Życie muzyczne Kielc w latach 1815 - 1914:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | Polish |
| Veröffentlicht: |
Kielce
Wydawn. Jedność
2006
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Abstract |
| Beschreibung: | Zsfassung in engl. Sprache |
| Beschreibung: | 391 S. Ill. |
| ISBN: | 8374424346 |
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Datensatz im Suchindex
| _version_ | 1804136319230672896 |
|---|---|
| adam_text | Spis
tresei
Wstęp
.............................................................................................................. 11
Rozdział I
Tradycje kulturalne Kielc i warunki rozwoju ich życia muzycznego
w latach
1815-1914...................................................................................................21
Rozdział
II
Struktura życia muzycznego
..............................................................................49
1.
Intensywność życia muzycznego
..........................................................49
2.
Organizatorzy
...........................................................................................51
3.
Cele
..............................................................................................................65
4.
Publiczność
................................................................................................67
5.
Miejsca muzycznych prezentacji
...........................................................72
Sale koncertowe
................................................................................72
6.
Wykonawcy
...............................................................................................83
Miejscowi muzycy
............................................................................83
Miejscowe zespoły wokalne i instrumentalne
............................84
7.
Repertuar
....................................................................................................93
8.
Krytyka muzyczna
.................................................................................103
Rozdział III
Teatr muzyczny
..................................................................................................... 109
Rozdział
IV
Muzyka w szkołach
............................................................................................ 135
1.
Szkoły rządowe
...................................................................................... 135
2.
Szkoły prywatne
.....................................................................................174
Rozdział
V
Muzyka w kościele
.............................................................................................. 187
1.
Muzyka związana z liturgią kieleckiego
kościoła katolickiego
............................................................................. 187
2.
Kościelne zespoły muzyczne oraz zespoły
skupiające się wokół kościoła
................................................................192
3.
Muzyka w kieleckim seminarium
...................................................... 212
Rozdział
VI
Fortepian i inne instrumenty w domach
kieleckich mieszczan
..........................................................................................217
Rozdział
VII
Życie towarzyskie
................................................................................................
1.
Bale, maskarady, muzyka taneczna
....................................................
243
2.
Salony artystyczno-literackie i kluby towarzyskie
.......................... 257
Podsumowanie
......................................................................................................^81
Aneks I Muzycy miejscowi. Amatorzy i profesjonaliści
.......................285
Aneks
II
Muzycy przyjezdni koncertujący w Kielcach
........................... 307
Aneks III Stroiciele, korektorzy i budowniczowie instrumentów
działający w Kielcach stale i sezonowo
......................................314
Aneks
IV
Trupy dramatyczne występujące
w Kielcach w latach
1864-1914.................................................... 318
Aneks
V
Nauczyciele prywatnie udzielający lekcji muzyki,
mieszkający w Kielcach stale i okresowo
................................... 320
Aneks
VI
Organmistrzowie działający w Kielcach stale i sezonowo
..... 330
Aneks
VII
Pieśni ze śpiewnika burszów kieleckich
................................... 334
Bibliografia
................................................................................................................342
Summary
................................................................................................................... 358
Spis ilustracji
............................................................................................................ 361
Indeks osób
................................................................................................................ 363
358
Życie muzyczne Kielc w latach
1815-1914
SUMMARY
The publication is an attempt to provide a synthetic survey of musical life
in
Kielce
in the years
1815-1914.
The starting date is due to the new historical
situation when
Kielce
became a town of the Kingdom of Poland and soon it
was promoted to the rank of the capital of the Krakow Province. This fact
opened new possibilities for the town and introduced many advantageous
changes, which could also be observed in the musical sphere. The final date is
the year
1914,
the beginning of the First World War, the threshold to another
political and social reality.
The Church was one of the foundations of culture in
Kielce.
The
Kielce
collegiate church, later the cathedral, not only created intellectual and musical
traditions of the city but it was also a support for many artistic undertakings
in
Kielce
in the 19th century. Thanks to the Church already in the 18th cen¬
tury
Kielce
had a church orchestra, which was relatively early in relation to
other regional towns. This orchestra also fulfilled other functions in the town.
