Performance studies: an introduction
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York, London
Routledge
2006
|
| Ausgabe: | 2. edition |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | Literaturverzeichnis Seite 326-340 |
| Beschreibung: | XI, 351 Seiten Illustrationen, Diagramme 29 cm |
| ISBN: | 0415372461 0415372453 9780415372466 9780415372459 |
Internformat
MARC
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| 500 | |a Literaturverzeichnis Seite 326-340 | ||
| 505 | 8 | |a What is performance studies? -- What is performance? -- Ritual -- Play -- Performativity -- Performing -- Performance processes -- Global and intercultural performance | |
| 650 | 7 | |a Performances |2 gtt | |
| 650 | 7 | |a Toneelvoorstellingen |2 gtt | |
| 650 | 4 | |a Performing arts | |
| 650 | 4 | |a Rites and ceremonies | |
| 650 | 4 | |a Theater |x Anthropological aspects | |
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Datensatz im Suchindex
| _version_ | 1804136430772944896 |
|---|---|
| adam_text | COMTEMTS
Preface to first edition
ix
Preface to second edition
xi
1
WHAT
15
PERFORMAMCE STUDIES?
1
Introducing this book, this field, and me
1
The boxes
1
What makes performance studies special
1
Muliplc literacies and hypertexts
4
Performance studies here, there, and everywhere
5
Is performance studies an independent field?
1 1
The Victor Turner connection
16
The Centre tor Performance Research and
PSi
19
Northwestern s brand of performance studies
1 9
The inter of performance studies
22
Ethical questions
2 3
Conclusion
26
Talk about
26
Perform
27
Read
27
2
WHAT IS PERFORMAMCE?
28
What is to perform .
28
Performances
28
Bill
Parcells
wants you to perform
30
Eight kinds of performance
31
Restoration of behavior
34
Caution! Beware of generalizations
36
Is and as performance
38
Maps as performance
40
Make belief and make-believe
42
Blurrv boundaries
44
The functions of performance
45
Conclusion
49
Talk about
51
Perform
51
Read
51
3
RITUAL
52
Ritual, play, and performance
52
Varieties of ritual
52
Sacred and secular
5 3
Structures, functions, processes, and experiences
56
How ancient are rituals?
57
Eleven themes relating ritual to performance
studies
57
Rituals as action, as performance
57
Human and animal rituals
59
Rituals as liminal performances
66
Communitas and anti-structure
70
Ritual time/space
71
Transportations and transformations
72
Asemo s initiation
73
Social drama
75
The pig-kill dancing at Kurumugi
77
The efficacy—entertainment dyad
79
Origins of performance: If not ritual, then what?
80
Changing rituals or inventing new ones
81
Using rituals in theatre, dance, and music
83
Conclusion
87
Talk about
88
Perform
88
Read
88
4
PLAY
89
The joker in the deck
89
What is play? What is playing?
91
Some qualities of playing
92
Seven ways to approach play
93
Tvpes of playing
93
Plav
acts,
plav
moods
95
Flow, or experiencing playing
97
Transitional objects, illusions, and culture
98
The cthological approach to play
99
The message, This is play
102
Bateson s Othello
103
Playing blood rites
105
Philosophies of play
] 06
VII
СОГІТЕМТЗ
The bias against play
11 2
Maya-lila
11 3
Deep play, dark play
118
Conclusion
121
Talk about
121
Perform
121
Read
122
5
PERFORM ATI
VITY
123
A term hard to pin down
12 3
Austin s performative
123
Searle s speech acts
12 5
Reality TV and beyond
126
Postmodernism
129
Simulation
133
Poststucturalism/deconstruction
141
The diffusion of poststructuralism
147
Problems with poststructuralism
148
Constructions ot gender
1Ы
Constructions ot race
1 54
During, before, and after performance art
1 58
What the Gravedigger knew about the
performative
167
Conclusion
167
Talk about
168
Perform
168
Read
168
6
PERFORMIMG
170
The broad spectrum of performing
170
From total acting to not acting
174
Realistic acting
176
Brechtian acting
180
Codified acting
1 8 3
Codified acting and the avant-garde
188
Codified acting, ritual, charisma, and presence
190
Trance performing
192
Trance performing and shamanism
198
Masks, puppets, and other performing objects
203
Hvbrid acting
205
Performing in evervdav lite
206
Trials and executions as performance
21 1
Surgerv as
performance
214
Beliet in the role one is plaving
21 5
How realistic is realistic acting?
