Subjects and objects: art, essentialism, and abstraction
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Leiden [u.a.]
Brill
2007
|
| Schriftenreihe: | Philosophy of history and culture
25 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | XVIII, 388 S. |
| ISBN: | 9789004157149 |
Internformat
MARC
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| 245 | 1 | 0 | |a Subjects and objects |b art, essentialism, and abstraction |c by Jeffrey Stayer |
| 264 | 1 | |a Leiden [u.a.] |b Brill |c 2007 | |
| 300 | |a XVIII, 388 S. | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 490 | 1 | |a Philosophy of history and culture |v 25 | |
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Datensatz im Suchindex
| _version_ | 1804136526634811392 |
|---|---|
| adam_text | CONTENTS
Acknowledgements
Introduction
1.
2.
3.
4.
5.
6.
PART ONE
PRELIMINARY ISSUES RELEVANT TO
ESSENTIALIST ABSTRACTION
1.
2.
3.
4.
question of the limits of Abstraction in art
4.1.
and the different relation of each to Essentialist
Abstraction
4.2.
4.3.
philosophy
4.4.
in the question of Abstract art s limits
5.
5.1.
reflexivity
Vlil
PART TWO
ON SUBJECTS AND OBJECTS AND WORKS OF ART:
GENERAL CONSIDERATIONS AND BASIC POINTS OF
RELEVANCE TO ESSENTIALIST ABSTRACTION
Introduction
Division I: Singling Something Out, Artistic Identity, and
Intentional Actions
1.
1.1.
1.2.
1.3.
1.4.
1.5.
1.6.
1.7.
than one artwork
1.8.
in general
2.
2.1.
3.
3.1.
artwork s identity
3.2.
noumenal objects
4.
4.1.
5.
an artwork
5.1.
relation
5.2.
artworks
5.3.
object meant to be a work of art
6.
6.1.
CONTENTS
7.
and indirect relation of an artist to an object used to
make an artwork
7.1.
8.
cultural contexts
8.1.
Division II: Artists, Objects, and Some Minimum Conditions
of Artistic Identity
1.
1.1.
required to make artworks depends on the
metaphysics of personhood
1.2.
2.
dictate the nature of what is singled out
3.
to be identified
4.
with some
preexistent
5.
degree of similarity that it has to any other object
Division III: Artistic Identity, Subjects, and Apprehensible
Objects
1.
apprehensible object
1.1.
artworks that cannot be apprehended
2.
artwork on an apprehensible object
3.
which knowledge of the identity of an artwork is
dependent
3.1.
artwork
3.2.
identified with a non-apprehensible object on an
apprehensible object
X
3.3.
object on which the identity of an artwork is
dependent to that identity
4.
the ontology, meaning, and value of an artwork
5.
of the identity of an artwork on a public perceptual
object
5.1.
5.2.
sufficient
5.3.
identity
5.4.
5.5.
6.
objects
7.
7.1.
sophisticated notions of artworks
7.2.
artworks
7.3.
8.
8.1.
8.2.
8.3.
9.
10.
11.
an artwork
Division IV: Artworks and Kinds of Object
1.
2.
apprehensibly different things
3.
number of indistinguishable objects
4.
objects at the same or different times
CONTENTS
5. An
object with which another artwork is meant to be
identified
6.
7.
8.
Division V: Art and the Aesthetic
1.
2.
heterogeneity of aesthetic experience
2.1.
2.2.
intellectual objects
2.3.
2.4.
3.
property
3.1.
3.2.
3.3.
3.4.
3.5.
3.6.
3.7.
concept of the aesthetic
3.8.
4.
4.1.
artistically-independent objects
4.2.
4.3.
XU CONTENTS
PART THREE
ON SUBJECTS AND OBJECTS AND ARTISTIC COMPLEXES:
THE MATERIAL OF ESSENTIALISM
Introduction
Division I: Subjects and Objects and Artistic Complexes
Introduction
1.
1.1.
1.2.
1.3.
1.4.
1.5.
2.
art is relevantly dependent
2.1.
object that can be apprehended in full from a
single perspective
2.2.
object that cannot be apprehended in full from a
single perspective
2.3.
perceptual objects distributed in spatial proximity
2.4.
perceptual objects distributed over distances from
one another
2.5-6.
2.7.
identity of an artwork is dependent
2.8.
3.
4.
complexes
4.1.
to be identified
4.2.
meant to be identified
CONTENTS XIII
4.3.
which an artwork is meant to be identified and
an aspect through which an artwork is meant to
be identified
4.4.
artwork is meant to be identified
4.5.
