Neizvestnaja russkaja grafika: 131 notnaja obložka
Saved in:
| Format: | Book |
|---|---|
| Language: | Russian |
| Published: |
Moskva
Izdat. Kontakt-Kulʹtura
2006
|
| Subjects: | |
| Online Access: | Inhaltsverzeichnis Abstract |
| Item Description: | In kyrill. Schr., russ. - Zsfassung in engl. Sprache u.d.T.: Unknown Russian graphics |
| Physical Description: | 144 S. überw. Ill. |
| ISBN: | 5938820324 |
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Record in the Search Index
| _version_ | 1805075287248994304 |
|---|---|
| adam_text |
Unknown Russian Graphics.
Anyone who has just thumbed through this book will agree that the material offered here is
very interesting, and that he has never seen it all before, even if prints are his special interest.
Indeed, very few people can be familiar with the sheet music covers presented here,
especially in such great numbers.
This particular selection includes the most representative covers of the 100-year period,
rather than the most exceptional ones; and yet at the same time I could offer a dozen more
similar collections which would hardly be any worse.
Mass design of sheet music began in
covers from the beginning of the 19th century are also included in the collection) and
practically died out at the end of
have a clearly-defined beginning
A sheet music cover is somewhere in between a book cover and a poster. Its format is twice as
large as that of a typical book cover and twice as small as that of a poster. There are two
elements in common between book and sheet music covers: the name of the author and
the title. The title page is usually absent in sheet music, making it necessary to place the
information that, in the context of a book, would have made it on to the title page, directly
on the cover of the sheet music
Sheet music design had occasionally been carried out by book designers, painters and poster
artists, including the
Zdanevich
particular area.
Berkovich, Golshtein, Rogachov, Frolov
lion's share of my book. In fact, each and every one of them deserves an entire book all to
himself, preferably a bigger and better one.
It is a great pity that, unlike Moscow "vysotkas" (Stalin's skyscrapers), there were only four
of them. For they tower over the landscape of sheet music covers in much the same way
and in the same way, enhance and adorn it. They were among the few masters of Art
in the Soviet era who dedicated themselves to sheet music design and, over a very short
period
A few words on the book's structure.
Most sheet music was of a standard size
not that it is necessary. Therefore, all the covers are reduced by approximately
The chronological disproportion in the number of covers is easily explained, as the prime of
this art, both its "Golden" and "Silver" Ages, had only lasted a meagre thirty years (from the
turn of the century to the
The beginning of the 20th century was a time of economic and cultural growth in Russia.
As for the Soviet system, until the
there were other, more important matters to take care of, and as a result, artists continued to
experience a relative freedom. However, as soon as the authorities began to exercise direct
control over every sphere of culture, all hell finally broke loose.
Literature, painting, cinema
sheet music, like other printed matter, is frail, not to mention that, unlike books, it was not
kept tidy on the shelves and dusted, but rather used according to its intended purpose. It
did not take sheet music long to become frayed, and thoughtful owners would simply cut off
the frayed edges or glue them with sticky tape and paper, hardly ever bothering about the
pictures on the covers. Then the sheets were re-bound and, once again, suffered from
merciless trimming. And they were discarded much more frequently than books and
magazines.
Alas, this is what always happens to everything in Russia; sheet music is hardly an exception.
So, having mourned over what we have already lost, let us nevertheless try to preserve what
we still have.
ŕ
I SUMtbibtiOttWk I
I
144
Unknown russian graphics.
Selected and written by Vladimir Bisengaliev.
Published by Kontakt-Kultura, Moscow.
