The enjoyment of music: an introduction to perceptive listening
Gespeichert in:
| Hauptverfasser: | , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York [u.a.]
Norton
2007
|
| Ausgabe: | 10. ed., shorter version |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | Includes index. |
| Beschreibung: | 469, 71 S. Ill., Kt., Notenbeisp. DVD-ROM (12 cm), Beih. ([4] Bl.) |
| ISBN: | 0393928888 9780393928884 |
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| 245 | 1 | 0 | |a The enjoyment of music |b an introduction to perceptive listening |c Kristine Forney ; Joseph Machlis |
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| 264 | 1 | |a New York [u.a.] |b Norton |c 2007 | |
| 300 | |a 469, 71 S. |b Ill., Kt., Notenbeisp. |e DVD-ROM (12 cm), Beih. ([4] Bl.) | ||
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Datensatz im Suchindex
| _version_ | 1804136433358733312 |
|---|---|
| adam_text | iMusîc
Examples
Preface: The Enjoyment of Music Package
XVII
xix
xxi
xxiv
UNIT I The Elements of Music
PRELUDE Listening to Music Today
Some Practical Suggestions for Listening | Attending Concerts |
CP
1
Music and Sound
CHAPTER] Melody: Musical Line
Defining Melody | The Structure of Melody | Listening Activity: Melody
CHAPTER
2
Rhythm and Meter: Musical Time
Metrical Patterns | Listening Activity: Rhythm
CHAPTER
3
Harmony: Musical Space
The Organization of Harmony | Consonance and Dissonance |
Listening Activity: Harmony
CHAPTER
4
Musical Texture
Types of Texture | Contrapuntal Devices | Musical Texture and the
Listener | Listening Activity: Texture
CHAPTER
5
Musical Form
Structure and Design in Music | Two-Part and Three-Part Form |
The Building Blocks of Form | Listening Activity: Musical Form
2
2
11
15
19
23
27
VI
CONTENTS
CHAPTER
6
Musical
Expression:
Tempo and Dynamics
The Pace of Music | Loudness and Softness | Tempo and Dynamics as
Elements of Musical Expression | Listening Activity: Tempo and Dynamics
32
UNIT II Musical Instruments
and Ensembles
CHAPTER
7
Voices and Musical Instrument Families
Musical Timbre | The Voice as Instrument | The World of Musical
Instruments | Listening Activity: Voices
CHAPTER
8
Western Musical Instruments
String Instruments | Woodwind Instruments | Brass Instruments |
Percussion Instruments | Keyboard Instruments | Listening Activity:
Western Instruments
CHAPTER
9
Musical Ensembles
Choral Groups | Instrumental Chamber Ensembles | The Orchestra |
Concert, Jazz, and Rock Bands | The Role of the Conductor | The
Orchestra in Action | LG
1
Britten: The Young Person s Guide to the
Orchestra | Listening Activity: Reviewing Ensembles
CHAPTER
10
Style and Function of Music in Society
CP
2
The Roles of Music around the World | The Concept of Style |
Musical Styles in History | Listening Activity: Historical Style Periods
36
36
40
49
58
PART
2 1
Medieval and Renaissance
Music
TIMELINE: MEDIEVAL/RENAISSANCE ERA
UNIT III The Middle Ages
CHAPTER
11
The Culture of the Middle Ages
CHAPTER
12
Sacred Music in the Middle Ages
The Mass | Life in the Medieval Cloister | The Music of
Hildegard
ofBingen |CP3 Chant as Music for Worship | LG2
Hildegard
of Bingen:
Alleluiici,
О
virgo,
mediatrix | The Rise of Polyphony | LG
3
Notre Dame
School
Organum: Gaude
Maria
virgo
66
66
68
Contents
vii
СНАРТЕКІЗ
Secular Music in the Middle Ages
76
Raimbaut
de Vaqueiras
and the Troubadour Tradition |
LG
4
Raimbaut
de Vaqueiras:
Kalenda
maya
]
Guillaume
de Machaut
and the French
Ars
nova | LG
5
Machaut:
Puis qu en oubli
Early Instrumental Music | CP
4
Opening Doors to the East
UNIT IV The Renaissance
85
CHAPTER
14
The Renaissance Spirit
8 5
The Arts in the Renaissance | Musicians in Renaissance Society |
Renaissance Musical Style | CP
5
Mythology in Music and Art
CHAPTER
15
Renaissance Sacred Music
90
The Motet in the Renaissance | Josquin
des Prez
and the Motet |
LG
6
Josquin:
Ave
Maria
...
virgo serena
| The Renaissance Mass |
The Late Renaissance Mass | Palestrina and the Pope
Marcellus
Mass |
LG
7
Palestrina: Pope
Marcellus
Mass
CHAPTER
16
Renaissance Secular Music
9 7
Music in Court and City Life | The Chanson | Instrumental Dance Music |
LG
8
Susato:
Three Dances | The Italian Madrigal | Monteverdi and the
Madrigal | LG9 Monteverdi:
Ecco mormorar l onde |
The English
Madrigal | LG
10
Farmer: Fair Phyllis
TRANSITION I From Renaissance to Baroque
106
Polychoral Music in Venice
PART
3
More Materials of Music
UNIT V The Organization of Musical
Sounds
108
CHAPTER
17
Musical Systems
108
The Formation of Major and Minor Scales | Diatonic and Chromatic
Scales | Other Scale Types
CHAPTER
18
The Major-Minor System
113
Active and Rest Chords | The Key as a Form-Building Element |
Listening Activity: Musical Key
VIII
CONTENTS
4
T.
