Lyric, meaning, and audience in the oral tradition of Northern Europe:
Focusing on particular characters, situations, or emotions--usually with little or no explicit plot--lyric song poses interpretive challenges to the listening audience. Without an overt plot, how does one understand what a song is about? Are there rules or norms for how to interpret them? Do these r...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English Multiple |
| Veröffentlicht: |
Notre Dame, Ind.
Univ. of Notre Dame Press
2006
|
| Schriftenreihe: | Poetics of orality and literacy
|
| Schlagworte: | |
| Online-Zugang: | Table of contents only Inhaltsverzeichnis |
| Zusammenfassung: | Focusing on particular characters, situations, or emotions--usually with little or no explicit plot--lyric song poses interpretive challenges to the listening audience. Without an overt plot, how does one understand what a song is about? Are there rules or norms for how to interpret them? Do these rules remain the same from culture to culture, or do they vary? By looking at the ways in which cultures in Northern Europe interpret lyric songs, Thomas A. DuBois illuminates both commonalities of interpretive practice and unique features of their musical traditions. DuBois draws on sets of lyric songs from England, Wales, Scotland, Ireland, Norway, Sweden, and Finland to explore the question of meaning in folklore, especially the role of traditional audiences in appraising and understanding nonnarrative songs. DuBois's examples range from the medieval and early modern periods to the late twentieth century. His nuanced study explicates folk practices of interpretation--a "native hermeneutics" existing alongside folk songs in North European oral tradition. He examines lyric songs--particularly formal laments--embedded with prose or poetic narratives; the ritual use of lyric as charms and laments in premodern Europe; the development of personalized meanings within hymns and devotional prayers of the high Middle Ages; Shakespeare's lyric songs and their demands on the audience; and the ways in which professional lyric singers encourage certain interpretations of their songs. The only study to examine a range of northern European lyric traditions as a unified group, Lyric, Meaning, and Audience in the Oral Tradition of Northern Europe will be of interest to scholars in medieval studies, literary studies, and folklore. |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | VIII, 268 S. Notenbeisp. |
| ISBN: | 0268025894 9780268025892 |
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Datensatz im Suchindex
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| adam_text | LYRIC, MEANING, AND AUDIENCE IN THE ORAL TRADITION OF NORTHERN EUROPE
/ DUBOIS, THOMAS ANDREW : C2006 TABLE OF CONTENTS /
INHALTSVERZEICHNIS INTRODUCTION : LYRICS AND THE ISSUE OF MEANING
PAUSING IN A NARRATIVE S MARCH : THE INTERPRETATION OF LYRICS WITHIN
EPICS IN RITUAL AND WIT : THE HERMENEUTICS OF THE INVOCATIONAL LYRIC
CONVERSING WITH GOD : MEDIEVAL RELIGIOUS LYRIC AND ITS INTERPRETATION
CONFRONTING CONVENTION : READING RECEPTION IN SHAKESPEARE S USE OF LYRIC
SONG ATTRIBUTION AND THE IMAGINED PERFORMER PERSONAL MEANINGS IN THE
PERFORMANCE OF ONE MAN S REPERTOIRE. DIESES SCHRIFTSTUECK WURDE
MASCHINELL ERZEUGT.