Division II: Artistic Complexes and Subjects
Introduction
1.
1.1.
identity of any artwork
1.2.
to any artwork
2.
3.
4.
4.1.
non-Intentional
4.2.
4.3.
irreflexive ........................................................................ 178
4.4. Areflexive
4.5.
polyadic
4.6.
4.7.
4.8.
5.
6.
7.
8.
9.
9.1.
9.2.
9.3.
XIV
Division III: Artistic Complexes and Objects
Introduction
1.
1.1.
logical difference
1.2.
2.
2.1.
2.2.
2.3.
2.4.
3.
4.
5.
5.1.
things of relevance to them
5.2.
6.
7.
7.1.
7.2.
artworks
7.3.
objects
8.
be the object that it is
9.
dependence
9.1.
dependence
9.2.
dependent objects
9.3.
events on which they depend
9.4.
dependent objects and the events on which they
depend
9.5.
object dependent on it
CONTENTS
10.
10.1.
object to a particular time
10.2.
10.3.
10.4.
10.5.
11.
11.1.
11.2.
11.3.
12.
13.
13.1.
13.2.
14.
14.1.
14.2.
15.
16.
16.1.
16.2.
16.3.
16.4.
16.5.
17.
Division IV: Artistic Complexes and Subjects and Objects
Introduction
1.
1.1.
1.2.
1.3.
1.4.
1.5.
1.6.
is selected
1.7.
1.8.
objects meant to be artworks
XVI
1.9.
conveying artworks
1.10.
1.11.
1.12.
something out
1.13.
conveys the identity of an artwork
2.
Abstraction
2.1.
comprehension of identity
2.2.
2.3.
2.4.
2.5.
2.6.
3.
3.1.
3.2.
3.3.
4.
elements of artistic complexes
4.1.
4.2.
4.3.
Essentialist object
5.
5.1.
embodied and specified artworks are dependent
5.2.
5.3.
5.4.
5.5.
6.
7.
7.1.
7.2.
7.3.
8.
CONTENTS
9.
10.
11.
11.1.
11.2.
11.3.
11.4.
11.5.
11.6.
11.7.
12.
Division V: The Essential Elements of Artistic Complexes
PART FOUR
IDENTITY AND SUBJECTS, OBJECTS, AND LANGUAGE:
CONCLUDING REMARKS AS A PREAMBLE TO AN
ESSENTIALIST INVESTIGATION OF THE LIMITS
OF ABSTRACTION
Introduction
1.
1.1.
1.2.
2.
3.
3.1.
artwork s identity
3.2.
complexes
4.
5.
Abstract artworks
5.1.
specification
5.2.
ideational objects
5.3.
Xviii CONTENTS
6.
artwork to things that are used to effect that identity
7.
7.1.
complexes
7.2.
APPENDICES
Appendix I On the Notions of Object, Property,
Haecceity, and Diversity
1.
2.
Appendix II Leibniz s Law, the Laws of Identity and
Difference, and the Identity of
1.
2.
3.
Appendix III Distinction, Discrimination, and
Distinguishability
Appendix IV Impossible Objects
1.
2.
3.
4.
consciousness
5.
6.
7.
of them
8.
9.
10.
Abstraction
Works Cited in the Text and Selected Bibliography
Index
|
| adam_txt |
CONTENTS
Acknowledgements
Introduction
1.
2.
3.
4.
5.
6.
PART ONE
PRELIMINARY ISSUES RELEVANT TO
ESSENTIALIST ABSTRACTION
1.
2.
3.
4.
question of the limits of Abstraction in art
4.1.
and the different relation of each to Essentialist
Abstraction
4.2.
4.3.
philosophy
4.4.
in the question of Abstract art's limits
5.
5.1.
reflexivity
Vlil
PART TWO
ON SUBJECTS AND OBJECTS AND WORKS OF ART:
GENERAL CONSIDERATIONS AND BASIC POINTS OF
RELEVANCE TO ESSENTIALIST ABSTRACTION
Introduction
Division I: Singling Something Out, Artistic Identity, and
Intentional Actions
1.
1.1.
1.2.
1.3.
1.4.
1.5.
1.6.
1.7.
than one artwork
1.8.
in general
2.
2.1.
3.
3.1.
artwork's identity
3.2.
noumenal objects
4.
4.1.
5.
an artwork
5.1.
relation
5.2.
artworks
5.3.
object meant to be a work of art
6.
6.1.
CONTENTS
7.
and indirect relation of an artist to an object used to
make an artwork
7.1.
8.
cultural contexts
8.1.
Division II: Artists, Objects, and Some Minimum Conditions
of Artistic Identity
1.
