The musical crowd in English fiction, 1840 - 1910: class, culture and nation
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Basingstoke [u. a.]
Palgrave Macmillan
2006
|
| Ausgabe: | 1. publ. |
| Schriftenreihe: | Palgrave studies in nineteenth-century writing and culture
|
| Schlagworte: | |
| Online-Zugang: | Publisher description Inhaltsverzeichnis Klappentext |
| Beschreibung: | IX, 245 S. |
| ISBN: | 1403999945 9781403999948 |
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Datensatz im Suchindex
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| adam_text | Contents
Acknowledgements
viii
Introduction
1
1
Surveillance and Musical Passion in
Villette
30
2
Germanic Music Ideals in Utopian Communities:
Charles Auchester, Erewhon and Euphonia
56
3
Music, Climate Theory and the Working Classes in
Sandra Belloni
83
4
Imagining
1848
Risorgimento
Opera Production in
Vittoria
110
5
Shaw s Fiction and the Emerging English Musical
Renaissance
130
6
From Collective Action to Creative Individuality:
Robert Ehmere, Dodo, Althea and Howards End
156
Conclusion
185
Notes
190
Bibliography
218
Index
236
vH
Between
1840
and
1910,
many best-selling English novels reveal a
fascination with the listening audience, musical ensemble, and mass-
music movement. This pioneering new book argues that these popular
narratives share a perception of musical performance as participating in
larger cultural forces, such as ideas about nation. Looking at this cultural
thematics also links Literature that is not usually discussed together:
Charlotte Bronte s
Villette
is shown to head up a tradition that includes
works of fiction by George Meredith, Samuel Butler, George Bernard
Shaw, Vernon Lee, and E.M.
Forster.
in her original study, Phyllis Weliver examines the theme of the musical
crowd alongside Victorian social, political, and scientific theories. White
usually considered discrete fields today, the fictional works demonstrate
that discourses of group management, ethnology, climate, nation, class,
and music were highly interactive during a span of at least seventy years.
The exchanges between these fields are not readily apparent
irt
looking at
the documents produced by the musical profession atone, so fictional
works offer unique and significant insight into how various discourses
were imagined as mutually constitutive.
Phyllis Weliver is an Assistant Professor of English at Wilkes University,
USA. She is the author of Women Musicians in Victorian Fiction,
186Q-190Q: Representations of Musk, Science and Gender in the Leisured
Home
(2000)
and editor of The Figure of Music in Nineteenth-Century
British Poetry
(2005).
|
| adam_txt |
Contents
Acknowledgements
viii
Introduction
1
1
Surveillance and Musical Passion in
Villette
30
2
Germanic Music Ideals in Utopian Communities:
Charles Auchester, Erewhon and "Euphonia"
56
3
Music, Climate Theory and the Working Classes in
Sandra Belloni
83
4
Imagining
1848
Risorgimento
Opera Production in
Vittoria
110
5
Shaw's Fiction and the Emerging English Musical
Renaissance
130
6
From Collective Action to Creative Individuality:
Robert Ehmere, Dodo, Althea and Howards End
156
Conclusion
185
Notes
190
Bibliography
218
Index
236
vH
Between
1840
and
1910,
many best-selling English novels reveal a
fascination with the listening audience, musical ensemble, and mass-
music movement. This pioneering new book argues that these popular
narratives share a perception of musical performance as participating in
larger cultural forces, such as ideas about nation. Looking at this cultural
thematics also links Literature that is not usually discussed together:
Charlotte Bronte's
Villette
is shown to head up a tradition that includes
works of fiction by George Meredith, Samuel Butler, George Bernard
Shaw, Vernon Lee, and E.M.
Forster.
in her original study, Phyllis Weliver examines the theme of the 'musical
crowd' alongside Victorian social, political, and scientific theories. White
usually considered discrete fields today, the fictional works demonstrate
that discourses of group management, ethnology, climate, nation, class,
and music were highly interactive during a span of at least seventy years.
The exchanges between these fields are not readily apparent
irt
looking at
the documents produced by the musical profession atone, so fictional
works offer unique and significant insight into how various discourses
were imagined as mutually constitutive.