218
Conclusion
220
Talk about
220
Perform
220
Read
220
PERFORMAMCE PROCESSES
221
The earliest performances
221
Performance process as a time-space sequence
225
Proto-performance
22 5
A note on text
227
Training
228
Imitation as a way of acquiring performance
knowledge
2 32
Workshop
233
Rehearsal
2 36
Warm-up
239
Public performance
240
Larger events and contexts
244
Cooldown
245
Aftermath
246
Rules, proto-pertormance, and public
performance
249
The performance quadrilogue
250
From performance montage to desktop theatre
25 5
Experimental in one context, ordinarv in another
260
Conclusion
261
Talk about
262
Perform
262
Read
262
8
GLOBAL AMD IMTERCULTURAL
PERFORMAMCES
263
Globalization s throughline
263
Scenarios of globalization
265
Cultural impositions and appropriations
268
Jihad/terrorism as performance
270
Is globalization good or bad?
279
Colonial mimierv
284
Tourist performances: Leisure globalization
286
The Olympics:
Globalismi
signature performance
291
Vertical transculturalism
296
Horizontal interculturalism
298
Integrative
interculturalism
304
Border wars
310
From the
giocai
to social theatre
316
Conclusion
321
Talk about
325
Perform
325
Read
325
References
326
Index
341
VIII
|
| adam_txt |
COMTEMTS
Preface to first edition
ix
Preface to second edition
xi
1
WHAT
15
PERFORMAMCE STUDIES?
1
Introducing this book, this field, and me
1
The boxes
1
What makes performance studies special
1
Muliplc literacies and hypertexts
4
Performance studies here, there, and everywhere
5
Is performance studies an independent field?
1 1
The Victor Turner connection
16
The Centre tor Performance Research and
PSi
19
Northwestern's brand of performance studies
1 9
The "inter" of performance studies
22
Ethical questions
2 3
Conclusion
26
Talk about
26
Perform
27
Read
27
2
WHAT IS PERFORMAMCE?
28
What is "to perform".'
28
Performances
28
Bill
Parcells
wants you to perform
30
Eight kinds of performance
31
Restoration of behavior
34
Caution! Beware of generalizations
36
"Is" and "as" performance
38
Maps "as" performance
40
Make belief and make-believe
42
Blurrv boundaries
44
The functions of performance
45
Conclusion
49
Talk about
51
Perform
51
Read
51
3
RITUAL
52
Ritual, play, and performance
52
Varieties of ritual
52
Sacred and secular
5 3
Structures, functions, processes, and experiences
56
How ancient are rituals?
57
Eleven themes relating ritual to performance
studies
57
Rituals as action, as performance
57
Human and animal rituals
59
Rituals as liminal performances
66
Communitas and anti-structure
70
Ritual time/space
71
Transportations and transformations
72
Asemo's initiation
73
Social drama
75
The pig-kill dancing at Kurumugi
77
The efficacy—entertainment dyad
79
Origins of performance: If not ritual, then what?
80
Changing rituals or inventing new ones
81
Using rituals in theatre, dance, and music
83
Conclusion
87
Talk about
88
Perform
88
Read
88
4
PLAY
89
The joker in the deck
89
What is play? What is playing?
