Memory, masculinity, and national identity in British visual culture: 1914 - 1930 ; a study of "unconquerable manhood"
With its specific focus on British representations of masculinity in relation to the trauma of the First World War and notions of national identity, class and sexuality, this book provides a much needed addition to the historiography of visual culture during the period.
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Aldershot [u.a.]
Ashgate
2007
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | With its specific focus on British representations of masculinity in relation to the trauma of the First World War and notions of national identity, class and sexuality, this book provides a much needed addition to the historiography of visual culture during the period. |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | XII, 217 S. Ill. |
| ISBN: | 9780754660170 |
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| 245 | 1 | 0 | |a Memory, masculinity, and national identity in British visual culture |b 1914 - 1930 ; a study of "unconquerable manhood" |c Gabriel Koureas |
| 264 | 1 | |a Aldershot [u.a.] |b Ashgate |c 2007 | |
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| 500 | |a Includes bibliographical references and index | ||
| 520 | 3 | |a With its specific focus on British representations of masculinity in relation to the trauma of the First World War and notions of national identity, class and sexuality, this book provides a much needed addition to the historiography of visual culture during the period. | |
| 648 | 4 | |a Geschichte 1900-2000 | |
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| 650 | 4 | |a Gesellschaft | |
| 650 | 4 | |a Nationalbewusstsein | |
| 650 | 4 | |a Weltkrieg (1914-1918) | |
| 650 | 4 | |a Masculinity in popular culture |z Great Britain |x History |y 20th century | |
| 650 | 4 | |a World War, 1914-1918 |x Social aspects |z Great Britain | |
| 650 | 4 | |a Memorialization |z Great Britain |x History |y 20th century | |
| 650 | 4 | |a War memorials |x Social aspects |z Great Britain | |
| 650 | 4 | |a National characteristics, British |x History |y 20th century | |
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Datensatz im Suchindex
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| adam_text |
Contents
List of Illustrations vii
Acknowledgemertts xi
List of Abbreviations xiii
Introduction 1
1 Ritual, Cérémonial, Order and the Aesthetics of Simplicity 9
Defining the Idéal Mémorial 11
Bolshevism and the Returning Ex Servicemen 23
Cérémonial, Ritual and Simplicity 31
Silence 35
The Cenotaph 37
Simplicity and Uniformity: The Impérial War Graves 45
2 Class Conflict, the New Man and the Picturesque Soldier 49
The National Union of Railwaymen Strike of 1919 50
The New Man 55
The Central Labour Collège 60
Banners and Révolution 63
The London and North Western Railway Mémorial 71
The Picturesque Soldier 78
Unconquerable Manhood 79
Fear, Attention and Discipline 82
Silence, Stillness and Discipline 87
3 Abjection, Idéalisation, Trauma and Acting Out of Masculinités
in the Inter War Years 91
Contre versy 95
The Man Constructed The Gun, Gunner and the Idéal Man 98
The Symbiosis of Gun and Gunner 102
The Abjected Inside 106
Trauma and Class 110
Trauma and Sexuality 124
Acting Out The Case of Lt. Col. Graham Seton Hutchison 133
Reconstructing the Man 13 8
vi Memory, Masculinity and National Identity in British Visual Culture, 1914 1930
4 Unveiling Polished Guns/Veiling Fragile Masculinities 143
Establishing the Impérial War Muséum 145
Personal/Public: Collecting Souvenirs for the IWM 150
Collecting Mammals 152
Collecting, Authenticating, and Containing the Trauma of War 155
The War Photographie Album 15 8
Recycling Guns 164
Exhibiting Guns 167
The Mémorial to the Fallen 178
Conclusion 183
Bibliography 187
Index 211
List of Illustrations
1 Ritual, Cérémonial, Order and the Aesthetics of Simplicity
1.1 Unemployment Rioting in Whitehall. IllustratedLondon News, 23/10/1920.
Permission courtesy of the Illustrated London News Picture Library.
