Music for analysis: examples from the common practice period and the twentieth century
Gespeichert in:
| Format: | Buch |
|---|---|
| Sprache: | English |
| Veröffentlicht: |
New York [u.a.]
Oxford Univ. Pr.
2007
|
| Ausgabe: | 6. ed. |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | XXI, 522 S. 1 CD |
| ISBN: | 9780195188158 0195188152 |
Internformat
MARC
| LEADER | 00000nam a2200000 c 4500 | ||
|---|---|---|---|
| 001 | BV022365708 | ||
| 003 | DE-604 | ||
| 005 | 20070502 | ||
| 007 | t | ||
| 008 | 070326s2007 |||| 00||| eng d | ||
| 020 | |a 9780195188158 |9 978-0-19-518815-8 | ||
| 020 | |a 0195188152 |9 0-19-518815-2 | ||
| 035 | |a (OCoLC)633082139 | ||
| 035 | |a (DE-599)BVBBV022365708 | ||
| 040 | |a DE-604 |b ger |e rakwb | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-355 |a DE-11 | ||
| 084 | |a LR 55520 |0 (DE-625)109765:13528 |2 rvk | ||
| 245 | 1 | 0 | |a Music for analysis |b examples from the common practice period and the twentieth century |c [ed. by] Thomas Benjamin ; Michael Horvit ; Robert Nelson |
| 250 | |a 6. ed. | ||
| 264 | 1 | |a New York [u.a.] |b Oxford Univ. Pr. |c 2007 | |
| 300 | |a XXI, 522 S. |e 1 CD | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 650 | 0 | 7 | |a Musikalische Analyse |0 (DE-588)4040814-0 |2 gnd |9 rswk-swf |
| 655 | 7 | |0 (DE-588)4144384-6 |a Beispielsammlung |2 gnd-content | |
| 689 | 0 | 0 | |a Musikalische Analyse |0 (DE-588)4040814-0 |D s |
| 689 | 0 | |5 DE-604 | |
| 700 | 1 | |a Benjamin, Thomas |d 1940- |e Sonstige |0 (DE-588)103790551 |4 oth | |
| 700 | 1 | |a Horvit, Michael |e Sonstige |4 oth | |
| 700 | 1 | |a Nelson, Robert |d 1941- |e Sonstige |0 (DE-588)135420040 |4 oth | |
| 856 | 4 | 2 | |m Digitalisierung UB Regensburg |q application/pdf |u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=015574970&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |3 Inhaltsverzeichnis |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-015574970 | ||
Datensatz im Suchindex
| _version_ | 1804136416207175680 |
|---|---|
| adam_text | Contents
CD Track List xvi
Preface
Suggestions for Using This Book
Part I Diatonic Materials
Suggestions for Discussion
1.
Questions for Analysis
1.
2.
3.
4.
5.
6. Chopin, Polens Grabgesang,
7.
8.
9. CoüPERiN,
2.
Questions for Analysis
10.
1.1.
12.
15.
14.
15.
5.
Questions for Analysis
Model Analysis
16.
17.
18. Schubert, Wiegenlied,
19.
20.
21. Beethoven,
22.
25. Schubert, Ländler 16
24.
25.
4.
Questions for Analysis
26.
27. Schümann, Faschingsschwank aus Wien, op. 26,
ui
28.
29.
50.
31.
52.
35.
54. Schubert, Ländler 25
5.
Questions for Analysis
55.
56.
57.
58.
6.
Questions for Analysis
59.
40.
41.
42.
45,
44.
45.
46.
47.
48.
49.
7.
Questions
50.
51. Schl bert,
52.
55.
54.
55. Beethoven,
56.
57.
58.
8.
Questions, for Analysis
B9.
60.
61.
62.
in
t 2a,
у
68.
ft
9.
Questions for Analysis
69.
70.
71.
72.
75.
74. Ruhlau,
75.
76.
77.
78.
79.
80.
81.
82.
85.
84.
10.
Questions for Analysis
85. Grüger,
86.
87.
88. Mozart, Bastien und Bastienne,
89. Mozart,
90. Handel,
91.
92.
95.
94.
95.
96.
97.
98. Tessier,
99.
100.
101. Schumann, Phantasiestücke,
102. Schubert, Im Abendroth
105.
11.
Questions for
104.
105. Bach, Aus meines Herzens Grunde 65
106. Schumann, Album
107. Handel,
108.
109.
110.
111.
12.
Questions for Analysis
Scalar Variants in Minor
112.
115.
114.
116. Brno,
116.
117.
118.
Modal Borrowing
119.
120.
