The nineteenth-century novel: a critical reader
Gespeichert in:
| Format: | Buch |
|---|---|
| Sprache: | English |
| Veröffentlicht: |
London [u.a.]
Routledge [u.a.]
2007
|
| Ausgabe: | Reprinted |
| Schriftenreihe: | The nineteenth-century novel
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | XII, 573 S. |
| ISBN: | 9780415238281 |
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Datensatz im Suchindex
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|---|---|
| adam_text | This Critical Reader provides a valuable and wide-ranging selection of nineteenth-
century essays on the art of fiction, including seminal works by George Eliot, Henry
James and Robert Louis Stevenson. These contemporary essays are strategically
placed alongside a selection of modern critical responses to twelve familiar nineteenth-
century novels.
The volume is a unique resource for the study of nineteenth-centmy fiction, offering:
•
•
•
historicist and post-colonial readings of individual novels.
Useful headnotes and an introduction explore the issue« and ideas that preoccupied
nineteenth-century authors as they sought to develop and refine the writing of
fiction. The volume also guides its readers through a diverse selection of twentieth-
century critical views. If you are interested in nineteenth-century literature and
modern criticism, you will find this volume both stimulating and informative.
The novels discussed are: Northanger Abbey, Jane Eyre, Dombey and Son,
Middlemarch, Far/ram the Madding Crowd, Germinal. Madame
in White, The Portrait of a Lady. The Awakening,
Stephen Regan is Lecturer in English at Royal Iiolloway. University of London.
CONTENTS
nts
Preface
Introduction
PART I: EARLY ESSAYS AND REVIEWS
Clara Reeve, The Progress of Romance
Walter Scott, On Romance
Hippolyte
George Eliot, The Natural History of German Life
George Henry Lewes, Realism in Art: Recent German Fiction
Margaret
Henry Mansel, Sensation Novels
Walter Pater, The Modern Mind
Friedrich
E.S. Dallas, The Gay Science
Walter Besant, The Art of Fiction
Henry James, The Art of Fiction
Henry James, Novels by Eliot, Hardy and Flaubert
Robert Louis Stevenson, A Humble Remonstrance
Thomas Hardy, The Science of Fiction
Emile Zola,
Joseph Conrad, Preface to The Nigger of the Narcissus
Sigmund
PART II: MODERN CRITICISM
1
Marilyn Butler, The Juvenilia and Northanger Abbey
Marilyn Butler, Introduction to Northanger Abbey
Isobel Armstrong, Conservative Jane Austen?
CONTENTS
Claudia
N
2
Mary Poovey, The Anathematized Race: The Governess and
Jane Eyre
Robert B. Heilman, Charlotte Bronte s New Gothic
Gayatri Chakravorty Spivak, Jane Eyre: A Critique of Imperialism
Susan L. Meyer, Colonialism and the Figurative Strategy of
Jane Eyre
3
Raymond Williams, Introduction to Dombey and Son
Catherine Waters, Ambiguous Intimacy: Brother and Sister
Relationships in Dombey and Son
Suvendrini Perera, Wholesale, Retail and for Exportation:
Empire and the Family Business in Dombey and Son
4
Sally Shuttleworth, Middlemarch: An Experiment in Time
Gillian Beer, Middlemarch: The Web of Affinities
David Carroll, Middlemarch: Empiricist Fables
Elizabeth Deeds Ermarth, George Eliot and the World as
Language
5
Richard C. Carpenter, The Mirror and the Sword: Imagery in
Far from the Madding Crowd
Judith Bryant Wittenberg, Angles of Vision and Questions of
Gender in Far from the Madding Crowd
John Lucas, Bathsheba s Uncertainty of Self
Raymond Williams, Thomas Hardy
6
Georg
Georg
Irving Howe, The Genius of Germinal
Henri
Fantasies of Revolt
7
Tony Tanner, Fetishism in Madame
Elisabeth Bronfen, Over Her Dead Body: Madame
8
Jenny Bourne Taylor, Collins as a Sensation Novelist
D. A. Miller, Cage
Collins s The Woman in White
Elisabeth Bronfen, Over Her Dead Body: The Woman in White
CONTENTS
9 Henry James,
Eugenia C. DeLamotte, Gothic Conventions in The Portrait
of a Lady
Barbara Hardy, Henry James: The Literary Critic
10
Stephen D.