1.2 The Cenotaph after the unveiling. The Sphère, 12/11/1920. Permission
courtesy of the Illustrated London News Picture Library.
1.3 Design for Pemberton Billing, MP Architect, 27/06/1919, p. 409.
Photographie collection. The British Architectural Library. Permission
courtesy of the Royal Institute of British Architects.
1.4 Bust of Sir Edwin Lutyens (1917). Photographie collection. The British
Architectural Library. Permission courtesy of the Royal Institute of British
Architects.
2 Class Conflict, the New Man and the Picturesque Soldier
2.1 To the Ex Soldier. Daily Herald, 30/09/1919. Permission courtesy of the
Science and Society Picture Library.
2.2 National Union of Railwaymen banner, Rickmansworth branch, no date. By
permission of the People's History Muséum.
2.3 National Union of Railwaymen banner, Smithfield branch, no date. By
permission of the People's History Muséum.
2.4 National Union of Railwaymen banner, Southend on Sea branch, no date. By
permission of the People's History Muséum.
2.5 Is this Man an Anarchist? Poster produced by the Labour Research
Department. Daily Herald, 30/09/1919.
2.6 Ceremony of the Unveiling of the LNWR Mémorial, Euston Station, London,
sculpted by R. Wynn Owen (1921). The Railway Gazette, 28/10/1921, p. 641.
By permission of the British Library.
2.7 Ceremony of the Unveiling of the LNWR Mémorial, Euston Station, London,
sculpted by R. Wynn Owen (1921). The Railway Gazette, 28/10/1921,
p. 641. By permission of the British Library.
viii Memory, Masculinity and National Identity in British Visual Culture, 1914 1930
3 Abjection, Idéalisation, Trauma and Acting Out of Masculinités in the
Inter War Years
3.1 Machine Gun Corps Mémorial (1925), Hyde Park Corner, London, Francis
Derwent Wood. By permission of the Impérial War Muséum.
3.2 RoyalArtillery Mémorial (1925), Hyde Park Corner, London, Charles Jagger.
Author.
3.3 Initial Model for the Machine Gun Corps Mémorial, Francis Derwent Wood,
no date. By permission of the Royal Academy.
3.4 Détail, Machine Gun Corps Mémorial (1925), Hyde Park Corner, London,
Francis Derwent Wood. Author.
3.5 The Machine Gun. IllustratedLondon News, 01/07/1915. Permission courtesy
of the Illustrated London News Picture Library.
3.6 Cases of shell shock (hystérie symptoms) before and aftertreatment. Southard
Elmer, Shell Shock and Other Neuropsychiatrie Problems: Presented in Five
Hundred and Eighty Nine Case Historiés from the War Literature 1914 18
(Boston, 1919), p. 784. By permission of the British Library.
3.7 The Man Who has Answered the Call and the Man Who has Not. Illustrated
London News, 20/11/1915. Permission courtesy of the Illustrated London
News Picture Library.
3.8 The Man Who has Answered the Call and the Man Who has Not. Illustrated
London News, 20/11/1915. Permission courtesy of the Illustrated London
News Picture Library.
3.9 Private Pudmore at Netley Psychiatrie Hospital, Film Still. War Neuroses.
Netley 1917, Seale Hayne, 1917 8. Wellcome Trust Film Unit. By permission
of the Wellcome Trust.
3.10 Patient at Netley Hospital. Film Still. War Neuroses. Netley 1917, Seale
Hayne, 1917 8. Wellcome Trust Film Unit. By permission of the Wellcome
Trust.
3.11 Figure of Boy David, Machine Gun Corps Mémorial (1925), détail. Francis
Derwent Wood. Author.
3.12 To the Fallen. Hutchison, G. S., History and Memoir ofthe 33rd Battalion
Machine Gun Corps and ofthe 19th, 98th, lOOth and 248th M.G. Companies
(London: Waterlow Brothers, 1919). By permission ofthe British Library.