Essential for culture in
Kielce
were church vocal groups, amongst which Jan
Antoniewicz s choir revealed a high level of professionalism.
At the beginning of the investigated period the determinants of musical life
were first of all musical spectacles presented by itinerant dramatic companies,
although local amateur productions were also made. Concerts were performed
only in two regional capitals:
Kalisz
and Lublin. In
Kielce,
similarly as in many
other towns of the Kingdom, the custom of concert organisation appeared in
the 1840s. Among the performers soloists dominated: first of all violinists, then
cellists and guitarists, and in the second half of the century also pianists. It can
be inferred from the accessible sources that they were first of all professional
artists who had already gained considerable renown in the country.
Several music stars and ensembles performed in
Kielce
in the 19th and early
20th centuries. Today history placed them in the artistic pantheon and once
they aroused the admiration of the local audience in
Kielce.
These artists, who
can be found in every serious encyclopaedia, include
Teodozja
Friderici-Jako-
wicka,
Zygmunt Noskowski, Bronisława
Dowiakowska,
Ignacy
Jan Paderewski,
Józef Śliwiński, Aleksander Michałowski, Stanisław Barcewicz,
the chorus of
the Warsaw Singing-Company Lute ,
Karol
Namyslowski s Peasant Orchestra.
Reasons for which artists presented their own skills for the
Kielce
public
were varied. The above-mentioned singers had personal links with
Kielce:
T.
Friderici- Jakowicka often visited her family who lived here. B. Dowiakowska
paid a longer visit to her friends. Z. Noskowski and J. Paderewski, at the start
of their early careers, offered concerts in the province in order to enrich their
own artistic experience and to supplement modest financial resources, indi¬
spensable for their further artistic development. The Warsaw chorus Lute
Summary
359
and
К.
Namyslowski s Orchestra strengthened the foundations of Polish na¬
tional identity by their music.
In the period following the January
1863
Rising many new forms of musi¬
cal activity emerged; it undoubtedly reflected the changing social and politi¬
cal reality. Apart from the Paris operetta
-
one of the forms of musical theatre,
modernised by J. Offenbach, which in the 1870s conquered the theatres of
the Congress Kingdom of Poland
-
new forms of music entertainment were
shown in the theatres, e.g. music and declamation as well as music and dra¬
matic soirees, promenade concerts, and in the first years of the 20th century
also musical, dramatic and declamation soirees. New forms of musical enter¬
tainments also gained popularity. Apart from traditional balls and masquera¬
des, tea dancing and new forms of amusement were organised on the music
market. The gradual economic development of the town, especially industrial
growth, raised the status of particular professional groups which more and
more often arranged public entertainments for their members.
The residents of
Kielce
not only participated in public music performances,
but they also played music in the privacy of their homes. The vogue of piano
playing, which had spread in Warsaw earlier, also reached
Kielce
in the second
half of the 19th century. The demand for these keyboard instruments grew con¬
siderably in the 1870s; at the beginning of the 1880s it was so high that one of the
enterprising piano tuners opened the first depot of these instruments in
Kielce.
The popularity of piano music resulted in the growing number of amateurs,
some of whom decided to perform publicly in
Kielce,
mostly for charitable aims.
Besides, the local market of piano repairers and tuners grew steadily.
The charitable aim was a leading motive of many contemporary artistic
productions, whose level varied.
Kielce,
the town which had contact with hi¬
gher musical culture only through books and periodicals that were available
in local bookshops, was, like other provincial towns, a superb ground for the
activity of various pseudo-artists.
In the period after the January
1863
Rising the theatre was a determinant of
the tastes of the
Kielce
community. In a number of spectacles, including musical
ones,
Kielce
rivalled even with
Kalisz.
From the 1870s musical performances,
and especially fashionable operettas, prevailed in musical life in
Kielce.
Both
the public and critics were enthusiastic about them. Numerous reports from
spectacles were published in the local newspaper
Gazeta Kielecka
-
espe¬
cially after the inauguration of the activity of the theatre
Ludwik
in
1879.
The
popularity of the theatre survived until the end of the investigated period, but
the turn of the 19th century brought the domination of the operetta repertoire.