TIMELINE:
BAROQUE
ERA
UNIT VI The Baroque and the Arts
CHAPTER
19
The Baroque Spirit
CHAPTER
20
Main Currents in Baroque Music
Origins of Monody | New Harmonic Structures | CP
6
Music and the
Religious Spirit in the New World | Baroque Musical Style | The Doctrine
of the Affections | The Rise of the Virtuoso Musician | Women in Baroque
Music
116
116
119
UNIT
VII
Vocal Music of the Baroque
CHAPTER
21
Baroque Opera
The Components of Opera | Early Opera in Italy |
Opera in France | Opera in England | Henry
Purceii:
His Life
and Music | LG
11
Dido and Aeneas | Handel and Late
Baroque Opera
CHAPTER
22
Barbara
Strozzi
and the Italian Cantata
Barbara
Strozzi:
Her Life and Music | LG
12
Begli occhi
CHAPTER
23
Bach and the Sacred Cantata
The Lutheran Chorale |
Johann
Sebastian Bach: His Life and Music
LG
13
Cantata
80:
A Mighty Fortress Is Our God
CHAPTER
24
Handel and the Oratorio
The Oratorio | George
Frideric
Handel: His Life and Music |
LG
14
Messiah
124
124
130
133
139
UNIT
VIII
Instrumental Music of
the Baroque
144
CHAPTER
25
The Baroque Sonata and Concerto
144
The Rise of Instrumental Music | Baroque Instruments | Sonata Types |
Concerto Types | Antonio Vivaldi: His Life and Music |
LG15 The Four Seasons
CHAPTER
26
The Baroque Suite
151
Handel and the Orchestral Suite | LG
16
Water Music | Music at the
French Royal Court | LG
17
Mouret: Rondeau, from Suite
de
symphonies
Contents
IX
CHAPTER
27
Other Baroque
Instrumental
Forms
157
Keyboard Forms | The Fugue and Its Devices | Bach s Keyboard Fugues |
LG
18
Bach: Contrapunctus I, from The Art of Fugue
TRANSITION II To the Age of Enlightenment
162
The Rococo and the Age of Sensibility | The Changing Opera |
Gluck
and Opera Reform
5
UNIT IX Expanded Elements of Form
CHAPTER
28
The Development of Musical Ideas
Listening Activity: Thematic Development
CHAPTER
29
Classical Forms
The First Movement | The Second Movement | The Third Movement
The Fourth Movement | The Multimovement Cycle as a Whole |
Listening Activity: Hearing Larger Forms
166
166
169
PART
6 1
Eighteenth-Century
Cla
TIMELINE: CLASSICAL ERA
UNIT X The Classical Spirit
CHAPTER
30
Classicism in the Arts
CHAPTER
31
Classicism in Music
Elements of Classical Style | The Patronage System
UNIT XI Classical Chamber Music
182
CHAPTER
32
Eighteenth-Century Chamber Music Style
182
The String Quartet
CHAPTER
3 3
Mozart and Chamber Music
184
His Life and Music | LG
19 Eine Meine Nachtmusik]
CP
7
The Mozart
Effect
CONTENTS
UNIT
XII
The Classical Symphony
189
CHAPTER
34
The Nature of the Symphony
189
Historical Background | The Classical Orchestra | The Movements
of the Symphony
CHAPTER
35
Haydn and the Symphony
192
His Life and Music | LG
20
Symphony No.
94
in
G
major (Surprise)
CHAPTER
3 6
Beethoven and the Symphony in Transition
197
His Life and Music |
ŁG21
Symphony No.
5
in
С
minor | CP8 Beethoven
and the Politics of Music
UNIT
XIII
The Eighteenth-Century
Concerto and Sonata
CHAPTER
37
The Classical Concerto
The Movements of the Concerto | LG
22
Mozart: Piano Concerto
in
G
major, K.
453
| Famous Women Virtuosos of the
Eighteenth Century
CHAPTER
38
The Classical Sonata
The Movements of the Sonata | LG
23
Beethoven: Piano Sonata in
С
-sharp
minor, Op.
2 7,
No.
