passive 229
Ambiguity and the Possibility of a Gay Reading 231
Sabina's Sexual Overindulgence and Coarseness 232
2) Standing in between Two Worlds: the Use of'Romantic' Love
and Innovation in other Love and Sexuality Issues (1978/9 1982) 234
The Legitimacy of Romance and the Need for LOVE 236
Reflecting upon Lost Love 241
'I will Survive': Spanish Women's Determination to Overcome
the Loss of Love 242
New Perspectives on Love and Sexuality: Making a Difference
through Innovation 244
Love between Differently abled People 244
Love between Gay Men 247
Sex without Love: Opening Spaces for Sexually Liberated Women 248
Gender Constructions in Other Songs by Victor Manuel, Ana Beten
And Joaquin Sabina 252
Representations of Femininity 252
Constructions of Masculinity 254
Some Audience Views on Joaquin Sabina's "Mi vecino de arriba":
A Case Study 255
Conclusion 262
PART III AUDIENCE RESEARCH: IN DIALOGUE WITH SOME
LISTENERS TO CANCldN DE AUTOR/A OF THE TRANSITION
Chapter 7 Listeners' Views on Gender and Singer songwriting
Introduction 267
Victor Manuel's, Ana Belen's and Joaquin Sabina's Genered Personae 267
Gender in Singer songwriting 272
Understanding Audiences' Responses in the Context of the Transition 280
Conclusion 287
Chapter 8 "Esto no es solo una canci6n": the Roles and
Significance of Singer songwriters and Political Song during
The Spanish Transition
Introduction 291
The Specific Significance of Victor Manuel, Ana Belen and
Joaquin Sabina 291
Victor Manuel: the Real Voice of Mining Asturias 293
Ana Bel£n: a Communist with Make up Making the Personal Political 296
Joaquin Sabina: Publicising Overseas the Lack of Liberties
in Spain. Sabina and his World: Carnival and the Carnivalesque 301
The Roles and Significance of Singer Songwriting and Political
Singers during the Spanish Transition 307
Educating Audiences: Transmission of Ideas, Ideological
Formation of Listeners and Socio political Awareness Raising 307
United in the Democratic Fight: Group Identity and Group
Creation and/or Cohesion 314
Recitals and Concerts as Actual and Symbolic Meeting Points:
Public Transgression and the Establishment of a
Dissident Public Voice and Identity 319
Singer songwriting/ers, Political Singing/ers and Political
Activism beyond Recitals and Concerts 322
Some Keys to the Socio Political Success of Singer songwriting
and Political singers 328
The Power of Music and Song: Listening to Song as a Potentially
Powerful Physical and Emotional Experience 328
"Solo/a no puedo, con amigos si": the Importance of the
Collective Experience of Music 334
Cancion de autor/a and Micro politics 340
Biographies that Matter: Singer songwriters Practising what they Preach 342
Conclusion 345
CONCLUSION 349
APPENDIX 361
BIBLIOGRAPHY 369
INDEX 389 |
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| geographic | Spanien Spain History 20th century Spanien (DE-588)4055964-6 gnd |
| geographic_facet | Spanien Spain History 20th century |
| id | DE-604.BV022451998 |
| illustrated | Not Illustrated |
| index_date | 2024-07-02T17:36:50Z |
| indexdate | 2024-08-31T01:22:53Z |
| institution | BVB |
| isbn | 9780773454170 |
| language | English |
| lccn | 2007017207 |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-015659838 |
| oclc_num | 260122007 |
| open_access_boolean | |
| owner | DE-12 |
| owner_facet | DE-12 |
| physical | II, 401 S. |
| publishDate | 2007 |
| publishDateSearch | 2007 |
| publishDateSort | 2007 |
| publisher | Mellen |
| record_format | marc |
