Spectatorship: the power of looking on
"Spectatorship cuts a path through the dense undergrowth of the debate on spectatorship. Film, like all visual culture, offers the possibility, and the pleasure, of seeing things we would not normally be able to see: cinema makes a spectacle of the everyday and turns the spectacular into common...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London [u.a.]
Wallflower
2007
|
| Schriftenreihe: | Short Cuts
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "Spectatorship cuts a path through the dense undergrowth of the debate on spectatorship. Film, like all visual culture, offers the possibility, and the pleasure, of seeing things we would not normally be able to see: cinema makes a spectacle of the everyday and turns the spectacular into commonplace. But, what does it actually mean that spectatorship involves our sharing in or witnessing the private or intimate acts of others, or that it depends upon our enjoyment of events that often represent a gross break with legal or social mores? This study explores these and related issues via a detailed consideration of Hollywood classics such as Double Indemnity (1944) and non-mainstream films such as The Idiots (1998) and The Five Obstructions (2003)."--[P.] 4 of cover. |
| Beschreibung: | 139 S. Ill. |
| ISBN: | 9781905674015 |
Internformat
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| 520 | 1 | |a "Spectatorship cuts a path through the dense undergrowth of the debate on spectatorship. Film, like all visual culture, offers the possibility, and the pleasure, of seeing things we would not normally be able to see: cinema makes a spectacle of the everyday and turns the spectacular into commonplace. But, what does it actually mean that spectatorship involves our sharing in or witnessing the private or intimate acts of others, or that it depends upon our enjoyment of events that often represent a gross break with legal or social mores? This study explores these and related issues via a detailed consideration of Hollywood classics such as Double Indemnity (1944) and non-mainstream films such as The Idiots (1998) and The Five Obstructions (2003)."--[P.] 4 of cover. | |
| 650 | 4 | |a Film | |
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Datensatz im Suchindex
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|---|---|
| adam_text | CONTENTS
acknowledgements
introduction
1
1
the birth of the spectator
5
2
spectatorship and difference: gender and the rub
of submission
24
3
spectatorship as masochism: the pleasure of unpleasure
51
U
ethics and spectatorship: response, responsibility and the
moving ¡mage
87
notes
filmography
bibliography
index
|
| adam_txt |
CONTENTS
acknowledgements
introduction
1
1
the birth of the spectator
5
2
spectatorship and difference: gender and the rub
of submission
24
3
spectatorship as masochism: the pleasure of unpleasure
51
U
ethics and spectatorship: response, responsibility and the
moving ¡mage
87
notes
filmography
bibliography
index |
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| dewey-search | 791.43015 |
| dewey-sort | 3791.43015 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| discipline_str_mv | Allgemeines |
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| illustrated | Illustrated |
| index_date | 2024-07-02T17:19:35Z |
| indexdate | 2024-07-09T20:56:52Z |
| institution | BVB |
| isbn | 9781905674015 |
| language | English |
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| physical | 139 S. Ill. |
| publishDate | 2007 |
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| series2 | Short Cuts |
| spelling | Aaron, Michele Verfasser (DE-588)1014575958 aut Spectatorship the power of looking on Michele Aaron London [u.a.] Wallflower 2007 139 S. Ill. txt rdacontent n rdamedia nc rdacarrier Short Cuts "Spectatorship cuts a path through the dense undergrowth of the debate on spectatorship. Film, like all visual culture, offers the possibility, and the pleasure, of seeing things we would not normally be able to see: cinema makes a spectacle of the everyday and turns the spectacular into commonplace. But, what does it actually mean that spectatorship involves our sharing in or witnessing the private or intimate acts of others, or that it depends upon our enjoyment of events that often represent a gross break with legal or social mores? This study explores these and related issues via a detailed consideration of Hollywood classics such as Double Indemnity (1944) and non-mainstream films such as The Idiots (1998) and The Five Obstructions (2003)."--[P.] 4 of cover. Film Motion picture audiences Motion pictures Appreciation Publikumsforschung (DE-588)4310038-7 gnd rswk-swf Publikumsforschung (DE-588)4310038-7 s DE-604 Digitalisierung UB Regensburg application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=015613274&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Aaron, Michele Spectatorship the power of looking on Film Motion picture audiences Motion pictures Appreciation Publikumsforschung (DE-588)4310038-7 gnd |
| subject_GND | (DE-588)4310038-7 |
| title | Spectatorship the power of looking on |
| title_auth | Spectatorship the power of looking on |
| title_exact_search | Spectatorship the power of looking on |
| title_exact_search_txtP | Spectatorship the power of looking on |
| title_full | Spectatorship the power of looking on Michele Aaron |
| title_fullStr | Spectatorship the power of looking on Michele Aaron |
| title_full_unstemmed | Spectatorship the power of looking on Michele Aaron |
| title_short | Spectatorship |
| title_sort | spectatorship the power of looking on |
| title_sub | the power of looking on |
| topic | Film Motion picture audiences Motion pictures Appreciation Publikumsforschung (DE-588)4310038-7 gnd |
| topic_facet | Film Motion picture audiences Motion pictures Appreciation Publikumsforschung |
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