2
(Moonlight) | CP9 East Meets West:
Turkish Influences on the Viennese Classics
206
206
210
UNIT
XIV
Choral Music and Opera
in the Classical Era
CHAPTER
39
Sacred Choral Music and Opera
Mass, Requiem, and Oratorio | Opera Types | LG24 Mozart:
The Marriage of Figaro
TRANSITION III From Classicism to Romanticism
216
216
228
7
TIMELINE: ROMANTIC ERA
UNIT XV The Romantic Movement
CHAPTER
40
The Spirit of Romanticism
French Revolution | Romantic Writers
CHAPTER
41
Romanticism in Music
Romantic Style Traits | The Musician in Society
230
230
233
Contents xi
UNIT
XVI
Nineteenth-Century Art Song
238
CHAPTER
42
The Romantic Song
238
Types of Song Structure | The Lied
CHAPTER
43
Schubert and the Lied
240
His Life and Music
j
LG 25
Erlfáng
CHAPTER
44
Robert Schumann and the Song Cycle
244
His Life and Music | LG26 In the lovely month of May,
from A Poet s Love
UNIT
XVII
The Nineteenth-Century Piano
Piece
248
CHAPTER
45
The Piano and Its Literature
248
The Short Lyric Piano Piece
CHAPTER
46
Chopin and Piano Music
250
His Life and Music | LG
27
Polonaise in A major, Op.
40,
No
1
(Military)
CP
10
Chopin and the Salon: From Paris to the Pacific
CHAPTER
4 7
Clara Schumann: Pianist and Composer
255
Her Life and Music | LG28 Nocturne, from Music for an Evening
Entertainment
CHAPTER
48
Louis
Gottschalk
and Piano Music in America
259
His Life and Music | LG29 The Banjo
UNIT
XVIII
Romantic Program Music
264
CHAPTER
49
The Nature of Program Music
264
Varieties of Program Music
CHAPTER
50
Berlioz and the Program Symphony
266
His Life and Music | LG30
Symphonie
fantastique
CHAPTER
51
Musical Nationalism
271
A Czech Nationalist:
Bedřich Smetana
|
LG 31
The
Moldau
Other Nationalists | CPU Music, Folklore, and Nationalism
UNIT
XIX
Absolute Forms
in the Nineteenth Century
277
CHAPTER
5 2
The Romantic Symphony
277
The Romantic Symphony Form | CP12 Dvorak s Influence on
African-American Art Music
xii CONTENTS
CHAPTER
53
Brahms and the Late Romantic Symphony
282
His Life and Music | LG
32
Symphony No.
3
in
F
major
CHAPTER
54
The Romantic Concerto
285
Virtuosity and the Concerto | The Romantic Concerto Form
CHAPTER
5 5
The Rise of Classical Composition in America
287
CP13 Women and Music: A Feminist Perspective | Amy Cheney Beach
and Music in New England
UNIT XX Choral and Dramatic Music
in the Nineteenth Century
291
CHAPTER
5 6
Romantic Choral Music
291
LG
33
Brahms: A German Requiem
CHAPTER
57
Fanny Mendelssohn Hensel and the Romantic Part Song
294
Her Life and Music | LG
34
Under the Greenwood Tree |
CP
14
Music and Shakespeare
CHAPTER
5 8
Romantic Opera
299
The Development of National Styles | Exoticism in Opera |
Women in Opera
CHAPTER
59
Verdi and Italian Opera
302
His Life and Music | LG
35
Rigoletto
CHAPTER
60
Wagner and the Music Drama
311
His Life and Music | LG
36
Die
Walküre
CHAPTER
61
Puccini and Late Romantic Opera
318
His Life and Music | LG37 Madame Butterfly
CHAPTER
62
Tchaikovsky and the Ballet
323
Ballet
—
Past and Present | Peter Ilyich Tchaikovsky: His Life and Music |
LG38 The Nutcracker
PART
8 1
The Twentieth Century
TIMELINE: POST-ROMANTICISM, IMPRESSIONISM,
AND EARLY TWENTIETH CENTURY
TRANSITION IV The Post-Romantic Era
German Post-Romanticism
328
Contents xiii
UNIT
XXI
The Impressionist and
Post-Impressionist Eras
330
CHAPTER
63
Debussy and Impressionism
330
The Impressionist Painters | The Symbolist Poets | Impressionism in
Music | Claude Debussy: His Life and Music |
ŁG39
Prelude to The
Afternoon of a Faun | CP
15
The Paris World Exhibition of
1889:
A Cultural Awakening
UNIT
XXII
The Early Twentieth Century
340
CHAPTER
64
Main Currents in Early-Twentieth-Century Music
340
The Reaction against Romaticism | New Trends in the Arts |
Expressionism | Neoclassicism
