Hollywood and war: the film reader
Gespeichert in:
| Format: | Buch |
|---|---|
| Sprache: | English |
| Veröffentlicht: |
Abingdon [u.a.]
Routledge
2006
|
| Schriftenreihe: | In Focus : Routledge Film Readers
|
| Schlagworte: | |
| Online-Zugang: | Table of contents only Publisher description Inhaltsverzeichnis |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | IX, 372 S. |
| ISBN: | 0415367794 9780415367806 9780415367790 0415367808 |
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Datensatz im Suchindex
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Contents
Acknowledgments vii
I. David Slocum, General Introduction:
Seeing Through American War Cinema 1
1 Steve Neale, War Films 23
PART ONE: WAR AS A WAY OF SEEING 31
Introduction 31
2 Geoffrey Klingsporn, War, film, history: American Images of 'real war,'
1890 1920 33
3 PaulVirilio A Traveling Shot over Eighty Years 45
4 Bernd Huppauf, Experiences of Modern Warfare and the Crisis of
Representation 57
5 George H. Roeder, Jr., War as a Way of Seeing 69
6 Michael Rogin, 'Make My Day!': Spectacle as Amnesia in Imperial Politics 81
7 Slavoj Zizek, Passions of the Real, Passions of Semblance 89
PART TWO: EARLY FORMATIONS OF WAR CINEMA IN THE
UNITED STATES 95
Introduction 95
8 James Castonguay, The Spanish American War in United States
Media Culture 97
9 Leslie Midkiff DeBauche The United States' Film Industry and World
War One 109
10 Michael Isenberg, War on Film: The American Cinema and World War 1,
1914—1941 123
11 Pierre Sorlln, War and Cinema: Interpreting the Relationship 137
VI CONTENTS
PART THREE: THE APOTHEOSIS OF THE HOLLYWOOD WAR FILM 145
Introduction 145
12 Thomas Schatz. World War II and the Hollywood 'War Film' 147
13 Thomas Doherty, Leni Riefenstahl's Contribution to the American War
Effort 157
14 Clayton R. Koppes and Gregory D. Black. Will this Picture Help to Win
the War? 169
15 leanine Basinger, The World War II Combat Film: Definition 175
16 Lary May, Hollywood and the World War II Conversion Narrative 183
PART FOUR: SHADOWS OF AMBIVALENCE 195
Introduction 195
17 John Whiteclay Chambers II, All Quiet onthe Western Front (U.S., 1930):
The Antiwar Film and the Modern Image of War 197
18 Charles Young, Missing Action: POW Films, Brainwashing and the Korean
War, 1954 1968 207
19 David E. James, Film and the War: Representing Vietnam 225
20 Michael Ryan and Douglas Kellner Vietnam and the New Militarism 239
21 Robert Burgoyne, Race and Nation in Glory 257
PART FIVE: HOLLYWOOD AND WAR: CONTEMPORARY
FORMATIONS 271
Introduction 271
22 Lynda Boose, Techno Muscularity and the 'Boy Eternal': From the
Quagmire to the Gulf 275
23 Geoff King, Seriously Spectacular: 'Authenticity' and 'Art' in the War Epic 287
24 Jean Baudrillard, The Gulf War Did Not Take Place 303
25 Marilyn Young, In the Combat Zone 315
26 Melani McAlister, A Cultural History of War Without End 325
Bibliography 338
Film titles index 348
Names and subjects index 353 |
| adam_txt |
Contents
Acknowledgments vii
I. David Slocum, General Introduction:
Seeing Through American War Cinema 1
1 Steve Neale, War Films 23
PART ONE: WAR AS A WAY OF SEEING 31
Introduction 31
2 Geoffrey Klingsporn, War, film, history: American Images of 'real war,'
1890 1920 33
3 PaulVirilio A Traveling Shot over Eighty Years 45
4 Bernd Huppauf, Experiences of Modern Warfare and the Crisis of
Representation 57
5 George H. Roeder, Jr., War as a Way of Seeing 69
6 Michael Rogin, 'Make My Day!': Spectacle as Amnesia in Imperial Politics 81
7 Slavoj Zizek, Passions of the Real, Passions of Semblance 89
PART TWO: EARLY FORMATIONS OF WAR CINEMA IN THE
UNITED STATES 95
Introduction 95
8 James Castonguay, The Spanish American War in United States
Media Culture 97
9 Leslie Midkiff DeBauche The United States' Film Industry and World
War One 109
10 Michael Isenberg, War on Film: The American Cinema and World War 1,
1914—1941 123
11 Pierre Sorlln, War and Cinema: Interpreting the Relationship 137
VI CONTENTS
PART THREE: THE APOTHEOSIS OF THE HOLLYWOOD WAR FILM 145
Introduction 145
12 Thomas Schatz. World War II and the Hollywood 'War Film' 147
13 Thomas Doherty, Leni Riefenstahl's Contribution to the American War
Effort 157
14 Clayton R. Koppes and Gregory D. Black. Will this Picture Help to Win
the War? 169
15 leanine Basinger, The World War II Combat Film: Definition 175
16 Lary May, Hollywood and the World War II Conversion Narrative 183
PART FOUR: SHADOWS OF AMBIVALENCE 195
Introduction 195
17 John Whiteclay Chambers II, All Quiet onthe Western Front (U.S., 1930):
The Antiwar Film and the Modern Image of War 197
18 Charles Young, Missing Action: POW Films, Brainwashing and the Korean
War, 1954 1968 207
19 David E. James, Film and the War: Representing Vietnam 225
20 Michael Ryan and Douglas Kellner Vietnam and the New Militarism 239
21 Robert Burgoyne, Race and Nation in Glory 257
PART FIVE: HOLLYWOOD AND WAR: CONTEMPORARY
FORMATIONS 271
Introduction 271
22 Lynda Boose, Techno Muscularity and the 'Boy Eternal': From the
Quagmire to the Gulf 275
23 Geoff King, Seriously Spectacular: 'Authenticity' and 'Art' in the War Epic 287
24 Jean Baudrillard, The Gulf War Did Not Take Place 303
25 Marilyn Young, In the Combat Zone 315
26 Melani McAlister, A Cultural History of War Without End 325
Bibliography 338
Film titles index 348
Names and subjects index 353 |
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| subject_GND | (DE-588)4154384-1 (DE-588)4165687-8 (DE-588)4078704-7 (DE-588)4143413-4 |
| title | Hollywood and war the film reader |
| title_auth | Hollywood and war the film reader |
| title_exact_search | Hollywood and war the film reader |
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| title_sort | hollywood and war the film reader |
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