The cinema of attractions reloaded:
Gespeichert in:
| Format: | Buch |
|---|---|
| Sprache: | English |
| Veröffentlicht: |
Amsterdam
Amsterdam Univ. Press
2006
|
| Schriftenreihe: | Film culture in transition
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | 460 S. Ill., graph. Darst. |
| ISBN: | 9789053569443 9053569448 9053569456 9789053569450 |
Internformat
MARC
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| 245 | 1 | 0 | |a The cinema of attractions reloaded |c ed. by Wanda Strauven |
| 264 | 1 | |a Amsterdam |b Amsterdam Univ. Press |c 2006 | |
| 300 | |a 460 S. |b Ill., graph. Darst. | ||
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| 338 | |b nc |2 rdacarrier | ||
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| 650 | 4 | |a Cinéma - Histoire - 20e siècle - Anthologies | |
| 650 | 4 | |a Cinéma underground - Critique et interprétation | |
| 650 | 4 | |a Films expérimentaux - Histoire et critique | |
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Datensatz im Suchindex
| _version_ | 1804136511753420800 |
|---|---|
| adam_text | Contents
Acknowledgments
9
Introduction to an Attractive Concept
11
Wanda Strauven
Theory Formation
[ The Cinema of Attractions ]
Attractions: How They Came into the World
31
Tom Gunning
A Rational Reconstruction of The Cinema of Attractions
41
Warren Buckland
The Cinema of Attractions as
Dispositif yj
Trank Kessler
Spectacle, Attractions and Visual Pleasure
71
Scott Bukatman
Attraction Theories and Terminologies
[ Early Film ]
From Primitive Cinema to Kine-Attractography
85
Andre Gaudreault
From Primitive Cinema to Marvelous
105
Wanda Strauven
The Attraction of the Intelligent Eye: Obsessions with the Vision Machine
in Early Film Theories
121
Viva Pad
Rhythmic Bodies/Movies: Dance as Attraction in Early Film Culture
139
Laurent
Guido
The Cinema of Attractions Reloaded
Audiences and Attractions
[ Its Spectator ]
A Cinema of Contemplation, A Cinema of Discernment: Spectatorship,
Intertextuality and Attractions in the 1890s
159
Charles Musser
The Lecturer and the Attraction
181
Germain
Laçasse
Integrated Attractions: Style and Spectatorship in Transitional Cinema
193
Charlie
Keil
Discipline through Diegesis: The Rube Film between Attractions and
Narrative Integration
205
Thomas Elsaesser
Attraction Practices through History
[ The
Avant-Garde :
section I]
Circularity and Repetition at the Heart of the Attraction: Optical Toys
and the Emergence of a New Cultural Series
227
Nicolas Dulac and
André
Gaudreault
Lumière,
the Train and the
Avant-Garde
245
Christa Blümlinger
Programming Attractions:
Avant-Garde
Exhibition Practice in the
1920s
and
1930s 265
Malte
Hagener
The Associational Attractions of the Musical
281
Pierre-Emman
nel
Jaques
Digital Media and (Un)Tamed Attractions
[ The
Avant-Garde :
section
2]
Chez le Photographe c est chez moi:
Relationship of Actor and Filmed Subject
to Camera in Early Film and Virtual Reality Spaces
291
Alison McMahan
The Hollywood Cobweb: New Laws of Attraction
309
Dick Tomasovic
Figures of Sensation: Between Still and Moving Images
321
Eivind
Rãssaak
Contents 7
Cutting to the Quick : Techne, Physis, and Poiesis and the Attractions
of Slow Motion
337
Vivian Sobchack
Dossier
Pie and Chase: Gag, Spectacle and Narrative in Slapstick Comedy
355
Donald Crafton
Early Cinema as a Challenge to Film History
365
André Gaudreault
and Tom Gunning
The Cinema of Attractions]
:
Early Film, Its Spectator and
the
Avant-Garde
381
Tom Gunning
Rethinking Early Cinema: Cinema of Attractions and Narrativity
389
Charles Musser
Notes on Contributors
417
General Bibliography
421
Index of Names
435
Index of Film Titles
445
Index of Subjects
451
|
| adam_txt |
Contents
Acknowledgments
9
Introduction to an Attractive Concept
11
Wanda Strauven
Theory Formation
["The Cinema of Attractions"]
Attractions: How They Came into the World
31
Tom Gunning
A Rational Reconstruction of "The Cinema of Attractions"
41
Warren Buckland
The Cinema of Attractions as
Dispositif yj
Trank Kessler
Spectacle, Attractions and Visual Pleasure
71
Scott Bukatman
Attraction Theories and Terminologies
["Early Film"]
From "Primitive Cinema" to "Kine-Attractography"
85
Andre Gaudreault
From "Primitive Cinema" to "Marvelous"
105
Wanda Strauven
The Attraction of the Intelligent Eye: Obsessions with the Vision Machine
in Early Film Theories