CHAPTER
65
New Elements of Musical Style
343
The New Rhythmic Complexity | The New Melody | The New Harmony |
Orchestration | New Conceptions of Form
CHAPTER
66
Stravinsky and the Revitalization of Rhythm
346
His Life and Music | LG40 The Rite of Spring
CHAPTER
67
Schoenberg
and the Second Viennese School
352
His Life and Music | LG
41
Pierrot
lunaire
í
UNIT
XXIII
Twentieth-Century
Nationalism
357
CHAPTER
68
Béla Bartók
and the European Tradition
357
National Schools | His Life and Music | LG42 Concerto for Orchestra
CP
16
Bartok—A
Folk-Song Collector
CHAPTER
69
American Musical Traditions
363
Popular Music in Late-Nineteenth-Century America |CP17 Music
and the Patriotic Spirit
CHAPTER
70
Nationalism in the Americas: Aaron Copland
and
Silvestre
Revueltas
367
Aaron Copland: His Life and Music | LG
43
Billy the Kid
CP18 Preserving the Musical Traditions of Mexico |
Silvestre
Revueltas
and Art Music Traditions in Mexico | His Life and Music |
LG
44
Homenaje a Federico García
Lorca
| Music from the
Mariachi
Tradition I LG
45
El Cihualteco
XIV
CONTENTS
UNIT
XXIV
Popular
Styles
CHAPTER
71
Ragtime, Blues, and Early Jazz
Scott Joplin and Ragtime | LG46 Maple Leaf Rag | Blues and New Orleans
Jazz | Louis Armstrong and Early Jazz | CP
19
The Roots of Jazz |
LG
47
Billie
Holiday: Billie s Blues
CHAPTER
72
The Swing Era and Beyond
Duke Ellington and the Big Band Era | Bebop and Later Jazz Styles |
LG
48
Gillespie/Parker: A Night in Tunisia | George Gershwin and the
Merger of Classical and Jazz Styles
CHAPTER
73
Musical Theater
The Development of American Musical Theater | Leonard Bernstein
and the Broadway Musical | LG49 West Side Story | CP20 Latin
American Dance Music
378
378
386
391
CHAPTER
74
Rock and the Global Scene
The Eclecticism of the
1970s
| The
1980s
and Beyond | Country-Western
Music | Global Pop
j
LG
50
Think of Me
(Jongle à moi),
by BeauSoleil
401
TIMELINE: LATER TWENTIETH CENTURY AND BEYOND
UNIT
XXV
The New Music
414
CHAPTER
75
New Directions
414
The Arts since the Mid-Twentieth Century | Toward Greater Organization
in Music | Toward Greater Freedom in Music | The Postwar
Internationalism | CP21 Public Support for New Music
CHAPTER
76
The New Virtuosity of the Modern Age
424
George Crumb and
Avant-Garde
Virtuosity | LG
51
Ancient Voices
of Children
CHAPTER
7 7
Contemporary Composers Look to World Music
427
Important Experimenters | The Music of John Cage | LG
52
Sonatas and
Interludes | The Javanese
Gamelan |
LG
53
Javanese
Gamelan
Music:
Pataion
| Multicultural Influences in Contemporary Society
j
Bright Sheng
and the Meeting of Musical Cultures | LG
54
China Dreams: Prelude |
CP
22
Improvisation as Compositional Process | An Introduction to
Chinese Traditional Music | LG55 Abing: The Moon Reflected
on the Second Springs
CHAPTER
78
Music for Films
440
The Role of Music in Film | Music in the Silent Film Era | The Sound Era |
The Postwar Years | Beyond Star Wars | LG
56
John Williams:
Raiders March, from Raiders of the Lost Ark
Contents xv
CHAPTER
79
Technology and Music
450
The Technological Revolution | Important Figures in Electronic Music |
Tod Machover
and Musical Interactivity | LG57
Machover: Hyperstring
Trilogy: Begin Again Again
...
| CP23 Musical Interactivity
CHAPTER
80
Some Current Trends
459
Minimalism and Post-Minimalism |
Arvo
Part and Spiritual Minimalism |
LG
58
Cantate
Domino canticum
novum
| John Adams and Post-
Minimalism | LG
59
Tromba
lontana
The New Romaticism | LibbyLarsen
and the Musical Voice of Women |
ŁG60
Sonnets
f
rom
the Portuguese
CODA
470
Appendices
I. Musical Notation
Al
II. Glossary A7
Credits A25
Index A29
World Map A70
|
| adam_txt |
iMusîc
Examples
Preface: The Enjoyment of Music Package
XVII
xix
xxi
xxiv