3.13 Reconstruction. Hutchison, G. S., History and Memoir ofthe 33rd Battalion
Machine Gun Corps and ofthe 19th, 98th, lOOth and248thM.G. Companies
(London: Waterlow Brothers, 1919). By permission ofthe British Library.
List ofIllustrations ix
3.14 Nudity/Nakedness Source: The Superman Magazine, November 1930. By
permission of the British Library.
3.15 Applying First Quote of Plaster, Noses Room, 3rd London Hospital. Impérial
War Muséum Photographie Archive. By permission of the Impérial War
Muséum.
3.16 Patient Examining the Mould of his Face, Noses Room, 3rd London Hospital.
Impérial War Muséum Photographie Archive. By permission of the Impérial
War Muséum.
3.17 Francis Derwent Wood Painting the Plate, Noses Room, 3rd London Hospital.
Impérial War Muséum Photographie Archive. By permission of the Impérial
War Muséum.
3.18 Francis Derwent Wood Examining the Finished Plate, Noses Room,
3rd London Hospital. Impérial War Muséum Photographie Archive. By
permission of the Impérial War Muséum.
4 Unveiling Polished Guns/Veiling Fragile Masculinities
4.1 First Exhibition of the IWM at Crystal Palace, June 1920. Impérial War
Muséum Photographie Archive. By permission of the Impérial War
Muséum.
4.2 Captain Gameson, L., Photographie Album, p. 50. Impérial War Muséum,
Department of Documents, P396. By permission of Mr Félix Gameson.
4.3 Captain Gameson, L., Photographie Album, p. 32. Impérial War Muséum,
Department of Documents, P396. By permission of Mr Félix Gameson.
4.4 Captain Gameson, L., Photographie Album, p. 44. Impérial War Muséum,
Department of Documents, P396. By permission of Mr Félix Gameson.
4.5 Captain Gameson, L., Photographie Album, p. 10. Impérial War Muséum,
Department of Documents, P396. By permission of Mr Félix Gameson.
4.6 Captain Gameson, L., Photographie Album, p. 157. Impérial War Muséum,
Department of Documents, P396. By permission of Mr Félix Gameson.
4.7 Display of War Relies along the Mail, London (no date, probably 1916 17).
Impérial War Muséum Photographie Archive. By permission of the Impérial
War Muséum.
4.8 King George V pointing to one of the artillery guns, film still from a short
film of the opening ceremony of the first exhibition of the IWM. Impérial War
Muséum Film Archive. By permission of the Impérial War Muséum.
x Memory, Masculinity and National Identity in British Visual Culture, 1914 1930
4.9 Officer looking at one of the artillery guns, film still from a short film of the
opening ceremony of the first exhibition of the IWM. Impérial War Muséum
Film Archive. By permission of the Impérial War Muséum.
4.10 John Lobley, The Toy Makers Shop (1919). The Queen's Hospital for
Facial Injuries, Frognal, Sidcup. Impérial War Muséum Art Department. By
permission of the Impérial War Muséum.
4.11 Charles ffoulkes (right) and Charles Jagger in front of the veiled Royal
Artillery Mémorial (1925). Impérial War Muséum Photographie Archive. By
permission of the Impérial War Muséum.
4.12 Charles Jagger modelling the figures for the Royal Artillery Mémorial
from a life model Source: Jagger, Charles, 'Modelling and Sculpture in
the Making', The Studio. 'How to Do it Séries', London, 1933, p. 10. By
permission of the Estate of C. S. Jagger.
