Contemplating art: essays in aesthetics
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Oxford
Clarendon Press
2006
|
| Ausgabe: | 1. publ. |
| Schlagworte: | |
| Online-Zugang: | Table of contents only Inhaltsverzeichnis |
| Beschreibung: | Includes index |
| Beschreibung: | viii, 423 p. 24 cm |
| ISBN: | 0199206171 9780199206179 019920618X 9780199206186 |
Internformat
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Datensatz im Suchindex
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|---|---|
| adam_text | Contemplating
Art
Essays in Aesthetics
JERROLD
LEVINSON
CLARENDON PRESS
·
OXFORD
Contents
Acknowledgements
vii
Introduction
1
I. ART
1.
The Irreducible Historicality of the Concept of Art
13
2.
Artworks as Artifacts
27
3.
Emotion in Response to Art
38
4. Elster
on Artistic Creativity
56
II. MUSIC
5.
Sound, Gesture, Space, and the Expression of Emotion in Music
77
6.
Musical Expressiveness as Hearability-as-Expression
91
7.
Nonexistent Artforms and the Case of Visual Music
109
8.
Music as Narrative and Music as Drama
129
9.
Film Music and Narrative Agency
143
10.
Evaluating Music
184
11.
Musical Thinking
209
12.
Musical Chills
220
III. PICTURES
13. Wollheim
on Pictorial Representation
239
14.
What is Erotic Art?
252
15.
Erotic Art and Pornographic Pictures
259
vi
Contents
IV.
INTERPRETATION
16.
Two
Notions
of
Interpretation 275
17.
Who s Afraid of
a
Paraphrase? 288
18.
Hypothetical Intentionalism: Statement, Objections, and
Replies
302
V. AESTHETIC PROPERTIES
19.
Aesthetic Properties, Evaluative Force, and Differences of
Sensibility
315
20.
What Are Aesthetic Properties?
336
VI. HISTORY
21.
Schopenhauer s Aesthetics
355
22.
Hume s Standard of Taste: The Real Problem
366
VII.
OTHER MATTERS
23.
The Concept of Humor
389
24.
Intrinsic Value and the Notion of a Life
400
Index
419
|
| adam_txt |
Contemplating
Art
Essays in Aesthetics
JERROLD
LEVINSON
CLARENDON PRESS
·
OXFORD
Contents
Acknowledgements
vii
Introduction
1
I. ART
1.
The Irreducible Historicality of the Concept of Art
13
2.
Artworks as Artifacts
27
3.
Emotion in Response to Art
38
4. Elster
on Artistic Creativity
56
II. MUSIC
5.
Sound, Gesture, Space, and the Expression of Emotion in Music
77
6.
Musical Expressiveness as Hearability-as-Expression
91
7.
Nonexistent Artforms and the Case of Visual Music
109
8.
Music as Narrative and Music as Drama
129
9.
Film Music and Narrative Agency
143
10.
Evaluating Music
184
11.
Musical Thinking
209
12.
Musical Chills
220
III. PICTURES
13. Wollheim
on Pictorial Representation
239
14.
What is Erotic Art?
252
15.
Erotic Art and Pornographic Pictures
259
vi
Contents
IV.
INTERPRETATION
16.
Two
Notions
of
Interpretation 275
17.
Who's Afraid of
a
Paraphrase? 288
18.
Hypothetical Intentionalism: Statement, Objections, and
Replies
302
V. AESTHETIC PROPERTIES
19.
Aesthetic Properties, Evaluative Force, and Differences of
Sensibility
315
20.
What Are Aesthetic Properties?
336
VI. HISTORY
21.
Schopenhauer's Aesthetics
355
22.
Hume's Standard of Taste: The Real Problem
366
VII.
OTHER MATTERS
23.
The Concept of Humor
389
24.
Intrinsic Value and the Notion of a Life
400
Index
419 |
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| dewey-full | 701/.17 |
| dewey-hundreds | 700 - The arts |
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| discipline | Kunstgeschichte Philosophie |
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| edition | 1. publ. |
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| title | Contemplating art essays in aesthetics |
| title_auth | Contemplating art essays in aesthetics |
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| title_full | Contemplating art essays in aesthetics Jerrold Levinson |
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| title_full_unstemmed | Contemplating art essays in aesthetics Jerrold Levinson |
| title_short | Contemplating art |
| title_sort | contemplating art essays in aesthetics |
| title_sub | essays in aesthetics |
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