UNIT I The Elements of Music
PRELUDE Listening to Music Today
Some Practical Suggestions for Listening | Attending Concerts |
CP
1
Music and Sound
CHAPTER] Melody: Musical Line
Defining Melody | The Structure of Melody | Listening Activity: Melody
CHAPTER
2
Rhythm and Meter: Musical Time
Metrical Patterns | Listening Activity: Rhythm
CHAPTER
3
Harmony: Musical Space
The Organization of Harmony | Consonance and Dissonance |
Listening Activity: Harmony
CHAPTER
4
Musical Texture
Types of Texture | Contrapuntal Devices | Musical Texture and the
Listener | Listening Activity: Texture
CHAPTER
5
Musical Form
Structure and Design in Music | Two-Part and Three-Part Form |
The Building Blocks of Form | Listening Activity: Musical Form
2
2
11
15
19
23
27
VI
CONTENTS
CHAPTER
6
Musical
Expression:
Tempo and Dynamics
The Pace of Music | Loudness and Softness | Tempo and Dynamics as
Elements of Musical Expression | Listening Activity: Tempo and Dynamics
32
UNIT II Musical Instruments
and Ensembles
CHAPTER
7
Voices and Musical Instrument Families
Musical Timbre | The Voice as Instrument | The World of Musical
Instruments | Listening Activity: Voices
CHAPTER
8
Western Musical Instruments
String Instruments | Woodwind Instruments | Brass Instruments |
Percussion Instruments | Keyboard Instruments | Listening Activity:
Western Instruments
CHAPTER
9
Musical Ensembles
Choral Groups | Instrumental Chamber Ensembles | The Orchestra |
Concert, Jazz, and Rock Bands | The Role of the Conductor | The
Orchestra in Action | LG
1
Britten: The Young Person's Guide to the
Orchestra | Listening Activity: Reviewing Ensembles
CHAPTER
10
Style and Function of Music in Society
CP
2
The Roles of Music around the World | The Concept of Style |
Musical Styles in History | Listening Activity: Historical Style Periods
36
36
40
49
58
PART
2 1
Medieval and Renaissance
Music
TIMELINE: MEDIEVAL/RENAISSANCE ERA
UNIT III The Middle Ages
CHAPTER
11
The Culture of the Middle Ages
CHAPTER
12
Sacred Music in the Middle Ages
The Mass | Life in the Medieval Cloister | The Music of
Hildegard
ofBingen |CP3 Chant as Music for Worship | LG2
Hildegard
of Bingen:
Alleluiici,
О
virgo,
mediatrix | The Rise of Polyphony | LG
3
Notre Dame
School
Organum: Gaude
Maria
virgo
66
66
68
Contents
vii
СНАРТЕКІЗ
Secular Music in the Middle Ages
76
Raimbaut
de Vaqueiras
and the Troubadour Tradition |
LG
4
Raimbaut
de Vaqueiras:
Kalenda
maya
]
Guillaume
de Machaut
and the French
Ars
nova | LG
5
Machaut:
Puis qu'en oubli \
Early Instrumental Music | CP
4
Opening Doors to the East
UNIT IV The Renaissance
85
CHAPTER
14
The Renaissance Spirit
8 5
The Arts in the Renaissance | Musicians in Renaissance Society |
Renaissance Musical Style | CP
5
Mythology in Music and Art
CHAPTER
15
Renaissance Sacred Music
90
The Motet in the Renaissance | Josquin
des Prez
and the Motet |
LG
6
Josquin:
Ave
Maria
.
virgo serena
| The Renaissance Mass |
The Late Renaissance Mass | Palestrina and the Pope
Marcellus
Mass |
LG
7
Palestrina: Pope
Marcellus
Mass
CHAPTER
16
Renaissance Secular Music
9 7
Music in Court and City Life | The Chanson | Instrumental Dance Music |
LG
8
Susato:
Three Dances | The Italian Madrigal | Monteverdi and the
Madrigal | LG9 Monteverdi:
Ecco mormorar l'onde |
The English
Madrigal | LG
10
Farmer: Fair Phyllis
TRANSITION I From Renaissance to Baroque
106
Polychoral Music in Venice
PART
3
More Materials of Music
UNIT V The Organization of Musical
Sounds
108
CHAPTER
17
Musical Systems
108
The Formation of Major and Minor Scales | Diatonic and Chromatic
Scales | Other Scale Types
CHAPTER
18
The Major-Minor System
113
Active and Rest Chords | The Key as a Form-Building Element |
Listening Activity: Musical Key
VIII
CONTENTS
4
T.
