Ariane Mnouchkine:
This volume combines an overview of Ariane Mnouchkine's life, work, and theatrical influences. It also provides an exploration of her key ideas on theatre and the creative process.
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Buch |
Sprache: | English |
Veröffentlicht: |
London [u.a.]
Routledge
2007
|
Ausgabe: | 1. publ. |
Schriftenreihe: | Routledge performance practitioners
|
Schlagworte: | |
Online-Zugang: | Table of contents only Inhaltsverzeichnis |
Zusammenfassung: | This volume combines an overview of Ariane Mnouchkine's life, work, and theatrical influences. It also provides an exploration of her key ideas on theatre and the creative process. |
Beschreibung: | Includes bibliographical references and index |
Beschreibung: | XV, 157 S. Ill. |
ISBN: | 9780415338851 9780415338844 |
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adam_text |
CONTENTS
List of figures xi
Acknowledgments xiii
1 INTELLECTUAL AND ARTISTIC BIOGRAPHY:
NOMAD OFTHE IMAGINATION 1
Beginnings 2
Mnouchkine and her times 8
Theatrical influences and affinities 15
2 IDEAS ON THEATER: THEATER AS
COLLECTIVE HISTORY AND
THE QUEST FOR FORM 27
Theoretical propositions 29
The creative process 47
Paradoxes and tensions 55
3 FOUR KEY PRODUCTIONS: MNOUCHKINE'S
"FANATICALLY THEATRICAL" 63
1789: collective creation, audience involvement, and
comedic form 64
X CONTENTS
Richard II: mythic storytelling, hybridizing Asia, and
geometrizing power 76
L'lndiade ou I'inde de leurs reves: the Cixousian
partnership, aesthetics of the hyper real, and
border crossers 84
Drums on the Dam: In the Form of an Ancient
Puppet Play, Performed by Actors: theatrical
self questioning and the actor as puppet 93
Conclusion 101
4 PRACTICAL EXERCISES 103
Principles of theatrical creation 105
Mask work 121
A basic rehearsal vocabulary 133
A glossary of terms and names 135
Bibliography 145
Index 153
FIGURES
Frontispiece Ariane Mnouchkine and theTheatre du Soleil
at the Cartoucherie deVincennes during the run of
The Shakespeare Cycle, 1981
1 1 Choral dancing by members of theTheStre du
Soleil inspired by bharata natyam work, for
The House ofAtreus Cycle; here Aeschylus's
The Libation Bearers, 1991 18
2 1 The actor Philippe Caubere, in a Harlequin mask,
as Abdallah the immigrant construction worker,
I'Age d'Or, 1975 39
2.2 The actor Juliana Carneiro da Cunha, masked as
a bunraku puppet, as Lord Khang in Drums on
the Dam, 1999 42
2 3 Ariane Mnouchkine (seated on bleachers), Helene
Cixous (at desk), and the company during
a rehearsal of I'lndiade, 1987 49
3.1 The character Marat denounces the bourgeois
National Assembly for putting an end to
the Revolution, 1789,1971 m
3 2 TheTheatre du Soleil performs 1789 on elevated
platform or trestle tables, with the audience
incorporated into the performance, 1971 73
xii FIGURES
3.3 The character King Richard II, surrounded by
courtiers in Mnouchkine's kabuki inspired
production of Shakespeare's Richard II, 1982 81
3.4 The character Gandhi pleads for peace, surrounded by
members of the Congress Party and by his untouchable
rickshaw driver, I'lndiade, 1987 88
3.5 The character Haridasi, the Bengali pilgrim, and other
Indian women listen to the debate between members
of the Congress Party and the Muslim League,
I'lndiade, 1987 91
3.6 The Lord Khang/puppet attends to his sly nephew
Hun/puppet, as other puppets and their puppeteers
look on, Drums on the Dam, 1999 97
3.7 The sentinels/puppets keeping watch over the
countryside practice their drum warnings, led by
Duan, the Soothsayer's daughter, Drums on
the Dam, 1999 100 |
adam_txt |
CONTENTS
List of figures xi
Acknowledgments xiii
1 INTELLECTUAL AND ARTISTIC BIOGRAPHY:
NOMAD OFTHE IMAGINATION 1
Beginnings 2
Mnouchkine and her times 8
Theatrical influences and affinities 15
2 IDEAS ON THEATER: THEATER AS
COLLECTIVE HISTORY AND
THE QUEST FOR FORM 27
Theoretical propositions 29
The creative process 47
Paradoxes and tensions 55
3 FOUR KEY PRODUCTIONS: MNOUCHKINE'S
"FANATICALLY THEATRICAL" 63
1789: collective creation, audience involvement, and
comedic form 64
X CONTENTS
Richard II: mythic storytelling, hybridizing Asia, and
geometrizing power 76
L'lndiade ou I'inde de leurs reves: the Cixousian
