Power and passion in Shakespeare's pronouns: interrogating 'you' and 'thou'
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Aldershot
Ashgate
2007
|
| Schlagworte: | |
| Online-Zugang: | Table of contents only Klappentext Inhaltsverzeichnis |
| Beschreibung: | 280 S. Ill. |
| ISBN: | 9780754658306 |
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Datensatz im Suchindex
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| adam_text | In revealing patterns of you/thou use in
Shakespeare s plays, this study highlights
striking and significant shifts from one to the
other. Penelope Freedman demonstrates that
understanding of the implications of you/thou
use in early modern English has been bedevilled
by overconcern with issues of power and status,
and her careful research, analysing all the
plays, reveals how a fuller understanding of
Shakespeare s usage can provide a key to
unlock puzzles of motive and character, and a
glass to clarify relationships and emotions. The
work focuses particularly on dialogue between
men and women, and sheds new light on male
and female language use. The scholarship
presented in this volume is augmented with
tables and a glossary of linguistic terms.
Contents
List ofFigures vii
List ofTables ix
Preface xi
Acknowledgements xiii
1 Introduction 1
2 The Merry Wives of Windsor. A Paradigm of Usage 21
3 Earlier Comedies: Two Gentlemen of Verona to
The Merchant of Venice 3 5
4 Later Comedies and Romances: Much Ado About Nothing
to Two Noble Kimmen 81
5 TheTragedies 121
6 TheHistories 189
7 Conclusions: From Page to Stage 259
Appendix: A Note on the Sonnets 263
Glossary of Linguistic Terms 265
Bibliography 267
Indexes 273
Listof Figures
3.1 The Taming ofthe Shrew, Royal Shakespeare Theatre, 2003. 50
Directed by Gregory Doran
Alexandra Gilbreath as Katherine, Jasper Britton as Petruchio
Photographer: Malcolm Davies
4.1 Much Ado About Nothing, Royal Shakespeare Theatre, 2002. 82
Directed by Gregory Doran
Harriet Walter as Beatrice, Nicholas Le Prevost as Benedick
Photographer: Malcolm Davies
4.2 As You Like It, Swan Theatre, 2003. 90
Directed by Gregory Thompson
Nina Sosanya as Rosalind, Martin Hutson as Orlando,
Naomi Frederick as Celia
Photographer: Malcolm Davies
5.1 King Lear, Royal Shakespeare Theatre, 2004. 163
Directed by Bill Alexander
Corin Redgrave as Lear, Sian Brooke as Cordelia
Photographer: Malcolm Davies
5.2 Macbeth, Swan Theatre, 1999. 173
Directed by Gregory Doran
Anthony Sher as Macbeth, Harriet Walter as Lady Macbeth
Photographer: Malcolm Davies
6.1 RichardIII, Royal Shakespeare Theatre, 2003. 212
Directed by Sean Holmes
Henry Goodman as Richard, Lisa Stevenson as Lady Anne
Photographer: Malcolm Davies
All photographs are reproduced by permission ofthe Malcolm Davies Collection ©
Shakespeare Birthplace Trust.
List ofTables
1.1 Percentage of T use in Shakespeare s plays. 19
3.1 Pronounsof address between Silvia and Proteus 38
(The Two Gentlemen of Verona, 4.2, 83-127 and 5.4, 19-59).
3.2 Pronouns of address between Katherine and Petruchio 42
(The Taming ofthe Shrew, 2.1, 192-273).
4.1 Pronouns of address between Beatrice and Benedick 83
(Much Ado About Nothing, 4.1, 258-334).
4.2 Interpersonal misperceptions in Twelfth Night. 100
5.1 Pronouns of address between Antony and Cleopatra 178
(Antony and Cleopatra, 1.3, 15-105).
6.1 Pronouns of address between Lady Anne and 203
Richard of Gloucester (Richard III, 1.2,45-210).
6.2 Pronouns of address and vocatives between
Lady Percy and Hotspur (1 Henry IV, 2.4, 35-113). 229
6.3 Pronounsof address toFalstaffby DollTearsheet 238
(2 Henry IV, 2.4, 208-34).
6.4 Epithets used by Lady Percy to Hotspur (1 Henry IV, 2.4 239
and 3.1) compared with those used by Doll Tearsheet to Falstaff
(2 Henry IV, 2.4).
6.5 Pronouns of address by Henry V to Princess Catherine 244
(Henry V, 5.2, 98-273).
|
| adam_txt |
In revealing patterns of you/thou use in
Shakespeare's plays, this study highlights
striking and significant shifts from one to the
other. Penelope Freedman demonstrates that
understanding of the implications of you/thou
use in early modern English has been bedevilled
by overconcern with issues of power and status,
and her careful research, analysing all the
plays, reveals how a fuller understanding of
Shakespeare's usage can provide a key to
unlock puzzles of motive and character, and a
glass to clarify relationships and emotions. The
work focuses particularly on dialogue between
men and women, and sheds new light on male
and female language use. The scholarship
presented in this volume is augmented with
tables and a glossary of linguistic terms.
