Verfügbarkeit: Experience music!

Experience music!:

Gespeichert in:

Bibliographische Detailangaben
Hauptverfasser:	Charlton, Katherine (VerfasserIn), Hickok, Robert (VerfasserIn)
Format:	Buch
Sprache:	English
Veröffentlicht:	Boston [u.a.] McGraw-Hill 2007
Schlagworte:	Geschichte Music appreciation > Textbooks Musiklehre Musikinstrument Musik Einführung
Online-Zugang:	Inhaltsverzeichnis
Beschreibung:	CD-ROM-Beil. u.d.T.: Experience music interactive!
Beschreibung:	XXXV, 384 S. Ill. 26 cm 2 sound discs (digital ; 4 3/4 in.) + 1 CD-ROM (4 3/4 in.)
ISBN:	0072462442

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Datensatz im Suchindex

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adam_text	Brief Frefao© Prelude The Fundamentals of Music asid! Fotrm tea! Prelude The Culture of the Medieval Period ■Дет Prelude The Renaissance: The Rebirth of Humanism Prelude The Triumph of the Baroque Style ® Baroejue ©p>©r® ľ 8 © ® Prelude The Classical Era: Reason and Revolution 11 S US Prelude Music of the Romantic Era VI 17 IS BRIEF 19 20 The Concert Overture 21 22 23 24 25 Prelude The Early Twentieth Century 26 27 28 29 of Serialism Prelude American Innovations in the Arts 30 31 32 Twentieth Century 33 by Early Jazz 34 35 36 37 38 Prelude New Ideas and Styles Developed out of Twentieth-Century Internationalism 39 40 41 City of Jerusalem 42 Glossary Credits Performance Information for 2-CD Set Index Contents Preface Prelude The 1 and Harmony Sound Rhythm Melody Harmony 2 and Form Key Texture Form 3 Voices and Vocal Ensembles Stringed Instruments Plucked Stringed Instruments Bowed Stringed Instruments Woodwinds Brasses Percussion Instruments Definite Pitch Indefinite Pitch Keyboard Instruments Electronic Instruments Instruments in Non-Western Cultures CONTENTS Instrumental Ensembles Chamber Ensembles The Orchestra The Wind Ensemble The Conductor Prelude The Culture of the Medieval Period 4 Medieval Sacred Music Gregorian Chant Listening Guide: Salve, Hildegard Listening Guide: of Bingen The Mass Polyphony and Measured Rhythm Guillaume de Listening Guide: Agnus Dei ( Lamb of God ) from Dame (Mass of Our Lady), by HEARING THE DIFFERENCE Salve, Medieval Secular Music Improvised Accompaniment to Beatriz Listening Guide: Beatriz The Motet HEARING THE DIFFERENCE Salve, Regina Characteristics of Medieval Music Prelude The Renaissance: The Rebirth of Humanism 5 Renaissance Sacred Music Josquin Listening Guide: Giovanni Pierluigi da Palestrina Listening Guide: Pope CONTENTS Renaissance The Madrigal in Italy The Madrigal in England THE LIVE EXPERIENCE Madrigal Singing in Homes Listening Guide: Fair Phyllis, by John Farmer The Chanson in France The Lied in Germany Renaissance Instrumental Music HEARING THE DIFFERENCE Josquin s Listening Guide: Three Dances from Terpsichore, by Michael Praetorius THE LIVE EXPERIENCE Renaissance Dances Characteristics of Renaissance Music Prelude The Triumph of the Baroque Style I The Birth of Opera Baroque Vocal Styles Claudio THE LIVE EXPERIENCE Opera Singers of the Baroque Listening Guide: Excerpt from Act by Opera Outside of Italy Listening Guide: When I am laid in earth from Dido and Aeneas, by Henry HEARING THE DIFFERENCE Dia s I The Secular Cantata The Chorale THE LIVE EXPERIENCE Basso The Sacred Cantata Listening Guide: Cantata no. Bahn! ( Make by The. Passion Johann CONTENTS Xl Oratorio Oratorio George