In the span of the time under discussion, residents of
Kielce
had active so¬
cial life, which was intermittent with the dramatic events of sudden national
risings. The
Kielce
carnival balls gained a high renown in the Congress King¬
dom of Poland. Traditions of masked balls revived in the first decades of the
360
Życie muzyczne Kielc w latach
1815-1914
activity of the theatre
Ludwik ,
where masquerades were organised with a
special pump and ingenuity.
The cultural vacuum, which the invader wanted to create in Polish society,
by closing schools, scholarly institutions, and hampering the development of
cultural life, was filled substantially by artistic and literary salons. In the ho¬
uses and flats of the
Kielce
townsmen: Czaplickis, Grabowskis, the teacher
To¬
masz
Siemiradzki, under the guise of social gatherings and games, the most
important problems for the Polish nation were discussed, and the most precio¬
us works of national Polish literary, musical and artistic culture were studied.
In the salons of the
Jaroński
family, the chief administrative officer of the di¬
strict Leon
Gautier,
or the principal the grammar-school
Antoni Formiński,
the interests of the habitual guests were focused mostly on art.
A significant part in the animation and organisation of provincial life was
played not only by charity societies, clubs, religious structures of the Catholic
Church, but also by secondary schools. The
Szkoła Wojewódzka
[Provincial
School], one of the leading schools in the Congress Kingdom of Poland with
respect to musical activity, contributed significantly to the development of
musical tradition in
Kielce.
In later years both the teachers and students of the
male government grammar-school were active both officially and privately.
They included
Józef
Wabner,
Joachim
Rysz, Bronisław Łącki,
Edward
Łuszcz-
kiewicz,
Aleksander Kossowski, Ludwik
Kowalczewski, Vassiliy Michajlov,
Jan Zydler. From first years of the 20th century the graduates of the
Szkoła
Handlowa Męska
[Commercial Male School] demonstrated almost a profes¬
sional level of musical performance. They considerably raised the level of mu¬
sical culture in
Kielce.
Kielce
schools had a fundamental significance for the general development
of musical life in the town. School students, and afterwards graduates, as well
as music teachers were inspirers, organisers and performers of many musi¬
cal ideas in the form of different types of entertainments as well as artistic
societies. Educators were particularly active practically in all spheres of the
Kielce
Polyhymnia; they participated as soloists and accompanists, co-organi¬
sed musical undertakings, initiated activities of a wider range; some of them
made their own compositions, although in this field no spectacular success
was achieved.
Finally, music criticism.
Gazeta Kielecka [Kielce
Gazette] published re¬
gularly music reviews, which contributed significantly to the formation of the
musical profile of the town. Music criticism was a specific trigger of all artistic
actions. Although music reviewers at times imposed their own tastes, revealed
prejudices, or found faults off-hand, there is no doubt that they tried to fight
small-town stagnation and activated music interests of the local public.
Translated by
Andrzej Diniejko
|
| adam_txt |
Spis
tresei
Wstęp
. 11
Rozdział I
Tradycje kulturalne Kielc i warunki rozwoju ich życia muzycznego
w latach
1815-1914.21
Rozdział
II
Struktura życia muzycznego
.49
1.
Intensywność życia muzycznego
.49
2.
Organizatorzy
.51
3.
Cele
.65
4.
Publiczność
.67
5.
Miejsca muzycznych prezentacji
.72
Sale koncertowe
.72
6.
Wykonawcy
.83
Miejscowi muzycy
.83
Miejscowe zespoły wokalne i instrumentalne
.84
7.
Repertuar
.93
8.
Krytyka muzyczna
.103
Rozdział III
Teatr muzyczny
. 109
Rozdział
IV
Muzyka w szkołach
. 135
1.
Szkoły rządowe
. 135
2.
Szkoły prywatne
.174
Rozdział
V
Muzyka w kościele
. 187
1.
Muzyka związana z liturgią kieleckiego
kościoła katolickiego
. 187
2.
Kościelne zespoły muzyczne oraz zespoły
skupiające się wokół kościoła
.192
3.
Muzyka w kieleckim seminarium
. 212
Rozdział
VI
Fortepian i inne instrumenty w domach
kieleckich mieszczan
.217
Rozdział
VII
Życie towarzyskie
.