Phyllis Weliver is an Assistant Professor of English at Wilkes University,
USA. She is the author of Women Musicians in Victorian Fiction,
186Q-190Q: Representations of Musk, Science and Gender in the Leisured
Home
(2000)
and editor of The Figure of Music in Nineteenth-Century
British Poetry
(2005). |
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| edition | 1. publ. |
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| index_date | 2024-07-02T17:05:30Z |
| indexdate | 2024-07-09T20:56:04Z |
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| series2 | Palgrave studies in nineteenth-century writing and culture |
| spelling | Weliver, Phyllis 1968- Verfasser (DE-588)13338098X aut The musical crowd in English fiction, 1840 - 1910 class, culture and nation Phyllis Weliver 1. publ. Basingstoke [u. a.] Palgrave Macmillan 2006 IX, 245 S. txt rdacontent n rdamedia nc rdacarrier Palgrave studies in nineteenth-century writing and culture Geschichte 1800-1900 Geschichte 1840-1910 gnd rswk-swf Collective behavior in literature English fiction - 19th century - History and criticism Music - Social aspects - Great Britain - History - 19th century Music and literature - History - 19th century Music in literature Social norms in literature Geschichte Gesellschaft Musik English fiction 19th century History and criticism Music and literature History 19th century Music Social aspects Great Britain History 19th century Musik Motiv (DE-588)4114652-9 gnd rswk-swf Englisch (DE-588)4014777-0 gnd rswk-swf Ensemble (DE-588)4212188-7 gnd rswk-swf Publikum (DE-588)4047764-2 gnd rswk-swf Konzert (DE-588)4032359-6 gnd rswk-swf Roman (DE-588)4050479-7 gnd rswk-swf Großbritannien Englisch (DE-588)4014777-0 s Roman (DE-588)4050479-7 s Konzert (DE-588)4032359-6 s Ensemble (DE-588)4212188-7 s Publikum (DE-588)4047764-2 s Geschichte 1840-1910 z DE-604 Musik Motiv (DE-588)4114652-9 s http://www.loc.gov/catdir/enhancements/fy0643/2006046256-d.html Publisher description Digitalisierung UB Regensburg application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=015576155&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Regensburg application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=015576155&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
| spellingShingle | Weliver, Phyllis 1968- The musical crowd in English fiction, 1840 - 1910 class, culture and nation Collective behavior in literature English fiction - 19th century - History and criticism Music - Social aspects - Great Britain - History - 19th century Music and literature - History - 19th century Music in literature Social norms in literature Geschichte Gesellschaft Musik English fiction 19th century History and criticism Music and literature History 19th century Music Social aspects Great Britain History 19th century Musik Motiv (DE-588)4114652-9 gnd Englisch (DE-588)4014777-0 gnd Ensemble (DE-588)4212188-7 gnd Publikum (DE-588)4047764-2 gnd Konzert (DE-588)4032359-6 gnd Roman (DE-588)4050479-7 gnd |
| subject_GND | (DE-588)4114652-9 (DE-588)4014777-0 (DE-588)4212188-7 (DE-588)4047764-2 (DE-588)4032359-6 (DE-588)4050479-7 |
| title | The musical crowd in English fiction, 1840 - 1910 class, culture and nation |
| title_auth | The musical crowd in English fiction, 1840 - 1910 class, culture and nation |
| title_exact_search | The musical crowd in English fiction, 1840 - 1910 class, culture and nation |
| title_exact_search_txtP | The musical crowd in English fiction, 1840 - 1910 class, culture and nation |
| title_full | The musical crowd in English fiction, 1840 - 1910 class, culture and nation Phyllis Weliver |
| title_fullStr | The musical crowd in English fiction, 1840 - 1910 class, culture and nation Phyllis Weliver |
| title_full_unstemmed | The musical crowd in English fiction, 1840 - 1910 class, culture and nation Phyllis Weliver |
| title_short | The musical crowd in English fiction, 1840 - 1910 |
| title_sort | the musical crowd in english fiction 1840 1910 class culture and nation |
| title_sub | class, culture and nation |
| topic | Collective behavior in literature English fiction - 19th century - History and criticism Music - Social aspects - Great Britain - History - 19th century Music and literature - History - 19th century Music in literature Social norms in literature Geschichte Gesellschaft Musik English fiction 19th century History and criticism Music and literature History 19th century Music Social aspects Great Britain History 19th century Musik Motiv (DE-588)4114652-9 gnd Englisch (DE-588)4014777-0 gnd Ensemble (DE-588)4212188-7 gnd Publikum (DE-588)4047764-2 gnd Konzert (DE-588)4032359-6 gnd Roman (DE-588)4050479-7 gnd |
| topic_facet | Collective behavior in literature English fiction - 19th century - History and criticism Music - Social aspects - Great Britain - History - 19th century Music and literature - History - 19th century Music in literature Social norms in literature Geschichte Gesellschaft Musik English fiction 19th century History and criticism Music and literature History 19th century Music Social aspects Great Britain History 19th century Musik Motiv Englisch Ensemble Publikum Konzert Roman Großbritannien |
| url | http://www.loc.gov/catdir/enhancements/fy0643/2006046256-d.html http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=015576155&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=015576155&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT weliverphyllis themusicalcrowdinenglishfiction18401910classcultureandnation |