121.
122.
1,25. Schubert, Aufenthalt 76
124. Schubert, Der Wanderer 76
125.
126.
127.
128.
15.
Questions
129.
150. Bach, Straf mich nicht in deinem Zorn 81
131.
132.
155.
154.
155.
156. Schubert, Ständchen 84
157.
138.
159.
140.
141.
14.
Questions for Analysis
142.
145.
144.
145.
146.
і
148.
149.
150.
151. Handel,
152.
155.
154. Handel,
155.
156.
1.5.
Questions
157.
158. Mozart, Rondo.
159. Mendelssohn, Kinderstück,
160. Pachelbel, Fantasie 102
161. Handel,
162. Handel,
165.
164.
16.
Checklist for Analysis
165.
166.
167.
168.
169.
170.
1.71.
172.
Part II Chromatic Materials
Suggestions for Discussion
17.
Questions for Analysis
Model
175.
174.
175.
176.
177.
178.
179.
180.
181.
182.
185.
184.
185.
186.
187.
188.
189.
190.
191.
192.
195.
194.
195.
196. Schubert,
197.
198.
199.
200.
201.
202.
203.
204.
205.
206.
18.
Questions for Analysis
Modulation to Dominant
207.
208.
209.
210.
211. Schubert,
212.
213.
214.
215.
216.
217. Schubert,
Modulation to Relative Major
218.
219.
220.
221.
222.
223.
224.
Modulation to Other Closely Related Keys
225.
226.
227.
228.
229.
230.
23
19.
Checklist for Analysis
232,
233.
234
VIH
258.
239.
240.
241.
242. Rodgers,
20.
Seventh Chords
Questions for Analysis
243.
244.
245.
246.
247.
248.
249.
250.
251.
252.
255.
254.
255.
256.
257.
21.
Questions for Analysis
258.
259. Schubert, Der Müller und der Bach 193
260. Bach, Ach Gott, vom Himmel sieh darein 195
261. Bach,
262.
265.
264.
265.
266.
267. Beethoven,
268.
269.
270.
22.
Degree as Lowest Note
Questions for Analysis
Italian
271.
272. Beethoven, Bagatelle, op. 119,
275. Beethoven, Coriolan
274.
275. Schubert,
276.
ix
German
277.
278.
279.
280.
281.
282.
French
285.
284.
285.
286. Schubert,
287.
288.
289.
290.
Enharmonic German
291.
Sommermorgen 218
25.
Degrees as Lowest Note
Questions for Analysis
292.
295.
294.
296,
296.
24.
Question for Analysis
Linear
297.
298.
299.
500. Schobert,
501.
502.
Secondary
505.
504.
306. Schubert» DieAH-mackt*
altered Dominants
506.
507.
308.
509.
25.
Question for Analysis
510.
311.
312. Beethoven,
313.
514.
515.
316.
517.
518.
519.
520.
521.
522.
525. Schubert,
524.
525.
526.
26.
Questions for Analysis
Dominant Ninths
527.
528.
529.
550.
551.
552.
Secondary Dominant Ninths
555.
554.
556.
556.
Nondominant
557.
558.
559.
27.
Questions for Analysis
540-
541.
542.
545.
544.
545.
546.
547.
548.
549. Beethoven,
28.
Checklist for
550.
551.
552. Mendelssohn, Lieder ohne Worte,
555.
554. Schumann, Phantasiestücke,
555.
556.
557.
558.
559. Beethoven, Sieben Variationen: Über das VolMied:
560.
561.
562.
565.
564.
I. Allegro
II. Andante,
III. Allegretto
29.
Questions for Analysis
565.
566. Bach, Es ist genug, so nimm, Herr 557
567. Bach,
568. Bach,
569.
570.
571. Purcell, Täj
572.
575.
574.
575.
576.
577.
Additional Examples for the Study
of Contrapuntual Techniques
Part III Contemporary Materials
Suggestions for Discussion
50.
Questionsfor Analysis
578.
579.
580.
581.
582.
585.
584.
Ж11
385.
586.
587.
588.
589.
51.
Questions for Analysis
590.
591.
392.
595.
594.
395.
596.
597.
598.
599.
400.
401.
52.
Questions for Analysis
402.
4-05.
404.°
405.
406.
407.
408.
55.
Questions for Analysis
409.
410.
411.
412.
413.
414.
415.
416.
417.
418.
419.
420.
54. Quartal
Questions for Analysis
421.
422.
425.
424.
425.
426.
хш
427.
428.
429.
430.
451.
55.
Questions for Analysis
452.
453.
4-54.
455.