1.
Bale, maskarady, muzyka taneczna
.
243
2.
Salony artystyczno-literackie i kluby towarzyskie
. 257
Podsumowanie
.^81
Aneks I Muzycy miejscowi. Amatorzy i profesjonaliści
.285
Aneks
II
Muzycy przyjezdni koncertujący w Kielcach
. 307
Aneks III Stroiciele, korektorzy i budowniczowie instrumentów
działający w Kielcach stale i sezonowo
.314
Aneks
IV
Trupy dramatyczne występujące
w Kielcach w latach
1864-1914. 318
Aneks
V
Nauczyciele prywatnie udzielający lekcji muzyki,
mieszkający w Kielcach stale i okresowo
. 320
Aneks
VI
Organmistrzowie działający w Kielcach stale i sezonowo
. 330
Aneks
VII
Pieśni ze śpiewnika burszów kieleckich
. 334
Bibliografia
.342
Summary
. 358
Spis ilustracji
. 361
Indeks osób
. 363
358
Życie muzyczne Kielc w latach
1815-1914
SUMMARY
The publication is an attempt to provide a synthetic survey of musical life
in
Kielce
in the years
1815-1914.
The starting date is due to the new historical
situation when
Kielce
became a town of the Kingdom of Poland and soon it
was promoted to the rank of the capital of the Krakow Province. This fact
opened new possibilities for the town and introduced many advantageous
changes, which could also be observed in the musical sphere. The final date is
the year
1914,
the beginning of the First World War, the threshold to another
political and social reality.
The Church was one of the foundations of culture in
Kielce.
The
Kielce
collegiate church, later the cathedral, not only created intellectual and musical
traditions of the city but it was also a support for many artistic undertakings
in
Kielce
in the 19th century. Thanks to the Church already in the 18th cen¬
tury
Kielce
had a church orchestra, which was relatively early in relation to
other regional towns. This orchestra also fulfilled other functions in the town.
Essential for culture in
Kielce
were church vocal groups, amongst which Jan
Antoniewicz's choir revealed a high level of professionalism.
At the beginning of the investigated period the determinants of musical life
were first of all musical spectacles presented by itinerant dramatic companies,
although local amateur productions were also made. Concerts were performed
only in two regional capitals:
Kalisz
and Lublin. In
Kielce,
similarly as in many
other towns of the Kingdom, the custom of concert organisation appeared in
the 1840s. Among the performers soloists dominated: first of all violinists, then
cellists and guitarists, and in the second half of the century also pianists. It can
be inferred from the accessible sources that they were first of all professional
artists who had already gained considerable renown in the country.
Several music stars and ensembles performed in
Kielce
in the 19th and early
20th centuries. Today history placed them in the artistic pantheon and once
they aroused the admiration of the local audience in
Kielce.
These artists, who
can be found in every serious encyclopaedia, include
Teodozja
Friderici-Jako-
wicka,
Zygmunt Noskowski, Bronisława
Dowiakowska,
Ignacy
Jan Paderewski,
Józef Śliwiński, Aleksander Michałowski, Stanisław Barcewicz,
the chorus of
the Warsaw Singing-Company "Lute",
Karol
Namyslowski's Peasant Orchestra.
Reasons for which artists presented their own skills for the
Kielce
public
were varied. The above-mentioned singers had personal links with
Kielce:
T.
Friderici- Jakowicka often visited her family who lived here. B. Dowiakowska
paid a longer visit to her friends. Z. Noskowski and J. Paderewski, at the start
of their early careers, offered concerts in the province in order to enrich their
own artistic experience and to supplement modest financial resources, indi¬
spensable for their further artistic development. The Warsaw chorus "Lute"
Summary
359
and
К.
Namyslowski's Orchestra strengthened the foundations of Polish na¬
tional identity by their music.
