The performance studies reader:
Gespeichert in:
| Format: | Buch |
|---|---|
| Sprache: | English |
| Veröffentlicht: |
London [u.a.]
Routledge
2007
|
| Ausgabe: | 2. ed. |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | XXIV, 394 S. |
| ISBN: | 0415772745 9780415772747 0415772753 9780415772754 |
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Datensatz im Suchindex
| _version_ | 1804136480715571200 |
|---|---|
| adam_text | THE PERFORMANCE
STUDIES READER
Second Edition
Edited by Henry Bial
Routledge
Taylor amp; Francis Group
LONDON AND NEW YORK
CONTENTS
Contributors xii
Acknowledgements xix
Introduction 1
HENRY BIAL
PART I
What is performance studies? 5
1 Performance studies: the broad spectrum approach 7
RICHARD SCHECHNER
2 Disciplines of the text: sites of performance 10
W B WORTHEN
3 The liminal-norm 26
JON McKENZIE
4 Professing performances: disciplinary genealogies 32
SHANNON JACKSON
5 Performance studies 43
BARBARA KIRSHENBLATT-GIMBLETT
6 Performance studies in an age of terror 56
JOHN BELL
CONTENTS
PART II
What is performance? 59
7 Performances: belief in the part one is playing 61
ERVING GOFFMAN
8 Blurred genres: the refiguration of social thought 66
CLIFFORD GEERTZ
9 What is performance? 70
MARVIN CARLSON
10 Life the movie 76
NEAL GABLER
11 Marina Abramovic: witnessing shadows 78
PEGGY PHELAN
PART III
Ritual 87
12 Liminality and communitas 89
VICTOR TURNER
13 Performance and other analogies 98
CATHERINE BELL
14 The blood that runs through the veins: the creation of
identity and a client s experience of Cuban-American
Santeria Dilogiin divination 107
MICHAEL ATWOOD MASON
15 Saint Orlan: ritual as violent spectacle and cultural criticism 118
ALYDA FABER
16 Performative commemoratives, the personal, and the public:
spontaneous shrines, emergent ritual 125
JACK SANTINO
CONTENTS
PART IV
Play 135
17 The nature and significance of play as a cultural phenomenon 137
JOHAN HUIZINGA
18 A theory of play and fantasy 141
GREGORY BATESON
19 The ambiguity of play: rhetorics of fate 152
BRIAN SUTTON-SMITH
20 Just doing 159
ALLAN KAPROW
21 Falling apart to stay together: deep play in the Grand
Marais Mardi Gras 164
BARRY JEAN ANCELET
PART V
Performativity 175
22 How to do things with words: lecture II 177
J L AUSTIN
23 Excerpt from Signature Event Context 184
JACQUES DERRIDA
24 Performative acts and gender constitution: an essay in
phenomenonology and feminist theory 187
JUDITH BUTLER
25 Introduction to Performativity and Performance 200
ANDREW PARKER AND EVE KOSOFSKY SEDGWICK
26 Theater and anthropology, theatricality and culture 208
JOHANNES FABIAN
CONTENTS
PART VI
Performing 217
27 A dialogue about acting 219
BERTOLT BRECHT
28 The actor s technique 223
JERZY GROTOWSKI
29 A dream of passion 229
LEE STRASBERG
30 Presenting and re-presenting the self: from not-acting to acting
in African performance 231
FRANCES HARDING
31 Reconsidering Stanislavsky: feeling, feminism, and the actor 249
RHONDA BLAIR
PART VII
Performance processes 263
32 First attempts at a stylized theatre 265
VSEVOLOD MEYERHOLD
33 The oral artist: training and preparation 274
ISIDORE OKPEWHO
34 The performance text 280
MARCO DE MARINIS
35 The deep order called turbulence: the three faces of dramaturgy 300
EUGEN1O BARBA
36 The archaeology of performance 310
MARY ZIMMERMAN
CONTENTS
PART VIII
Global and intercultural performances 321
37 Performing ethnography 323
VICTOR TURNER WITH EDIE TURNER
38 Of mimicry and man 337
HOMI K BHABHA
39 Culturas-in-extremis: performing against the cultural backdrop
of the mainstream bizarre 345
GUILLERMO G6MEZ-PENA
40 Reverend Billy: preaching, protest, and post-industrial flanerie 357
JILL LANE
41 Performance studies: interventions and radical research 369
DWIGHT CONQUERGOOD
42 Translating performance 381