4456.
437.
438.
490.
56.
Questions
440.
44
442.
445. Webern,
444>.
443.
44(1
447.
57.
448.
449.
450.
45 t. Wkbkk*, Drei
58.
Questions for Analysis
455,
454.
Γ
457.
458.
39.
Suggestion
450
unissi,
es.
:ш1,
463.
ïi-iEV.
465.
466.
467. Schönberg, Suite für Klavier, op. 25: Menuett 475
468. Porter,
469. Gershwin, Porgj
470.
471.
472.
Appendix A. Checklist for Analysis and Sample Analysis
Appendix B. For Further Reference
Appendix C. Textbook Correlation Chart
Index of Composers and Their Compositions
Index of Complete Pieces
xv
|
| adam_txt |
Contents
CD Track List xvi
Preface
Suggestions for Using This Book
Part I Diatonic Materials
Suggestions for Discussion
1.
Questions for Analysis
1.
2.
3.
4.
5.
6. Chopin, Polens Grabgesang,
7.
8.
9. CoüPERiN,
2.
Questions for Analysis
10.
1.1.
12.
15.
14.
15.
5.
Questions for Analysis
Model Analysis
16.
17.
18. Schubert, Wiegenlied,
19.
20.
21. Beethoven,
22.
25. Schubert, Ländler 16
24.
25.
4.
Questions for Analysis
26.
27. Schümann, Faschingsschwank aus Wien, op. 26,
ui
28.
29.
50.
31.
52.
35.
54. Schubert, Ländler 25
5.
Questions for Analysis
55.
56.
57.
58.
6.
Questions for Analysis
59.
40.
41.
42.
45,
44.
45.
46.
47.
48.
49.
7.
Questions
50.
51. Schl'bert,
52.
55.
54.
55. Beethoven,
56.
57.
58.
8.
Questions, for Analysis
B9.
60.
61.
62.
in
t 2a,
\у
68.
ft"
9.
Questions for Analysis
69.
70.
71.
72.
75.
74. Ruhlau,
75.
76.
77.
78.
79.
80.
81.
82.
85.
84.
10.
Questions for Analysis
85. Grüger,
86.
87.
88. Mozart, Bastien und Bastienne,
89. Mozart,
90. Handel,
91.
92.
95.
94.
95.
96.
97.
98. Tessier,
99.
100.
101. Schumann, Phantasiestücke,
102. Schubert, Im Abendroth
105.
11.
Questions for
104.
105. Bach, Aus meines Herzens Grunde 65
106. Schumann, Album
107. Handel,
108.
109.
110.
111.
12.
Questions for Analysis
Scalar Variants in Minor
112.
115.
114.
116. Brno,
116.
117.
118.
Modal Borrowing
119.
120.
121.
122.
1,25. Schubert, Aufenthalt 76
124. Schubert, Der Wanderer 76
125.
126.
127.
128.
15.
Questions
129.
150. Bach, Straf mich nicht in deinem Zorn 81
131.
132.
155.
154.
155.
156. Schubert, Ständchen 84
157.
138.
159.
140.
141.
14.
Questions for Analysis
142.
145.
144.
145.
146.
і
148.
149.
150.
151. Handel,
152.
155.
154. Handel,
155.
156.
1.5.
Questions
157.
158. Mozart, Rondo.
159. Mendelssohn, Kinderstück,
160. Pachelbel, Fantasie 102
161. Handel,
162. Handel,
165.
164.
16.
Checklist for Analysis
165.
166.
167.
168.
169.
170.
1.71.
172.
Part II Chromatic Materials
Suggestions for Discussion
17.
Questions for Analysis
Model
175.
174.
175.
176.
177.
178.
179.
180.
181.
182.
185.
184.
185.
186.
187.
188.
189.
190.
191.
192.
195.
194.
195.
196. Schubert,
197.
198.
199.
200.
201.
202.
203.
204.
205.
206.
18.
Questions for Analysis
Modulation to Dominant
207.
208.
209.
210.
211. Schubert,
212.
213.
214.
215.
216.
217. Schubert,
Modulation to Relative Major
218.
219.
220.
221.
222.
223.
224.
Modulation to Other Closely Related Keys
225.
226.
227.
228.
229.
230.
23
19.
Checklist for Analysis
232,
233.
234
VIH
258.
239.
240.
241.
242. Rodgers,
20.
Seventh Chords
Questions for Analysis
243.
244.
245.
246.
247.
248.
249.
250.
251.
252.
255.
254.
255.
256.
257.
21.
Questions for Analysis
258.
