Max Berg's Centennial Hall and exhibition grounds in Wrocław: [the book has been published to accompany the exhibition at the Museum of Architecture in Wrocław, 17 June - 27 November 2005]
Gespeichert in:
| Format: | Buch |
|---|---|
| Sprache: | English |
| Veröffentlicht: |
Wrocław
Vydawn. Via Nova
2006
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | 303 S. zahlr. Ill., Pläne, Portr. |
| ISBN: | 8389262266 |
Internformat
MARC
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Datensatz im Suchindex
| _version_ | 1811011179986812928 |
|---|---|
| adam_text |
Contents
Acknowledgements
Introduction
7
10
Hans Poelzig and Max Berg in
Wrocław
22
Territorial and chronological framework
Szczytniki (Scheitnig) and the Park
of Prince
von Hohenlohe
Szczytnicki Park
Racecourse
49
49
50
57
[Unìv.-Biblisthìk]
Genesis and first development plans
for the Exhibition Grounds
62
Breslauer Festwoche
Festival
1909-1911 67
The Centennial Exhibition in
1913 70
Genesis of the Centennial Hall and Centennial Exhibition
70
Competition for the conception and development
of the Exhibition Grounds in connection with
the Zoological Garden
(1910-1911) 71
Max Berg's design for the layout of the Exhibition Grounds
76
Organisation of the Centennial Exhibition and the campaign
to win approval for the
Festhalle
(Centennial Hall)
78
Hans Poelzig's first designs for the Centennial Exhibition
and the campaign for the Historical Exhibition Pavilion
81
The first master plan of the Centennial Exhibition
on the area of
50
hectares
87
The final master plan of the Centennial Exhibition
on the area of
75
hectares
90
The Centennial Hall
Description
96
Design, structure, material
108
Construction of the Centennial Hall
129
Objectivity and rationalism
143
Searching for the Grand Style: the tradition
148
Symbolical form: Gothic
154
Towards Expressionism: colour, glass, and light
160
Architectural scale and
monumentality
168
The
Gesamtkunstwerk
and architecture for the broad masses
172
Hans Poelzig's architectural designs for the Centennial Exhibition
Historical Exhibition Pavilion
180
Pergola
190
Pavilion of the Association of Silesian Artists
(Künstlerbund Schlesien) 193
Pavilion of the Garden Design Exhibition
and the
Rheingold
wine cellar
196
Footbridges, gates, and lighting fixtures
197
Garden Design Exhibition
Historical gardens
206
Special gardens
206
Japanese Garden
212
Sepulchral Art Exhibition
214
Botanical Study Garden
223
Exhibition Grounds in the interwar period
228
Town planning for Wroclaw,
1919-1920 229
Berg's unrealised designs for the expansion
of the Exhibition Grounds,
1922-1924 235
Max Berg's designs for the expansion
of the Exhibition Grounds
(1924-1928),
construction of the new Exhibition Hall
(Messehalle)
and Main Entrance
(Messehof)
238
The
WÜWA
(Wohnung
un
Werkraum
Ausstellung /
Living- and Work Space
Exhibition) under the auspices
of the
Werkbund, 1929 248
The Hall of States
(Staatenhalle)
and administrative offices
for
Breslauer Messe
AG
(1938-1939) 254
People's Hall (Centennial
Hall)
and Exhibition Grounds after World War II
258
Motes
273
Bibliography
286
Index of names
зої
Epilogue
224
Max Berg is born on
17
Aprili
870
in
Szczecin. His father,
Nicolaus
Eduard
Hainrich Berg, teaches at a
local gymnasium, his mother is Emi-
■;i lie
Luise Theresis nee Radeloff.
He
attends primary school and gymna-
sium in his home town. In
1889-1893
he studies at the Tech-
nical University at Berlin-Charlot-
tenburg under
Carl Schäfer.
For one
semester he is enrolled at Munich
Technical University. Having com¬
pleted his education, he would rise
through the hierarchy of administrative jobs: from site archi¬
tect to government expert
(Regierungsbaumeister). In 1900
he gets a job at the City Building Office in Szczecin. The
same year he moves to Frankfurt-am-Mein to become City
Clerk of Works
(Stadtbauinspektor).
He stays in Frankfurt
until
1909.
It is there where he encounters new architectur¬
al ideas he would later elaborate and develop in
Wrocław.
In Frakfurt he designs schools, a bath-house, a town hall,
administrative buildings, and a hangar for airships. He also
becomes acquainted with new tendencies in town planning
which had informed the reform of management of municipal
property implemented by Mayor Franz Adickes, particularly
the "garden-city" conception. In Frakfurt Berg associates
with progressive and reform-minded artists active in the
Dürerbund
and
Deutscher Werkbund.
