A sonnet from Carthage: Garcilaso de la Vega and the new poetry of sixteenth-century Europe
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Philadelphia
Univ. of Pennsylvania Press
2007
|
Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis Klappentext |
Beschreibung: | Includes bibliographical references |
Beschreibung: | XVII, 120 S. |
ISBN: | 9780812240047 0812240049 |
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Datensatz im Suchindex
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adam_text | Contents
Preface:
Diagnosis for an Essay
ix
Parti
A Sonnet from Carthage
3
1
What They Expected
(. . .
and What They Got)
5
2
Las armas y el furor de
Marte
/
Arms and the fury of Mars
2 2
3
El
arte italiano
/
Italian art
31
4
Aquí
/
Here
40
5
Me
deshago
/
I am undone
48
6
Boscán
/
Boscán
56
Epilogue: Poetry of the New
66
Part II
Garcilaso s Tunisian Poems: A Bilingual Anthology
Translations fry William Gahan and Richard Helgerson
71
Epístola a Boscán
/
Epistle to
Boscán
74
Soneto
a Mario
/
Sonnet to Mario
80
Elegía a Boscán
/
Elegy to
Boscán
82
Elegía al duque d Alva
/
Elegy to the Duke of
Alba
92
Ode ad Genesium Sepulvedam
/
Ode
to
Ginés de Sepulveda
108
Bibliography
113
Acknowledgments
119
In
1492
the Spanish humanist
Antonio de
Nebrija
proclaimed that language has always been the com¬
panion of empire. Taking as his touchstone a wonderful¬
ly suggestive sonnet that Garcilaso
de la Vega
wrote in
1535
from the neighborhood of ruined Carthage in
North Africa, Richard Helgerson examines how the com-
о
panionship of language and empire played itself out more
generally in the new poetry of sixteenth-century
Europe. Along with his friend
Juan Boscán,
Garcilaso was
one of the great pioneers of that poetry, radically reform¬
ing Spanish verse
m imitation
or modern Italian and
ancient Roman models. As the century progressed, similar
projects were undertaken in France by
Ronsard
and
du
Bellay, m
Portugal by
Camões,
and in England by Sidney
and Spenser. And wherever the new poetry emerged, it
was prompted by a sense that imperial ambition
—
the
quest to be in the present what Rome had been in the
past
—
required a vernacular poetry comparable to the
poetry of Rome.
But, as Helgerson shows, the new poetry had other com¬
mitments than to empire. Though imperial ambition
looms large in Garcdaso s sonnet and others, by the end
of the poem Garcilaso identifies not with Rome but with
the Carthaginian queen Dido, one of empire s legendary
victims. And with this startling shift, which has its Coun¬
ts
terpart in poems from all over Europe, comes one or the
most important departures the poem makes from its
apparent imperial agenda.
Addressing these rival concerns as they
anse m a
single
sonnet, Richard Helgerson provides a masterful and
multifaceted image of one of the most vital episodes
m
European literary history.
|
adam_txt |
Contents
Preface:
Diagnosis for an Essay
ix
Parti
A Sonnet from Carthage
3
1
What They Expected
(. . .
and What They Got)
5
2
Las armas y el furor de
Marte
/
Arms and the fury of Mars
2 2
3
El
arte italiano
/
Italian art
31
4
Aquí
/
Here
40
5
Me
deshago
/
I am undone
48
6
Boscán
/
Boscán
56
Epilogue: Poetry of the New
66
Part II
Garcilaso's Tunisian Poems: A Bilingual Anthology
Translations fry William Gahan and Richard Helgerson
71
Epístola a Boscán
/
Epistle to
Boscán
74
Soneto
a Mario
/
Sonnet to Mario
80
Elegía a Boscán
/
Elegy to
Boscán
82
Elegía al duque d'Alva
/
Elegy to the Duke of
Alba
92
Ode ad Genesium Sepulvedam
/
Ode
to
Ginés de Sepulveda
108
Bibliography
113
Acknowledgments
119
In
1492
the Spanish humanist
Antonio de
Nebrija
proclaimed that "language has always been the com¬
panion of empire." Taking as his touchstone a wonderful¬
ly suggestive sonnet that Garcilaso
de la Vega
wrote in
1535
from the neighborhood of ruined Carthage in
North Africa, Richard Helgerson examines how the com-
о
panionship of language and empire played itself out more
generally in the "new poetry" of sixteenth-century
Europe. Along with his friend
Juan Boscán,
Garcilaso was
one of the great pioneers of that poetry, radically reform¬
ing Spanish verse
m imitation
or modern Italian and
ancient Roman models. As the century progressed, similar
projects were undertaken in France by
Ronsard
and
du
Bellay, m
Portugal by
Camões,
and in England by Sidney
and Spenser. And wherever the new poetry emerged, it
was prompted by a sense that imperial ambition
—
the
quest to be in the present what Rome had been in the
past
—
required a vernacular poetry comparable to the
poetry of Rome.
But, as Helgerson shows, the new poetry had other com¬
mitments than to empire. Though imperial ambition
looms large in Garcdaso's sonnet and others, by the end
of the poem Garcilaso identifies not with Rome but with
the Carthaginian queen Dido, one of empire's legendary
victims. And with this startling shift, which has its Coun¬
ts
terpart in poems from all over Europe, comes one or the
most important departures the poem makes from its
apparent imperial agenda.
