Vlastela Ilirskog grbovnika:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Veröffentlicht: |
Beograd
Istorijski Inst.
2006
|
| Schriftenreihe: | Posebna izdanja / Istorijski institut
52 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Abstract |
| Beschreibung: | PST: The Nobility of the Illyric Coat of Arms. - In kyrill. Schr., serb. - Zugl.: Belgrad, Phil. Fak., Maristerarbeit, 2000. - Zsfassung in engl. Sprache |
| Beschreibung: | 387 S. Ill. |
| ISBN: | 8677430555 |
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Datensatz im Suchindex
| _version_ | 1804136469362638848 |
|---|---|
| adam_text | САДРЖАЈ
УМЕСТО
ИСТОРИЈАТИСТРАЖИВАЊА
ИЛИРСКА
О
БРОЈ
ИДЕНТИФИКАЦИЈА
ПОРОДИЦЕ ИЛИРСКОГ
ИДЕОЛОГИЈА
ЗАКЉУЧАК
SUMMARY
ПРИЛОГІ
ПРИЛОГП
ПРИЛОГШ
СКРАЋЕНИЦЕ
ИЗВОРИ И ЛИТЕРАТУРА
РЕГИСТРИ
THE NOBILITY OF THE ILLYRIC COAT OF ARMS
SUMMARY
The last decade of the 16th century was marked by lively activity
of the Roman Curia, the Spanish court in Naples and Austria in preparing
the upheaval of the Balkan Christians against the Ottoman Turks. The
aforementioned centers were closely tied with local Balkan chieftains,
in order to gain their support in the forth coming clashes with the
Ottomans. Numerous emissaries, missionaries, conspirators, agents
and adventurers traveled all over the Balkans, in order to prepare the
uprising. At the same time and in the same purpose, the representatives
of the Balkan Christians, foremost those of the Serbian Patriarch and
national leaders, as well as some self-appointed individuals, visited
Rome and other centers.
A spiritual and cultural movement known as Illyric or Slavic
movement began to develop in the Balkans and particularly in
Dalmaţia.
originated within the Holy Roman Church. It has influenced the
appearance of the historical opinions which attempted to prove the
existence of the Illyrian and Slavic union, the Slavic origin of some
famous historical personalities, and the greatness of the alleged Slavic
state in the past. The Slavic movement reached its peak in the book
written by Mavro Orbini, printed at the very beginning of the 17th centu¬
ry. One of movement s results was the appearance of the Illyric
heraldic, some fifteen years before Orbini.
At the time,
events. The city acknowledged the Ottoman supremacy, but remained
closely related to the Christian states. Even though city s government
forbade its citizens to participate at the Christian side in the wars with
the Ottomans, many of them disobeyed, and served on the foreign
ships, mostly hired by the Spaniards.
290
А
Ohmucevic-Grguric from
part in a number of naval expeditions, reaching the rank of an admiral.
As he wanted to become the knight of Spanish order, he had to fulfill
some strict prerequisites. The most important was that he was to prove
his noble, exclusively Roman Catholic origin for eight previous gener¬
ations. Since
Spain. He started to make up genealogical and heraldic schemes, main¬
ly false documents upon which the Royal Council in Naples had issued
him the certificate of nobility on May 17th
of the forged charts as credible. The lllyric Coat of Arms was certainly
created some time before, since it was the key evidence in demanding
and granting the noble status to
Unfortunately, the original of The lllyric Coat of Arms is not
preserved and everything we know of its appearance and its content
derives from numerous copies, actually thirty of them. It is believed
that the oldest transcripts
and Altan s , are very similar or even identical to the lost protograph.
Nevertheless, both the original and the copies were made for personal
benefit. Regardless of who the authors were, they all wanted the same:
the acquisition of the noble status, social promotion and, in case that
the Ottomans should withdraw from the Balkans, gain of the so called
old family possessions.
The authors of the copies did not strictly hold to the original.
