Presence and pleasure: the funk grooves of James Brown and Parliament
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Middletown, Conn.
Wesleyan Univ. Press
2006
|
| Schriftenreihe: | Music/culture
|
| Schlagworte: | |
| Online-Zugang: | Table of contents only Inhaltsverzeichnis |
| Beschreibung: | Includes bibliographical references (S. 245-251) and index |
| Beschreibung: | XIII, 262 Seiten Illustrationen, Notenbeispiele 23 cm |
| ISBN: | 0819568228 9780819568229 0819568236 9780819568236 |
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| 245 | 1 | 0 | |a Presence and pleasure |b the funk grooves of James Brown and Parliament |c Anne Danielsen |
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| adam_text | Contents
Preface xi
Acknowledgments xiii
I. Black and/or White: Introductory Perspectives
1. Whose Funk? 3
James Brown and Parliament—A Short History, 5
Whose Funk?, 8
Understanding Funk—Hermeneutic Challenges, 11
2. Two Discourses on Blackness 20
The Primitivist Representation of Black Culture, 20
Black Is Beautiful!—Black Music and Black Struggle, 28
A Common Source of Otherness?, 34
II A Brand New Bag: Analytical Investigations
From Songs to Grooves, 40
3. A Fabric of Rhythm 43
On Multilinear Rhythm, 43
Virtuality—Actuality, Figure—Gesture, 46
The Heterogeneous Sound Ideal, 50
The Conversational Mode, 52
On Internal Beat, 55
Genre and Individuality—The Art of Signifyin(g), 56
4. Rhythm and Counter Rhythm 6i
Simple Syncopation or Secondary Rag?, 62
A Tendency of Cross Rhythm, 62
Limitation, Concealment, Fragmentation—On the Perfectly
Imperfect Balance, 66
Rhythm and Counter Rhythm—A Metrical Romance, 70
vii
5. The Downbeat, in Anticipation 73
Change of Density Referent, 74
Sex Machine, 76
On and Off—On Displacement, Offbeat Phrasing, and the Way to Treat
Strong Beats, 79
More on Manner—James Brown as Vocal Percussionist, 82
Disturbing the Internal Beat, 84
The Pulse of the Rhythm and the Pulse of the Counter Rhythm, 88
Ants and Downstrokes, 90
III Funk in the Crossover Era
6. A Brand(ed) New Fad 95
Social Change and the Era of Crossover, 95
Hot, Hot, Hot... ?—James Brown at Poly dor, 99
... And Beyond—The Despiritualization of Funk, 105
The Influence of Disco, 109
7. Some Say It s Funk after Death 113
P Funk as Black Consolidation, 113
The Rhythm on One, 115
Extended Ambiguity— The Ifs, the Ands, and the Buts ..., 122
The Funk Riff, 125
Grounded Ambiguity—On the Stable Unstable, 132
One Nation under a Groove!—The Gospel of Dr. Funkenstein, 135
Analytical Afterthoughts, 138
IV Once Upon a Time Called Now! : Temporalities and Experience
The Payback, 143
The State of Being in Funk, 144
The Groove Mode and the Song Mode of Listening, 147
8. Time and Again 150
The Dominance of Linear Temporality, 150
Eternal Present vs. Eternal Presence—On Different Nonlinearities, 154
Repetition vs. Repetition, 156
Repetition with a Difference, 159
Repetition in Time, 160
Repetition as Production, 162
Repetitive Production in Grooves, 164
Circularity and the One, 168
viii / Contents
g. Between Song and Groove 172
Groove Becoming Song, 172
The Dissolution of the Hierarchy of Sequences, 174
Song Becoming Groove, 177
The Pure Groove, 179
Consecration, Cut, and a New Beginning, 180
Continuity and Breaks, 184
Groove vs. Nonsong, 188
10. Feeling, Intensity, and the Sublimity of the Event 192
Funk (A)live, 193
The Imploding Event, 195
I Feel Good! —The Feeling of Feeling, 197
Give Me a Break!—Intervention and Intensity, 199
Once Upon a Time Called Now!, 201
n. Presence and Pleasure 204
The Veiling of Musical Means, 205
Externalizing the Internal Other, 210
Body vs. Time—Renaming the Internal Other?, 213
Notes 219
Bibliography 245
Index 253
Contents / ix
|
| adam_txt |
Contents
Preface xi
Acknowledgments xiii
I. Black and/or White: Introductory Perspectives
1. Whose Funk? 3
James Brown and Parliament—A Short History, 5
Whose Funk?, 8
Understanding Funk—Hermeneutic Challenges, 11
2. Two Discourses on Blackness 20
The Primitivist Representation of Black Culture, 20
Black Is Beautiful!—Black Music and Black Struggle, 28
A Common Source of Otherness?, 34
II A Brand New Bag: Analytical Investigations
From Songs to Grooves, 40
3. A Fabric of Rhythm 43
On Multilinear Rhythm, 43
Virtuality—Actuality, Figure—Gesture, 46
The Heterogeneous Sound Ideal, 50
The Conversational Mode, 52
On Internal Beat, 55
Genre and Individuality—The Art of Signifyin(g), 56
4. Rhythm and Counter Rhythm 6i
Simple Syncopation or Secondary Rag?, 62
A Tendency of Cross Rhythm, 62
Limitation, Concealment, Fragmentation—On the Perfectly
Imperfect Balance, 66
Rhythm and Counter Rhythm—A Metrical Romance, 70
vii
5. "The Downbeat, in Anticipation" 73