TIMELINE:
BAROQUE
ERA
UNIT VI The Baroque and the Arts
CHAPTER
19
The Baroque Spirit
CHAPTER
20
Main Currents in Baroque Music
Origins of Monody | New Harmonic Structures | CP
6
Music and the
Religious Spirit in the New World | Baroque Musical Style | The Doctrine
of the Affections | The Rise of the Virtuoso Musician | Women in Baroque
Music
116
116
119
UNIT
VII
Vocal Music of the Baroque
CHAPTER
21
Baroque Opera
The Components of Opera | Early Opera in Italy |
Opera in France | Opera in England | Henry
Purceii:
His Life
and Music | LG
11
Dido and Aeneas | Handel and Late
Baroque Opera
CHAPTER
22
Barbara
Strozzi
and the Italian Cantata
Barbara
Strozzi:
Her Life and Music | LG
12
Begli occhi
CHAPTER
23
Bach and the Sacred Cantata
The Lutheran Chorale |
Johann
Sebastian Bach: His Life and Music
LG
13
Cantata
80:
A Mighty Fortress Is Our God
CHAPTER
24
Handel and the Oratorio
The Oratorio | George
Frideric
Handel: His Life and Music |
LG
14
Messiah
124
124
130
133
139
UNIT
VIII
Instrumental Music of
the Baroque
144
CHAPTER
25
The Baroque Sonata and Concerto
144
The Rise of Instrumental Music | Baroque Instruments | Sonata Types |
Concerto Types | Antonio Vivaldi: His Life and Music |
LG15 The Four Seasons
CHAPTER
26
The Baroque Suite
151
Handel and the Orchestral Suite | LG
16
Water Music | Music at the
French Royal Court | LG
17
Mouret: Rondeau, from Suite
de
symphonies
Contents
IX
CHAPTER
27
Other Baroque
Instrumental
Forms
157
Keyboard Forms | The Fugue and Its Devices | Bach's Keyboard Fugues |
LG
18
Bach: Contrapunctus I, from The Art of Fugue
TRANSITION II To the Age of Enlightenment
162
The Rococo and the Age of Sensibility | The Changing Opera |
Gluck
and Opera Reform
5
UNIT IX Expanded Elements of Form
CHAPTER
28
The Development of Musical Ideas
Listening Activity: Thematic Development
CHAPTER
29
Classical Forms
The First Movement | The Second Movement | The Third Movement
The Fourth Movement | The Multimovement Cycle as a Whole |
Listening Activity: Hearing Larger Forms
166
166
169
PART
6 1
Eighteenth-Century
Cla
TIMELINE: CLASSICAL ERA
UNIT X The Classical Spirit
CHAPTER
30
Classicism in the Arts
CHAPTER
31
Classicism in Music
Elements of Classical Style | The Patronage System
UNIT XI Classical Chamber Music
182
CHAPTER
32
Eighteenth-Century Chamber Music Style
182
The String Quartet
CHAPTER
3 3
Mozart and Chamber Music
184
His Life and Music | LG
19 Eine Meine Nachtmusik]
CP
7
The "Mozart
Effect"
CONTENTS
UNIT
XII
The Classical Symphony
189
CHAPTER
34
The Nature of the Symphony
189
Historical Background | The Classical Orchestra | The Movements
of the Symphony
CHAPTER
35
Haydn and the Symphony
192
His Life and Music | LG
20
Symphony No.
94
in
G
major (Surprise)
CHAPTER
3 6
Beethoven and the Symphony in Transition
197
His Life and Music |
ŁG21
Symphony No.
5
in
С
minor | CP8 Beethoven
and the Politics of Music
UNIT
XIII
The Eighteenth-Century
Concerto and Sonata
CHAPTER
37
The Classical Concerto
The Movements of the Concerto | LG
22
Mozart: Piano Concerto
in
G
major, K.
453
| Famous Women Virtuosos of the
Eighteenth Century
CHAPTER
38
The Classical Sonata
The Movements of the Sonata | LG
23
Beethoven: Piano Sonata in
С
-sharp
minor, Op.
2 7,
No.
2
(Moonlight) | CP9 East Meets West:
Turkish Influences on the Viennese Classics
206
206
210
UNIT
XIV
Choral Music and Opera
in the Classical Era
CHAPTER
39
Sacred Choral Music and Opera
Mass, Requiem, and Oratorio | Opera Types | LG24 Mozart:
The Marriage of Figaro
TRANSITION III From Classicism to Romanticism
216
216
228
7
TIMELINE: ROMANTIC ERA
UNIT XV The Romantic Movement
CHAPTER
40
The Spirit of Romanticism
French Revolution | Romantic Writers
CHAPTER
41
Romanticism in Music
Romantic Style Traits | The Musician in Society
230
230
233
Contents xi
UNIT
XVI
Nineteenth-Century Art Song
238
CHAPTER
42
The Romantic Song
238
Types of Song Structure | The Lied
CHAPTER
43
Schubert and the Lied
240
His Life and Music
j
LG 25
Erlfáng
CHAPTER
44
Robert Schumann and the Song Cycle
244
His Life and Music | LG26 "In the lovely month of May,"
from A Poet's Love
UNIT
XVII
The Nineteenth-Century Piano
Piece
248
CHAPTER
45
The Piano and Its Literature
248
The Short Lyric Piano Piece
CHAPTER
46
Chopin and Piano Music
250
His Life and Music | LG
27
Polonaise in A major, Op.
40,
No
1
(Military) \
CP
10
Chopin and the Salon: From Paris to the Pacific
CHAPTER
4 7
Clara Schumann: Pianist and Composer
255
Her Life and Music | LG28 Nocturne, from Music for an Evening
Entertainment
CHAPTER
48
Louis
Gottschalk
and Piano Music in America
259
His Life and Music | LG29 The Banjo
UNIT
XVIII
Romantic Program Music
264
CHAPTER
49
The Nature of Program Music
264
Varieties of Program Music
CHAPTER
50
Berlioz and the Program Symphony
266
His Life and Music | LG30
Symphonie
fantastique
CHAPTER
51
Musical Nationalism
271
A Czech Nationalist:
Bedřich Smetana
|
LG 31
The
Moldau \
Other Nationalists | CPU Music, Folklore, and Nationalism
UNIT
XIX
Absolute Forms
in the Nineteenth Century
277
CHAPTER
5 2
The Romantic Symphony
277
The Romantic Symphony Form | CP12 Dvorak's Influence on
African-American Art Music
xii CONTENTS
CHAPTER
53
Brahms and the Late Romantic Symphony
282
His Life and Music | LG
32
Symphony No.