Messiah Listening Guide: Overture from Messiah, by George Listening Guide: Comfort ye, an accompanied recitative from Mess/aft, by George Listening Guide: Ev ry valley, an aria from Messiah, by George Listening Guide: Hallelujah from Messiah, by George HEARING THE DIFFERENCE Josquin s 9 Keyboard Music Fugue Listening Guide: The Little Fugue in Johann Suite THE LIVE EXPERIENCE Playing the Organ Elisabeth-Claude Jacquet de la Listening Guide: Harpsichord, by Eiisabeth-Claude Baroque Sonata 1O The Baroque Orchestra Concerto. THE LIVE EXPERIENCE Playing Solos in Baroque Music Concerto Listening Guide: Brandenburg Concerto no. by Solo Concerto Antonio Vivaldi Listening Guide: Spring, first movement, from (The Four Seasons), by Antonio Vivaldi Characteristics of Baroque Music XU CONTENTS Prelude The Classical Era: Reason and Revolution 11 The Form of the Classical Sonata Exposition no Development Recapitulation The Classical Orchestra THE LIVE EXPERIENCE The Duties of the Conductor Wolfgang Listening Guide: Symphony no. by Wolfgang Listening Guide: Symphony no. by Wolfgang HEARING THE DIFFERENCE Vivaldi s Spring, first movement, from The Four Seasons, and Symphony no. 12 THE LIVE EXPERIENCE Concerto Soloists Double-Exposition Sonata Form Listening Guide: Piano Concerto no. by Wolfgang 13 Chamber Sonatas THE LIVE EXPERIENCE The Performance of Chamber Music Franz Joseph Haydn Listening Guide: String Quartet op. movement, by Franz Joseph Haydn HEARING THE DIFFERENCE Mozart s Symphony no. op. 14 Haydn s Vocal Music Classical Opera THE LIVE EXPERIENCE Classical and Romantic Opera Singers CONTENTS The Marriage of Figaro The Characters The Plot Listening Guide: from Wolfgang Listening Guide: now? ) from Wolfgang HEARING THE DIFFERENCE Purcell s When I am laid in earth and Mozart s ( No more will you ) 15 Ludwig Listening Guide: Symphony no. Ludwig Listening Guide: Symphony no. Ludwig The Classical Piano A Piano Sonata by Beethoven Listening Guide: Piano Sonata op. movement, by Characteristics of Classical Music Prelude Music of the Romantic Era 16 The Salon Art Song Franz Schubert Listening Guide: Franz Schubert Robert and Clara Schumann HEARING THE DIFFERENCE Mozart s aNon Listening Guide: wonderfully lovely month of May ) from Dichterliebe (A Poet s Love), by Robert Schumann XIV 17 Chopin and Liszt Listening Guide: Ballade no. HEARING THE DIFFERENCE Bach s Little Fugue in G 18 Hector Berlioz Symphonie Fantastique Listening Guide: a Witches Sabbath, by Hector Berlioz HEARING THE DIFFERENCE Beethoven s Symphony no. fantastique, Other Program Music THE LIVE EXPERIENCE The Importance of the Program in Program Music 19 Bedřich Smetana Listening Guide: The 2O The Concert Overture Peter llyich Tchaikovsky Romeo and Juliet Overture Listening Guide: Romeo and Juliet Overture, by Peter llyich Tchaikovsky 21 Felix Mendelssohn and Fanny Mendelssohn Hensel Mendelssohn s Concerto Listening Guide: Violin Concerto in Felix Mendelssohn HEARING THE DIFFERENCE Vivaldi s Spring, first movement, from The Four Seasons, and Mendelssohn s Violin Concerto, first movement CONTENTS 22 Johannes Brahms s Requiem Listening Guide: op. THE LIVE EXPERIENCE Choirs and Choral Singing 23 The Romantic Symphony Listening Guide: Symphony no. fourth movement, by Other Romantic Traditionalists Listening Guide: Symphony no. Gustav 24 French Opera Italian Opera Giuseppe Giacomo Listening