Philosophy and conceptual art:
Gespeichert in:
Format: | Buch |
---|---|
Sprache: | English |
Veröffentlicht: |
Oxford [u.a.]
Clarendon Press
2007
New York Oxford Univ. Press |
Ausgabe: | 1. publ. |
Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis |
Beschreibung: | Includes index. |
Beschreibung: | XXI, 273 S. Ill. |
ISBN: | 0199285551 9780199285556 |
Internformat
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245 | 1 | 0 | |a Philosophy and conceptual art |c ed. by Peter Goldie and Elisabeth Schellekens |
250 | |a 1. publ. | ||
264 | 1 | |a Oxford [u.a.] |b Clarendon Press |c 2007 | |
264 | 1 | |a New York |b Oxford Univ. Press | |
300 | |a XXI, 273 S. |b Ill. | ||
336 | |b txt |2 rdacontent | ||
337 | |b n |2 rdamedia | ||
338 | |b nc |2 rdacarrier | ||
500 | |a Includes index. | ||
650 | 4 | |a Kunst | |
650 | 4 | |a Philosophie | |
650 | 4 | |a Ästhetik | |
650 | 4 | |a Aesthetics | |
650 | 4 | |a Art and philosophy | |
650 | 4 | |a Art |x Philosophy | |
650 | 4 | |a Conceptual art | |
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700 | 1 | |a Schellekens, Elisabeth |e Sonstige |0 (DE-588)132010216 |4 oth | |
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Datensatz im Suchindex
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---|---|
adam_text | CONTENTS
List of Illustrations vii
Introduction ix
Peter Goldie and Elisabeth Schellekens
Part I: Conceptual Art as a Kind of Art 1
1. On Perceiving Conceptual Art 3
Peter Lamarque
2. The Dematerialization of the Object 18
Derek Matravers
3. Visual Conceptual Art 33
Gregory Currie
4. Speaking Through Silence: Conceptual Art and
Conversational Implicature 51
Robert Hopkins
Part II: Conceptual Art and Aesthetic Value 69
5. The Aesthetic Value of Ideas 71
Elisabeth Schellekens
6. Kant After LeWitt: Towards an Aesthetics of Conceptual Art 92
Diarmuid Costello
vi / Contents
Part III: Conceptual Art, Knowledge and Understanding 117
7. Matter and Meaning in the Work of Art: Joseph Kosuth s One
and Three Chairs 119
Carolyn Wilde
8. Telling Pictures: The Place of Narrative in Late Modern
Visual Art 138
David Davies
9. Conceptual Art and Knowledge 157
Peter Goldie
10. Sartre, Wittgenstein, and Learning from Imagination 171
Kathleen Stock
Part IV: Appreciating Conceptual Art 195
11. Artistic Character, Creativity, and the Appraisal
of Conceptual Art 197
Matthew Kieran
12. Creativity and Conceptual Art 216
Margaret A. Boden
13. Conceptual Art Is Not What It Seems 238
Dominic Mclver Lopes
14. Emergency Conditionals 257
Art Language
Index 267
LIST OF ILLUSTRATIONS
1. Jenny Holzer, Truisms, 1978 87. Digital image © 2007, The Museum of
Modern Art/Scala, Florence/© ARS, NY and DACS, Landon 2007.
2. Michael Craig Martin, An Oak Tree, 1973. © Tate 2007.
3. Marcel Duchamp, Fountain, 1917. Photo by Alfred Stieglitz from the peri
odical The Blind Man , Beatrice Wood. Philadelphia Museum of Art ©
Photo Scala, Florence, © Succession Marcel Duchamp/ADAGP, Paris and
DACS, London 2007.
4. Bruce Nauman, One Hundred Live and Die, 1984. Neon tubing with clear
glass tubing on metal monolith; 118 X 132 x 21 inches (299.7 X 335.9 X
53.3 cm). Collection Benesse Corporation, Naoshima Contemporary Art
Museum, Kagawa Courtesy Sperone Westwater, New York. © ARS, NY
and DACS, London 2007.