In the period following the January
1863
Rising many new forms of musi¬
cal activity emerged; it undoubtedly reflected the changing social and politi¬
cal reality. Apart from the Paris operetta
-
one of the forms of musical theatre,
modernised by J. Offenbach, which in the 1870s conquered the theatres of
the Congress Kingdom of Poland
-
new forms of music entertainment were
shown in the theatres, e.g. music and declamation as well as music and dra¬
matic soirees, promenade concerts, and in the first years of the 20th century
also musical, dramatic and declamation soirees. New forms of musical enter¬
tainments also gained popularity. Apart from traditional balls and masquera¬
des, tea dancing and new forms of amusement were organised on the music
market. The gradual economic development of the town, especially industrial
growth, raised the status of particular professional groups which more and
more often arranged public entertainments for their members.
The residents of
Kielce
not only participated in public music performances,
but they also played music in the privacy of their homes. The vogue of piano
playing, which had spread in Warsaw earlier, also reached
Kielce
in the second
half of the 19th century. The demand for these keyboard instruments grew con¬
siderably in the 1870s; at the beginning of the 1880s it was so high that one of the
enterprising piano tuners opened the first depot of these instruments in
Kielce.
The popularity of piano music resulted in the growing number of amateurs,
some of whom decided to perform publicly in
Kielce,
mostly for charitable aims.
Besides, the local market of piano repairers and tuners grew steadily.
The charitable aim was a leading motive of many contemporary artistic
productions, whose level varied.
Kielce,
the town which had contact with hi¬
gher musical culture only through books and periodicals that were available
in local bookshops, was, like other provincial towns, a superb ground for the
activity of various pseudo-artists.
In the period after the January
1863
Rising the theatre was a determinant of
the tastes of the
Kielce
community. In a number of spectacles, including musical
ones,
Kielce
rivalled even with
Kalisz.
From the 1870s musical performances,
and especially fashionable operettas, prevailed in musical life in
Kielce.
Both
the public and critics were enthusiastic about them. Numerous reports from
spectacles were published in the local newspaper
"Gazeta Kielecka"
-
espe¬
cially after the inauguration of the activity of the theatre
"Ludwik"
in
1879.
The
popularity of the theatre survived until the end of the investigated period, but
the turn of the 19th century brought the domination of the operetta repertoire.
In the span of the time under discussion, residents of
Kielce
had active so¬
cial life, which was intermittent with the dramatic events of sudden national
risings. The
Kielce
carnival balls gained a high renown in the Congress King¬
dom of Poland. Traditions of masked balls revived in the first decades of the
360
Życie muzyczne Kielc w latach
1815-1914
activity of the theatre
"Ludwik",
where masquerades were organised with a
special pump and ingenuity.
The cultural vacuum, which the invader wanted to create in Polish society,
by closing schools, scholarly institutions, and hampering the development of
cultural life, was filled substantially by artistic and literary salons. In the ho¬
uses and flats of the
Kielce
townsmen: Czaplickis, Grabowskis, the teacher
To¬
masz
Siemiradzki, under the guise of social gatherings and games, the most
important problems for the Polish nation were discussed, and the most precio¬
us works of national Polish literary, musical and artistic culture were studied.
In the salons of the
Jaroński
family, the chief administrative officer of the di¬
strict Leon
Gautier,
or the principal the grammar-school
Antoni Formiński,
the interests of the habitual guests were focused mostly on art.
A significant part in the animation and organisation of provincial life was
played not only by charity societies, clubs, religious structures of the Catholic
Church, but also by secondary schools. The
Szkoła Wojewódzka
[Provincial
School], one of the leading schools in the Congress Kingdom of Poland with
respect to musical activity, contributed significantly to the development of
musical tradition in
Kielce.
In later years both the teachers and students of the
male government grammar-school were active both officially and privately.
They included
Józef
Wabner,
Joachim
Rysz, Bronisław Łącki,
Edward
Łuszcz-
kiewicz,
Aleksander Kossowski, Ludwik
Kowalczewski, Vassiliy Michajlov,
Jan Zydler. From first years of the 20th century the graduates of the
Szkoła
Handlowa Męska
[Commercial Male School] demonstrated almost a profes¬
sional level of musical performance. They considerably raised the level of mu¬
sical culture in
Kielce.
