Digital encounters:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London [u.a.]
Routledge
2007
|
| Ausgabe: | 1. publ. |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | VII, 188 S. Ill. |
| ISBN: | 9780415410656 9780415410663 |
Internformat
MARC
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| 650 | 4 | |a Cinematografía digital | |
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| 650 | 7 | |a Sociale aspecten |2 gtt | |
| 650 | 4 | |a Tecnología y arte | |
| 650 | 7 | |a Videokunst |2 gtt | |
| 650 | 4 | |a Film | |
| 650 | 4 | |a Gesellschaft | |
| 650 | 4 | |a Digital art | |
| 650 | 4 | |a Digital cinematography | |
| 650 | 4 | |a Technology and the arts | |
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Datensatz im Suchindex
| _version_ | 1804136521493643264 |
|---|---|
| adam_text | CONTENTS
List qffigures vi
Acknowledgements vii
Introduction 1
1 Re-animatinp the interface 12
2 Digital effects and expanded narrative space 42
3 Encountering the interface 71
4 Digital games: fatal attractors 105
5 Gallery space/temporal zoning 133
6 Finding ourselves at the interface 1S9
Notes 165
Bibliography 175
Index 184
FIGURES
0.1 Film still from Juan de Graaf s Aan Rika, 2005 2
0.2 Film still from Juan de Graaf s Aan Rika, 200S 3
1.1 Film still from Daniel Greaves Flatworld, 1998 30
1.2 Film still from Daniel Greaves Flatworld, 1998 33
1.3 Film still from Jonathan Hodgson s Feeling My Way, 1997 38
3.1 Film still from Paul Driessen s The Boy Who Saw the lceberg, 2000 89
3.2 Film still from Paul Driessen s The Boy Who Saw the Iceberg, 2000 91
3.3 Film still from Paul Driessen s The End ofthe World in Four Seasons,
1995 102
3.4 Film still from Paul Driessen s The End of the World in Four Seasons,
1995 103
4.1 Artwork from Lara Crojt, Tomb Raider: Legend, 2006, Core Design Ltd 106
4.2 Artwork from Half-Life® 2, Valve 121
4.3 Artwork from Half-Life® 2, Valve 126
5.1 Michael Landy, Scrapheap Services, 1995 136
5.2 Sam Taylor-Wood, Still Life, 2001 149
5.3 Bill Viola, Going Forth By Day, 2002 154
5.4 Olafur Eliasson, Your Double Lighthouse Projection, 2004 156
5.5 Olafur Eliasson, The Weather Pwject, 2003 158
|
| adam_txt |
CONTENTS
List qffigures vi
Acknowledgements vii
Introduction 1
1 Re-animatinp the interface 12
2 Digital effects and expanded narrative space 42
3 Encountering the interface 71
4 Digital games: fatal attractors 105
5 Gallery space/temporal zoning 133
6 Finding ourselves at the interface 1S9
Notes 165
Bibliography 175
Index 184
FIGURES
0.1 Film still from Juan de Graaf's Aan Rika, 2005 2
0.2 Film still from Juan de Graaf's Aan Rika, 200S 3
1.1 Film still from Daniel Greaves' Flatworld, 1998 30
1.2 Film still from Daniel Greaves' Flatworld, 1998 33
1.3 Film still from Jonathan Hodgson's Feeling My Way, 1997 38
3.1 Film still from Paul Driessen's The Boy Who Saw the lceberg, 2000 89
3.2 Film still from Paul Driessen's The Boy Who Saw the Iceberg, 2000 91
3.3 Film still from Paul Driessen's The End ofthe World in Four Seasons,
1995 102
3.4 Film still from Paul Driessen's The End of the World in Four Seasons,
1995 103
4.1 Artwork from Lara Crojt, Tomb Raider: Legend, 2006, Core Design Ltd 106
4.2 Artwork from Half-Life® 2, Valve 121
4.3 Artwork from Half-Life® 2, Valve 126
5.1 Michael Landy, Scrapheap Services, 1995 136
5.2 Sam Taylor-Wood, Still Life, 2001 149
5.3 Bill Viola, Going Forth By Day, 2002 154
5.4 Olafur Eliasson, Your Double Lighthouse Projection, 2004 156
5.5 Olafur Eliasson, The Weather Pwject, 2003 158 |
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| dewey-full | 776 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 776 - Computer art (Digital art) |
| dewey-raw | 776 |
| dewey-search | 776 |
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| dewey-tens | 770 - Photography, computer art, cinematography |
| discipline | Kunstgeschichte |
| discipline_str_mv | Kunstgeschichte |
| edition | 1. publ. |
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| illustrated | Illustrated |
| index_date | 2024-07-02T17:33:50Z |
| indexdate | 2024-07-09T20:57:43Z |
| institution | BVB |
| isbn | 9780415410656 9780415410663 |
| language | English |
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| spelling | Wood, Aylish Verfasser (DE-588)1314998307 aut Digital encounters Aylish Wood 1. publ. London [u.a.] Routledge 2007 VII, 188 S. Ill. txt rdacontent n rdamedia nc rdacarrier Arte digital Cinematografía digital Digitale technieken gtt Filmkunst gtt Sociale aspecten gtt Tecnología y arte Videokunst gtt Film Gesellschaft Digital art Digital cinematography Technology and the arts Bild (DE-588)4006568-6 gnd rswk-swf Neue Medien (DE-588)4196910-8 gnd rswk-swf Bild (DE-588)4006568-6 s Neue Medien (DE-588)4196910-8 s DE-604 HBZ Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=015652244&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Wood, Aylish Digital encounters Arte digital Cinematografía digital Digitale technieken gtt Filmkunst gtt Sociale aspecten gtt Tecnología y arte Videokunst gtt Film Gesellschaft Digital art Digital cinematography Technology and the arts Bild (DE-588)4006568-6 gnd Neue Medien (DE-588)4196910-8 gnd |
| subject_GND | (DE-588)4006568-6 (DE-588)4196910-8 |
| title | Digital encounters |
| title_auth | Digital encounters |
| title_exact_search | Digital encounters |
| title_exact_search_txtP | Digital encounters |
| title_full | Digital encounters Aylish Wood |
| title_fullStr | Digital encounters Aylish Wood |
| title_full_unstemmed | Digital encounters Aylish Wood |
| title_short | Digital encounters |
| title_sort | digital encounters |
| topic | Arte digital Cinematografía digital Digitale technieken gtt Filmkunst gtt Sociale aspecten gtt Tecnología y arte Videokunst gtt Film Gesellschaft Digital art Digital cinematography Technology and the arts Bild (DE-588)4006568-6 gnd Neue Medien (DE-588)4196910-8 gnd |
| topic_facet | Arte digital Cinematografía digital Digitale technieken Filmkunst Sociale aspecten Tecnología y arte Videokunst Film Gesellschaft Digital art Digital cinematography Technology and the arts Bild Neue Medien |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=015652244&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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