The changes they made could significantly alter the appearance of the
copy and thus make it less similar to the original. Not all the copyists
were educated or skilled enough to transcribe and illustrate. The most
common alterations occurred in the number and distribution of the
symbols of nobility. It is assumed that the original, as well as the oldest
transcripts, had
of Arms from Fojnica, and that of
In view of its sources, it is believed that the structure of The
lllyric Coat of Arms was made according to The Collection ofVirgilius
Solis
as well as the work of Sebastian
analysis with the authentic archeological, sphragistical and numismatic
sources indicated that The lllyric Coat of Arms contains many authentic
СрђанРудић
heraldic
dation whatsoever in sources and they were probably invented.
One of the most complex problems in the study of The Illyric
Coat of Arms is to identify the represented families, their members and
distribution. Identification is a heavy task, which may sometimes
impose unsolvable problems. It is more complicated by the fact that
those families have not lived in a certain limited period of time nor
within a clearly bordered territory. The main obstacle is the lack of
sources and, on the other side, unequal data in the preserved ones;
therefore, we had to use different methods in our investigation. In most
cases, the appearance of heraldic symbols does not help with identifi¬
cation of the families, so we had to rely solely upon the family name
and to follow it though written sources. It is very common that many
families had the same name, so we pointed out to the each family that
could fit in the description. Secondly, one must take into account that
many families accepted some symbols from the Illyric Coat of Arms,
and accordingly altered their family history.
During the process of family identification, we have shown that
not all of them were noble; consequently the title of our work may be
somewhat imprecise. This fact is obvious in the cases of the families
from
known only by their members who were Franciscans. The noble status
is uncertain for those families of which we don t know enough to be
able to precisely identify their social status.
Despite the problems, we have tried to divide the families of
The Illyric Coat of Arms into several groups, once more being aware
that the task cannot be done quite precisely. The fist group consists of
all the families for which we are not sure that they could be identified
properly. These are the ones that we could not find in historical sources,
the ones that we know only from a much later texts and family traditions,
and finally, the ones for which we are not sure of their proper identifica¬
tion. A special group is formed of the families that originated from folk
tradition and epic poetry, thus becoming legendary in a certain degree.
The most numerous group is represented by the families that are docu¬
mented in reliable historical sources
able to find several of them additionally, which also occurred in epic
lyrics. Within this whole group, one may distinguish few smaller ones.
292
Some families were included in the Coat of Arms because their mem¬
bers had significant role in anti-Ottoman activities during the 16th cen¬
tury and distinguished themselves by performing heroic acts, or being
high dignitaries of the Roman Catholic Church. The largest part of his¬
torical families can be traced in medieval historical sources, and most
numerous are the families from the medieval Bosnian Kingdom and
Herzegovina (i.e. the Land of the Duke of
same territory, stem another two groups of families, whose presence in
the Coat of Arms is somewhat questionable
lies. The ones from Serbia are also numerous, represented with ruling
and highly distinguished families. Those from
of Poljice are also abundant, but for most of them, we cannot be sure
concerning their identification.
Since there are so many families, differing from the well docu¬
mented to totally unknown or insignificant, one cannot discern the
main principles in choosing the families included in the Illyric Coat of
Arms. This, quite understandably, is not the case with the ruling dynas¬
ties and the most respected families.
The main purpose of The Illyric Coat of Arms was to prove the
noble origin of
belonged to the most distinguished ones in the former Illyric
Kingdome .
time and surrounding to convince his contemporaries. Therefore, his
work cannot be properly understood without acknowledging
du
religious influences.
A special attention is dedicated to the Illyric idea , both in the
work of the family of
Arms, and it was neither new nor unknown. During 15th and 16th cen¬
tury, Humanism and Renaissance had a full swing in literature, art and
culture in
influence, a lively interest for Antiquity and classical knowledge began
to develop, side by side with curiosity for historical events and the origin
of the different peoples. This is how some fantastic theories were born.