1.1.
required to make artworks depends on the
metaphysics of personhood
1.2.
2.
dictate the nature of what is singled out
3.
to be identified
4.
with some
preexistent
5.
degree of similarity that it has to any other object
Division III: Artistic Identity, Subjects, and Apprehensible
Objects
1.
apprehensible object
1.1.
artworks that cannot be apprehended
2.
artwork on an apprehensible object
3.
which knowledge of the identity of an artwork is
dependent
3.1.
artwork
3.2.
identified with a non-apprehensible object on an
apprehensible object
X
3.3.
object on which the identity of an artwork is
dependent to that identity
4.
the ontology, meaning, and value of an artwork
5.
of the identity of an artwork on a public perceptual
object
5.1.
5.2.
sufficient
5.3.
identity
5.4.
5.5.
6.
objects
7.
7.1.
sophisticated notions of artworks
7.2.
artworks
7.3.
8.
8.1.
8.2.
8.3.
9.
10.
11.
an artwork
Division IV: Artworks and Kinds of Object
1.
2.
apprehensibly different things
3.
number of indistinguishable objects
4.
objects at the same or different times
CONTENTS
5. An
object with which another artwork is meant to be
identified
6.
7.
8.
Division V: Art and the Aesthetic
1.
2.
heterogeneity of aesthetic experience
2.1.
2.2.
intellectual objects
2.3.
2.4.
3.
property
3.1.
3.2.
3.3.
3.4.
3.5.
3.6.
3.7.
concept of the aesthetic
3.8.
4.
4.1.
artistically-independent objects
4.2.
4.3.
XU CONTENTS
PART THREE
ON SUBJECTS AND OBJECTS AND ARTISTIC COMPLEXES:
THE MATERIAL OF ESSENTIALISM
Introduction
Division I: Subjects and Objects and Artistic Complexes
Introduction
1.
1.1.
1.2.
1.3.
1.4.
1.5.
2.
art is relevantly dependent
2.1.
object that can be apprehended in full from a
single perspective
2.2.
object that cannot be apprehended in full from a
single perspective
2.3.
perceptual objects distributed in spatial proximity
2.4.
perceptual objects distributed over distances from
one another
2.5-6.
2.7.
identity of an artwork is dependent
2.8.
3.
4.
complexes
4.1.
to be identified
4.2.
meant to be identified
CONTENTS XIII
4.3.
which an artwork is meant to be identified and
an aspect through which an artwork is meant to
be identified
4.4.
artwork is meant to be identified
4.5.
Division II: Artistic Complexes and Subjects
Introduction
1.
1.1.
identity of any artwork
1.2.
to any artwork
2.
3.
4.
4.1.
non-Intentional
4.2.
4.3.
irreflexive . 178
4.4. Areflexive
4.5.
polyadic
4.6.
4.7.
4.8.
5.
6.
7.
8.
9.
9.1.
9.2.
9.3.
XIV
Division III: Artistic Complexes and Objects
Introduction
1.
1.1.
logical difference
1.2.
2.
2.1.
2.2.
2.3.
2.4.
3.
4.
5.
5.1.
things of relevance to them
5.2.
6.
7.
7.1.
7.2.
artworks
7.3.
objects
8.
be the object that it is
9.
dependence
9.1.
dependence
9.2.
dependent objects
9.3.
events on which they depend
9.4.
dependent objects and the events on which they
depend
9.5.
object dependent on it
CONTENTS
10.
10.1.
object to a particular time
10.2.
10.3.
10.4.
10.5.
11.
11.1.
11.2.
11.3.
12.
13.
13.1.
13.2.
14.
14.1.
14.2.
15.
16.
16.1.
16.2.
16.3.
16.4.
16.5.
17.
Division IV: Artistic Complexes and Subjects and Objects
Introduction
1.
1.1.
1.2.
1.3.
1.4.
1.5.
1.6.
is selected
1.7.
1.8.
objects meant to be artworks
XVI
1.9.
conveying artworks
1.10.
1.11.
1.12.
something out
1.13.
conveys the identity of an artwork
2.
Abstraction
2.1.
comprehension of identity
2.2.
2.3.
2.4.
2.5.
2.6.
3.
3.1.
3.2.
3.3.
4.
elements of artistic complexes
4.1.
4.2.
4.3.
Essentialist object
5.
5.1.
embodied and specified artworks are dependent
5.2.
5.3.
5.4.
5.5.
6.
7.
7.1.
7.2.
7.3.
8.
CONTENTS
9.
10.
11.
11.1.
11.2.
11.3.
11.4.
11.5.
11.6.
11.7.
12.