Addressing these rival concerns as they
anse m a
single
sonnet, Richard Helgerson provides a masterful and
multifaceted image of one of the most vital episodes
m
European literary history. |
any_adam_object | 1 |
any_adam_object_boolean | 1 |
author | Helgerson, Richard 1940-2008 |
author_GND | (DE-588)138952124 |
author_facet | Helgerson, Richard 1940-2008 |
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author_sort | Helgerson, Richard 1940-2008 |
author_variant | r h rh |
building | Verbundindex |
bvnumber | BV022425491 |
callnumber-first | P - Language and Literature |
callnumber-label | PQ6393 |
callnumber-raw | PQ6393.G3 |
callnumber-search | PQ6393.G3 |
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callnumber-subject | PQ - French, Italian, Spanish, Portuguese Literature |
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dewey-full | 861/.3 |
dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
dewey-ones | 861 - Spanish poetry |
dewey-raw | 861/.3 |
dewey-search | 861/.3 |
dewey-sort | 3861 13 |
dewey-tens | 860 - Spanish & Portuguese literatures |
discipline | Romanistik |
discipline_str_mv | Romanistik |
format | Book |
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spelling | Helgerson, Richard 1940-2008 Verfasser (DE-588)138952124 aut A sonnet from Carthage Garcilaso de la Vega and the new poetry of sixteenth-century Europe Richard Helgerson Philadelphia Univ. of Pennsylvania Press 2007 XVII, 120 S. txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references Vega, Garcilaso de la <1503-1536> - Critique et interprétation Vega, Garcilaso de la 1503-1536 Crticism and interpretation Vega, Garcilaso de la 1503-1536 (DE-588)118716344 gnd rswk-swf Poésie espagnole - 16e siècle - Histoire et critique Poésie européenne - 1450-1600 (Renaissance) - Histoire et critique Spanish poetry Classical period, 1500-1700 History and criticism European poetry Renaissance, 1450-1600 History and criticism Lyrik (DE-588)4036774-5 gnd rswk-swf Vega, Garcilaso de la 1503-1536 (DE-588)118716344 p Lyrik (DE-588)4036774-5 s DE-604 Digitalisierung UB Augsburg application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=015633751&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Augsburg application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=015633751&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
spellingShingle | Helgerson, Richard 1940-2008 A sonnet from Carthage Garcilaso de la Vega and the new poetry of sixteenth-century Europe Vega, Garcilaso de la <1503-1536> - Critique et interprétation Vega, Garcilaso de la 1503-1536 Crticism and interpretation Vega, Garcilaso de la 1503-1536 (DE-588)118716344 gnd Poésie espagnole - 16e siècle - Histoire et critique Poésie européenne - 1450-1600 (Renaissance) - Histoire et critique Spanish poetry Classical period, 1500-1700 History and criticism European poetry Renaissance, 1450-1600 History and criticism Lyrik (DE-588)4036774-5 gnd |
subject_GND | (DE-588)118716344 (DE-588)4036774-5 |
title | A sonnet from Carthage Garcilaso de la Vega and the new poetry of sixteenth-century Europe |
title_auth | A sonnet from Carthage Garcilaso de la Vega and the new poetry of sixteenth-century Europe |
title_exact_search | A sonnet from Carthage Garcilaso de la Vega and the new poetry of sixteenth-century Europe |
title_exact_search_txtP | A sonnet from Carthage Garcilaso de la Vega and the new poetry of sixteenth-century Europe |
title_full | A sonnet from Carthage Garcilaso de la Vega and the new poetry of sixteenth-century Europe Richard Helgerson |
title_fullStr | A sonnet from Carthage Garcilaso de la Vega and the new poetry of sixteenth-century Europe Richard Helgerson |
title_full_unstemmed | A sonnet from Carthage Garcilaso de la Vega and the new poetry of sixteenth-century Europe Richard Helgerson |
title_short | A sonnet from Carthage |
title_sort | a sonnet from carthage garcilaso de la vega and the new poetry of sixteenth century europe |
title_sub | Garcilaso de la Vega and the new poetry of sixteenth-century Europe |
topic | Vega, Garcilaso de la <1503-1536> - Critique et interprétation Vega, Garcilaso de la 1503-1536 Crticism and interpretation Vega, Garcilaso de la 1503-1536 (DE-588)118716344 gnd Poésie espagnole - 16e siècle - Histoire et critique Poésie européenne - 1450-1600 (Renaissance) - Histoire et critique Spanish poetry Classical period, 1500-1700 History and criticism European poetry Renaissance, 1450-1600 History and criticism Lyrik (DE-588)4036774-5 gnd |
topic_facet | Vega, Garcilaso de la <1503-1536> - Critique et interprétation Vega, Garcilaso de la 1503-1536 Crticism and interpretation Vega, Garcilaso de la 1503-1536 Poésie espagnole - 16e siècle - Histoire et critique Poésie européenne - 1450-1600 (Renaissance) - Histoire et critique Spanish poetry Classical period, 1500-1700 History and criticism European poetry Renaissance, 1450-1600 History and criticism Lyrik |
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