In Roman Catholic Europe, there was a revival of long forgotten Greek
and Roman names in geography and anthropology. Accordingly, the
Balkan territory inhabited by the Slavs began to bear names of Illyria
Срран
and Macedonia . One must consider that the Illyric idea was close¬
ly connected to the Slavic idea . From 15th century onward, Balkan
hmnanists were interested in historical past and contemporary position
of their people, and therefore it became a part of their contemplation on
the origin, unity and importance of the Slavs. The idea of Slavic soli¬
darity and unity was also a part of the program within the Roman
Catholic Church. The notice of Slavic unity, as a new political feature,
grew during the 16th and 17th century. There were several reasons for
that: conflicts within the Roman Catholic Church, plans to include
Slavs in anti-Ottoman wars and common Christian interest in driving
the Ottomans out of Europe.
One of the most curious features in The Illyric Coat of Arms is
that an exclusively Orthodox family is placed at the head of its imagi¬
nary (Illyric) Roman Catholic Empire. It is so represented in the four
pictures at the opening pages of the Coat of Arms. This should have
enabled that Nemanjic Dinasty be included, and that in turn, should
assure both the readers and the court in Naples to accept it. However,
the Catholic orientation is not disputed only by the presence of the
Orthodox ruling family, but also of some Bosnian heretics and
Muslim families. In doing so,
people before their religious beliefs. In his glorification of the Illyric
idea , he deliberately stepped out of the Roman Catholic frames of his
Empire and embraced those Slavs (Illyrians) of the Orthodox, i.e.
Muslim faith. One may ask whether it was an act of a humanist, who
disregarded religious beliefs, or this should be viewed in pretext of
conversion of all non-Roman Catholics, together with a crusade war
that was planned to happen. The Roman Catholic orientation of the
Illyric Coat of Arms derives not only from Petar s personal beliefs, but
it was an absolutely required prerequisite in gaining the status of the
nobility. Since that, the Slavic idea had to fit in those frames.
As it is said above, the main purpose of the Illyric Coat of Arms
was to prove that the family of
correct and of noble origin, and it should be applied to its members and
relatives. Establishing the connections between
with the medieval family of Ohmucevi
first step in creating similar liasons, in order to prove noble origin. This
has continued to happen all through the modern times. Until the second
294
half of the 20th century, many families appropriated heraldic symbols
from the Illyric Coat of Arms, claiming their noble status. Many times,
the only reason was the same family name. There are also many of them
who made up their origin and forged their genealogies and heraldry by
connecting themselves with the members of the Illyric families. Such
alterations are quite obvious in the transcripts of the Coat of Arms.
Many issues related to Illyric heraldry and the Illyric Coat of
Arms are not yet solved. Its content and present account seem to garantee
there would be more scientific researches and disputes to follow.
|
| adam_txt |
САДРЖАЈ
УМЕСТО
ИСТОРИЈАТИСТРАЖИВАЊА
ИЛИРСКА
О
БРОЈ
ИДЕНТИФИКАЦИЈА
ПОРОДИЦЕ ИЛИРСКОГ
ИДЕОЛОГИЈА
ЗАКЉУЧАК
SUMMARY
ПРИЛОГІ
ПРИЛОГП
ПРИЛОГШ
СКРАЋЕНИЦЕ
ИЗВОРИ И ЛИТЕРАТУРА
РЕГИСТРИ
THE NOBILITY OF THE ILLYRIC COAT OF ARMS
SUMMARY
The last decade of the 16th century was marked by lively activity
of the Roman Curia, the Spanish court in Naples and Austria in preparing
the upheaval of the Balkan Christians against the Ottoman Turks. The
aforementioned centers were closely tied with local Balkan chieftains,
in order to gain their support in the forth coming clashes with the
Ottomans. Numerous emissaries, missionaries, conspirators, agents
and adventurers traveled all over the Balkans, in order to prepare the
uprising. At the same time and in the same purpose, the representatives
of the Balkan Christians, foremost those of the Serbian Patriarch and
national leaders, as well as some self-appointed individuals, visited
Rome and other centers.
A spiritual and cultural movement known as "Illyric" or "Slavic
movement" began to develop in the Balkans and particularly in
Dalmaţia.
originated within the Holy Roman Church. It has influenced the
appearance of the "historical" opinions which attempted to prove the
existence of the Illyrian and Slavic union, the Slavic origin of some
famous historical personalities, and the greatness of the alleged Slavic
state in the past. The Slavic movement reached its peak in the book
written by Mavro Orbini, printed at the very beginning of the 17th centu¬
ry. One of movement's results was the appearance of the Illyric
heraldic, some fifteen years before Orbini.
