Techniques and Materials of Music: from the common practice period through the twentieth century
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York
Thomson Learning
2007
|
| Ausgabe: | 7. ed. |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | XII, 308 S. zahlr. Notenbeisp. |
| ISBN: | 9780495189770 |
Internformat
MARC
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| 245 | 1 | 0 | |a Techniques and Materials of Music |b from the common practice period through the twentieth century |c Thomas Benjamin |
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Datensatz im Suchindex
| _version_ | 1804136512347963392 |
|---|---|
| adam_text | Contents
Preface
Suggestions
їх
xi
Part I Rudiments
1
The Great Staff and Piano Keyboard
3
5
Key Signatures
2
Accidentals
4
6
Triads
3
Intervals
6
7
Meter and Rhythm
4
Major and Minor Scales
13
15
17
19
Part II Diatonic Materials
1
2
3
Triads in Root Position
4
Position
5
Triads in Root Position
6
Dominant Triads in Root Position
7
Sub dominant, and Dominant
Triads in Root Position
8
Chord
33
9
36
10
39
11
46
56
59
63
68
12
13
14
15
16
17
18
19
Tonic,
Triads in First Inversion
The Supertonic Triad
Inversions of the Dominant
Seventh Chord
Linear (Embellishing) Six-Four
and Other Chords
Submediant and Mediant Triads in
Root Position and First Inversion
The Leading Tone Triad
Variant Qualities of Triads
The Sequence
The Supertonic Seventh Chord
The Leading Tone Seventh Chord
Other Diatonic Seventh Chords
Part III Chromatic Materials
1
Dominants
2
3
Seventh Chords
4
5
6
7
159
164
171
175
vu
Part IV Twentieth-Century Materials
1
Twentieth-Century Techniques:
7
General Comments
181
8
2
Further Comments for Analysis
183
9
3
Rhythmic and Metric Devices
187
10
4
Tertian Harmony
191
11
5
The Diatonic (Church) Modes
196
12
6
Pandiatonicism
199
Exotic (Artificial, Synthetic) Scales
Quartal
Polyharmony and Polytonality
Free Atonality
Twelve-Tone Serialism
Additional Contemporary Procedures
Part V Reference Materials
1
2
3
4
5
Strict Four-Part Writing
6
Four-Part Writing
7
8
9
10
Figured Bass
11
Melody
229
12
Models for Expansion and
231
Elaboration
250
232
13
Cadence and Phrase Structure
252
234
14
Typical Phrase Variants
254
15
The Motive
256
235
16
The Sequence
262
17
Textures
266
237
18
An Introduction to Tonal Melody
270
238
19
An Introduction to Tonal
239
Counterpoint
275
242
20
Form
283
21
Checklist for Analysis
291
244
22
Composition Checklist
296
23
Instrumental Ranges and
246
Transpositions
298
Bibliography
Index
301
303
Vili
CONTENTS
|
| adam_txt |
Contents
Preface
Suggestions
їх
xi
Part I Rudiments
1
The Great Staff and Piano Keyboard
3
5
Key Signatures
2
Accidentals
4
6
Triads
3
Intervals
6
7
Meter and Rhythm
4
Major and Minor Scales
13
15
17
19
Part II Diatonic Materials
1
2
3
Triads in Root Position
4
Position
5
Triads in Root Position
6
Dominant Triads in Root Position
7
Sub dominant, and Dominant
Triads in Root Position
8
Chord
33
9
36
10
39
11
46
56
59
63
68
12
13
14
15
16
17
18
19
Tonic,
Triads in First Inversion
The Supertonic Triad
Inversions of the Dominant
Seventh Chord
Linear (Embellishing) Six-Four
and Other Chords
Submediant and Mediant Triads in
Root Position and First Inversion
The Leading Tone Triad
Variant Qualities of Triads
The Sequence
The Supertonic Seventh Chord
The Leading Tone Seventh Chord
Other Diatonic Seventh Chords
Part III Chromatic Materials
1
Dominants
2
3
Seventh Chords
4
5
6
7
159
164
171
175
vu
Part IV Twentieth-Century Materials
1
Twentieth-Century Techniques:
7
General Comments
181
8
2
Further Comments for Analysis
183
9
3
Rhythmic and Metric Devices
187
10
4
Tertian Harmony
191
11
5
The Diatonic (Church) Modes
196
12
6
Pandiatonicism
199
Exotic (Artificial, Synthetic) Scales
Quartal
Polyharmony and Polytonality
Free Atonality
Twelve-Tone Serialism
Additional Contemporary Procedures