Anxiety of Reverse Colonization
Phyllis A. Roth, Suddenly Sexual Women in
Dracula
11
Helen Taylor, Gender, Race and Region in the Writings of
Grace King, Ruth McEnery Stuart and Kate Chopin
Anne Goodwyn Jones, The Woman Writer in the South
Elizabeth Ammons, Women of Color in The Awakening
Bert Bender, The Teeth of Desire: The Awakening and The
Descent of Man
12
Robert Hampson, Conrad and the Idea of Empire
Edward Said, Two Visions in Heart of Darkness
Notes
Index
|
| adam_txt |
This Critical Reader provides a valuable and wide-ranging selection of nineteenth-
century essays on the art of fiction, including seminal works by George Eliot, Henry
James and Robert Louis Stevenson. These contemporary essays are strategically
placed alongside a selection of modern critical responses to twelve familiar nineteenth-
century novels.
The volume is a unique resource for the study of nineteenth-centmy fiction, offering:
•
•
•
historicist and post-colonial readings of individual novels.
Useful headnotes and an introduction explore the issue« and ideas that preoccupied
nineteenth-century authors as they sought to develop and refine the writing of
fiction. The volume also guides its readers through a diverse selection of twentieth-
century critical views. If you are interested in nineteenth-century literature and
modern criticism, you will find this volume both stimulating and informative.
The novels discussed are: Northanger Abbey, Jane Eyre, Dombey and Son,
Middlemarch, Far/ram the Madding Crowd, Germinal. Madame
in White, The Portrait of a Lady. The Awakening,
Stephen Regan is Lecturer in English at Royal Iiolloway. University of London.
CONTENTS
nts
Preface
Introduction
PART I: EARLY ESSAYS AND REVIEWS
Clara Reeve, The Progress of Romance
Walter Scott, On Romance
Hippolyte
George Eliot, The Natural History of German Life
George Henry Lewes, Realism in Art: Recent German Fiction
Margaret
Henry Mansel, Sensation Novels
Walter Pater, The Modern Mind
Friedrich
E.S. Dallas, The Gay Science
Walter Besant, The Art of Fiction
Henry James, The Art of Fiction
Henry James, Novels by Eliot, Hardy and Flaubert
Robert Louis Stevenson, A Humble Remonstrance
Thomas Hardy, The Science of Fiction
Emile Zola,
Joseph Conrad, Preface to The Nigger of the Narcissus
Sigmund
PART II: MODERN CRITICISM
1
Marilyn Butler, The Juvenilia and Northanger Abbey
Marilyn Butler, Introduction to Northanger Abbey
Isobel Armstrong, 'Conservative' Jane Austen?
CONTENTS
Claudia
N
2
Mary Poovey, The Anathematized Race: The Governess and
Jane Eyre
Robert B. Heilman, Charlotte Bronte's 'New' Gothic
Gayatri Chakravorty Spivak, Jane Eyre: A Critique of Imperialism
Susan L. Meyer, Colonialism and the Figurative Strategy of
Jane Eyre
3
Raymond Williams, Introduction to Dombey and Son
Catherine Waters, Ambiguous Intimacy: Brother and Sister
Relationships in Dombey and Son
Suvendrini Perera, Wholesale, Retail and for Exportation:
Empire and the Family Business in Dombey and Son
4
Sally Shuttleworth, Middlemarch: An Experiment in Time
Gillian Beer, Middlemarch: The Web of Affinities
David Carroll, Middlemarch: Empiricist Fables
Elizabeth Deeds Ermarth, George Eliot and the World as
Language
5
Richard C. Carpenter, The Mirror and the Sword: Imagery in
Far from the Madding Crowd
Judith Bryant Wittenberg, Angles of Vision and Questions of
Gender in Far from the Madding Crowd
John Lucas, Bathsheba's Uncertainty of Self
Raymond Williams, Thomas Hardy
6
Georg
Georg
Irving Howe, The Genius of Germinal
Henri
Fantasies of Revolt
7
Tony Tanner, Fetishism in Madame
Elisabeth Bronfen, Over Her Dead Body: Madame
8
Jenny Bourne Taylor, Collins as a Sensation Novelist
D. A. Miller, Cage
Collins's The Woman in White
Elisabeth Bronfen, Over Her Dead Body: The Woman in White
CONTENTS
9 Henry James,
Eugenia C. DeLamotte, Gothic Conventions in The Portrait
of a Lady
Barbara Hardy, Henry James: The Literary Critic
10
Stephen D.
Anxiety of Reverse Colonization
Phyllis A. Roth, Suddenly Sexual Women in
Dracula
11
Helen Taylor, Gender, Race and Region in the Writings of
Grace King, Ruth McEnery Stuart and Kate Chopin
Anne Goodwyn Jones, The Woman Writer in the South
Elizabeth Ammons, Women of Color in The Awakening
Bert Bender, The Teeth of Desire: The Awakening and The
Descent of Man
12
Robert Hampson, Conrad and the Idea of Empire
Edward Said, Two Visions in Heart of Darkness
Notes
Index |
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| title | The nineteenth-century novel a critical reader |
| title_alt | The nineteenth century novel |
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