3
in
F
major
CHAPTER
54
The Romantic Concerto
285
Virtuosity and the Concerto | The Romantic Concerto Form
CHAPTER
5 5
The Rise of Classical Composition in America
287
CP13 Women and Music: A Feminist Perspective | Amy Cheney Beach
and Music in New England
UNIT XX Choral and Dramatic Music
in the Nineteenth Century
291
CHAPTER
5 6
Romantic Choral Music
291
LG
33
Brahms: A German Requiem
CHAPTER
57
Fanny Mendelssohn Hensel and the Romantic Part Song
294
Her Life and Music | LG
34
Under the Greenwood Tree |
CP
14
Music and Shakespeare
CHAPTER
5 8
Romantic Opera
299
The Development of National Styles | Exoticism in Opera |
Women in Opera
CHAPTER
59
Verdi and Italian Opera
302
His Life and Music | LG
35
Rigoletto
CHAPTER
60
Wagner and the Music Drama
311
His Life and Music | LG
36
Die
Walküre
CHAPTER
61
Puccini and Late Romantic Opera
318
His Life and Music | LG37 Madame Butterfly
CHAPTER
62
Tchaikovsky and the Ballet
323
Ballet
—
Past and Present | Peter Ilyich Tchaikovsky: His Life and Music |
LG38 The Nutcracker
PART
8 1
The Twentieth Century
TIMELINE: POST-ROMANTICISM, IMPRESSIONISM,
AND EARLY TWENTIETH CENTURY
TRANSITION IV The Post-Romantic Era
German Post-Romanticism
328
Contents xiii
UNIT
XXI
The Impressionist and
Post-Impressionist Eras
330
CHAPTER
63
Debussy and Impressionism
330
The Impressionist Painters | The Symbolist Poets | Impressionism in
Music | Claude Debussy: His Life and Music |
ŁG39
Prelude to "The
Afternoon of a Faun" | CP
15
The Paris World Exhibition of
1889:
A Cultural Awakening
UNIT
XXII
The Early Twentieth Century
340
CHAPTER
64
Main Currents in Early-Twentieth-Century Music
340
The Reaction against Romaticism | New Trends in the Arts |
Expressionism | Neoclassicism
CHAPTER
65
New Elements of Musical Style
343
The New Rhythmic Complexity | The New Melody | The New Harmony |
Orchestration | New Conceptions of Form
CHAPTER
66
Stravinsky and the Revitalization of Rhythm
346
His Life and Music | LG40 The Rite of Spring
CHAPTER
67
Schoenberg
and the Second Viennese School
352
His Life and Music | LG
41
Pierrot
lunaire
í
\
UNIT
XXIII
Twentieth-Century
Nationalism
357
CHAPTER
68
Béla Bartók
and the European Tradition
357
National Schools | His Life and Music | LG42 Concerto for Orchestra \
CP
16
Bartok—A
Folk-Song Collector
CHAPTER
69
American Musical Traditions
363
Popular Music in Late-Nineteenth-Century America |CP17 Music
and the Patriotic Spirit
CHAPTER
70
Nationalism in the Americas: Aaron Copland
and
Silvestre
Revueltas
367
Aaron Copland: His Life and Music | LG
43
Billy the Kid \
CP18 Preserving the Musical Traditions of Mexico |
Silvestre
Revueltas
and Art Music Traditions in Mexico | His Life and Music |
LG
44
Homenaje a Federico García
Lorca
| Music from the
Mariachi
Tradition I LG
45
El Cihualteco
XIV
CONTENTS
UNIT
XXIV
Popular
Styles
CHAPTER
71
Ragtime, Blues, and Early Jazz
Scott Joplin and Ragtime | LG46 Maple Leaf Rag | Blues and New Orleans
Jazz | Louis Armstrong and Early Jazz | CP
19
The Roots of Jazz |
LG
47
Billie
Holiday: Billie's Blues
CHAPTER
72
The Swing Era and Beyond
Duke Ellington and the Big Band Era | Bebop and Later Jazz Styles |
LG
48
Gillespie/Parker: A Night in Tunisia | George Gershwin and the
Merger of Classical and Jazz Styles
CHAPTER
73
Musical Theater
The Development of American Musical Theater | Leonard Bernstein
and the Broadway Musical | LG49 West Side Story | CP20 Latin
American Dance Music
378
378
386
391
CHAPTER
74
Rock and the Global Scene
The Eclecticism of the
1970s
| The
1980s
and Beyond | Country-Western
Music | Global Pop
j
LG
50
Think of Me
(Jongle à moi),
by BeauSoleil
401
TIMELINE: LATER TWENTIETH CENTURY AND BEYOND
UNIT
XXV
The New Music
414
CHAPTER
75
New Directions
414
The Arts since the Mid-Twentieth Century | Toward Greater Organization
in Music | Toward Greater Freedom in Music | The Postwar
Internationalism | CP21 Public Support for New Music
CHAPTER
76
The New Virtuosity of the Modern Age
424
George Crumb and
Avant-Garde
Virtuosity | LG
51
Ancient Voices