121
Viva Pad
Rhythmic Bodies/Movies: Dance as Attraction in Early Film Culture
139
Laurent
Guido
The Cinema of Attractions Reloaded
Audiences and Attractions
["Its Spectator"]
A Cinema of Contemplation, A Cinema of Discernment: Spectatorship,
Intertextuality and Attractions in the 1890s
159
Charles Musser
The Lecturer and the Attraction
181
Germain
Laçasse
Integrated Attractions: Style and Spectatorship in Transitional Cinema
193
Charlie
Keil
Discipline through Diegesis: The Rube Film between "Attractions" and
"Narrative Integration"
205
Thomas Elsaesser
Attraction Practices through History
["The
Avant-Garde":
section I]
Circularity and Repetition at the Heart of the Attraction: Optical Toys
and the Emergence of a New Cultural Series
227
Nicolas Dulac and
André
Gaudreault
Lumière,
the Train and the
Avant-Garde
245
Christa Blümlinger
Programming Attractions:
Avant-Garde
Exhibition Practice in the
1920s
and
1930s 265
Malte
Hagener
The Associational Attractions of the Musical
281
Pierre-Emman
nel
Jaques
Digital Media and (Un)Tamed Attractions
["The
Avant-Garde":
section
2]
Chez le Photographe c'est chez moi:
Relationship of Actor and Filmed Subject
to Camera in Early Film and Virtual Reality Spaces
291
Alison McMahan
The Hollywood Cobweb: New Laws of Attraction
309
Dick Tomasovic
Figures of Sensation: Between Still and Moving Images
321
Eivind
Rãssaak
Contents 7
"Cutting to the Quick": Techne, Physis, and Poiesis and the Attractions
of Slow Motion
337
Vivian Sobchack
Dossier
Pie and Chase: Gag, Spectacle and Narrative in Slapstick Comedy
355
Donald Crafton
Early Cinema as a Challenge to Film History
365
André Gaudreault
and Tom Gunning
The Cinema of Attractions]
:
Early Film, Its Spectator and
the
Avant-Garde
381
Tom Gunning
Rethinking Early Cinema: Cinema of Attractions and Narrativity
389
Charles Musser
Notes on Contributors
417
General Bibliography
421
Index of Names
435
Index of Film Titles
445
Index of Subjects
451 |
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| series2 | Film culture in transition |
| spelling | The cinema of attractions reloaded ed. by Wanda Strauven Amsterdam Amsterdam Univ. Press 2006 460 S. Ill., graph. Darst. txt rdacontent n rdamedia nc rdacarrier Film culture in transition Geschichte gnd rswk-swf Attractions (Spectacles) Cinéma - Histoire - 20e siècle - Anthologies Cinéma underground - Critique et interprétation Films expérimentaux - Histoire et critique Spectaculaire - Au cinéma ram Film (DE-588)4017102-4 gnd rswk-swf Spezialeffekt (DE-588)4260107-1 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content Film (DE-588)4017102-4 s Spezialeffekt (DE-588)4260107-1 s Geschichte z DE-604 Strauven, Wanda Sonstige oth Digitalisierung UB Regensburg application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=015645014&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | The cinema of attractions reloaded Attractions (Spectacles) Cinéma - Histoire - 20e siècle - Anthologies Cinéma underground - Critique et interprétation Films expérimentaux - Histoire et critique Spectaculaire - Au cinéma ram Film (DE-588)4017102-4 gnd Spezialeffekt (DE-588)4260107-1 gnd |
| subject_GND | (DE-588)4017102-4 (DE-588)4260107-1 (DE-588)4143413-4 |
| title | The cinema of attractions reloaded |
| title_auth | The cinema of attractions reloaded |
| title_exact_search | The cinema of attractions reloaded |
| title_exact_search_txtP | The cinema of attractions reloaded |
| title_full | The cinema of attractions reloaded ed. by Wanda Strauven |
| title_fullStr | The cinema of attractions reloaded ed. by Wanda Strauven |
| title_full_unstemmed | The cinema of attractions reloaded ed. by Wanda Strauven |
| title_short | The cinema of attractions reloaded |
| title_sort | the cinema of attractions reloaded |
| topic | Attractions (Spectacles) Cinéma - Histoire - 20e siècle - Anthologies Cinéma underground - Critique et interprétation Films expérimentaux - Histoire et critique Spectaculaire - Au cinéma ram Film (DE-588)4017102-4 gnd Spezialeffekt (DE-588)4260107-1 gnd |
| topic_facet | Attractions (Spectacles) Cinéma - Histoire - 20e siècle - Anthologies Cinéma underground - Critique et interprétation Films expérimentaux - Histoire et critique Spectaculaire - Au cinéma Film Spezialeffekt Aufsatzsammlung |
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