4.13 Artillery Gun 'Nery' at the unveiling of the Royal Artillery Mémorial (1925).
Impérial War Muséum Photographie Archive. By permission of the Impérial
War Muséum |
| adam_txt |
Contents
List of Illustrations vii
Acknowledgemertts xi
List of Abbreviations xiii
Introduction 1
1 Ritual, Cérémonial, Order and the Aesthetics of Simplicity 9
Defining the Idéal Mémorial 11
Bolshevism and the Returning Ex Servicemen 23
Cérémonial, Ritual and Simplicity 31
Silence 35
The Cenotaph 37
Simplicity and Uniformity: The Impérial War Graves 45
2 Class Conflict, the New Man and the Picturesque Soldier 49
The National Union of Railwaymen Strike of 1919 50
The New Man 55
The Central Labour Collège 60
Banners and Révolution 63
The London and North Western Railway Mémorial 71
The Picturesque Soldier 78
Unconquerable Manhood 79
Fear, Attention and Discipline 82
Silence, Stillness and Discipline 87
3 Abjection, Idéalisation, Trauma and Acting Out of Masculinités
in the Inter War Years 91
Contre versy 95
The Man Constructed The Gun, Gunner and the Idéal Man 98
The Symbiosis of Gun and Gunner 102
The Abjected Inside 106
Trauma and Class 110
Trauma and Sexuality 124
Acting Out The Case of Lt. Col. Graham Seton Hutchison 133
Reconstructing the Man 13 8
vi Memory, Masculinity and National Identity in British Visual Culture, 1914 1930
4 Unveiling Polished Guns/Veiling Fragile Masculinities 143
Establishing the Impérial War Muséum 145
Personal/Public: Collecting Souvenirs for the IWM 150
Collecting Mammals 152
Collecting, Authenticating, and Containing the Trauma of War 155
The War Photographie Album 15 8
Recycling Guns 164
Exhibiting Guns 167
The Mémorial to the Fallen 178
Conclusion 183
Bibliography 187
Index 211
List of Illustrations
1 Ritual, Cérémonial, Order and the Aesthetics of Simplicity
1.1 Unemployment Rioting in Whitehall. IllustratedLondon News, 23/10/1920.
Permission courtesy of the Illustrated London News Picture Library.
1.2 The Cenotaph after the unveiling. The Sphère, 12/11/1920. Permission
courtesy of the Illustrated London News Picture Library.
1.3 Design for Pemberton Billing, MP Architect, 27/06/1919, p. 409.
Photographie collection. The British Architectural Library. Permission
courtesy of the Royal Institute of British Architects.
1.4 Bust of Sir Edwin Lutyens (1917). Photographie collection. The British
Architectural Library. Permission courtesy of the Royal Institute of British
Architects.
2 Class Conflict, the New Man and the Picturesque Soldier
2.1 To the Ex Soldier. Daily Herald, 30/09/1919. Permission courtesy of the
Science and Society Picture Library.
2.2 National Union of Railwaymen banner, Rickmansworth branch, no date. By
permission of the People's History Muséum.
2.3 National Union of Railwaymen banner, Smithfield branch, no date. By
permission of the People's History Muséum.
2.4 National Union of Railwaymen banner, Southend on Sea branch, no date. By
permission of the People's History Muséum.
2.5 Is this Man an Anarchist? Poster produced by the Labour Research
Department. Daily Herald, 30/09/1919.
2.6 Ceremony of the Unveiling of the LNWR Mémorial, Euston Station, London,
sculpted by R. Wynn Owen (1921). The Railway Gazette, 28/10/1921, p. 641.
By permission of the British Library.
2.7 Ceremony of the Unveiling of the LNWR Mémorial, Euston Station, London,
sculpted by R. Wynn Owen (1921). The Railway Gazette, 28/10/1921,
p. 641. By permission of the British Library.
viii Memory, Masculinity and National Identity in British Visual Culture, 1914 1930
3 Abjection, Idéalisation, Trauma and Acting Out of Masculinités in the
Inter War Years
3.1 Machine Gun Corps Mémorial (1925), Hyde Park Corner, London, Francis
Derwent Wood. By permission of the Impérial War Muséum.
3.2 RoyalArtillery Mémorial (1925), Hyde Park Corner, London, Charles Jagger.
Author.