Contents
List ofFigures vii
List ofTables ix
Preface xi
Acknowledgements xiii
1 Introduction 1
2 The Merry Wives of Windsor. A Paradigm of Usage 21
3 Earlier Comedies: Two Gentlemen of Verona to
The Merchant of Venice 3 5
4 Later Comedies and Romances: Much Ado About Nothing
to Two Noble Kimmen 81
5 TheTragedies 121
6 TheHistories 189
7 Conclusions: From Page to Stage 259
Appendix: A Note on the Sonnets 263
Glossary of Linguistic Terms 265
Bibliography 267
Indexes 273
Listof Figures
3.1 The Taming ofthe Shrew, Royal Shakespeare Theatre, 2003. 50
Directed by Gregory Doran
Alexandra Gilbreath as Katherine, Jasper Britton as Petruchio
Photographer: Malcolm Davies
4.1 Much Ado About Nothing, Royal Shakespeare Theatre, 2002. 82
Directed by Gregory Doran
Harriet Walter as Beatrice, Nicholas Le Prevost as Benedick
Photographer: Malcolm Davies
4.2 As You Like It, Swan Theatre, 2003. 90
Directed by Gregory Thompson
Nina Sosanya as Rosalind, Martin Hutson as Orlando,
Naomi Frederick as Celia
Photographer: Malcolm Davies
5.1 King Lear, Royal Shakespeare Theatre, 2004. 163
Directed by Bill Alexander
Corin Redgrave as Lear, Sian Brooke as Cordelia
Photographer: Malcolm Davies
5.2 Macbeth, Swan Theatre, 1999. 173
Directed by Gregory Doran
Anthony Sher as Macbeth, Harriet Walter as Lady Macbeth
Photographer: Malcolm Davies
6.1 RichardIII, Royal Shakespeare Theatre, 2003. 212
Directed by Sean Holmes
Henry Goodman as Richard, Lisa Stevenson as Lady Anne
Photographer: Malcolm Davies
All photographs are reproduced by permission ofthe Malcolm Davies Collection ©
Shakespeare Birthplace Trust.
List ofTables
1.1 Percentage of T use in Shakespeare's plays. 19
3.1 Pronounsof address between Silvia and Proteus 38
(The Two Gentlemen of Verona, 4.2, 83-127 and 5.4, 19-59).
3.2 Pronouns of address between Katherine and Petruchio 42
(The Taming ofthe Shrew, 2.1, 192-273).
4.1 Pronouns of address between Beatrice and Benedick 83
(Much Ado About Nothing, 4.1, 258-334).
4.2 Interpersonal misperceptions in Twelfth Night. 100
5.1 Pronouns of address between Antony and Cleopatra 178
(Antony and Cleopatra, 1.3, 15-105).
6.1 Pronouns of address between Lady Anne and 203
Richard of Gloucester (Richard III, 1.2,45-210).
6.2 Pronouns of address and vocatives between
Lady Percy and Hotspur (1 Henry IV, 2.4, 35-113). 229
6.3 Pronounsof address toFalstaffby DollTearsheet 238
(2 Henry IV, 2.4, 208-34).
6.4 Epithets used by Lady Percy to Hotspur (1 Henry IV, 2.4 239
and 3.1) compared with those used by Doll Tearsheet to Falstaff
(2 Henry IV, 2.4).
6.5 Pronouns of address by Henry V to Princess Catherine 244
(Henry V, 5.2, 98-273). |
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| index_date | 2024-07-02T17:17:15Z |
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| spelling | Freedman, Penelope Verfasser (DE-588)1246837277 aut Power and passion in Shakespeare's pronouns interrogating 'you' and 'thou' Penelope Freedman Aldershot Ashgate 2007 280 S. Ill. txt rdacontent n rdamedia nc rdacarrier Shakespeare, William 1564-1616 Language Shakespeare, William 1564-1616 (DE-588)118613723 gnd rswk-swf Voornaamwoorden gtt Englisch English language Early modern, 1500-1700 Pronoun Pronomen (DE-588)4047468-9 gnd rswk-swf Sprache (DE-588)4056449-6 gnd rswk-swf Shakespeare, William 1564-1616 (DE-588)118613723 p Sprache (DE-588)4056449-6 s DE-604 Pronomen (DE-588)4047468-9 s b DE-604 http://www.loc.gov/catdir/toc/ecip0616/2006020594.html Table of contents only Digitalisierung UB Regensburg application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=015606747&sequence=000004&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Klappentext HBZ Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=015606747&sequence=000006&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Freedman, Penelope Power and passion in Shakespeare's pronouns interrogating 'you' and 'thou' Shakespeare, William 1564-1616 Language Shakespeare, William 1564-1616 (DE-588)118613723 gnd Voornaamwoorden gtt Englisch English language Early modern, 1500-1700 Pronoun Pronomen (DE-588)4047468-9 gnd Sprache (DE-588)4056449-6 gnd |
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| title | Power and passion in Shakespeare's pronouns interrogating 'you' and 'thou' |
| title_auth | Power and passion in Shakespeare's pronouns interrogating 'you' and 'thou' |
| title_exact_search | Power and passion in Shakespeare's pronouns interrogating 'you' and 'thou' |
| title_exact_search_txtP | Power and passion in Shakespeare's pronouns interrogating 'you' and 'thou' |
| title_full | Power and passion in Shakespeare's pronouns interrogating 'you' and 'thou' Penelope Freedman |
| title_fullStr | Power and passion in Shakespeare's pronouns interrogating 'you' and 'thou' Penelope Freedman |
| title_full_unstemmed | Power and passion in Shakespeare's pronouns interrogating 'you' and 'thou' Penelope Freedman |
| title_short | Power and passion in Shakespeare's pronouns |
| title_sort | power and passion in shakespeare s pronouns interrogating you and thou |
| title_sub | interrogating 'you' and 'thou' |
| topic | Shakespeare, William 1564-1616 Language Shakespeare, William 1564-1616 (DE-588)118613723 gnd Voornaamwoorden gtt Englisch English language Early modern, 1500-1700 Pronoun Pronomen (DE-588)4047468-9 gnd Sprache (DE-588)4056449-6 gnd |
| topic_facet | Shakespeare, William 1564-1616 Language Shakespeare, William 1564-1616 Voornaamwoorden Englisch English language Early modern, 1500-1700 Pronoun Pronomen Sprache |
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