| spelling | Perez-Villalba, Esther Verfasser aut How political singers facilitated the Spanish transition to democracy 1960 - 1982 ; the cultural construction of a new identity Esther Pérez-Villalba Lewiston, NY [u.a.] Mellen 2007 II, 401 S. txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references and index Víctor Manuel 1947- Criticism and interpretation Belén, Ana Criticism and interpretation Sabina, Joaquín Criticism and interpretation Geschichte 1900-2000 Geschichte 1960-1982 gnd rswk-swf Democratization - Spain - History - 20th century Music - Political aspects - Spain - History - 20th century Popular music - Spain - History and criticism Demokratisierung Geschichte Musik Politik Music Political aspects Spain History 20th century Popular music Spain History and criticism Democratization Spain History 20th century Demokratisierung (DE-588)4124941-0 gnd rswk-swf Liedermacher (DE-588)4035673-5 gnd rswk-swf Spanien Spain History 20th century Spanien (DE-588)4055964-6 gnd rswk-swf Spanien (DE-588)4055964-6 g Demokratisierung (DE-588)4124941-0 s Liedermacher (DE-588)4035673-5 s Geschichte 1960-1982 z DE-604 HBZ Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=015659838&sequence=000004&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Perez-Villalba, Esther How political singers facilitated the Spanish transition to democracy 1960 - 1982 ; the cultural construction of a new identity Víctor Manuel 1947- Criticism and interpretation Belén, Ana Criticism and interpretation Sabina, Joaquín Criticism and interpretation Democratization - Spain - History - 20th century Music - Political aspects - Spain - History - 20th century Popular music - Spain - History and criticism Demokratisierung Geschichte Musik Politik Music Political aspects Spain History 20th century Popular music Spain History and criticism Democratization Spain History 20th century Demokratisierung (DE-588)4124941-0 gnd Liedermacher (DE-588)4035673-5 gnd |
| subject_GND | (DE-588)4124941-0 (DE-588)4035673-5 (DE-588)4055964-6 |
| title | How political singers facilitated the Spanish transition to democracy 1960 - 1982 ; the cultural construction of a new identity |
| title_auth | How political singers facilitated the Spanish transition to democracy 1960 - 1982 ; the cultural construction of a new identity |
| title_exact_search | How political singers facilitated the Spanish transition to democracy 1960 - 1982 ; the cultural construction of a new identity |
| title_exact_search_txtP | How political singers facilitated the Spanish transition to democracy 1960 - 1982 ; the cultural construction of a new identity |
| title_full | How political singers facilitated the Spanish transition to democracy 1960 - 1982 ; the cultural construction of a new identity Esther Pérez-Villalba |
| title_fullStr | How political singers facilitated the Spanish transition to democracy 1960 - 1982 ; the cultural construction of a new identity Esther Pérez-Villalba |
| title_full_unstemmed | How political singers facilitated the Spanish transition to democracy 1960 - 1982 ; the cultural construction of a new identity Esther Pérez-Villalba |
| title_short | How political singers facilitated the Spanish transition to democracy |
| title_sort | how political singers facilitated the spanish transition to democracy 1960 1982 the cultural construction of a new identity |
| title_sub | 1960 - 1982 ; the cultural construction of a new identity |
| topic | Víctor Manuel 1947- Criticism and interpretation Belén, Ana Criticism and interpretation Sabina, Joaquín Criticism and interpretation Democratization - Spain - History - 20th century Music - Political aspects - Spain - History - 20th century Popular music - Spain - History and criticism Demokratisierung Geschichte Musik Politik Music Political aspects Spain History 20th century Popular music Spain History and criticism Democratization Spain History 20th century Demokratisierung (DE-588)4124941-0 gnd Liedermacher (DE-588)4035673-5 gnd |
| topic_facet | Víctor Manuel 1947- Criticism and interpretation Belén, Ana Criticism and interpretation Sabina, Joaquín Criticism and interpretation Democratization - Spain - History - 20th century Music - Political aspects - Spain - History - 20th century Popular music - Spain - History and criticism Demokratisierung Geschichte Musik Politik Music Political aspects Spain History 20th century Popular music Spain History and criticism Democratization Spain History 20th century Liedermacher Spanien Spain History 20th century |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=015659838&sequence=000004&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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