259. Schubert, Der Müller und der Bach 193
260. Bach, Ach Gott, vom Himmel sieh' darein 195
261. Bach,
262.
265.
264.
265.
266.
267. Beethoven,
268.
269.
270.
22.
Degree as Lowest Note
Questions for Analysis
Italian
271.
272. Beethoven, Bagatelle, op. 119,
275. Beethoven, Coriolan
274.
275. Schubert,
276.
ix
German
277.
278.
279.
280.
281.
282.
French
285.
284.
285.
286. Schubert,
287.
288.
289.
290.
Enharmonic German
291.
Sommermorgen" 218
25.
Degrees as Lowest Note
Questions for Analysis
292.
295.
294.
296,
296.
24.
Question for Analysis
Linear
297.
298.
299.
500. Schobert,
501.
502.
Secondary
505.
504.
306. Schubert» DieAH-mackt*
altered Dominants
506.
507.
308.
509.
25.
Question for Analysis
510.
311.
312. Beethoven,
313.
514.
515.
316.
517.
518.
519.
520.
521.
522.
525. Schubert,
524.
525.
526.
26.
Questions for Analysis
Dominant Ninths
527.
528.
529.
550.
551.
552.
Secondary Dominant Ninths
555.
554.
556.
556.
Nondominant
557.
558.
559.
27.
Questions for Analysis
540-
541.
542.
545.
544.
545.
546.
547.
548.
549. Beethoven,
28.
Checklist for
550.
551.
552. Mendelssohn, Lieder ohne Worte,
555.
554. Schumann, Phantasiestücke,
555.
556.
557.
558.
559. Beethoven, Sieben Variationen: Über das VolMied:
560.
561.
562.
565.
564.
I. Allegro
II. Andante,
III. Allegretto
29.
Questions for Analysis
565.
566. Bach, Es ist genug, so nimm, Herr 557
567. Bach,
568. Bach,
569.
570.
571. Purcell,'Täj
572.
575.
574.
575.
576.
577.
Additional Examples for the Study
of Contrapuntual Techniques
Part III Contemporary Materials
Suggestions for Discussion
50.
Questionsfor Analysis
578.
579.
580.
581.
582.
585.
584.
Ж11
385.
586.
587.
588.
589.
51.
Questions for Analysis
590.
591.
392.
595.
594.
395.
596.
597.
598.
599.
400.
401.
52.
Questions for Analysis
402.
4-05.
404.°
405.
406.
407.
408.
55.
Questions for Analysis
409.
410.
411.
412.
413.
414.
415.
416.
417.
418.
419.
420.
54. Quartal
Questions for Analysis
421.
422.
425.
424.
425.
426.
хш
427.
428.
429.
430.
451.
55.
Questions for Analysis
452.
453.
4-54.
455.
4456.
437.
438.
490.
56.
Questions
440.
44
442.
445. Webern,
444>.
443.
44(1
447.
57.
448.
449.
450.
45 t. Wkbkk*, Drei
58.
Questions for Analysis
455,
454.
Γ
457.
458.
39.
Suggestion
450
unissi,
''es.
:ш1,
463.
ïi-iEV.
465.
466.
467. Schönberg, Suite für Klavier, op. 25: Menuett 475
468. Porter,
469. Gershwin, Porgj'
470.
471.
472.