He joins the afore¬
mentioned organisations and also becomes a member of
the Deutsche
Akademie für Städtebau
and Deutsche
Gartenstadt Gesellschaft.
During his stay in Frankfurt he
marries a pianist
Edelgarde
Gerlach.
On
17
December
1908
Berg is elected City Architect (Stadt-
baurat) of
Wrocław
and takes his post in April
1909.
He joins
the local artistic community gathered around Hans Poelzig,
Director of the Academy of Arts and Crafts, and the
Haupt¬
mann
brothers. In
1909
he joins the
Künstlerbund Schlesien
founded by Poelzig. During his
Wrocław
period, which lasts
until
1925,
Berg designs his most monumental and innova¬
tive works which anticipate many solutions of the Modern
Movement. He employs a new material
(ferro-concrete)
and
also works with frame construction and prefabricated ele¬
ments. He limits decoration, simplifies the building's volu-
metrics and derives its architectural form and layout from its
stipulated function thus opposing the dominant approaches
based on Art
Nouveau
and Historicism. He draws inspira¬
tion from contemporary engineered structures, Gothic archi¬
tecture, English residential architecture and vernacular Sile-
sian architecture promoted by Poelzig in the programmatic
manifestos of the
Künstlerbund Schlesien.
In Wrocław
Max Berg designs; a water tower for the city's
northern districts
(1909;
not realised), elevation of the
school in
ul. Świstackiego
(1909),
hospital in ul. Hoene-
Wrońskiego
(1909),
the architect's own house in
ul. Mikoła¬
ja Kopernika
(1910),
municipal bath-house in ul. Sklodow-
skiej-Curie
(1912),
houses for the poor for the Josef Gothelf
Foundation in
al.
Pracy
(1912),
crematorium
(1913-1924;
in
collaboration with the painter
Oskar Kokoschka),
funerary
chapel in the Osobowicki Cemetery
(1919-1920;
together
with the painter Hans Leistikow). Berg's crowning achieve¬
ment in the prior to World War I is the Centennial Hall and
other structures for the Centennial Exhibition in
Wrocław
(1910-1913).
The architect takes part in the discussion con¬
cerning "Great Berlin"
(1910).
He also presents plans (never
realised) for the improvement of the city centre in
Wrocław
(1910
and
1919-1920)
and "garden-city" in
Sobótka,
the
first such complex in Silesia. He becomes one of the first
European architects to design sky-scrapers: for
Wrocław
(part of his not realised re-development plan), Cologne, and
Berlin thus stimulating the national debate in Germany on
the function of high-rises in the contemporary city. During
the final period of his activity in
Wrocław
he designs two
water-power plants
(1924)
on the
Odra
and the
Messehalle
at the Exhibition Grounds
(1924-1925).
Having retired in
1925,
Berg moves to Berlin and focuses
on theoretical studies. He plans to write a monumental
study on town planning. In
Wrocław
he leaves behind a
group of young architects, his former collaborators, who
would continue his ideas (Paul
Heim,
Albert Kempter,
Richard
Konwiarz, Ludwig
Moshamer,
and Hermann
Wahlich).
In
1927
Berg takes part in the competition for the City
Administrative Building and Fire Station in
Wrocław
and in
1928
in the six architects' contest (Max Berg, Aloys
Kle¬
ment,
Willy
Ludewig, Hannes
Meyer, Erich Mendelsohn,
and Max Taut) for the Trade Unions School at
Bernau
by
Berlin: none of the submitted proposals gets realised. Under
the Nazi regime, his activity is limited to architectural and
town planning theory. He sits on the board of the Deutsche
Städtebau
and in the
1930s
he designs a university cam¬
pus. He also takes part in the discussion on the town im¬
provement of Berlin, voicing his opinion on the conceptions
of Martin Wagner and Hans Poelzig. He does not join the
National Socialist Party which raises suspicions since he is
a former government official. Towards the end of World
War II, as the Allied forces approach Rome, Berg
-
together
with his Swiss friend, urban planner Martin
Mächler -
approaches Martin Bormann with the appeal to pronounce
Rome "open city" in order to spare its population and save
priceless monuments. During the war Berg moves to
Baden-Baden where he dies on
22
January
1947. |
| adam_txt |
Contents
Acknowledgements
