Photography and literature:
Gespeichert in:
| Format: | Buch |
|---|---|
| Sprache: | English |
| Veröffentlicht: |
Boulder, Colo.
Univ. of Colorado, Dep. of English
2006
|
| Schriftenreihe: | English language notes
44,2 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | Einzelaufnahme eines Zeitschr.-H. |
| Beschreibung: | VI, 330 S. Ill. |
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Datensatz im Suchindex
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| adam_text | Table of Contents
Introduction: Visual Developments and Narrative Exposures
Karen Jacobs, University of Colorado at Boulder
karen.jacobs@colorado.edu
I. Critical Notes and Interventions
The Cut: Instantaneity and the Limits of Photography
Elena Gualtieri, University of Sussex
e.gualtieri@cornek.demon.co.uk
Already the past :The Backward Glance ofVictorian Photography
Jennifer Green-Lewis, George Washington University
jmgl@gwu.edu
Cannon and Camera —Photography and Colonialism
in the Americas
Esther
egabara @ duke, edu
The Photograph as History: Richard Wright, Black Power, and
Narratives of the Nation
Sara Blair, University of Michigan
sbblair@umich.edu
The
of Early Photography
Laura Saltz, Colby College
lsaltz@colby.edu
The Cameraless Optic: Anna Atkins and Virginia
Louise E. J. Hornby, University of California, Berkeley
lejh @ berkeley.edu
Photo-negativity: The Visual Rhetoric of James s and Coburn s
New York Edition Frontispieces
David McWhirter, Texas A&M University
d-mcwhirter@neo.tamu.edu
Visual Memory and Ekphrasis in W. G. Sebald s 117
The Rings
Silke Horstkotte,
s.horstkotte @uni-leipzig. de
II. Photo-text Collaborations
Artist Statements: Marco Breuer, Matt Siber, Jim Goldberg 133
Notes,
Jeffrey DeShell,
jeffrey.deshell@colorado.edu
Notes,
Marco
marcobreuer@mindspring.com
Photographs from The Unfitted Project
Matt Siber, Columbia College (Chicago)
matt@siberart.com
Photographs from The New Europeans (working title)
Jim Goldberg, California College of Arts and Crafts
solidoro@earthlink.net
Digital images from Grammatron
Mark
Mark.Amerika@colorado.edu
III. A Conversation on Digital Photography
with Mark
VI. ELN Forums
Cluster
Organizers: Elizabeth Abel and Leigh Raiford,
University of California, Berkeley
Introduction: Photography and Race
Elizabeth Abel and Leigh Raiford
University of California, Berkeley
Reflecting on Daguerrotypes in the Digital Age
Zeynep Devrim
zgursel@berkeley.edu
How a Man Was Made a Slave : Contraband, Chiasmus, and the
Failure of Visual Abolitionism
Maurice Wallace, Duke University
mwallace@duke.edu
Laughing Ben on The Old Plantation
Laura Wexler, Yale University
laura,
The Half of Whiteness
Shawn Michelle Smith, School of the Art Institute of Chicago
ssmith8@saic.edu
Jars and Stripes:The National Capacity of the Ladies Room
Elizabeth Abel, University of California, Berkeley
eabel ©calmail. berkeley.
Suturing the Mother: Race, Death, and the Maternal in
Bañhes
Ruby
tapia.
Notes toward a Photographic Practice of Diaspora
Leigh Raiford, University of California, Berkeley
Iraiford2 @
From the Deluge^raumatic Iconography and Emergent Visions of
Nation in Katrina s Wake
Maurice E. Stevens, Ohio State University
stevens.368@osu.edu
Photography and Race Forum Works Cited
Cluster
Introduction: Photography NarratingTrauma
Karen Jacobs, University of Colorado at Boulder
On Psycho-Photography : the Case of Abu Ghraib
Elissa
emarder@emory.edu
The Female Body as Atrocity Text: The Feminization
of the Holocaust at Auschwitz
Janet Jacobs, University of Colorado at Boulder
janet.Jacobs©
Artist Statement,
Jeffrey
wo
Decoys: Barrett Watten s Bad History and
Bill Freind, Rowan University
Freind@ rowan, edu
Cluster
Introduction:Toward a Photo-Poetics
Elizabeth Robinson, University of Colorado at Boulder
Elizabeth.Robinson@colorado.edu
Poems with Photographs
Martha
ronk@oxy.edu
Marianne Moore, Photography, and the Self-in-Flux
Emily
em
Episodes in the History of Photography
Jean Gallagher, Polytechnic University
jgalla@photon.poly.edu
Become What You Must :Trethewey s Poems and
Bellocq s Photographs
Debora Rindge
darindge@noctrl.edu, amleahy@noctrl.edu
Two Poems
Gretchen
gme495@mizzou.edu