The list of designers and the titles:
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
St.Petersburg,
26
27
28
29
30
31
32
33
34
35
36
37
38
39
40
41
42
43
44
45
46
47
48
49
50
51
52
53
54
55
56
57
58
59
60
61
62
63
141
64
65
66
67
68
69
70
71
72
73
74
75
76
77
78
79
80
81
82
83
84
85
86
87
88
89
90
91
92
93
94
95
96
97
98
99
100
101
102
103
104
105
106
107
108
109
110
111 A.Frolov
112
113
114
115
116
117
118
119
120
121
122
123
124
125
126
127
128
129
130
131
142 |
| adam_txt |
Unknown Russian Graphics.
Anyone who has just thumbed through this book will agree that the material offered here is
very interesting, and that he has never seen it all before, even if prints are his special interest.
Indeed, very few people can be familiar with the sheet music covers presented here,
especially in such great numbers.
This particular selection includes the most representative covers of the 100-year period,
rather than the most exceptional ones; and yet at the same time I could offer a dozen more
similar collections which would hardly be any worse.
Mass design of sheet music began in
covers from the beginning of the 19th century are also included in the collection) and
practically died out at the end of
have a clearly-defined beginning
A sheet music cover is somewhere in between a book cover and a poster. Its format is twice as
large as that of a typical book cover and twice as small as that of a poster. There are two
elements in common between book and sheet music covers: the name of the author and
the title. The title page is usually absent in sheet music, making it necessary to place the
information that, in the context of a book, would have made it on to the title page, directly
on the cover of the sheet music
Sheet music design had occasionally been carried out by book designers, painters and poster
artists, including the
Zdanevich
particular area.
Berkovich, Golshtein, Rogachov, Frolov
lion's share of my book. In fact, each and every one of them deserves an entire book all to
himself, preferably a bigger and better one.
It is a great pity that, unlike Moscow "vysotkas" (Stalin's skyscrapers), there were only four
of them. For they tower over the landscape of sheet music covers in much the same way
and in the same way, enhance and adorn it. They were among the few masters of Art
in the Soviet era who dedicated themselves to sheet music design and, over a very short
period
A few words on the book's structure.
Most sheet music was of a standard size
not that it is necessary. Therefore, all the covers are reduced by approximately
The chronological disproportion in the number of covers is easily explained, as the prime of
this art, both its "Golden" and "Silver" Ages, had only lasted a meagre thirty years (from the
turn of the century to the
The beginning of the 20th century was a time of economic and cultural growth in Russia.
As for the Soviet system, until the
there were other, more important matters to take care of, and as a result, artists continued to
experience a relative freedom. However, as soon as the authorities began to exercise direct
control over every sphere of culture, all hell finally broke loose.
Literature, painting, cinema
sheet music, like other printed matter, is frail, not to mention that, unlike books, it was not
kept tidy on the shelves and dusted, but rather used according to its intended purpose. It
did not take sheet music long to become frayed, and thoughtful owners would simply cut off
the frayed edges or glue them with sticky tape and paper, hardly ever bothering about the
pictures on the covers. Then the sheets were re-bound and, once again, suffered from
merciless trimming. And they were discarded much more frequently than books and
magazines.
Alas, this is what always happens to everything in Russia; sheet music is hardly an exception.
So, having mourned over what we have already lost, let us nevertheless try to preserve what
we still have.
ŕ
I SUMtbibtiOttWk I
I
144
Unknown russian graphics.
Selected and written by Vladimir Bisengaliev.
Published by Kontakt-Kultura, Moscow.