91
Some qualities of playing
92
Seven ways to approach play
93
Tvpes of playing
93
Plav
acts,
plav
moods
95
Flow, or experiencing playing
97
Transitional objects, illusions, and culture
98
The cthological approach to play
99
The message, "This is play"
102
Bateson's Othello
103
Playing blood rites
105
Philosophies of play
] 06
VII
СОГІТЕМТЗ
The bias against play
11 2
Maya-lila
11 3
Deep play, dark play
118
Conclusion
121
Talk about
121
Perform
121
Read
122
5
PERFORM ATI
VITY
123
A term hard to pin down
12 3
Austin's performative
123
Searle's speech acts
12 5
Reality TV and beyond
126
Postmodernism
129
Simulation
133
Poststucturalism/deconstruction
141
The diffusion of poststructuralism
147
Problems with poststructuralism
148
Constructions ot gender
1Ы
Constructions ot race
1 54
During, before, and after performance art
1 58
What the Gravedigger knew about the
performative
167
Conclusion
167
Talk about
168
Perform
168
Read
168
6
PERFORMIMG
170
The broad spectrum of performing
170
From total acting to not acting
174
Realistic acting
176
Brechtian acting
180
Codified acting
1 8 3
Codified acting and the avant-garde
188
Codified acting, ritual, charisma, and presence
190
Trance performing
192
Trance performing and shamanism
198
Masks, puppets, and other performing objects
203
Hvbrid acting
205
Performing in evervdav lite
206
Trials and executions as performance
21 1
Surgerv as
performance
214
Beliet in the role one is plaving
21 5
How realistic is realistic acting?
218
Conclusion
220
Talk about
220
Perform
220
Read
220
PERFORMAMCE PROCESSES
221
The earliest performances
221
Performance process as a time-space sequence
225
Proto-performance
22 5
A note on "text"
227
Training
228
Imitation as a way of acquiring performance
knowledge
2 32
Workshop
233
Rehearsal
2 36
Warm-up
239
Public performance
240
Larger events and contexts
244
Cooldown
245
Aftermath
246
Rules, proto-pertormance, and public
performance
249
The performance quadrilogue
250
From performance montage to desktop theatre
25 5
Experimental in one context, ordinarv in another
260
Conclusion
261
Talk about
262
Perform
262
Read
262
8
GLOBAL AMD IMTERCULTURAL
PERFORMAMCES
263
Globalization's throughline
263
Scenarios of globalization
265
Cultural impositions and appropriations
268
Jihad/terrorism as performance
270
Is globalization good or bad?
279
Colonial mimierv
284
Tourist performances: Leisure globalization
286
The Olympics:
Globalismi
signature performance
291
Vertical transculturalism
296
Horizontal interculturalism
298
Integrative
interculturalism
304
Border wars
310
From the
giocai
to social theatre
316
Conclusion
321
Talk about
325
Perform
325
Read
325
References
326
Index
341
VIII |
| any_adam_object | 1 |
| any_adam_object_boolean | 1 |
| author | Schechner, Richard 1934- |
| author_GND | (DE-588)119010143 |
| author_facet | Schechner, Richard 1934- |
| author_role | aut |
| author_sort | Schechner, Richard 1934- |
| author_variant | r s rs |
| building | Verbundindex |
| bvnumber | BV022376117 |
| callnumber-first | P - Language and Literature |
| callnumber-label | PN2041 |
| callnumber-raw | PN2041.A57 |
| callnumber-search | PN2041.A57 |
| callnumber-sort | PN 42041 A57 |
| callnumber-subject | PN - General Literature |
| classification_rvk | AP 66000 |
| contents | What is performance studies? -- What is performance? -- Ritual -- Play -- Performativity -- Performing -- Performance processes -- Global and intercultural performance |
| ctrlnum | (OCoLC)62118361 (DE-599)BVBBV022376117 |
| dewey-full | 792.01 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 792 - Stage presentations |
| dewey-raw | 792.01 |
| dewey-search | 792.01 |
| dewey-sort | 3792.01 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| discipline_str_mv | Allgemeines |
| edition | 2. edition |
| format | Book |
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| genre | 1\p (DE-588)4151278-9 Einführung gnd-content 2\p (DE-588)4123623-3 Lehrbuch gnd-content |