Part V Reference Materials
1
2
3
4
5
Strict Four-Part Writing
6
Four-Part Writing
7
8
9
10
Figured Bass
11
Melody
229
12
Models for Expansion and
231
Elaboration
250
232
13
Cadence and Phrase Structure
252
234
14
Typical Phrase Variants
254
15
The Motive
256
235
16
The Sequence
262
17
Textures
266
237
18
An Introduction to Tonal Melody
270
238
19
An Introduction to Tonal
239
Counterpoint
275
242
20
Form
283
21
Checklist for Analysis
291
244
22
Composition Checklist
296
23
Instrumental Ranges and
246
Transpositions
298
Bibliography
Index
301
303
Vili
CONTENTS |
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| id | DE-604.BV022437320 |
| illustrated | Illustrated |
| index_date | 2024-07-02T17:31:25Z |
| indexdate | 2024-07-09T20:57:35Z |
| institution | BVB |
| isbn | 9780495189770 |
| language | English |
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| physical | XII, 308 S. zahlr. Notenbeisp. |
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| publisher | Thomson Learning |
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| spelling | Benjamin, Thomas 1940- Verfasser (DE-588)103790551 aut Techniques and Materials of Music from the common practice period through the twentieth century Thomas Benjamin 7. ed. New York Thomson Learning 2007 XII, 308 S. zahlr. Notenbeisp. txt rdacontent n rdamedia nc rdacarrier Tonalität (DE-588)4185654-5 gnd rswk-swf Musiktheorie (DE-588)4040876-0 gnd rswk-swf Melodie (DE-588)4139233-4 gnd rswk-swf Harmonielehre (DE-588)4129028-8 gnd rswk-swf Kontrapunkt (DE-588)4032307-9 gnd rswk-swf Harmonielehre (DE-588)4129028-8 s Melodie (DE-588)4139233-4 s Kontrapunkt (DE-588)4032307-9 s DE-604 Tonalität (DE-588)4185654-5 s Musiktheorie (DE-588)4040876-0 s 1\p DE-604 Digitalisierung BSBMuenchen application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=015645422&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Benjamin, Thomas 1940- Techniques and Materials of Music from the common practice period through the twentieth century Tonalität (DE-588)4185654-5 gnd Musiktheorie (DE-588)4040876-0 gnd Melodie (DE-588)4139233-4 gnd Harmonielehre (DE-588)4129028-8 gnd Kontrapunkt (DE-588)4032307-9 gnd |
| subject_GND | (DE-588)4185654-5 (DE-588)4040876-0 (DE-588)4139233-4 (DE-588)4129028-8 (DE-588)4032307-9 |
| title | Techniques and Materials of Music from the common practice period through the twentieth century |
| title_auth | Techniques and Materials of Music from the common practice period through the twentieth century |
| title_exact_search | Techniques and Materials of Music from the common practice period through the twentieth century |
| title_exact_search_txtP | Techniques and Materials of Music from the common practice period through the twentieth century |
| title_full | Techniques and Materials of Music from the common practice period through the twentieth century Thomas Benjamin |
| title_fullStr | Techniques and Materials of Music from the common practice period through the twentieth century Thomas Benjamin |
| title_full_unstemmed | Techniques and Materials of Music from the common practice period through the twentieth century Thomas Benjamin |
| title_short | Techniques and Materials of Music |
| title_sort | techniques and materials of music from the common practice period through the twentieth century |
| title_sub | from the common practice period through the twentieth century |
| topic | Tonalität (DE-588)4185654-5 gnd Musiktheorie (DE-588)4040876-0 gnd Melodie (DE-588)4139233-4 gnd Harmonielehre (DE-588)4129028-8 gnd Kontrapunkt (DE-588)4032307-9 gnd |
| topic_facet | Tonalität Musiktheorie Melodie Harmonielehre Kontrapunkt |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=015645422&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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