Change of Density Referent, 74
"Sex Machine," 76
On and Off—On Displacement, Offbeat Phrasing, and the Way to Treat
Strong Beats, 79
More on Manner—James Brown as Vocal Percussionist, 82
Disturbing the Internal Beat, 84
The Pulse of the Rhythm and the Pulse of the Counter Rhythm, 88
Ants and Downstrokes, 90
III Funk in the Crossover Era
6. A Brand(ed) New Fad 95
Social Change and the Era of Crossover, 95
Hot, Hot, Hot. ?—James Brown at Poly dor, 99
. And Beyond—The Despiritualization of Funk, 105
The Influence of Disco, 109
7. "Some Say It's Funk after Death" 113
P Funk as Black Consolidation, 113
The Rhythm on One, 115
Extended Ambiguity—"The Ifs, the Ands, and the Buts .," 122
The Funk Riff, 125
Grounded Ambiguity—On the Stable Unstable, 132
One Nation under a Groove!—The Gospel of Dr. Funkenstein, 135
Analytical Afterthoughts, 138
IV "Once Upon a Time Called Now!": Temporalities and Experience
"The Payback," 143
The State of Being in Funk, 144
The Groove Mode and the Song Mode of Listening, 147
8. Time and Again 150
The Dominance of Linear Temporality, 150
Eternal Present vs. Eternal Presence—On Different Nonlinearities, 154
Repetition vs. Repetition, 156
Repetition with a Difference, 159
Repetition in Time, 160
Repetition as Production, 162
Repetitive Production in Grooves, 164
Circularity and the One, 168
viii / Contents
g. Between Song and Groove 172
Groove Becoming Song, 172
The Dissolution of the Hierarchy of Sequences, 174
Song Becoming Groove, 177
The Pure Groove, 179
Consecration, Cut, and a New Beginning, 180
Continuity and Breaks, 184
Groove vs. Nonsong, 188
10. Feeling, Intensity, and the Sublimity of the Event 192
Funk (A)live, 193
The Imploding Event, 195
I Feel Good! —The Feeling of Feeling, 197
Give Me a Break!—Intervention and Intensity, 199
"Once Upon a Time Called Now!," 201
n. Presence and Pleasure 204
The Veiling of Musical Means, 205
Externalizing the Internal Other, 210
Body vs. Time—Renaming the Internal Other?, 213
Notes 219
Bibliography 245
Index 253
Contents / ix |
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| spelling | Danielsen, Anne Verfasser aut Presence and pleasure the funk grooves of James Brown and Parliament Anne Danielsen Middletown, Conn. Wesleyan Univ. Press 2006 XIII, 262 Seiten Illustrationen, Notenbeispiele 23 cm txt rdacontent n rdamedia nc rdacarrier Music/culture Includes bibliographical references (S. 245-251) and index Brown, James 1933-2006 Brown, James 1933-2006 (DE-588)119125102 gnd rswk-swf Parliament (Musical group) Parliament Musikgruppe (DE-588)7574911-7 gnd rswk-swf Geschichte gnd rswk-swf Funk (Music) History and criticism Funk Musik (DE-588)4303520-6 gnd rswk-swf Brown, James 1933-2006 (DE-588)119125102 p Funk Musik (DE-588)4303520-6 s Parliament Musikgruppe (DE-588)7574911-7 b DE-604 Geschichte z http://www.loc.gov/catdir/toc/ecip0611/2006010987.html Table of contents only HBZ Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=015583279&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Danielsen, Anne Presence and pleasure the funk grooves of James Brown and Parliament Brown, James 1933-2006 Brown, James 1933-2006 (DE-588)119125102 gnd Parliament (Musical group) Parliament Musikgruppe (DE-588)7574911-7 gnd Funk (Music) History and criticism Funk Musik (DE-588)4303520-6 gnd |
| subject_GND | (DE-588)119125102 (DE-588)7574911-7 (DE-588)4303520-6 |
| title | Presence and pleasure the funk grooves of James Brown and Parliament |
| title_auth | Presence and pleasure the funk grooves of James Brown and Parliament |
| title_exact_search | Presence and pleasure the funk grooves of James Brown and Parliament |
| title_exact_search_txtP | Presence and pleasure the funk grooves of James Brown and Parliament |
| title_full | Presence and pleasure the funk grooves of James Brown and Parliament Anne Danielsen |
| title_fullStr | Presence and pleasure the funk grooves of James Brown and Parliament Anne Danielsen |
| title_full_unstemmed | Presence and pleasure the funk grooves of James Brown and Parliament Anne Danielsen |
| title_short | Presence and pleasure |
| title_sort | presence and pleasure the funk grooves of james brown and parliament |
| title_sub | the funk grooves of James Brown and Parliament |
| topic | Brown, James 1933-2006 Brown, James 1933-2006 (DE-588)119125102 gnd Parliament (Musical group) Parliament Musikgruppe (DE-588)7574911-7 gnd Funk (Music) History and criticism Funk Musik (DE-588)4303520-6 gnd |
| topic_facet | Brown, James 1933-2006 Parliament (Musical group) Parliament Musikgruppe Funk (Music) History and criticism Funk Musik |
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