The list of designers and the titles:
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
St.Petersburg,
26
27
28
29
30
31
32
33
34
35
36
37
38
39
40
41
42
43
44
45
46
47
48
49
50
51
52
53
54
55
56
57
58
59
60
61
62
63
141
64
65
66
67
68
69
70
71
72
73
74
75
76
77
78
79
80
81
82
83
84
85
86
87
88
89
90
91
92
93
94
95
96
97
98
99
100
101
102
103
104
105
106
107
108
109
110
111 A.Frolov
112
113
114
115
116
117
118
119
120
121
122
123
124
125
126
127
128
129
130
131
142 |
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| id | DE-604.BV022425073 |
| illustrated | Illustrated |
| index_date | 2024-07-02T17:27:08Z |
| indexdate | 2024-07-20T05:39:00Z |
| institution | BVB |
| isbn | 5938820324 |
| language | Russian |
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| physical | 144 S. überw. Ill. |
| publishDate | 2006 |
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| publisher | Izdat. Kontakt-Kulʹtura |
| record_format | marc |
| spelling | Neizvestnaja russkaja grafika 131 notnaja obložka avtor Vladimir Bisengaliev Moskva Izdat. Kontakt-Kulʹtura 2006 144 S. überw. Ill. txt rdacontent sti rdacontent n rdamedia nc rdacarrier In kyrill. Schr., russ. - Zsfassung in engl. Sprache u.d.T.: Unknown Russian graphics Geschichte 1880-1960 gnd rswk-swf Geschichte 1827-1952 gnd rswk-swf Schutzumschlag (DE-588)4180281-0 gnd rswk-swf Grafikdesign (DE-588)4019558-2 gnd rswk-swf Musik Motiv (DE-588)4114652-9 gnd rswk-swf Notenschrift (DE-588)4135339-0 gnd rswk-swf Grafik (DE-588)4021845-4 gnd rswk-swf Russland (DE-588)4076899-5 gnd rswk-swf (DE-588)4145395-5 Bildband gnd-content Russland (DE-588)4076899-5 g Notenschrift (DE-588)4135339-0 s Schutzumschlag (DE-588)4180281-0 s Grafik (DE-588)4021845-4 s Geschichte 1827-1952 z DE-604 Grafikdesign (DE-588)4019558-2 s Geschichte 1880-1960 z Musik Motiv (DE-588)4114652-9 s Bisengaliev, Vladimir Sonstige oth Digitalisierung BSBMuenchen application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=015633341&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung BSB Muenchen application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=015633341&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Abstract |
| spellingShingle | Neizvestnaja russkaja grafika 131 notnaja obložka Schutzumschlag (DE-588)4180281-0 gnd Grafikdesign (DE-588)4019558-2 gnd Musik Motiv (DE-588)4114652-9 gnd Notenschrift (DE-588)4135339-0 gnd Grafik (DE-588)4021845-4 gnd |
| subject_GND | (DE-588)4180281-0 (DE-588)4019558-2 (DE-588)4114652-9 (DE-588)4135339-0 (DE-588)4021845-4 (DE-588)4076899-5 (DE-588)4145395-5 |
| title | Neizvestnaja russkaja grafika 131 notnaja obložka |
| title_auth | Neizvestnaja russkaja grafika 131 notnaja obložka |
| title_exact_search | Neizvestnaja russkaja grafika 131 notnaja obložka |
| title_exact_search_txtP | Neizvestnaja russkaja grafika 131 notnaja obložka |
| title_full | Neizvestnaja russkaja grafika 131 notnaja obložka avtor Vladimir Bisengaliev |
| title_fullStr | Neizvestnaja russkaja grafika 131 notnaja obložka avtor Vladimir Bisengaliev |
| title_full_unstemmed | Neizvestnaja russkaja grafika 131 notnaja obložka avtor Vladimir Bisengaliev |
| title_short | Neizvestnaja russkaja grafika |
| title_sort | neizvestnaja russkaja grafika 131 notnaja oblozka |
| title_sub | 131 notnaja obložka |
| topic | Schutzumschlag (DE-588)4180281-0 gnd Grafikdesign (DE-588)4019558-2 gnd Musik Motiv (DE-588)4114652-9 gnd Notenschrift (DE-588)4135339-0 gnd Grafik (DE-588)4021845-4 gnd |
| topic_facet | Schutzumschlag Grafikdesign Musik Motiv Notenschrift Grafik Russland Bildband |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=015633341&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=015633341&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT bisengalievvladimir neizvestnajarusskajagrafika131notnajaoblozka |