Guide: from Listening Guide: from HEARING THE DIFFERENCE Mozart s 25 Richard Listening ( Now the shining ring my brother once made ) from Siegfried, the conclusion to Act I, by Richard Wagner THE LIVE EXPERIENCE Produrtions of Operas Characteristics of Romantic Music XVI Prelude The Early Twentieth Century I Claude Debussy Listening Guide: Prelude The Afternoon of a Faun ), by Claude Debussy Maurice Ravel HEARING THE DIFFERENCE Smetana s The faune 27 Primitivism Igor Stravinsky Listening Guide: duction through The Ritual of Abduction, by Igor Stravinsky Neoclassicism 28 Béla Bartók Listening Guide: Music for Strings, Percussion, and Celesta, third movement, by THE LIVE EXPERIENCE Playing Percussion 29 of Serialism Arnold Other Serial Composers Listening Guide: A Survivor from Warsaw, by Arnold Characteristics of Twentieth-Century Music (to World War II) Prelude American Innovations in the Arts 30 The Seventeenth Century The Eighteenth Century Listening Guide: When Jesus Wept, by William Billings CONTENTS XVU The Nineteenth Listening Stephen Foster After the Civil War Listening Guide: Ah, Love, but a Day, by Amy Cheney Beach 31 Origins of Jazz Listening Guide: Village Celebration, by the Leone Ragtime The Blues Listening Guide: Lost Your Head Blues, by Bessie Smith Jazz Styles THE LIVE EXPERIENCE Improvisation HEARING THE DIFFERENCE Beach s Listening Guide: It Don t Mean a Thing, If It Ain t Got That Swing, by Duke Ellington 32 Century Bebop Listening Guide: HEARING THE DIFFERENCE Smith s Lost Your Head Blues and Parker s Cool Jazz Free Jazz Fusion Listening Guide: Miles Runs the Voodoo Down (beginning), by Miles Davis HEARING THE DIFFERENCE Parker s 33 by Early Jazz George Gershwin Listening Guide: Rhapsody ¡n Blue, ,by George Gershwin William Grant Still Listening Guide: Afro-American Symphony, first movement, by William Grant Still XVIII CONTENTS 34 Charles Ives Listening Guide: Variations on America ( My Country tis of Thee ), by Charles Ives Aaron Copland Listening Guide: Fanfare for the Common Man, by Aaron Copland 35 Electronic Music Musique Concrète Edgard THE LIVE EXPERIENCE Performance Situations for Electronic Music Listening Guide: Edgard Acoustic Music Ellen Taafe Zwilich Listening Guide: Symphony no. Ellen Taafe Zwilich HEARING THE DIFFERENCE Mozart s Symphony no. first movement 36 Broadway Musicals Leonard Bernstein Listening Guide: America from West Side Story, by Leonard Bernstein Later Musicals THE LIVE EXPERIENCE Musicals Compared with Operas 37 Roots and Early Rock Performers 1960s The Diversity of Rock in the The Characteristics of Music in America CONTENTS 38 The Earliest Film Music Early Sound Films Later Film Scoring Practices Listening Guide: The Main Theme from Star Wars, by John Williams Prelude New Ideas and Styles Developed out of Twentieth-Century internationalism 39 Indonesian Listening Guide: Kang Mandor, by Ujang Suryana Henry Cowell Music from China Listening Guide: Moonlight on the Ching Yang River, by Yo Su-Nan of the T ang Dynasty John Cage Listening Guide: Sonata V from Sonatas and Interludes, by John Cage HEARING THE DIFFERENCE Chopin s Ballade no. Interludes for Prepared Piano 4O Influences from India Indian Music Listening Guide: and Group Terry Riley Philip Glass Listening Guide: Company, second movement, by Philip Glass HEARING THE DIFFERENCE Haydn s String Quartet, fourth movement, and