3.3 Initial Model for the Machine Gun Corps Mémorial, Francis Derwent Wood,
no date. By permission of the Royal Academy.
3.4 Détail, Machine Gun Corps Mémorial (1925), Hyde Park Corner, London,
Francis Derwent Wood. Author.
3.5 The Machine Gun. IllustratedLondon News, 01/07/1915. Permission courtesy
of the Illustrated London News Picture Library.
3.6 Cases of shell shock (hystérie symptoms) before and aftertreatment. Southard
Elmer, Shell Shock and Other Neuropsychiatrie Problems: Presented in Five
Hundred and Eighty Nine Case Historiés from the War Literature 1914 18
(Boston, 1919), p. 784. By permission of the British Library.
3.7 The Man Who has Answered the Call and the Man Who has Not. Illustrated
London News, 20/11/1915. Permission courtesy of the Illustrated London
News Picture Library.
3.8 The Man Who has Answered the Call and the Man Who has Not. Illustrated
London News, 20/11/1915. Permission courtesy of the Illustrated London
News Picture Library.
3.9 Private Pudmore at Netley Psychiatrie Hospital, Film Still. War Neuroses.
Netley 1917, Seale Hayne, 1917 8. Wellcome Trust Film Unit. By permission
of the Wellcome Trust.
3.10 Patient at Netley Hospital. Film Still. War Neuroses. Netley 1917, Seale
Hayne, 1917 8. Wellcome Trust Film Unit. By permission of the Wellcome
Trust.
3.11 Figure of Boy David, Machine Gun Corps Mémorial (1925), détail. Francis
Derwent Wood. Author.
3.12 To the Fallen. Hutchison, G. S., History and Memoir ofthe 33rd Battalion
Machine Gun Corps and ofthe 19th, 98th, lOOth and 248th M.G. Companies
(London: Waterlow Brothers, 1919). By permission ofthe British Library.
3.13 Reconstruction. Hutchison, G. S., History and Memoir ofthe 33rd Battalion
Machine Gun Corps and ofthe 19th, 98th, lOOth and248thM.G. Companies
(London: Waterlow Brothers, 1919). By permission ofthe British Library.
List ofIllustrations ix
3.14 Nudity/Nakedness Source: The Superman Magazine, November 1930. By
permission of the British Library.
3.15 Applying First Quote of Plaster, Noses Room, 3rd London Hospital. Impérial
War Muséum Photographie Archive. By permission of the Impérial War
Muséum.
3.16 Patient Examining the Mould of his Face, Noses Room, 3rd London Hospital.
Impérial War Muséum Photographie Archive. By permission of the Impérial
War Muséum.
3.17 Francis Derwent Wood Painting the Plate, Noses Room, 3rd London Hospital.
Impérial War Muséum Photographie Archive. By permission of the Impérial
War Muséum.
3.18 Francis Derwent Wood Examining the Finished Plate, Noses Room,
3rd London Hospital. Impérial War Muséum Photographie Archive. By
permission of the Impérial War Muséum.
4 Unveiling Polished Guns/Veiling Fragile Masculinities
4.1 First Exhibition of the IWM at Crystal Palace, June 1920. Impérial War
Muséum Photographie Archive. By permission of the Impérial War
Muséum.
4.2 Captain Gameson, L., Photographie Album, p. 50. Impérial War Muséum,
Department of Documents, P396. By permission of Mr Félix Gameson.
4.3 Captain Gameson, L., Photographie Album, p. 32. Impérial War Muséum,
Department of Documents, P396. By permission of Mr Félix Gameson.
4.4 Captain Gameson, L., Photographie Album, p. 44. Impérial War Muséum,
Department of Documents, P396. By permission of Mr Félix Gameson.
4.5 Captain Gameson, L., Photographie Album, p. 10. Impérial War Muséum,
Department of Documents, P396. By permission of Mr Félix Gameson.