5. Joseph Kosuth, One and Three Chairs, 1965. © ARS, NY and DACS, London
2007. Digital Image © The Museum of Modern Art/SCALA, Florence.
6. Art—Language, Index 01 (Art and Language, Index 001) (aka Kassel Index),
1972. By permission of the Lisson Gallery, London.
7. Robert Barry, Inert Gas Series: Argon, 1969. By permission of the artist.
(From a measured volume to indefinite expansion on March 4, 1969 on
a beach in Santa Monica, California, one litre of argon was returned
to the atmosphere. Documentation: Catalogue page, diapositive, two
colour photographs framed.) Collection Elisabeth Gerhard Sohst in
the Hamburger Kunsthalle, Hamburg, Germany. Photo Bridgeman Art
Library.
8. Sol LeWitt, Wall Drawing No. 623, 1989. National Gallery of Canada, Ottawa.
© ARS, NY and DACS, London 2007.
9. Adrian Piper, Catalysis IV, 1970—1. By permission of the artist.
viii / List of Illustrations
10. Santiago Sierra, Space Closed by Corrugated Metal, 2002. By permission of the
Lisson Gallery, London.
11. Walter De Maria: Vertical Earth Kilometer, 1977. Kassel, Germany. Photo
by N.C. Tenwiggenhorn. © Dia Center for the Arts.
12. Keith Arnatt, Trouser Word Piece, 1972 89. © Tate 2007.
|
adam_txt |
CONTENTS
List of Illustrations vii
Introduction ix
Peter Goldie and Elisabeth Schellekens
Part I: Conceptual Art as a Kind of Art 1
1. On Perceiving Conceptual Art 3
Peter Lamarque
2. The Dematerialization of the Object 18
Derek Matravers
3. Visual Conceptual Art 33
Gregory Currie
4. Speaking Through Silence: Conceptual Art and
Conversational Implicature 51
Robert Hopkins
Part II: Conceptual Art and Aesthetic Value 69
5. The Aesthetic Value of Ideas 71
Elisabeth Schellekens
6. Kant After LeWitt: Towards an Aesthetics of Conceptual Art 92
Diarmuid Costello
vi / Contents
Part III: Conceptual Art, Knowledge and Understanding 117
7. Matter and Meaning in the Work of Art: Joseph Kosuth's One
and Three Chairs 119
Carolyn Wilde
8. Telling Pictures: The Place of Narrative in Late Modern
'Visual Art' 138
David Davies
9. Conceptual Art and Knowledge 157
Peter Goldie
10. Sartre, Wittgenstein, and Learning from Imagination 171
Kathleen Stock
Part IV: Appreciating Conceptual Art 195
11. Artistic Character, Creativity, and the Appraisal
of Conceptual Art 197
Matthew Kieran
12. Creativity and Conceptual Art 216
Margaret A. Boden
13. Conceptual Art Is Not What It Seems 238
Dominic Mclver Lopes
14. Emergency Conditionals 257
Art Language
Index 267
LIST OF ILLUSTRATIONS
1. Jenny Holzer, Truisms, 1978 87. Digital image © 2007, The Museum of
Modern Art/Scala, Florence/© ARS, NY and DACS, Landon 2007.
2. Michael Craig Martin, An Oak Tree, 1973. © Tate 2007.
3. Marcel Duchamp, Fountain, 1917. Photo by Alfred Stieglitz from the peri
odical "The Blind Man", Beatrice Wood. Philadelphia Museum of Art ©
Photo Scala, Florence, © Succession Marcel Duchamp/ADAGP, Paris and
DACS, London 2007.
4. Bruce Nauman, One Hundred Live and Die, 1984. Neon tubing with clear
glass tubing on metal monolith; 118 X 132 ' x 21 inches (299.7 X 335.9 X
53.3 cm). Collection Benesse Corporation, Naoshima Contemporary Art
Museum, Kagawa Courtesy Sperone Westwater, New York. © ARS, NY
and DACS, London 2007.