| genre_facet | Einführung Lehrbuch |
| id | DE-604.BV022376117 |
| illustrated | Illustrated |
| index_date | 2024-07-02T17:09:19Z |
| indexdate | 2024-07-09T20:56:17Z |
| institution | BVB |
| isbn | 0415372461 0415372453 9780415372466 9780415372459 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-015585191 |
| oclc_num | 62118361 |
| open_access_boolean | |
| owner | DE-473 DE-BY-UBG DE-29 DE-703 DE-20 DE-B486 DE-B170 |
| owner_facet | DE-473 DE-BY-UBG DE-29 DE-703 DE-20 DE-B486 DE-B170 |
| physical | XI, 351 Seiten Illustrationen, Diagramme 29 cm |
| publishDate | 2006 |
| publishDateSearch | 2006 |
| publishDateSort | 2006 |
| publisher | Routledge |
| record_format | marc |
| spelling | Schechner, Richard 1934- (DE-588)119010143 aut Performance studies an introduction Richard Schechner 2. edition New York, London Routledge 2006 XI, 351 Seiten Illustrationen, Diagramme 29 cm txt rdacontent n rdamedia nc rdacarrier Literaturverzeichnis Seite 326-340 What is performance studies? -- What is performance? -- Ritual -- Play -- Performativity -- Performing -- Performance processes -- Global and intercultural performance Performances gtt Toneelvoorstellingen gtt Performing arts Rites and ceremonies Theater Anthropological aspects Performativität Kulturwissenschaften (DE-588)7651115-7 gnd rswk-swf Ritual (DE-588)4050164-4 gnd rswk-swf Performance Künste (DE-588)4173750-7 gnd rswk-swf Theater (DE-588)4059702-7 gnd rswk-swf Anthropologie (DE-588)4002230-4 gnd rswk-swf 1\p (DE-588)4151278-9 Einführung gnd-content 2\p (DE-588)4123623-3 Lehrbuch gnd-content Theater (DE-588)4059702-7 s Ritual (DE-588)4050164-4 s Anthropologie (DE-588)4002230-4 s DE-604 Performativität Kulturwissenschaften (DE-588)7651115-7 s Performance Künste (DE-588)4173750-7 s 3\p DE-604 Digitalisierung UB Bayreuth application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=015585191&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 3\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Schechner, Richard 1934- Performance studies an introduction What is performance studies? -- What is performance? -- Ritual -- Play -- Performativity -- Performing -- Performance processes -- Global and intercultural performance Performances gtt Toneelvoorstellingen gtt Performing arts Rites and ceremonies Theater Anthropological aspects Performativität Kulturwissenschaften (DE-588)7651115-7 gnd Ritual (DE-588)4050164-4 gnd Performance Künste (DE-588)4173750-7 gnd Theater (DE-588)4059702-7 gnd Anthropologie (DE-588)4002230-4 gnd |
| subject_GND | (DE-588)7651115-7 (DE-588)4050164-4 (DE-588)4173750-7 (DE-588)4059702-7 (DE-588)4002230-4 (DE-588)4151278-9 (DE-588)4123623-3 |
| title | Performance studies an introduction |
| title_auth | Performance studies an introduction |
| title_exact_search | Performance studies an introduction |
| title_exact_search_txtP | Performance studies an introduction |
| title_full | Performance studies an introduction Richard Schechner |
| title_fullStr | Performance studies an introduction Richard Schechner |
| title_full_unstemmed | Performance studies an introduction Richard Schechner |
| title_short | Performance studies |
| title_sort | performance studies an introduction |
| title_sub | an introduction |
| topic | Performances gtt Toneelvoorstellingen gtt Performing arts Rites and ceremonies Theater Anthropological aspects Performativität Kulturwissenschaften (DE-588)7651115-7 gnd Ritual (DE-588)4050164-4 gnd Performance Künste (DE-588)4173750-7 gnd Theater (DE-588)4059702-7 gnd Anthropologie (DE-588)4002230-4 gnd |
| topic_facet | Performances Toneelvoorstellingen Performing arts Rites and ceremonies Theater Anthropological aspects Performativität Kulturwissenschaften Ritual Performance Künste Theater Anthropologie Einführung Lehrbuch |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=015585191&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT schechnerrichard performancestudiesanintroduction |