At the time,
events. The city acknowledged the Ottoman supremacy, but remained
closely related to the Christian states. Even though city's government
forbade its citizens to participate at the Christian side in the wars with
the Ottomans, many of them disobeyed, and served on the foreign
ships, mostly hired by the Spaniards.
290
А
Ohmucevic-Grguric from
part in a number of naval expeditions, reaching the rank of an admiral.
As he wanted to become the knight of Spanish order, he had to fulfill
some strict prerequisites. The most important was that he was to prove
his noble, exclusively Roman Catholic origin for eight previous gener¬
ations. Since
Spain. He started to make up genealogical and heraldic schemes, main¬
ly false documents upon which the Royal Council in Naples had issued
him the certificate of nobility on May 17th
of the forged charts as credible. The lllyric Coat of Arms was certainly
created some time before, since it was the key evidence in demanding
and granting the noble status to
Unfortunately, the original of The lllyric Coat of Arms is not
preserved and everything we know of its appearance and its content
derives from numerous copies, actually thirty of them. It is believed
that the oldest transcripts
and "Altan's", are very similar or even identical to the lost protograph.
Nevertheless, both the original and the copies were made for personal
benefit. Regardless of who the authors were, they all wanted the same:
the acquisition of the noble status, social promotion and, in case that
the Ottomans should withdraw from the Balkans, gain of the so called
old family possessions.
The authors of the copies did not strictly hold to the original.
The changes they made could significantly alter the appearance of the
copy and thus make it less similar to the original. Not all the copyists
were educated or skilled enough to transcribe and illustrate. The most
common alterations occurred in the number and distribution of the
symbols of nobility. It is assumed that the original, as well as the oldest
transcripts, had
of Arms from Fojnica, and that of
In view of its sources, it is believed that the structure of The
lllyric Coat of Arms was made according to The Collection ofVirgilius
Solis
as well as the work of Sebastian
analysis with the authentic archeological, sphragistical and numismatic
sources indicated that The lllyric Coat of Arms contains many authentic
СрђанРудић
heraldic
dation whatsoever in sources and they were probably invented.
One of the most complex problems in the study of The Illyric
Coat of Arms is to identify the represented families, their members and
distribution. Identification is a heavy task, which may sometimes
impose unsolvable problems. It is more complicated by the fact that
those families have not lived in a certain limited period of time nor
within a clearly bordered territory. The main obstacle is the lack of
sources and, on the other side, unequal data in the preserved ones;
therefore, we had to use different methods in our investigation. In most
cases, the appearance of heraldic symbols does not help with identifi¬
cation of the families, so we had to rely solely upon the family name
and to follow it though written sources. It is very common that many
families had the same name, so we pointed out to the each family that
could fit in the description. Secondly, one must take into account that
many families accepted some symbols from the Illyric Coat of Arms,
and accordingly altered their family history.
During the process of family identification, we have shown that
not all of them were noble; consequently the title of our work may be
somewhat imprecise. This fact is obvious in the cases of the families
from
known only by their members who were Franciscans. The noble status
is uncertain for those families of which we don't know enough to be
able to precisely identify their social status.
Despite the problems, we have tried to divide the families of
The Illyric Coat of Arms into several groups, once more being aware
that the task cannot be done quite precisely. The fist group consists of
all the families for which we are not sure that they could be identified
properly. These are the ones that we could not find in historical sources,
the ones that we know only from a much later texts and family traditions,
and finally, the ones for which we are not sure of their proper identifica¬
tion. A special group is formed of the families that originated from folk
tradition and epic poetry, thus becoming legendary in a certain degree.
The most numerous group is represented by the families that are docu¬
mented in reliable historical sources
able to find several of them additionally, which also occurred in epic
lyrics. Within this whole group, one may distinguish few smaller ones.