4.6 Captain Gameson, L., Photographie Album, p. 157. Impérial War Muséum,
Department of Documents, P396. By permission of Mr Félix Gameson.
4.7 Display of War Relies along the Mail, London (no date, probably 1916 17).
Impérial War Muséum Photographie Archive. By permission of the Impérial
War Muséum.
4.8 King George V pointing to one of the artillery guns, film still from a short
film of the opening ceremony of the first exhibition of the IWM. Impérial War
Muséum Film Archive. By permission of the Impérial War Muséum.
x Memory, Masculinity and National Identity in British Visual Culture, 1914 1930
4.9 Officer looking at one of the artillery guns, film still from a short film of the
opening ceremony of the first exhibition of the IWM. Impérial War Muséum
Film Archive. By permission of the Impérial War Muséum.
4.10 John Lobley, The Toy Makers Shop (1919). The Queen's Hospital for
Facial Injuries, Frognal, Sidcup. Impérial War Muséum Art Department. By
permission of the Impérial War Muséum.
4.11 Charles ffoulkes (right) and Charles Jagger in front of the veiled Royal
Artillery Mémorial (1925). Impérial War Muséum Photographie Archive. By
permission of the Impérial War Muséum.
4.12 Charles Jagger modelling the figures for the Royal Artillery Mémorial
from a life model Source: Jagger, Charles, 'Modelling and Sculpture in
the Making', The Studio. 'How to Do it Séries', London, 1933, p. 10. By
permission of the Estate of C. S. Jagger.
4.13 Artillery Gun 'Nery' at the unveiling of the Royal Artillery Mémorial (1925).
Impérial War Muséum Photographie Archive. By permission of the Impérial
War Muséum |
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| geographic | Großbritannien Great Britain History George V, 1910-1936 Großbritannien (DE-588)4022153-2 gnd |
| geographic_facet | Großbritannien Great Britain History George V, 1910-1936 |
| id | DE-604.BV022363323 |
| illustrated | Illustrated |
| index_date | 2024-07-02T17:04:12Z |
| indexdate | 2024-09-23T10:09:19Z |
| institution | BVB |
| isbn | 9780754660170 |
| language | English |
| lccn | 2006021584 |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-015572625 |
| oclc_num | 70258899 |
| open_access_boolean | |
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| owner_facet | DE-12 DE-19 DE-BY-UBM DE-20 DE-355 DE-BY-UBR DE-739 DE-11 |
| physical | XII, 217 S. Ill. |
| psigel | BSBWK1 |
| publishDate | 2007 |
| publishDateSearch | 2007 |
| publishDateSort | 2007 |
| publisher | Ashgate |
| record_format | marc |
| spelling | Koureas, Gabriel Verfasser (DE-588)137596901 aut Memory, masculinity, and national identity in British visual culture 1914 - 1930 ; a study of "unconquerable manhood" Gabriel Koureas Aldershot [u.a.] Ashgate 2007 XII, 217 S. Ill. txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references and index With its specific focus on British representations of masculinity in relation to the trauma of the First World War and notions of national identity, class and sexuality, this book provides a much needed addition to the historiography of visual culture during the period. Geschichte 1900-2000 Geschichte 1914-1930 gnd rswk-swf Beeldcultuur gtt Mannelijkheid gtt Nationale identiteit gtt Geschichte Gesellschaft Nationalbewusstsein Weltkrieg (1914-1918) Masculinity in popular culture Great Britain History 20th century World War, 1914-1918 Social aspects Great Britain Memorialization Great Britain History 20th century War memorials Social aspects Great Britain National characteristics, British History 20th century Psychic trauma Great Britain History 20th century Geschlechterrolle (DE-588)4071776-8 gnd rswk-swf Visuelle Wahrnehmung (DE-588)4078921-4 gnd rswk-swf Mann (DE-588)4037363-0 gnd rswk-swf Männerbild (DE-588)4139085-4 gnd rswk-swf Großbritannien Great Britain History George V, 