Introduction
7
10
Hans Poelzig and Max Berg in
Wrocław
22
Territorial and chronological framework
Szczytniki (Scheitnig) and the Park
of Prince
von Hohenlohe
Szczytnicki Park
Racecourse
49
49
50
57
[Unìv.-Biblisthìk]
Genesis and first development plans
for the Exhibition Grounds
62
Breslauer Festwoche
Festival
1909-1911 67
The Centennial Exhibition in
1913 70
Genesis of the Centennial Hall and Centennial Exhibition
70
Competition for the conception and development
of the Exhibition Grounds in connection with
the Zoological Garden
(1910-1911) 71
Max Berg's design for the layout of the Exhibition Grounds
76
Organisation of the Centennial Exhibition and the campaign
to win approval for the
Festhalle
(Centennial Hall)
78
Hans Poelzig's first designs for the Centennial Exhibition
and the campaign for the Historical Exhibition Pavilion
81
The first master plan of the Centennial Exhibition
on the area of
50
hectares
87
The final master plan of the Centennial Exhibition
on the area of
75
hectares
90
The Centennial Hall
Description
96
Design, structure, material
108
Construction of the Centennial Hall
129
Objectivity and rationalism
143
Searching for the Grand Style: the tradition
148
Symbolical form: Gothic
154
Towards Expressionism: colour, glass, and light
160
Architectural scale and
monumentality
168
The
Gesamtkunstwerk
and architecture for the broad masses
172
Hans Poelzig's architectural designs for the Centennial Exhibition
Historical Exhibition Pavilion
180
Pergola
190
Pavilion of the Association of Silesian Artists
(Künstlerbund Schlesien) 193
Pavilion of the Garden Design Exhibition
and the
Rheingold
wine cellar
196
Footbridges, gates, and lighting fixtures
197
Garden Design Exhibition
Historical gardens
206
Special gardens
206
Japanese Garden
212
Sepulchral Art Exhibition
214
Botanical Study Garden
223
Exhibition Grounds in the interwar period
228
Town planning for Wroclaw,
1919-1920 229
Berg's unrealised designs for the expansion
of the Exhibition Grounds,
1922-1924 235
Max Berg's designs for the expansion
of the Exhibition Grounds
(1924-1928),
construction of the new Exhibition Hall
(Messehalle)
and Main Entrance
(Messehof)
238
The
WÜWA
(Wohnung
un
Werkraum
Ausstellung /
Living- and Work Space
Exhibition) under the auspices
of the
Werkbund, 1929 248
The Hall of States
(Staatenhalle)
and administrative offices
for
Breslauer Messe
AG
(1938-1939) 254
People's Hall (Centennial
Hall)
and Exhibition Grounds after World War II
258
Motes
273
Bibliography
286
Index of names
зої
Epilogue
224
Max Berg is born on
17
Aprili
870
in
Szczecin. His father,
Nicolaus
Eduard
Hainrich Berg, teaches at a
local gymnasium, his mother is Emi-
■;i lie
Luise Theresis nee Radeloff.
He
attends primary school and gymna-
sium in his home town. In
1889-1893
he studies at the Tech-
nical University at Berlin-Charlot-
tenburg under
Carl Schäfer.
For one
semester he is enrolled at Munich
Technical University. Having com¬
pleted his education, he would rise
through the hierarchy of administrative jobs: from site archi¬
tect to government expert
(Regierungsbaumeister). In 1900
he gets a job at the City Building Office in Szczecin. The
same year he moves to Frankfurt-am-Mein to become City
Clerk of Works
(Stadtbauinspektor).
He stays in Frankfurt
until
1909.
It is there where he encounters new architectur¬
al ideas he would later elaborate and develop in
Wrocław.
In Frakfurt he designs schools, a bath-house, a town hall,
administrative buildings, and a hangar for airships. He also
becomes acquainted with new tendencies in town planning
which had informed the reform of management of municipal
property implemented by Mayor Franz Adickes, particularly
the "garden-city" conception. In Frakfurt Berg associates
with progressive and reform-minded artists active in the
Dürerbund
and
Deutscher Werkbund.
He joins the afore¬
mentioned organisations and also becomes a member of
the Deutsche
Akademie für Städtebau
and Deutsche
Gartenstadt Gesellschaft.
During his stay in Frankfurt he
marries a pianist
Edelgarde
Gerlach.
On
17
December
1908
Berg is elected City Architect (Stadt-
baurat) of
Wrocław
and takes his post in April
1909.
