The shaping of the book of songs: from ritualization to secularization
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English Chinese |
| Veröffentlicht: |
Sankt Augustin
Monumenta Serica Inst.
2007
|
| Schriftenreihe: | Monumenta serica monograph series
52 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | 380 S. Ill. |
| ISBN: | 9783805005418 |
Internformat
MARC
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| 245 | 1 | 0 | |a The shaping of the book of songs |b from ritualization to secularization |c Chen Zhi |
| 264 | 1 | |a Sankt Augustin |b Monumenta Serica Inst. |c 2007 | |
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Datensatz im Suchindex
| _version_ | 1804136307056705536 |
|---|---|
| adam_text | Contents
Acknowledgments
Abbreviations
Chapter I
The State of the Field and the Methodological Concern
1.1.
1.2.
1.3.
1.3.1.
1.3.2.
Chapter II
Yung
Sacrificial Musical Works Performed hi the Shang House
2.1.
2.2.
under the
2.2.1.
and Those of Pre-dynastic
2.3.
into the Ya Music of
2.3.1.
and Its Validity as Seen from
2.3.2.
Phonological and Semantic Relationship to the sung
2.3.3.
2.3.4.
Suites in the Shang House
2.3.5.
The Prayers in Liturgical Ceremonies
2.3.6.
and Its Variants in the
2.4.
in the Transition from Shang to
Chapter III
The Standardization of the Ya Music
3.1.
3.2.
3.3.
6 Contents
3.3.1. Hsia
3.3.2. Wu-Hsia
3.3.3. Hsiz-yüeh
3.3.4.
3.3.5.
Suite
3.4.
3.4.1.
of the Hsia Music
3.4.2.
and Its Association with the Poems of the Shih-ching
3.4.3.
from Documentary Sources
3.5.
in the Light of Archaeological Data
3.6.
Acculturation on the Part of
of the Shih-ching
Chapter IV
A Paléographie
for Interpreting the Meaning of the Nan Section of the Book of Songs
4.1.
4.2.
4.2.1.
4.2.2.
4.2.3.
4.2.4.
According to Tribute Type or Distance from the
4.3.
4.3.1.
4.3.2.
Regarding nan from
4.3.3.
of the Shen-liu Set-bell Inscriptions
4.3.4.
and
4.3.5.
4.4.
4.4.1.
4.4.2.
4.4.3.
4.4.4.
4.4.5.
4.5.
Contents 7
Chapter V
The Localization of the Conception of
The Revival of Shang Musical Elegance
5.1.
and the Localization of Ya Music
5.1.1.
to Eastern
5.1.2.
5.2.
in Understanding the Feng Section of the Book of Songs
5.2.1.
5.2.2.
5.2.3.
5.3.
5.4.
Feng Songs
5.4.1.
5.4.2.
5.4.3.
Musical Elegance
Chapter VI
Towards a Conclusion
Bibliography
Figures (for detailed description, see the captions)
Tables
Table
Remains of Musical Instruments in the Shang Domain in the
Table
Table of the Content of Ancestor Worship Seen in the Three Sung Sections.
Table
The Sequential Arrangement of a Shang Sacrificial-Musical Performance as Seen in
the Poem No (Mao
Table
Word Relations and Their First Occurrences in
tary Sources.
Table
The Initial Semantic Meanings ofyung
tion, Diffusion, and Transformation.
Table
The Use of Music by the Son of Heaven, the Feudal Lords, Grand Masters, and
Scholars.
8 Contents
Table
The Use of Music by the Sons of Heaven, and the Lords of the State of
Table
The Function and Restricted Use of the Chin-tsou as Seen from the Three Li.
Table
The Performance of the Flutes and Lesser Dances as Seen from the Three Li.
Table
The Use of Reed-Organ Music as Seen from the Three Li.
Table
The Interlude as Seen from the Three Li.
Table
The
Table
The Use of the Grand Dances in the Ritual Music as Seen from the Three Li or Other
pre-Ch in Sources.
Table
Diversified Identifications of the Verses for the Six Sections of
Table
Musical Instruments Mentioned in the Different Sections of the Shih-ching.
Table
Table of Musical Hierarchies Restricted to the Son of Heaven, Feudal Lords, Mas¬
ters and Scholars.
Table
Typological Distribution of Bronze Bells during the
Chou.