Division V: The Essential Elements of Artistic Complexes
PART FOUR
IDENTITY AND SUBJECTS, OBJECTS, AND LANGUAGE:
CONCLUDING REMARKS AS A PREAMBLE TO AN
ESSENTIALIST INVESTIGATION OF THE LIMITS
OF ABSTRACTION
Introduction
1.
1.1.
1.2.
2.
3.
3.1.
artwork's identity
3.2.
complexes
4.
5.
Abstract artworks
5.1.
specification
5.2.
ideational objects
5.3.
Xviii CONTENTS
6.
artwork to things that are used to effect that identity
7.
7.1.
complexes
7.2.
APPENDICES
Appendix I On the Notions of Object, Property,
Haecceity, and Diversity
1.
2.
Appendix II Leibniz's Law, the Laws of Identity and
Difference, and the Identity of
1.
2.
3.
Appendix III Distinction, Discrimination, and
Distinguishability
Appendix IV Impossible Objects
1.
2.
3.
4.
consciousness
5.
6.
7.
of them
8.
9.
10.
Abstraction
Works Cited in the Text and Selected Bibliography
Index |
| any_adam_object | 1 |
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| author | Strayer, Jeffrey |
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| discipline_str_mv | Kunstgeschichte |
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| id | DE-604.BV022448049 |
| illustrated | Not Illustrated |
| index_date | 2024-07-02T17:35:19Z |
| indexdate | 2024-07-09T20:57:48Z |
| institution | BVB |
| isbn | 9789004157149 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-015655986 |
| oclc_num | 77797554 |
| open_access_boolean | |
| owner | DE-12 DE-255 |
| owner_facet | DE-12 DE-255 |
| physical | XVIII, 388 S. |
| publishDate | 2007 |
| publishDateSearch | 2007 |
| publishDateSort | 2007 |
| publisher | Brill |
| record_format | marc |
| series | Philosophy of history and culture |
| series2 | Philosophy of history and culture |
| spelling | Strayer, Jeffrey Verfasser aut Subjects and objects art, essentialism, and abstraction by Jeffrey Stayer Leiden [u.a.] Brill 2007 XVIII, 388 S. txt rdacontent n rdamedia nc rdacarrier Philosophy of history and culture 25 Art, Abstract Abstrakte Kunst (DE-588)4141146-8 gnd rswk-swf Kunst (DE-588)4114333-4 gnd rswk-swf Ästhetik (DE-588)4000626-8 gnd rswk-swf Abstraktion (DE-588)4141162-6 gnd rswk-swf Ästhetik (DE-588)4000626-8 s DE-604 Kunst (DE-588)4114333-4 s Abstraktion (DE-588)4141162-6 s Abstrakte Kunst (DE-588)4141146-8 s Philosophy of history and culture 25 (DE-604)BV001907420 25 Digitalisierung BSBMuenchen application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=015655986&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Strayer, Jeffrey Subjects and objects art, essentialism, and abstraction Philosophy of history and culture Art, Abstract Abstrakte Kunst (DE-588)4141146-8 gnd Kunst (DE-588)4114333-4 gnd Ästhetik (DE-588)4000626-8 gnd Abstraktion (DE-588)4141162-6 gnd |
| subject_GND | (DE-588)4141146-8 (DE-588)4114333-4 (DE-588)4000626-8 (DE-588)4141162-6 |
| title | Subjects and objects art, essentialism, and abstraction |
| title_auth | Subjects and objects art, essentialism, and abstraction |
| title_exact_search | Subjects and objects art, essentialism, and abstraction |
| title_exact_search_txtP | Subjects and objects art, essentialism, and abstraction |
| title_full | Subjects and objects art, essentialism, and abstraction by Jeffrey Stayer |
| title_fullStr | Subjects and objects art, essentialism, and abstraction by Jeffrey Stayer |
| title_full_unstemmed | Subjects and objects art, essentialism, and abstraction by Jeffrey Stayer |
| title_short | Subjects and objects |
| title_sort | subjects and objects art essentialism and abstraction |
| title_sub | art, essentialism, and abstraction |
| topic | Art, Abstract Abstrakte Kunst (DE-588)4141146-8 gnd Kunst (DE-588)4114333-4 gnd Ästhetik (DE-588)4000626-8 gnd Abstraktion (DE-588)4141162-6 gnd |
| topic_facet | Art, Abstract Abstrakte Kunst Kunst Ästhetik Abstraktion |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=015655986&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| volume_link | (DE-604)BV001907420 |
| work_keys_str_mv | AT strayerjeffrey subjectsandobjectsartessentialismandabstraction |