Appendix A. Checklist for Analysis and Sample Analysis
Appendix B. For Further Reference
Appendix C. Textbook Correlation Chart
Index of Composers and Their Compositions
Index of Complete Pieces
xv |
| any_adam_object | 1 |
| any_adam_object_boolean | 1 |
| author_GND | (DE-588)103790551 (DE-588)135420040 |
| building | Verbundindex |
| bvnumber | BV022365708 |
| classification_rvk | LR 55520 |
| ctrlnum | (OCoLC)633082139 (DE-599)BVBBV022365708 |
| discipline | Musikwissenschaft |
| discipline_str_mv | Musikwissenschaft |
| edition | 6. ed. |
| format | Book |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>01551nam a2200373 c 4500</leader><controlfield tag="001">BV022365708</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20070502 </controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">070326s2007 |||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780195188158</subfield><subfield code="9">978-0-19-518815-8</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">0195188152</subfield><subfield code="9">0-19-518815-2</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)633082139</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV022365708</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rakwb</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-355</subfield><subfield code="a">DE-11</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">LR 55520</subfield><subfield code="0">(DE-625)109765:13528</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Music for analysis</subfield><subfield code="b">examples from the common practice period and the twentieth century</subfield><subfield code="c">[ed. by] Thomas Benjamin ; Michael Horvit ; Robert Nelson</subfield></datafield><datafield tag="250" ind1=" " ind2=" "><subfield code="a">6. ed.</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">New York [u.a.]</subfield><subfield code="b">Oxford Univ. Pr.</subfield><subfield code="c">2007</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">XXI, 522 S.</subfield><subfield code="e">1 CD</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Musikalische Analyse</subfield><subfield code="0">(DE-588)4040814-0</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="0">(DE-588)4144384-6</subfield><subfield code="a">Beispielsammlung</subfield><subfield code="2">gnd-content</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Musikalische Analyse</subfield><subfield code="0">(DE-588)4040814-0</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Benjamin, Thomas</subfield><subfield code="d">1940-</subfield><subfield code="e">Sonstige</subfield><subfield code="0">(DE-588)103790551</subfield><subfield code="4">oth</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Horvit, Michael</subfield><subfield code="e">Sonstige</subfield><subfield code="4">oth</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Nelson, Robert</subfield><subfield code="d">1941-</subfield><subfield code="e">Sonstige</subfield><subfield code="0">(DE-588)135420040</subfield><subfield code="4">oth</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="m">Digitalisierung UB Regensburg</subfield><subfield code="q">application/pdf</subfield><subfield code="u">http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=015574970&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA</subfield><subfield code="3">Inhaltsverzeichnis</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-015574970</subfield></datafield></record></collection> |
| genre | (DE-588)4144384-6 Beispielsammlung gnd-content |
| genre_facet | Beispielsammlung |
| id | DE-604.BV022365708 |
| illustrated | Not Illustrated |
| index_date | 2024-07-02T17:05:11Z |
| indexdate | 2024-07-09T20:56:03Z |
| institution | BVB |
| isbn | 9780195188158 0195188152 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-015574970 |
| oclc_num | 633082139 |
| open_access_boolean | |
| owner | DE-355 DE-BY-UBR DE-11 |
| owner_facet | DE-355 DE-BY-UBR DE-11 |
| physical | XXI, 522 S. 1 CD |
| publishDate | 2007 |
| publishDateSearch | 2007 |
| publishDateSort | 2007 |
| publisher | Oxford Univ. Pr. |
| record_format | marc |
| spelling | Music for analysis examples from the common practice period and the twentieth century [ed. by] Thomas Benjamin ; Michael Horvit ; Robert Nelson 6. ed. New York [u.a.] Oxford Univ. Pr. 2007 XXI, 522 S. 1 CD txt rdacontent n rdamedia nc rdacarrier Musikalische Analyse (DE-588)4040814-0 gnd rswk-swf (DE-588)4144384-6 Beispielsammlung gnd-content Musikalische Analyse (DE-588)4040814-0 s DE-604 Benjamin, Thomas 1940- Sonstige (DE-588)103790551 oth Horvit, Michael Sonstige oth Nelson, Robert 1941- Sonstige (DE-588)135420040 oth Digitalisierung UB Regensburg application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=015574970&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Music for analysis examples from the common practice period and the twentieth century Musikalische Analyse (DE-588)4040814-0 gnd |
| subject_GND | (DE-588)4040814-0 (DE-588)4144384-6 |
| title | Music for analysis examples from the common practice period and the twentieth century |
| title_auth | Music for analysis examples from the common practice period and the twentieth century |
| title_exact_search | Music for analysis examples from the common practice period and the twentieth century |
| title_exact_search_txtP | Music for analysis examples from the common practice period and the twentieth century |
| title_full | Music for analysis examples from the common practice period and the twentieth century [ed. by] Thomas Benjamin ; Michael Horvit ; Robert Nelson |
| title_fullStr | Music for analysis examples from the common practice period and the twentieth century [ed. by] Thomas Benjamin ; Michael Horvit ; Robert Nelson |
| title_full_unstemmed | Music for analysis examples from the common practice period and the twentieth century [ed. by] Thomas Benjamin ; Michael Horvit ; Robert Nelson |
| title_short | Music for analysis |
| title_sort | music for analysis examples from the common practice period and the twentieth century |
| title_sub | examples from the common practice period and the twentieth century |
| topic | Musikalische Analyse (DE-588)4040814-0 gnd |
| topic_facet | Musikalische Analyse Beispielsammlung |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=015574970&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT benjaminthomas musicforanalysisexamplesfromthecommonpracticeperiodandthetwentiethcentury AT horvitmichael musicforanalysisexamplesfromthecommonpracticeperiodandthetwentiethcentury AT nelsonrobert musicforanalysisexamplesfromthecommonpracticeperiodandthetwentiethcentury |