Glass s Company, second movement 41 City of Jerusalem African Music Ewe Drum Ensembles Listening Guide: Gadzo ( Kayiboe, The Child is not Matured ), Music of the Ewe of Ghana XX Steve Reich 346 Studies Listening Guide: 42 Music from Spain Listening Guide: Flamenco Dance Song Listening Guide: George Crumb Listening Guide: ( Drink the tranquil water of the old song ), by George Crumb HEARING THE DIFFERENCE Glass s Company, second movement, and Crumb s tranquila de la canción añeja old song ) Characteristics of Non-Western-Influenced Music in the West Glossary Credits Performance Information for 2-CD Set Index
adam_txt	Brief Frefao© Prelude The Fundamentals of Music asid! Fotrm tea! Prelude The Culture of the Medieval Period ■Дет Prelude The Renaissance: The Rebirth of Humanism Prelude The Triumph of the Baroque Style ® Baroejue ©p>©r® ľ 8 © ® Prelude The Classical Era: Reason and Revolution 11 S US Prelude Music of the Romantic Era VI 17 IS BRIEF 19 20 The Concert Overture 21 22 23 24 25 Prelude The Early Twentieth Century 26 27 28 29 of Serialism Prelude American Innovations in the Arts 30 31 32 Twentieth Century 33 by Early Jazz 34 35 36 37 38 Prelude New Ideas and Styles Developed out of Twentieth-Century Internationalism 39 40 41 City of Jerusalem 42 Glossary Credits Performance Information for 2-CD Set Index Contents Preface Prelude The 1 and Harmony Sound Rhythm Melody Harmony 2 and Form Key Texture Form 3 Voices and Vocal Ensembles Stringed Instruments Plucked Stringed Instruments Bowed Stringed Instruments Woodwinds Brasses Percussion Instruments Definite Pitch Indefinite Pitch Keyboard Instruments Electronic Instruments Instruments in Non-Western Cultures CONTENTS Instrumental Ensembles Chamber Ensembles The Orchestra The Wind Ensemble The Conductor Prelude The Culture of the Medieval Period 4 Medieval Sacred Music Gregorian Chant Listening Guide: "Salve, Hildegard Listening Guide: of Bingen The Mass Polyphony and Measured Rhythm Guillaume de Listening Guide: "Agnus Dei" ("Lamb of God") from Dame (Mass of Our Lady), by HEARING THE DIFFERENCE "Salve, Medieval Secular Music Improvised Accompaniment to Beatriz Listening Guide: Beatriz The Motet HEARING THE DIFFERENCE "Salve, Regina" Characteristics of Medieval Music Prelude The Renaissance: The Rebirth of Humanism 5 Renaissance Sacred Music Josquin Listening Guide: Giovanni Pierluigi da Palestrina Listening Guide: Pope CONTENTS Renaissance The Madrigal in Italy The Madrigal in England THE LIVE EXPERIENCE Madrigal Singing in Homes Listening Guide: "Fair Phyllis," by John Farmer The Chanson in France The Lied in Germany Renaissance Instrumental Music HEARING THE DIFFERENCE Josquin's Listening Guide: Three Dances from Terpsichore, by Michael Praetorius THE LIVE EXPERIENCE Renaissance Dances Characteristics of Renaissance Music Prelude The Triumph of the Baroque Style I The Birth of Opera Baroque Vocal Styles Claudio THE LIVE EXPERIENCE Opera Singers of the Baroque Listening Guide: Excerpt from Act by Opera Outside of Italy Listening Guide: "When I am laid in earth" from Dido and Aeneas, by Henry HEARING THE DIFFERENCE Dia's I The Secular Cantata The Chorale THE LIVE EXPERIENCE Basso The Sacred Cantata Listening Guide: Cantata no. Bahn! ("Make by The. Passion Johann CONTENTS Xl Oratorio Oratorio George Messiah Listening Guide: Overture from Messiah, by George Listening Guide: "Comfort ye," an accompanied recitative from Mess/aft, by George Listening Guide: "Ev'ry valley," an aria from Messiah, by George Listening Guide: "Hallelujah" from Messiah, by George HEARING THE DIFFERENCE Josquin's 9 Keyboard Music Fugue Listening Guide: "The Little Fugue in Johann Suite THE LIVE EXPERIENCE Playing the Organ Elisabeth-Claude Jacquet de la Listening Guide: Harpsichord, by Eiisabeth-Claude Baroque Sonata 1O The Baroque Orchestra Concerto. THE LIVE EXPERIENCE Playing Solos in Baroque Music Concerto Listening Guide: Brandenburg Concerto no. by Solo Concerto Antonio Vivaldi Listening Guide: "Spring," first movement, from (The Four Seasons), by Antonio Vivaldi Characteristics of Baroque Music XU CONTENTS Prelude The Classical Era: Reason and Revolution 11 The Form of the Classical Sonata Exposition no Development Recapitulation The Classical Orchestra THE LIVE EXPERIENCE The Duties of the Conductor Wolfgang Listening Guide: Symphony no. by Wolfgang Listening Guide: Symphony no. by Wolfgang HEARING THE DIFFERENCE Vivaldi's "Spring," first movement, from The Four Seasons, and Symphony no. 12 THE LIVE EXPERIENCE Concerto Soloists Double-Exposition Sonata Form Listening Guide: Piano Concerto no. by Wolfgang 13 Chamber Sonatas THE LIVE EXPERIENCE The Performance of Chamber Music Franz Joseph Haydn Listening Guide: String Quartet op. movement, by Franz Joseph Haydn HEARING THE DIFFERENCE Mozart's Symphony no. op. 14 Haydn's Vocal Music Classical Opera THE LIVE EXPERIENCE Classical and Romantic Opera Singers CONTENTS The Marriage of Figaro The Characters The Plot Listening Guide: from Wolfgang Listening Guide: now?") from Wolfgang HEARING THE DIFFERENCE Purcell's "When I am laid in earth" and Mozart's ("No more will you") 15 Ludwig Listening Guide: Symphony no. Ludwig Listening Guide: Symphony no. Ludwig The Classical Piano A Piano Sonata by Beethoven Listening Guide: Piano Sonata op. movement, by Characteristics of Classical Music Prelude Music of the Romantic Era 16 The Salon Art Song Franz Schubert Listening Guide: Franz Schubert Robert and Clara Schumann HEARING THE DIFFERENCE Mozart's aNon Listening Guide: wonderfully lovely month of May") from Dichterliebe (A Poet's Love), by Robert Schumann XIV 17 Chopin and Liszt Listening Guide: Ballade no. HEARING THE DIFFERENCE Bach's "Little Fugue in G 18 Hector Berlioz Symphonie Fantastique Listening Guide: a Witches' Sabbath," by Hector Berlioz HEARING THE DIFFERENCE Beethoven's Symphony no. fantastique, Other Program Music THE LIVE EXPERIENCE The Importance of the Program in Program Music 19 Bedřich Smetana Listening Guide: "The 2O The Concert Overture Peter llyich Tchaikovsky Romeo and Juliet Overture Listening Guide: Romeo and Juliet Overture, by Peter llyich Tchaikovsky 21 Felix Mendelssohn and Fanny Mendelssohn Hensel Mendelssohn's Concerto Listening Guide: Violin Concerto in Felix Mendelssohn HEARING THE DIFFERENCE Vivaldi's "Spring," first movement, from The Four Seasons, and Mendelssohn's Violin Concerto, first movement CONTENTS 22 Johannes Brahms's Requiem Listening Guide: op. THE LIVE EXPERIENCE Choirs and Choral Singing 23 The Romantic Symphony Listening Guide: Symphony no. fourth movement, by Other Romantic Traditionalists Listening Guide: Symphony no. Gustav 24 French Opera Italian Opera Giuseppe Giacomo Listening Guide: from Listening Guide: from HEARING THE DIFFERENCE