of Children
CHAPTER
7 7
Contemporary Composers Look to World Music
427
Important Experimenters | The Music of John Cage | LG
52
Sonatas and
Interludes | The Javanese
Gamelan |
LG
53
Javanese
Gamelan
Music:
Pataion
| Multicultural Influences in Contemporary Society
j
Bright Sheng
and the Meeting of Musical Cultures | LG
54
China Dreams: Prelude |
CP
22
Improvisation as Compositional Process | An Introduction to
Chinese Traditional Music | LG55 Abing: The Moon Reflected
on the Second Springs
CHAPTER
78
Music for Films
440
The Role of Music in Film | Music in the Silent Film Era | The Sound Era |
The Postwar Years | Beyond Star Wars | LG
56
John Williams:
Raiders March, from Raiders of the Lost Ark
Contents xv
CHAPTER
79
Technology and Music
450
The Technological Revolution | Important Figures in Electronic Music |
Tod Machover
and Musical Interactivity | LG57
Machover: Hyperstring
Trilogy: Begin Again Again
.
| CP23 Musical Interactivity
CHAPTER
80
Some Current Trends
459
Minimalism and Post-Minimalism |
Arvo
Part and Spiritual Minimalism |
LG
58
Cantate
Domino canticum
novum
| John Adams and Post-
Minimalism | LG
59
Tromba
lontana
\ The New Romaticism | LibbyLarsen
and the Musical Voice of Women |
ŁG60
Sonnets
f
rom
the Portuguese
CODA
470
Appendices
I. Musical Notation
Al
II. Glossary A7
Credits A25
Index A29
World Map A70 |
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| author | Forney, Kristine Machlis, Joseph |
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| indexdate | 2024-07-09T20:56:19Z |
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| spelling | Forney, Kristine Verfasser aut The enjoyment of music an introduction to perceptive listening Kristine Forney ; Joseph Machlis 10. ed., shorter version New York [u.a.] Norton 2007 469, 71 S. Ill., Kt., Notenbeisp. DVD-ROM (12 cm), Beih. ([4] Bl.) txt rdacontent n rdamedia nc rdacarrier Includes index. Music appreciation Musik (DE-588)4040802-4 gnd rswk-swf Musikhören (DE-588)4075127-2 gnd rswk-swf Geschichte (DE-588)4020517-4 gnd rswk-swf Klassische Musik (DE-588)4164043-3 gnd rswk-swf (DE-588)4151278-9 Einführung gnd-content Musikhören (DE-588)4075127-2 s Klassische Musik (DE-588)4164043-3 s DE-604 Musik (DE-588)4040802-4 s Geschichte (DE-588)4020517-4 s 1\p DE-604 Machlis, Joseph Verfasser aut Digitalisierung BSBMuenchen application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=015587120&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Forney, Kristine Machlis, Joseph The enjoyment of music an introduction to perceptive listening Music appreciation Musik (DE-588)4040802-4 gnd Musikhören (DE-588)4075127-2 gnd Geschichte (DE-588)4020517-4 gnd Klassische Musik (DE-588)4164043-3 gnd |
| subject_GND | (DE-588)4040802-4 (DE-588)4075127-2 (DE-588)4020517-4 (DE-588)4164043-3 (DE-588)4151278-9 |
| title | The enjoyment of music an introduction to perceptive listening |
| title_auth | The enjoyment of music an introduction to perceptive listening |
| title_exact_search | The enjoyment of music an introduction to perceptive listening |
| title_exact_search_txtP | The enjoyment of music an introduction to perceptive listening |
| title_full | The enjoyment of music an introduction to perceptive listening Kristine Forney ; Joseph Machlis |
| title_fullStr | The enjoyment of music an introduction to perceptive listening Kristine Forney ; Joseph Machlis |
| title_full_unstemmed | The enjoyment of music an introduction to perceptive listening Kristine Forney ; Joseph Machlis |
| title_short | The enjoyment of music |
| title_sort | the enjoyment of music an introduction to perceptive listening |
| title_sub | an introduction to perceptive listening |
| topic | Music appreciation Musik (DE-588)4040802-4 gnd Musikhören (DE-588)4075127-2 gnd Geschichte (DE-588)4020517-4 gnd Klassische Musik (DE-588)4164043-3 gnd |
| topic_facet | Music appreciation Musik Musikhören Geschichte Klassische Musik Einführung |
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