292
Some families were included in the Coat of Arms because their mem¬
bers had significant role in anti-Ottoman activities during the 16th cen¬
tury and distinguished themselves by performing heroic acts, or being
high dignitaries of the Roman Catholic Church. The largest part of "his¬
torical families" can be traced in medieval historical sources, and most
numerous are the families from the medieval Bosnian Kingdom and
Herzegovina (i.e. "the Land of the Duke of
same territory, stem another two groups of families, whose presence in
the Coat of Arms is somewhat questionable
lies. The ones from Serbia are also numerous, represented with ruling
and highly distinguished families. Those from
of Poljice are also abundant, but for most of them, we cannot be sure
concerning their identification.
Since there are so many families, differing from the well docu¬
mented to totally unknown or insignificant, one cannot discern the
main principles in choosing the families included in the Illyric Coat of
Arms. This, quite understandably, is not the case with the ruling dynas¬
ties and the most respected families.
The main purpose of The Illyric Coat of Arms was to prove the
noble origin of
belonged to the most distinguished ones in the former "Illyric
Kingdome".
time and surrounding to convince his contemporaries. Therefore, his
work cannot be properly understood without acknowledging
du
religious influences.
A special attention is dedicated to the "Illyric idea", both in the
work of the family of
Arms, and it was neither new nor unknown. During 15th and 16th cen¬
tury, Humanism and Renaissance had a full swing in literature, art and
culture in
influence, a lively interest for Antiquity and classical knowledge began
to develop, side by side with curiosity for historical events and the origin
of the different peoples. This is how some fantastic theories were born.
In Roman Catholic Europe, there was a revival of long forgotten Greek
and Roman names in geography and anthropology. Accordingly, the
Balkan territory inhabited by the Slavs began to bear names of "Illyria"
Срран
and "Macedonia". One must consider that the "Illyric idea" was close¬
ly connected to the "Slavic idea". From 15th century onward, Balkan
hmnanists were interested in historical past and contemporary position
of their people, and therefore it became a part of their contemplation on
the origin, unity and importance of the Slavs. The idea of "Slavic soli¬
darity and unity" was also a part of the program within the Roman
Catholic Church. The notice of Slavic unity, as a new political feature,
grew during the 16th and 17th century. There were several reasons for
that: conflicts within the Roman Catholic Church, plans to include
Slavs in anti-Ottoman wars and common Christian interest in driving
the Ottomans out of Europe.
One of the most curious features in The Illyric Coat of Arms is
that an exclusively Orthodox family is placed at the head of its imagi¬
nary (Illyric) Roman Catholic Empire. It is so represented in the four
pictures at the opening pages of the Coat of Arms. This should have
enabled that Nemanjic Dinasty be included, and that in turn, should
assure both the readers and the court in Naples to accept it. However,
the Catholic orientation is not disputed only by the presence of the
Orthodox ruling family, but also of some Bosnian "heretics" and
Muslim families. In doing so,
people" before their religious beliefs. In his glorification of the "Illyric
idea", he deliberately stepped out of the Roman Catholic frames of his
"Empire" and embraced those Slavs (Illyrians) of the Orthodox, i.e.
Muslim faith. One may ask whether it was an act of a humanist, who
disregarded religious beliefs, or this should be viewed in pretext of
conversion of all non-Roman Catholics, together with a crusade war
that was planned to happen. The Roman Catholic orientation of the
Illyric Coat of Arms derives not only from Petar's personal beliefs, but
it was an absolutely required prerequisite in gaining the status of the
nobility. Since that, the Slavic idea had to fit in those frames.
As it is said above, the main purpose of the Illyric Coat of Arms
was to prove that the family of
correct and of noble origin, and it should be applied to its members and
relatives. Establishing the connections between
with the medieval family of Ohmucevi
first step in creating similar liasons, in order to prove noble origin. This
has continued to happen all through the modern times. Until the second
294
half of the 20th century, many families appropriated heraldic symbols
from the Illyric Coat of Arms, claiming their noble status. Many times,
the only reason was the same family name. There are also many of them
who made up their origin and forged their genealogies and heraldry by
connecting themselves with the members of the "Illyric" families. Such
alterations are quite obvious in the transcripts of the Coat of Arms.