Mozart's 25 Richard Listening ("Now the shining ring my brother once made") from Siegfried, the conclusion to Act I, by Richard Wagner THE LIVE EXPERIENCE Produrtions of Operas Characteristics of Romantic Music XVI Prelude The Early Twentieth Century I Claude Debussy Listening Guide: Prelude "The Afternoon of a Faun"), by Claude Debussy Maurice Ravel HEARING THE DIFFERENCE Smetana's "The faune" 27 Primitivism Igor Stravinsky Listening Guide: duction through "The Ritual of Abduction," by Igor Stravinsky Neoclassicism 28 Béla Bartók Listening Guide: Music for Strings, Percussion, and Celesta, third movement, by THE LIVE EXPERIENCE Playing Percussion 29 of Serialism Arnold Other Serial Composers Listening Guide: "A Survivor from Warsaw," by Arnold Characteristics of Twentieth-Century Music (to World War II) Prelude American Innovations in the Arts 30 The Seventeenth Century The Eighteenth Century Listening Guide: "When Jesus Wept," by William Billings CONTENTS XVU The Nineteenth Listening Stephen Foster After the Civil War Listening Guide: "Ah, Love, but a Day," by Amy Cheney Beach 31 Origins of Jazz Listening Guide: "Village Celebration," by the Leone Ragtime The Blues Listening Guide: "Lost Your Head Blues," by Bessie Smith Jazz Styles THE LIVE EXPERIENCE Improvisation HEARING THE DIFFERENCE Beach's Listening Guide: "It Don't Mean a Thing, If It Ain't Got That Swing," by Duke Ellington 32 Century Bebop Listening Guide: HEARING THE DIFFERENCE Smith's "Lost Your Head Blues" and Parker's Cool Jazz Free Jazz Fusion Listening Guide: "Miles Runs the Voodoo Down" (beginning), by Miles Davis HEARING THE DIFFERENCE Parker's 33 by Early Jazz George Gershwin Listening Guide: Rhapsody ¡n Blue, ,by George Gershwin William Grant Still Listening Guide: Afro-American Symphony, first movement, by William Grant Still XVIII CONTENTS 34 Charles Ives Listening Guide: Variations on "America" ("My Country 'tis of Thee"), by Charles Ives Aaron Copland Listening Guide: "Fanfare for the Common Man," by Aaron Copland 35 Electronic Music Musique Concrète Edgard THE LIVE EXPERIENCE Performance Situations for Electronic Music Listening Guide: Edgard Acoustic Music Ellen Taafe Zwilich Listening Guide: Symphony no. Ellen Taafe Zwilich HEARING THE DIFFERENCE Mozart's Symphony no. first movement 36 Broadway Musicals Leonard Bernstein Listening Guide: "America" from West Side Story, by Leonard Bernstein Later Musicals THE LIVE EXPERIENCE Musicals Compared with Operas 37 Roots and Early Rock Performers 1960s The Diversity of Rock in the The Characteristics of Music in America CONTENTS 38 The Earliest Film Music Early Sound Films Later Film Scoring Practices Listening Guide: The "Main Theme" from Star Wars, by John Williams Prelude New Ideas and Styles Developed out of Twentieth-Century internationalism 39 Indonesian Listening Guide: "Kang Mandor," by Ujang Suryana Henry Cowell Music from China Listening Guide: "Moonlight on the Ching Yang River," by Yo Su-Nan of the T'ang Dynasty John Cage Listening Guide: Sonata V from Sonatas and Interludes, by John Cage HEARING THE DIFFERENCE Chopin's Ballade no. Interludes for Prepared Piano 4O Influences from India Indian Music Listening Guide: and Group Terry Riley Philip Glass Listening Guide: Company, second movement, by Philip Glass HEARING THE DIFFERENCE Haydn's String Quartet, fourth movement, and Glass's Company, second