|
| adam_txt |
LYRIC, MEANING, AND AUDIENCE IN THE ORAL TRADITION OF NORTHERN EUROPE
/ DUBOIS, THOMAS ANDREW : C2006 TABLE OF CONTENTS /
INHALTSVERZEICHNIS INTRODUCTION : LYRICS AND THE ISSUE OF MEANING
PAUSING IN A NARRATIVE'S MARCH : THE INTERPRETATION OF LYRICS WITHIN
EPICS IN RITUAL AND WIT : THE HERMENEUTICS OF THE INVOCATIONAL LYRIC
CONVERSING WITH GOD : MEDIEVAL RELIGIOUS LYRIC AND ITS INTERPRETATION
CONFRONTING CONVENTION : READING RECEPTION IN SHAKESPEARE'S USE OF LYRIC
SONG ATTRIBUTION AND THE IMAGINED PERFORMER PERSONAL MEANINGS IN THE
PERFORMANCE OF ONE MAN'S REPERTOIRE. DIESES SCHRIFTSTUECK WURDE
MASCHINELL ERZEUGT. |
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| author_sort | DuBois, Thomas A. 1960- |
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| building | Verbundindex |
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| callnumber-first | M - Music |
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| discipline | Germanistik / Niederlandistik / Skandinavistik Musikwissenschaft |
| discipline_str_mv | Germanistik / Niederlandistik / Skandinavistik Musikwissenschaft |
| era | Geschichte gnd |
| era_facet | Geschichte |
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| spelling | DuBois, Thomas A. 1960- Verfasser (DE-588)139400656 aut Lyric, meaning, and audience in the oral tradition of Northern Europe Thomas A. DuBois Notre Dame, Ind. Univ. of Notre Dame Press 2006 VIII, 268 S. Notenbeisp. txt rdacontent n rdamedia nc rdacarrier Poetics of orality and literacy Includes bibliographical references and index Focusing on particular characters, situations, or emotions--usually with little or no explicit plot--lyric song poses interpretive challenges to the listening audience. Without an overt plot, how does one understand what a song is about? Are there rules or norms for how to interpret them? Do these rules remain the same from culture to culture, or do they vary? By looking at the ways in which cultures in Northern Europe interpret lyric songs, Thomas A. DuBois illuminates both commonalities of interpretive practice and unique features of their musical traditions. DuBois draws on sets of lyric songs from England, Wales, Scotland, Ireland, Norway, Sweden, and Finland to explore the question of meaning in folklore, especially the role of traditional audiences in appraising and understanding nonnarrative songs. DuBois's examples range from the medieval and early modern periods to the late twentieth century. His nuanced study explicates folk practices of interpretation--a "native hermeneutics" existing alongside folk songs in North European oral tradition. He examines lyric songs--particularly formal laments--embedded with prose or poetic narratives; the ritual use of lyric as charms and laments in premodern Europe; the development of personalized meanings within hymns and devotional prayers of the high Middle Ages; Shakespeare's lyric songs and their demands on the audience; and the ways in which professional lyric singers encourage certain interpretations of their songs. The only study to examine a range of northern European lyric traditions as a unified group, Lyric, Meaning, and Audience in the Oral Tradition of Northern Europe will be of interest to scholars in medieval studies, literary studies, and folklore. Geschichte gnd rswk-swf Folk songs Europe, Northern History and criticism Lyric poetry History and criticism Lyrik (DE-588)4036774-5 gnd rswk-swf Volkslied (DE-588)4063852-2 gnd rswk-swf Nordeuropa (DE-588)4075455-8 gnd rswk-swf Nordeuropa (DE-588)4075455-8 g Lyrik (DE-588)4036774-5 s Geschichte z DE-604 Volkslied (DE-588)4063852-2 s http://www.loc.gov/catdir/toc/ecip0618/2006024211.html Table of contents only LoC Fremddatenuebernahme application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=015619091&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | DuBois, Thomas A. 1960- Lyric, meaning, and audience in the oral tradition of Northern Europe Folk songs Europe, Northern History and criticism Lyric poetry History and criticism Lyrik (DE-588)4036774-5 gnd Volkslied (DE-588)4063852-2 gnd |
| subject_GND | (DE-588)4036774-5 (DE-588)4063852-2 (DE-588)4075455-8 |
| title | Lyric, meaning, and audience in the oral tradition of Northern Europe |
| title_auth | Lyric, meaning, and audience in the oral tradition of Northern Europe |
| title_exact_search | Lyric, meaning, and audience in the oral tradition of Northern Europe |
| title_exact_search_txtP | Lyric, meaning, and audience in the oral tradition of Northern Europe |
| title_full | Lyric, meaning, and audience in the oral tradition of Northern Europe Thomas A. DuBois |
| title_fullStr | Lyric, meaning, and audience in the oral tradition of Northern Europe Thomas A. DuBois |
| title_full_unstemmed | Lyric, meaning, and audience in the oral tradition of Northern Europe Thomas A. DuBois |
| title_short | Lyric, meaning, and audience in the oral tradition of Northern Europe |
| title_sort | lyric meaning and audience in the oral tradition of northern europe |
| topic | Folk songs Europe, Northern History and criticism Lyric poetry History and criticism Lyrik (DE-588)4036774-5 gnd Volkslied (DE-588)4063852-2 gnd |
| topic_facet | Folk songs Europe, Northern History and criticism Lyric poetry History and criticism Lyrik Volkslied Nordeuropa |
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