Many issues related to "Illyric heraldry" and the Illyric Coat of
Arms are not yet solved. Its content and present account seem to garantee
there would be more scientific researches and disputes to follow. |
| any_adam_object | 1 |
| any_adam_object_boolean | 1 |
| author | Rudić, Srđan 1968- |
| author_GND | (DE-588)132910187 |
| author_facet | Rudić, Srđan 1968- |
| author_role | aut |
| author_sort | Rudić, Srđan 1968- |
| author_variant | s r sr |
| building | Verbundindex |
| bvnumber | BV022405994 |
| ctrlnum | (OCoLC)162459858 (DE-599)BVBBV022405994 |
| era | Geschichte 1500-1600 gnd |
| era_facet | Geschichte 1500-1600 |
| format | Book |
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| genre | (DE-588)4113937-9 Hochschulschrift gnd-content (DE-588)4188171-0 Verzeichnis gnd-content |
| genre_facet | Hochschulschrift Verzeichnis |
| geographic | Dalmatien (DE-588)4070200-5 gnd |
| geographic_facet | Dalmatien |
| id | DE-604.BV022405994 |
| illustrated | Illustrated |
| index_date | 2024-07-02T17:20:05Z |
| indexdate | 2024-07-09T20:56:54Z |
| institution | BVB |
| isbn | 8677430555 |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-015614556 |
| oclc_num | 162459858 |
| open_access_boolean | |
| owner | DE-12 |
| owner_facet | DE-12 |
| physical | 387 S. Ill. |
| publishDate | 2006 |
| publishDateSearch | 2006 |
| publishDateSort | 2006 |
| publisher | Istorijski Inst. |
| record_format | marc |
| series2 | Posebna izdanja / Istorijski institut |
| spelling | Rudić, Srđan 1968- Verfasser (DE-588)132910187 aut Vlastela Ilirskog grbovnika Srđan Rudić Beograd Istorijski Inst. 2006 387 S. Ill. txt rdacontent n rdamedia nc rdacarrier Posebna izdanja / Istorijski institut 52 PST: The Nobility of the Illyric Coat of Arms. - In kyrill. Schr., serb. - Zugl.: Belgrad, Phil. Fak., Maristerarbeit, 2000. - Zsfassung in engl. Sprache Geschichte 1500-1600 gnd rswk-swf Adelsfamilie (DE-588)4205558-1 gnd rswk-swf Dalmatien (DE-588)4070200-5 gnd rswk-swf (DE-588)4113937-9 Hochschulschrift gnd-content (DE-588)4188171-0 Verzeichnis gnd-content Dalmatien (DE-588)4070200-5 g Adelsfamilie (DE-588)4205558-1 s Geschichte 1500-1600 z DE-604 Istorijski institut Posebna izdanja 52 (DE-604)BV000017201 52 Digitalisierung BSBMuenchen application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=015614556&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung BSB Muenchen application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=015614556&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Abstract |
| spellingShingle | Rudić, Srđan 1968- Vlastela Ilirskog grbovnika Adelsfamilie (DE-588)4205558-1 gnd |
| subject_GND | (DE-588)4205558-1 (DE-588)4070200-5 (DE-588)4113937-9 (DE-588)4188171-0 |
| title | Vlastela Ilirskog grbovnika |
| title_auth | Vlastela Ilirskog grbovnika |
| title_exact_search | Vlastela Ilirskog grbovnika |
| title_exact_search_txtP | Vlastela Ilirskog grbovnika |
| title_full | Vlastela Ilirskog grbovnika Srđan Rudić |
| title_fullStr | Vlastela Ilirskog grbovnika Srđan Rudić |
| title_full_unstemmed | Vlastela Ilirskog grbovnika Srđan Rudić |
| title_short | Vlastela Ilirskog grbovnika |
| title_sort | vlastela ilirskog grbovnika |
| topic | Adelsfamilie (DE-588)4205558-1 gnd |
| topic_facet | Adelsfamilie Dalmatien Hochschulschrift Verzeichnis |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=015614556&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=015614556&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
| volume_link | (DE-604)BV000017201 |
| work_keys_str_mv | AT rudicsrđan vlastelailirskoggrbovnika |