1910-1936 Großbritannien (DE-588)4022153-2 gnd rswk-swf Großbritannien (DE-588)4022153-2 g Mann (DE-588)4037363-0 s Geschlechterrolle (DE-588)4071776-8 s Männerbild (DE-588)4139085-4 s Visuelle Wahrnehmung (DE-588)4078921-4 s Geschichte 1914-1930 z b DE-604 HBZ Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=015572625&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Koureas, Gabriel Memory, masculinity, and national identity in British visual culture 1914 - 1930 ; a study of "unconquerable manhood" Beeldcultuur gtt Mannelijkheid gtt Nationale identiteit gtt Geschichte Gesellschaft Nationalbewusstsein Weltkrieg (1914-1918) Masculinity in popular culture Great Britain History 20th century World War, 1914-1918 Social aspects Great Britain Memorialization Great Britain History 20th century War memorials Social aspects Great Britain National characteristics, British History 20th century Psychic trauma Great Britain History 20th century Geschlechterrolle (DE-588)4071776-8 gnd Visuelle Wahrnehmung (DE-588)4078921-4 gnd Mann (DE-588)4037363-0 gnd Männerbild (DE-588)4139085-4 gnd |
| subject_GND | (DE-588)4071776-8 (DE-588)4078921-4 (DE-588)4037363-0 (DE-588)4139085-4 (DE-588)4022153-2 |
| title | Memory, masculinity, and national identity in British visual culture 1914 - 1930 ; a study of "unconquerable manhood" |
| title_auth | Memory, masculinity, and national identity in British visual culture 1914 - 1930 ; a study of "unconquerable manhood" |
| title_exact_search | Memory, masculinity, and national identity in British visual culture 1914 - 1930 ; a study of "unconquerable manhood" |
| title_exact_search_txtP | Memory, masculinity, and national identity in British visual culture 1914 - 1930 ; a study of "unconquerable manhood" |
| title_full | Memory, masculinity, and national identity in British visual culture 1914 - 1930 ; a study of "unconquerable manhood" Gabriel Koureas |
| title_fullStr | Memory, masculinity, and national identity in British visual culture 1914 - 1930 ; a study of "unconquerable manhood" Gabriel Koureas |
| title_full_unstemmed | Memory, masculinity, and national identity in British visual culture 1914 - 1930 ; a study of "unconquerable manhood" Gabriel Koureas |
| title_short | Memory, masculinity, and national identity in British visual culture |
| title_sort | memory masculinity and national identity in british visual culture 1914 1930 a study of unconquerable manhood |
| title_sub | 1914 - 1930 ; a study of "unconquerable manhood" |
| topic | Beeldcultuur gtt Mannelijkheid gtt Nationale identiteit gtt Geschichte Gesellschaft Nationalbewusstsein Weltkrieg (1914-1918) Masculinity in popular culture Great Britain History 20th century World War, 1914-1918 Social aspects Great Britain Memorialization Great Britain History 20th century War memorials Social aspects Great Britain National characteristics, British History 20th century Psychic trauma Great Britain History 20th century Geschlechterrolle (DE-588)4071776-8 gnd Visuelle Wahrnehmung (DE-588)4078921-4 gnd Mann (DE-588)4037363-0 gnd Männerbild (DE-588)4139085-4 gnd |
| topic_facet | Beeldcultuur Mannelijkheid Nationale identiteit Geschichte Gesellschaft Nationalbewusstsein Weltkrieg (1914-1918) Masculinity in popular culture Great Britain History 20th century World War, 1914-1918 Social aspects Great Britain Memorialization Great Britain History 20th century War memorials Social aspects Great Britain National characteristics, British History 20th century Psychic trauma Great Britain History 20th century Geschlechterrolle Visuelle Wahrnehmung Mann Männerbild Großbritannien Great Britain History George V, 1910-1936 |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=015572625&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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