He joins
the local artistic community gathered around Hans Poelzig,
Director of the Academy of Arts and Crafts, and the
Haupt¬
mann
brothers. In
1909
he joins the
Künstlerbund Schlesien
founded by Poelzig. During his
Wrocław
period, which lasts
until
1925,
Berg designs his most monumental and innova¬
tive works which anticipate many solutions of the Modern
Movement. He employs a new material
(ferro-concrete)
and
also works with frame construction and prefabricated ele¬
ments. He limits decoration, simplifies the building's volu-
metrics and derives its architectural form and layout from its
stipulated function thus opposing the dominant approaches
based on Art
Nouveau
and Historicism. He draws inspira¬
tion from contemporary engineered structures, Gothic archi¬
tecture, English residential architecture and vernacular Sile-
sian architecture promoted by Poelzig in the programmatic
manifestos of the
Künstlerbund Schlesien.
In Wrocław
Max Berg designs; a water tower for the city's
northern districts
(1909;
not realised), elevation of the
school in
ul. Świstackiego
(1909),
hospital in ul. Hoene-
Wrońskiego
(1909),
the architect's own house in
ul. Mikoła¬
ja Kopernika
(1910),
municipal bath-house in ul. Sklodow-
skiej-Curie
(1912),
houses for the poor for the Josef Gothelf
Foundation in
al.
Pracy
(1912),
crematorium
(1913-1924;
in
collaboration with the painter
Oskar Kokoschka),
funerary
chapel in the Osobowicki Cemetery
(1919-1920;
together
with the painter Hans Leistikow). Berg's crowning achieve¬
ment in the prior to World War I is the Centennial Hall and
other structures for the Centennial Exhibition in
Wrocław
(1910-1913).
The architect takes part in the discussion con¬
cerning "Great Berlin"
(1910).
He also presents plans (never
realised) for the improvement of the city centre in
Wrocław
(1910
and
1919-1920)
and "garden-city" in
Sobótka,
the
first such complex in Silesia. He becomes one of the first
European architects to design sky-scrapers: for
Wrocław
(part of his not realised re-development plan), Cologne, and
Berlin thus stimulating the national debate in Germany on
the function of high-rises in the contemporary city. During
the final period of his activity in
Wrocław
he designs two
water-power plants
(1924)
on the
Odra
and the
Messehalle
at the Exhibition Grounds
(1924-1925).
Having retired in
1925,
Berg moves to Berlin and focuses
on theoretical studies. He plans to write a monumental
study on town planning. In
Wrocław
he leaves behind a
group of young architects, his former collaborators, who
would continue his ideas (Paul
Heim,
Albert Kempter,
Richard
Konwiarz, Ludwig
Moshamer,
and Hermann
Wahlich).
In
1927
Berg takes part in the competition for the City
Administrative Building and Fire Station in
Wrocław
and in
1928
in the six architects' contest (Max Berg, Aloys
Kle¬
ment,
Willy
Ludewig, Hannes
Meyer, Erich Mendelsohn,
and Max Taut) for the Trade Unions School at
Bernau
by
Berlin: none of the submitted proposals gets realised. Under
the Nazi regime, his activity is limited to architectural and
town planning theory. He sits on the board of the Deutsche
Städtebau
and in the
1930s
he designs a university cam¬
pus. He also takes part in the discussion on the town im¬
provement of Berlin, voicing his opinion on the conceptions
of Martin Wagner and Hans Poelzig. He does not join the
National Socialist Party which raises suspicions since he is
a former government official. Towards the end of World
War II, as the Allied forces approach Rome, Berg
-
together
with his Swiss friend, urban planner Martin
Mächler -
approaches Martin Bormann with the appeal to pronounce
Rome "open city" in order to spare its population and save
priceless monuments. During the war Berg moves to
Baden-Baden where he dies on
22
January
1947. |
| any_adam_object | 1 |
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| author_GND | (DE-588)123454662 (DE-588)116129727 |
| building | Verbundindex |
| bvnumber | BV022374269 |
| classification_rvk | LI 99999 LK 19046 NR 7620 ZH 6225 ZH 4800 |
| ctrlnum | (OCoLC)255741452 (DE-599)BVBBV022374269 |
| discipline | Kunstgeschichte Architektur Geschichte |
| discipline_str_mv | Kunstgeschichte Architektur Geschichte |
| era | Geschichte gnd |
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| genre | (DE-588)4135467-9 Ausstellungskatalog 2005 Breslau gnd-content |
| genre_facet | Ausstellungskatalog 2005 Breslau |
| geographic | Hala Stulecia Breslau (DE-588)4526471-5 gnd |
| geographic_facet | Hala Stulecia Breslau |
| id | DE-604.BV022374269 |
| illustrated | Illustrated |