DIANA TAYLOR
Index 387
|
| adam_txt |
THE PERFORMANCE
STUDIES READER
Second Edition
Edited by Henry Bial
Routledge
Taylor amp; Francis Group
LONDON AND NEW YORK
CONTENTS
Contributors xii
Acknowledgements xix
Introduction 1
HENRY BIAL
PART I
What is performance studies? 5
1 Performance studies: the broad spectrum approach 7
RICHARD SCHECHNER
2 Disciplines of the text: sites of performance 10
W B WORTHEN
3 The liminal-norm 26
JON McKENZIE
4 Professing performances: disciplinary genealogies 32
SHANNON JACKSON
5 Performance studies 43
BARBARA KIRSHENBLATT-GIMBLETT
6 Performance studies in an age of terror 56
JOHN BELL
CONTENTS
PART II
What is performance? 59
7 Performances: belief in the part one is playing 61
ERVING GOFFMAN
8 Blurred genres: the refiguration of social thought 66
CLIFFORD GEERTZ
9 What is performance? 70
MARVIN CARLSON
10 Life the movie 76
NEAL GABLER
11 Marina Abramovic: witnessing shadows 78
PEGGY PHELAN
PART III
Ritual 87
12 Liminality and communitas 89
VICTOR TURNER
13 Performance and other analogies 98
CATHERINE BELL
14 The blood that runs through the veins: the creation of
identity and a client's experience of Cuban-American
Santeria Dilogiin divination 107
MICHAEL ATWOOD MASON
15 Saint Orlan: ritual as violent spectacle and cultural criticism 118
ALYDA FABER
16 Performative commemoratives, the personal, and the public:
spontaneous shrines, emergent ritual 125
JACK SANTINO
CONTENTS
PART IV
Play 135
17 The nature and significance of play as a cultural phenomenon 137
JOHAN HUIZINGA
18 A theory of play and fantasy 141
GREGORY BATESON
19 The ambiguity of play: rhetorics of fate 152
BRIAN SUTTON-SMITH
20 Just doing 159
ALLAN KAPROW
21 Falling apart to stay together: deep play in the Grand
Marais Mardi Gras 164
BARRY JEAN ANCELET
PART V
Performativity 175
22 How to do things with words: lecture II 177
J L AUSTIN
23 Excerpt from Signature Event Context 184
JACQUES DERRIDA
24 Performative acts and gender constitution: an essay in
phenomenonology and feminist theory 187
JUDITH BUTLER
25 Introduction to Performativity and Performance 200
ANDREW PARKER AND EVE KOSOFSKY SEDGWICK
26 Theater and anthropology, theatricality and culture 208
JOHANNES FABIAN
CONTENTS
PART VI
Performing 217
27 A dialogue about acting 219
BERTOLT BRECHT
28 The actor's technique 223
JERZY GROTOWSKI
29 A dream of passion 229
LEE STRASBERG
30 Presenting and re-presenting the self: from not-acting to acting
in African performance 231
FRANCES HARDING
31 Reconsidering Stanislavsky: feeling, feminism, and the actor 249
RHONDA BLAIR
PART VII
Performance processes 263
32 First attempts at a stylized theatre 265
VSEVOLOD MEYERHOLD
33 The oral artist: training and preparation 274
ISIDORE OKPEWHO
34 The performance text 280
MARCO DE MARINIS
35 The deep order called turbulence: the three faces of dramaturgy 300
EUGEN1O BARBA
36 The archaeology of performance 310
MARY ZIMMERMAN
CONTENTS
PART VIII
Global and intercultural performances 321
37 Performing ethnography 323
VICTOR TURNER WITH EDIE TURNER
38 Of mimicry and man 337
HOMI K BHABHA
39 Culturas-in-extremis: performing against the cultural backdrop
of the mainstream bizarre 345
GUILLERMO G6MEZ-PENA
40 Reverend Billy: preaching, protest, and post-industrial flanerie 357
JILL LANE
41 Performance studies: interventions and radical research 369
DWIGHT CONQUERGOOD
42 Translating performance 381
DIANA TAYLOR
Index 387 |
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| title | The performance studies reader |
| title_auth | The performance studies reader |
| title_exact_search | The performance studies reader |
| title_exact_search_txtP | The performance studies reader |
| title_full | The performance studies reader ed. by Henry Bial |
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