V. Review Essay
Alchemy of the Word and the lmage:Towards a New
Iconographies of Postmodern Culture
Laurence Petit, Central Connecticut State University
laurence.petit@mail.ccsu.edu
Contributors
|
| adam_txt |
Table of Contents
Introduction: Visual Developments and Narrative Exposures
Karen Jacobs, University of Colorado at Boulder
karen.jacobs@colorado.edu
I. Critical Notes and Interventions
The Cut: Instantaneity and the Limits of Photography
Elena Gualtieri, University of Sussex
e.gualtieri@cornek.demon.co.uk
"Already the past":The Backward Glance ofVictorian Photography
Jennifer Green-Lewis, George Washington University
jmgl@gwu.edu
"Cannon and Camera" —Photography and Colonialism
in the Americas
Esther
egabara @ duke, edu
The Photograph as History: Richard Wright, Black Power, and
Narratives of the Nation
Sara Blair, University of Michigan
sbblair@umich.edu
The
of Early Photography
Laura Saltz, Colby College
lsaltz@colby.edu
The Cameraless Optic: Anna Atkins and Virginia
Louise E. J. Hornby, University of California, Berkeley
lejh @ berkeley.edu
Photo-negativity: The Visual Rhetoric of James's and Coburn's
New York Edition Frontispieces
David McWhirter, Texas A&M University
d-mcwhirter@neo.tamu.edu
Visual Memory and Ekphrasis in W. G. Sebald's 117
The Rings
Silke Horstkotte,
s.horstkotte @uni-leipzig. de
II. Photo-text Collaborations
Artist Statements: Marco Breuer, Matt Siber, Jim Goldberg 133
Notes,
Jeffrey DeShell,
jeffrey.deshell@colorado.edu
Notes,
Marco
marcobreuer@mindspring.com
Photographs from The Unfitted Project
Matt Siber, Columbia College (Chicago)
matt@siberart.com
Photographs from The New Europeans (working title)
Jim Goldberg, California College of Arts and Crafts
solidoro@earthlink.net
Digital images from Grammatron
Mark
Mark.Amerika@colorado.edu
III. A Conversation on Digital Photography
with Mark
VI. ELN Forums
Cluster
Organizers: Elizabeth Abel and Leigh Raiford,
University of California, Berkeley
Introduction: Photography and Race
Elizabeth Abel and Leigh Raiford
University of California, Berkeley
Reflecting on Daguerrotypes in the Digital Age
Zeynep Devrim
zgursel@berkeley.edu
"How a Man Was Made a Slave": Contraband, Chiasmus, and the
Failure of Visual Abolitionism
Maurice Wallace, Duke University
mwallace@duke.edu
"Laughing Ben" on "The Old Plantation"
Laura Wexler, Yale University
laura,
The Half of Whiteness
Shawn Michelle Smith, School of the Art Institute of Chicago
ssmith8@saic.edu
Jars and Stripes:The National Capacity of the Ladies Room
Elizabeth Abel, University of California, Berkeley
eabel ©calmail. berkeley.
Suturing the Mother: Race, Death, and the Maternal in
Bañhes'
Ruby
tapia.
Notes toward a Photographic Practice of Diaspora
Leigh Raiford, University of California, Berkeley
Iraiford2 @
From the Deluge^raumatic Iconography and Emergent Visions of
Nation in Katrina's Wake
Maurice E. Stevens, Ohio State University
stevens.368@osu.edu
Photography and Race Forum Works Cited
Cluster
Introduction: Photography NarratingTrauma
Karen Jacobs, University of Colorado at Boulder
On "Psycho-Photography": the "Case" of Abu Ghraib
Elissa
emarder@emory.edu
The Female Body as Atrocity Text: The Feminization
of the Holocaust at Auschwitz
Janet Jacobs, University of Colorado at Boulder
janet.Jacobs©
Artist Statement,
Jeffrey
wo
Decoys: Barrett Watten's Bad History and
Bill Freind, Rowan University
Freind@ rowan, edu
Cluster
Introduction:Toward a Photo-Poetics
Elizabeth Robinson, University of Colorado at Boulder
Elizabeth.Robinson@colorado.edu
Poems with Photographs
Martha
ronk@oxy.edu
Marianne Moore, Photography, and the Self-in-Flux
Emily
em
Episodes in the History of Photography
Jean Gallagher, Polytechnic University
jgalla@photon.poly.edu
"Become What You Must":Trethewey's Poems and
Bellocq's Photographs
Debora Rindge
darindge@noctrl.edu, amleahy@noctrl.edu
Two Poems
Gretchen
gme495@mizzou.edu
V. Review Essay
Alchemy of the Word and the lmage:Towards a New
"Iconographies" of Postmodern Culture
Laurence Petit, Central Connecticut State University
laurence.petit@mail.ccsu.edu
Contributors |
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