| index_date | 2024-07-02T17:08:30Z |
| indexdate | 2024-09-23T18:07:28Z |
| institution | BVB |
| institution_GND | (DE-588)5040110-5 |
| isbn | 8389262266 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-015583371 |
| oclc_num | 255741452 |
| open_access_boolean | |
| owner | DE-739 DE-210 DE-83 DE-B486 DE-91 DE-BY-TUM |
| owner_facet | DE-739 DE-210 DE-83 DE-B486 DE-91 DE-BY-TUM |
| physical | 303 S. zahlr. Ill., Pläne, Portr. |
| publishDate | 2006 |
| publishDateSearch | 2006 |
| publishDateSort | 2006 |
| publisher | Vydawn. Via Nova |
| record_format | marc |
| spelling | Hala Stulecia i Tereny Wystawowe we Wrocławiu - dzieło Maksa Berga Max Berg's Centennial Hall and exhibition grounds in Wrocław [the book has been published to accompany the exhibition at the Museum of Architecture in Wrocław, 17 June - 27 November 2005] Jerzy Ilkosz Wrocław Vydawn. Via Nova 2006 303 S. zahlr. Ill., Pläne, Portr. txt rdacontent n rdamedia nc rdacarrier Berg, Max 1870-1947 (DE-588)116129727 gnd rswk-swf Geschichte gnd rswk-swf Architektur (DE-588)4002851-3 gnd rswk-swf Hala Stulecia Breslau (DE-588)4526471-5 gnd rswk-swf (DE-588)4135467-9 Ausstellungskatalog 2005 Breslau gnd-content Berg, Max 1870-1947 (DE-588)116129727 p Hala Stulecia Breslau (DE-588)4526471-5 g Architektur (DE-588)4002851-3 s Geschichte z DE-604 Ilkosz, Jerzy 1953- Sonstige (DE-588)123454662 oth Berg, Max 1870-1947 Sonstige (DE-588)116129727 oth Muzeum Architektury (Breslau) Sonstige (DE-588)5040110-5 oth Digitalisierung UB Passau application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=015583371&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Passau application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=015583371&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
| spellingShingle | Max Berg's Centennial Hall and exhibition grounds in Wrocław [the book has been published to accompany the exhibition at the Museum of Architecture in Wrocław, 17 June - 27 November 2005] Berg, Max 1870-1947 (DE-588)116129727 gnd Architektur (DE-588)4002851-3 gnd |
| subject_GND | (DE-588)116129727 (DE-588)4002851-3 (DE-588)4526471-5 (DE-588)4135467-9 |
| title | Max Berg's Centennial Hall and exhibition grounds in Wrocław [the book has been published to accompany the exhibition at the Museum of Architecture in Wrocław, 17 June - 27 November 2005] |
| title_alt | Hala Stulecia i Tereny Wystawowe we Wrocławiu - dzieło Maksa Berga |
| title_auth | Max Berg's Centennial Hall and exhibition grounds in Wrocław [the book has been published to accompany the exhibition at the Museum of Architecture in Wrocław, 17 June - 27 November 2005] |
| title_exact_search | Max Berg's Centennial Hall and exhibition grounds in Wrocław [the book has been published to accompany the exhibition at the Museum of Architecture in Wrocław, 17 June - 27 November 2005] |
| title_exact_search_txtP | Max Berg's Centennial Hall and exhibition grounds in Wrocław [the book has been published to accompany the exhibition at the Museum of Architecture in Wrocław, 17 June - 27 November 2005] |
| title_full | Max Berg's Centennial Hall and exhibition grounds in Wrocław [the book has been published to accompany the exhibition at the Museum of Architecture in Wrocław, 17 June - 27 November 2005] Jerzy Ilkosz |
| title_fullStr | Max Berg's Centennial Hall and exhibition grounds in Wrocław [the book has been published to accompany the exhibition at the Museum of Architecture in Wrocław, 17 June - 27 November 2005] Jerzy Ilkosz |
| title_full_unstemmed | Max Berg's Centennial Hall and exhibition grounds in Wrocław [the book has been published to accompany the exhibition at the Museum of Architecture in Wrocław, 17 June - 27 November 2005] Jerzy Ilkosz |
| title_short | Max Berg's Centennial Hall and exhibition grounds in Wrocław |
| title_sort | max berg s centennial hall and exhibition grounds in wroclaw the book has been published to accompany the exhibition at the museum of architecture in wroclaw 17 june 27 november 2005 |
| title_sub | [the book has been published to accompany the exhibition at the Museum of Architecture in Wrocław, 17 June - 27 November 2005] |
| topic | Berg, Max 1870-1947 (DE-588)116129727 gnd Architektur (DE-588)4002851-3 gnd |
| topic_facet | Berg, Max 1870-1947 Architektur Hala Stulecia Breslau Ausstellungskatalog 2005 Breslau |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=015583371&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=015583371&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
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