partnership, aesthetics of the hyper real, and
border crossers 84
Drums on the Dam: In the Form of an Ancient
Puppet Play, Performed by Actors: theatrical
self questioning and the actor as puppet 93
Conclusion 101
4 PRACTICAL EXERCISES 103
Principles of theatrical creation 105
Mask work 121
A basic rehearsal vocabulary 133
A glossary of terms and names 135
Bibliography 145
Index 153
FIGURES
Frontispiece Ariane Mnouchkine and theTheatre du Soleil
at the Cartoucherie deVincennes during the run of
The Shakespeare Cycle, 1981
1 1 Choral dancing by members of theTheStre du
Soleil inspired by bharata natyam work, for
The House ofAtreus Cycle; here Aeschylus's
The Libation Bearers, 1991 18
2 1 The actor Philippe Caubere, in a Harlequin mask,
as Abdallah the immigrant construction worker,
I'Age d'Or, 1975 39
2.2 The actor Juliana Carneiro da Cunha, masked as
a bunraku puppet, as Lord Khang in Drums on
the Dam, 1999 42
2 3 Ariane Mnouchkine (seated on bleachers), Helene
Cixous (at desk), and the company during
a rehearsal of I'lndiade, 1987 49
3.1 The character Marat denounces the bourgeois
National Assembly for putting an end to
the Revolution, 1789,1971 m
3 2 TheTheatre du Soleil performs 1789 on elevated
platform or trestle tables, with the audience
incorporated into the performance, 1971 73
xii FIGURES
3.3 The character King Richard II, surrounded by
courtiers in Mnouchkine's kabuki inspired
production of Shakespeare's Richard II, 1982 81
3.4 The character Gandhi pleads for peace, surrounded by
members of the Congress Party and by his untouchable
rickshaw driver, I'lndiade, 1987 88
3.5 The character Haridasi, the Bengali pilgrim, and other
Indian women listen to the debate between members
of the Congress Party and the Muslim League,
I'lndiade, 1987 91
3.6 The Lord Khang/puppet attends to his sly nephew
Hun/puppet, as other puppets and their puppeteers
look on, Drums on the Dam, 1999 97
3.7 The sentinels/puppets keeping watch over the
countryside practice their drum warnings, led by
Duan, the Soothsayer's daughter, Drums on
the Dam, 1999 100 |
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spelling | Miller, Judith Graves Verfasser aut Ariane Mnouchkine Judith G. Miller 1. publ. London [u.a.] Routledge 2007 XV, 157 S. Ill. txt rdacontent n rdamedia nc rdacarrier Routledge performance practitioners Includes bibliographical references and index This volume combines an overview of Ariane Mnouchkine's life, work, and theatrical influences. It also provides an exploration of her key ideas on theatre and the creative process. Mnouchkine, Ariane <1938-> - Critique et interprétation Mnouchkine, Ariane 1938- Criticism and interpretation Mnouchkine, Ariane 1939- (DE-588)119044714 gnd rswk-swf 1\p (DE-588)1071854844 Fiktionale Darstellung gnd-content Mnouchkine, Ariane 1939- (DE-588)119044714 p DE-604 http://www.loc.gov/catdir/toc/ecip073/2006034409.html Table of contents only HBZ Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=015586783&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis 1\p sdnb2form 20230710 DE-101 ttps://www.bib-bvb.de/rovenienzkennzeichnungen/Uebersicht.html#sdnb2form |
spellingShingle | Miller, Judith Graves Ariane Mnouchkine Mnouchkine, Ariane <1938-> - Critique et interprétation Mnouchkine, Ariane 1938- Criticism and interpretation Mnouchkine, Ariane 1939- (DE-588)119044714 gnd |
subject_GND | (DE-588)119044714 (DE-588)1071854844 |
title | Ariane Mnouchkine |
title_auth | Ariane Mnouchkine |
title_exact_search | Ariane Mnouchkine |
title_exact_search_txtP | Ariane Mnouchkine |
title_full | Ariane Mnouchkine Judith G. Miller |
title_fullStr | Ariane Mnouchkine Judith G. Miller |
title_full_unstemmed | Ariane Mnouchkine Judith G. Miller |
title_short | Ariane Mnouchkine |
title_sort | ariane mnouchkine |
topic | Mnouchkine, Ariane <1938-> - Critique et interprétation Mnouchkine, Ariane 1938- Criticism and interpretation Mnouchkine, Ariane 1939- (DE-588)119044714 gnd |
topic_facet | Mnouchkine, Ariane <1938-> - Critique et interprétation Mnouchkine, Ariane 1938- Criticism and interpretation Mnouchkine, Ariane 1939- Fiktionale Darstellung |
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