Kielce
schools had a fundamental significance for the general development
of musical life in the town. School students, and afterwards graduates, as well
as music teachers were inspirers, organisers and performers of many musi¬
cal ideas in the form of different types of entertainments as well as artistic
societies. Educators were particularly active practically in all spheres of the
Kielce
Polyhymnia; they participated as soloists and accompanists, co-organi¬
sed musical undertakings, initiated activities of a wider range; some of them
made their own compositions, although in this field no spectacular success
was achieved.
Finally, music criticism.
"Gazeta Kielecka" [Kielce
Gazette] published re¬
gularly music reviews, which contributed significantly to the formation of the
musical profile of the town. Music criticism was a specific trigger of all artistic
actions. Although music reviewers at times imposed their own tastes, revealed
prejudices, or found faults off-hand, there is no doubt that they tried to fight
small-town stagnation and activated music interests of the local public.
Translated by
Andrzej Diniejko |
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| author_facet | Oborny, Aneta |
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| era | Geschichte 1900-2000 Geschichte 1800-1900 Geschichte 1815-1915 gnd |
| era_facet | Geschichte 1900-2000 Geschichte 1800-1900 Geschichte 1815-1915 |
| format | Book |
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| geographic | Polen Kielce (DE-588)4030485-1 gnd |
| geographic_facet | Polen Kielce |
| id | DE-604.BV022301453 |
| illustrated | Illustrated |
| index_date | 2024-07-02T16:55:12Z |
| indexdate | 2024-07-09T20:54:30Z |
| institution | BVB |
| isbn | 8374424346 |
| language | Polish |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-015511437 |
| oclc_num | 162345040 |
| open_access_boolean | |
| owner | DE-12 |
| owner_facet | DE-12 |
| physical | 391 S. Ill. |
| publishDate | 2006 |
| publishDateSearch | 2006 |
| publishDateSort | 2006 |
| publisher | Wydawn. Jedność |
| record_format | marc |
| spelling | Oborny, Aneta Verfasser aut Życie muzyczne Kielc w latach 1815 - 1914 Aneta Oborny Kielce Wydawn. Jedność 2006 391 S. Ill. txt rdacontent n rdamedia nc rdacarrier Zsfassung in engl. Sprache Geschichte 1900-2000 Geschichte 1800-1900 Geschichte 1815-1915 gnd rswk-swf Musik Music Poland Kielce 19th century History and criticism Music Poland Kielce 20th century History and criticism Musikleben (DE-588)4075128-4 gnd rswk-swf Polen Kielce (DE-588)4030485-1 gnd rswk-swf Kielce (DE-588)4030485-1 g Musikleben (DE-588)4075128-4 s Geschichte 1815-1915 z DE-604 Digitalisierung BSBMuenchen application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=015511437&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung BSB Muenchen application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=015511437&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Abstract |
| spellingShingle | Oborny, Aneta Życie muzyczne Kielc w latach 1815 - 1914 Musik Music Poland Kielce 19th century History and criticism Music Poland Kielce 20th century History and criticism Musikleben (DE-588)4075128-4 gnd |
| subject_GND | (DE-588)4075128-4 (DE-588)4030485-1 |
| title | Życie muzyczne Kielc w latach 1815 - 1914 |
| title_auth | Życie muzyczne Kielc w latach 1815 - 1914 |
| title_exact_search | Życie muzyczne Kielc w latach 1815 - 1914 |
| title_exact_search_txtP | Życie muzyczne Kielc w latach 1815 - 1914 |
| title_full | Życie muzyczne Kielc w latach 1815 - 1914 Aneta Oborny |
| title_fullStr | Życie muzyczne Kielc w latach 1815 - 1914 Aneta Oborny |
| title_full_unstemmed | Życie muzyczne Kielc w latach 1815 - 1914 Aneta Oborny |
| title_short | Życie muzyczne Kielc w latach 1815 - 1914 |
| title_sort | zycie muzyczne kielc w latach 1815 1914 |
| topic | Musik Music Poland Kielce 19th century History and criticism Music Poland Kielce 20th century History and criticism Musikleben (DE-588)4075128-4 gnd |
| topic_facet | Musik Music Poland Kielce 19th century History and criticism Music Poland Kielce 20th century History and criticism Musikleben Polen Kielce |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=015511437&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=015511437&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
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