movement 41 City of Jerusalem African Music Ewe Drum Ensembles Listening Guide: "Gadzo" ("Kayiboe, The Child is not Matured"), Music of the Ewe of Ghana XX Steve Reich 346 Studies Listening Guide: 42 Music from Spain Listening Guide: "Flamenco Dance Song" Listening Guide: George Crumb Listening Guide: ("Drink the tranquil water of the old song"), by George Crumb HEARING THE DIFFERENCE Glass's Company, second movement, and Crumb's tranquila de la canción añeja" old song") Characteristics of Non-Western-Influenced Music in the West Glossary Credits Performance Information for 2-CD Set Index
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id	DE-604.BV022367285
illustrated	Illustrated
index_date	2024-07-02T17:05:39Z
indexdate	2024-07-09T20:56:05Z
institution	BVB
isbn	0072462442
language	English
lccn	2006280046
oai_aleph_id	oai:aleph.bib-bvb.de:BVB01-015576517
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physical	XXXV, 384 S. Ill. 26 cm 2 sound discs (digital ; 4 3/4 in.) + 1 CD-ROM (4 3/4 in.)
publishDate	2007
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publisher	McGraw-Hill
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spelling	Charlton, Katherine Verfasser aut Experience music! Katherine Charlton ; Robert Hickok Experience music interactive! Boston [u.a.] McGraw-Hill 2007 XXXV, 384 S. Ill. 26 cm 2 sound discs (digital ; 4 3/4 in.) + 1 CD-ROM (4 3/4 in.) txt rdacontent n rdamedia nc rdacarrier CD-ROM-Beil. u.d.T.: Experience music interactive! Geschichte gnd rswk-swf Music appreciation Textbooks Musiklehre (DE-588)4123808-4 gnd rswk-swf Musikinstrument (DE-588)4040851-6 gnd rswk-swf Musik (DE-588)4040802-4 gnd rswk-swf 1\p (DE-588)4151278-9 Einführung gnd-content Musik (DE-588)4040802-4 s Geschichte z DE-604 Musiklehre (DE-588)4123808-4 s 2\p DE-604 Musikinstrument (DE-588)4040851-6 s 3\p DE-604 Hickok, Robert Verfasser aut Digitalisierung BSBMuenchen application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=015576517&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 3\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk
spellingShingle	Charlton, Katherine Hickok, Robert Experience music! Music appreciation Textbooks Musiklehre (DE-588)4123808-4 gnd Musikinstrument (DE-588)4040851-6 gnd Musik (DE-588)4040802-4 gnd
subject_GND	(DE-588)4123808-4 (DE-588)4040851-6 (DE-588)4040802-4 (DE-588)4151278-9
title	Experience music!
title_alt	Experience music interactive!
title_auth	Experience music!
title_exact_search	Experience music!
title_exact_search_txtP	Experience music!
title_full	Experience music! Katherine Charlton ; Robert Hickok
title_fullStr	Experience music! Katherine Charlton ; Robert Hickok
title_full_unstemmed	Experience music! Katherine Charlton ; Robert Hickok
title_short	Experience music!
title_sort	experience music
topic	Music appreciation Textbooks Musiklehre (DE-588)4123808-4 gnd Musikinstrument (DE-588)4040851-6 gnd Musik (DE-588)4040802-4 gnd
topic_facet	Music appreciation Textbooks Musiklehre Musikinstrument Musik Einführung
url	http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=015576517&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA
work_keys_str_mv	AT charltonkatherine experiencemusic AT hickokrobert experiencemusic AT charltonkatherine experiencemusicinteractive AT hickokrobert experiencemusicinteractive

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