Performing Africa: remixing tradition, theatre, and culture
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York [u.a.]
Lang
2007
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | Literaturverz. S. 227 - 232 |
| Beschreibung: | XII, 238 S. Ill. |
| ISBN: | 9780820488998 0820488992 |
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Datensatz im Suchindex
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| adam_text | Contents
Acknowledgments
ix
(Re) Mixing Place, Culture and Performance
1
Emandulo: Process and Performance in a Changing South Africa
23
Politics, Slapstick and Zulus on Tour
49
In Zambia, Performing the Spirits
75
The !Xuu and Khwe Bushmen
103
Tanzania Theatre From Marx to the Marketplace
129
Being African, Acting French
159
Community Health Awareness Puppets in Kenya
185
Trickster by Trade: Thomas
Riccio
on Indigenous Theatre
205
Notes
223
Bibliography
227
Index
233
Performing Africa
¡s a collection
of essays on contemporary African performance.
From
1992
to
2002.
Thomas
Riccio
worked with several groups in South Africa.
Zambia. Tanzania. West Africa, and Kenya—the Zulu and the !Xuu Bushmen of
the Kalahari among them. Performing Africa combines a rare, in-the-field perspec¬
tive with a keen insight into Africa s transformative and tumultuous confluence of
tradition, urbanization, politics, history, and the AIDS crisis. The evolution of tra¬
dition and the emergence of dynamic new forms of expression are a matter of prac¬
tical necessity and survival. An interdisciplinary approach and accessible language
make Performing Africa a unique resource for those teaching or interested in the
fields of cultural anthropology, sociology, drama therapy, theatre, performance,
and African studies.
THOMAS
RICCIO
is Professor of Performance Studies and Artistic
Director of Story Lab at the University of Texas at Dallas where he
works with the Institute for Interactive Arts
Ь
Engineering He received
his MFA from Boston University. His previous positions include
Professor of Theatre at the University of Alaska Fairbanks. Visiting
Professor at the Korean National University for the Arts and the
University of
Dar es
Salaam. Artistic Director of Chicago s Organic Theater Company.
DrjrpaturgrResidenţ
Director at the Cleveland Play House, and Associate literary Director
at the Amencar, Repertory Theatre at Harvard He has directed over 1
00
stage plays, includ¬
ing productions
3î
-he National Theatre of Italy
and Off
Broadway and Off-Off-Broadway
His
articles
ha e aooea ed
m
numerous journals His plays have been produced in the
United States arc ternanonaily and he is a recipient of numerous grafts and awards.
most
recen·:) a C
section prize for playwnghtmg from the Alexander S. Onassis
Foundation
|
| adam_txt |
Contents
Acknowledgments
ix
(Re) Mixing Place, Culture and Performance
1
Emandulo: Process and Performance in a Changing South Africa
23
Politics, Slapstick and Zulus on Tour
49
In Zambia, Performing the Spirits
75
The !Xuu and Khwe Bushmen
' 103
Tanzania Theatre From Marx to the Marketplace
129
Being African, Acting French
159
Community Health Awareness Puppets in Kenya
185
Trickster by Trade: Thomas
Riccio
on Indigenous Theatre
205
Notes
223
Bibliography
227
Index
233
Performing Africa
¡s a collection
of essays on contemporary African performance.
From
1992
to
2002.
Thomas
Riccio
worked with several groups in South Africa.
Zambia. Tanzania. West Africa, and Kenya—the Zulu and the !Xuu Bushmen of
the Kalahari among them. Performing Africa combines a rare, in-the-field perspec¬
tive with a keen insight into Africa's transformative and tumultuous confluence of
tradition, urbanization, politics, history, and the AIDS crisis. The evolution of tra¬
dition and the emergence of dynamic new forms of expression are a matter of prac¬
tical necessity and survival. An interdisciplinary approach and accessible language
make Performing Africa a unique resource for those teaching or interested in the
fields of cultural anthropology, sociology, drama therapy, theatre, performance,
and African studies.
THOMAS
RICCIO
is Professor of Performance Studies and Artistic
Director of Story Lab at the University of Texas at Dallas where he
works with the Institute for Interactive Arts
Ь
Engineering He received
his MFA from Boston University. His previous positions include
Professor of Theatre at the University of Alaska Fairbanks. Visiting
Professor at the Korean National University for the Arts and the
University of
Dar es
Salaam. Artistic Director of Chicago's Organic Theater Company.
DrjrpaturgrResidenţ
Director at the Cleveland Play House, and Associate literary Director
at the Amencar, Repertory Theatre at Harvard He has directed over 1
00
stage plays, includ¬
ing productions
3î
-he National Theatre of Italy
and Off
Broadway and Off-Off-Broadway
His
articles
ha\e aooea'ed
m
numerous journals His plays have been produced in the
United States arc "ternanonaily and he is a recipient of numerous grafts and awards.
most
recen·:) a C
section prize' for playwnghtmg from the Alexander S. Onassis
Foundation |
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| title | Performing Africa remixing tradition, theatre, and culture |
| title_auth | Performing Africa remixing tradition, theatre, and culture |
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| title_full | Performing Africa remixing tradition, theatre, and culture Thomas Riccio |
| title_fullStr | Performing Africa remixing tradition, theatre, and culture Thomas Riccio |
| title_full_unstemmed | Performing Africa remixing tradition, theatre, and culture Thomas Riccio |
| title_short | Performing Africa |
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