5. Joseph Kosuth, One and Three Chairs, 1965. © ARS, NY and DACS, London
2007. Digital Image © The Museum of Modern Art/SCALA, Florence.
6. Art—Language, Index 01 (Art and Language, Index 001) (aka Kassel Index),
1972. By permission of the Lisson Gallery, London.
7. Robert Barry, Inert Gas Series: Argon, 1969. By permission of the artist.
(From a measured volume to indefinite expansion on March 4, 1969 on
a beach in Santa Monica, California, one litre of argon was returned
to the atmosphere. Documentation: Catalogue page, diapositive, two
colour photographs framed.) Collection Elisabeth Gerhard Sohst in
the Hamburger Kunsthalle, Hamburg, Germany. Photo Bridgeman Art
Library.
8. Sol LeWitt, Wall Drawing No. 623, 1989. National Gallery of Canada, Ottawa.
© ARS, NY and DACS, London 2007.
9. Adrian Piper, Catalysis IV, 1970—1. By permission of the artist.
viii / List of Illustrations
10. Santiago Sierra, Space Closed by Corrugated Metal, 2002. By permission of the
Lisson Gallery, London.
11. Walter De Maria: Vertical Earth Kilometer, 1977. Kassel, Germany. Photo
by N.C. Tenwiggenhorn. © Dia Center for the Arts.
12. Keith Arnatt, Trouser Word Piece, 1972 89. © Tate 2007. |
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callnumber-subject | BH - Aesthetics |
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dewey-full | 709.04/075 |
dewey-hundreds | 700 - The arts |
dewey-ones | 709 - History, geographic treatment, biography |
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edition | 1. publ. |
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illustrated | Illustrated |
index_date | 2024-07-02T17:10:35Z |
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isbn | 0199285551 9780199285556 |
language | English |
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physical | XXI, 273 S. Ill. |
publishDate | 2007 |
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publisher | Clarendon Press Oxford Univ. Press |
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spelling | Philosophy and conceptual art ed. by Peter Goldie and Elisabeth Schellekens 1. publ. Oxford [u.a.] Clarendon Press 2007 New York Oxford Univ. Press XXI, 273 S. Ill. txt rdacontent n rdamedia nc rdacarrier Includes index. Kunst Philosophie Ästhetik Aesthetics Art and philosophy Art Philosophy Conceptual art Philosophie (DE-588)4045791-6 gnd rswk-swf Concept-art (DE-588)4032354-7 gnd rswk-swf Aufsatzsammlung Concept-art (DE-588)4032354-7 s Philosophie (DE-588)4045791-6 s DE-604 Goldie, Peter Sonstige oth Schellekens, Elisabeth Sonstige (DE-588)132010216 oth HBZ Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=015588071&sequence=000004&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
spellingShingle | Philosophy and conceptual art Kunst Philosophie Ästhetik Aesthetics Art and philosophy Art Philosophy Conceptual art Philosophie (DE-588)4045791-6 gnd Concept-art (DE-588)4032354-7 gnd |
subject_GND | (DE-588)4045791-6 (DE-588)4032354-7 |
title | Philosophy and conceptual art |
title_auth | Philosophy and conceptual art |
title_exact_search | Philosophy and conceptual art |
title_exact_search_txtP | Philosophy and conceptual art |
title_full | Philosophy and conceptual art ed. by Peter Goldie and Elisabeth Schellekens |
title_fullStr | Philosophy and conceptual art ed. by Peter Goldie and Elisabeth Schellekens |
title_full_unstemmed | Philosophy and conceptual art ed. by Peter Goldie and Elisabeth Schellekens |
title_short | Philosophy and conceptual art |
title_sort | philosophy and conceptual art |
topic | Kunst Philosophie Ästhetik Aesthetics Art and philosophy Art Philosophy Conceptual art Philosophie (DE-588)4045791-6 gnd Concept-art (DE-588)4032354-7 gnd |
topic_facet | Kunst Philosophie Ästhetik Aesthetics Art and philosophy Art Philosophy Conceptual art Concept-art |
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