Table
Typological Distribution of Sonorous Stones during the
Western
Table
Typological Distribution of Ocarinas during the
Chou.
Table
Poems of Erh-Nan Recited by the
Table
The Contents and Nature of the Poems of Erh-Nan Identifiable with Songs of
Southern Elegance of
Table
The Contents and Nature of the Songs of the First Five Subsections of Feng in the
Book of Songs.
Table
Different Identifications of the San-chien from Different Sources.
Table
Place Names as Appearing in the Sections of Pei-feng, Yung-feng and Wei-
feng.
|
| adam_txt |
Contents
Acknowledgments
Abbreviations
Chapter I
The State of the Field and the Methodological Concern
1.1.
1.2.
1.3.
1.3.1.
1.3.2.
Chapter II
Yung
Sacrificial Musical Works Performed hi the Shang House
2.1.
2.2.
under the
2.2.1.
and Those of Pre-dynastic
2.3.
into the Ya Music of
2.3.1.
and Its Validity as Seen from
2.3.2.
Phonological and Semantic Relationship to the sung
2.3.3.
2.3.4.
Suites in the Shang House
2.3.5.
The Prayers in Liturgical Ceremonies
2.3.6.
and Its Variants in the
2.4.
in the Transition from Shang to
Chapter III
The Standardization of the Ya Music
3.1.
3.2.
3.3.
6 Contents
3.3.1. "Hsia"
3.3.2. "Wu-Hsia"
3.3.3. Hsiz-yüeh
3.3.4.
3.3.5.
Suite
3.4.
3.4.1.
of the Hsia Music
3.4.2.
and Its Association with the Poems of the Shih-ching
3.4.3.
from Documentary Sources
3.5.
in the Light of Archaeological Data
3.6.
Acculturation on the Part of
of the Shih-ching
Chapter IV
A Paléographie
for Interpreting the Meaning of the "Nan" Section of the Book of Songs
4.1.
4.2.
4.2.1.
4.2.2.
4.2.3.
4.2.4.
According to Tribute Type or Distance from the
4.3.
4.3.1.
4.3.2.
Regarding nan from
4.3.3.
of the Shen-liu Set-bell Inscriptions
4.3.4.
and
4.3.5.
4.4.
4.4.1.
4.4.2.
4.4.3.
4.4.4.
4.4.5.
4.5.
Contents 7
Chapter V
The Localization of the Conception of
The Revival of Shang Musical Elegance
5.1.
and the Localization of Ya Music
5.1.1.
to Eastern
5.1.2.
5.2.
in Understanding the "Feng" Section of the Book of Songs
5.2.1.
5.2.2.
5.2.3.
5.3.
5.4.
Feng Songs
5.4.1.
5.4.2.
5.4.3.
Musical Elegance
Chapter VI
Towards a Conclusion
Bibliography
Figures (for detailed description, see the captions)
Tables
Table
Remains of Musical Instruments in the Shang Domain in the
Table
Table of the Content of Ancestor Worship Seen in the Three "Sung" Sections.
Table
The Sequential Arrangement of a Shang Sacrificial-Musical Performance as Seen in
the Poem "No" (Mao
Table
Word Relations and Their First Occurrences in
tary Sources.
Table
The Initial Semantic Meanings ofyung
tion, Diffusion, and Transformation.
Table
The Use of Music by the Son of Heaven, the Feudal Lords, Grand Masters, and
Scholars.
8 Contents
Table
The Use of Music by the Sons of Heaven, and the Lords of the State of
Table
The Function and Restricted Use of the Chin-tsou as Seen from the Three Li.
Table
The Performance of the Flutes and Lesser Dances as Seen from the Three Li.
Table
The Use of Reed-Organ Music as Seen from the Three Li.
Table
The Interlude as Seen from the Three Li.
Table
The
Table
The Use of the Grand Dances in the Ritual Music as Seen from the Three Li or Other
pre-Ch'in Sources.
Table
Diversified Identifications of the Verses for the Six Sections of
Table
Musical Instruments Mentioned in the Different Sections of the Shih-ching.
Table
Table of Musical Hierarchies Restricted to the Son of Heaven, Feudal Lords, Mas¬
ters and Scholars.
Table
Typological Distribution of Bronze Bells during the
Chou.
Table
Typological Distribution of Sonorous Stones during the
Western
Table
Typological Distribution of Ocarinas during the
Chou.
Table
Poems of "Erh-Nan" Recited by the
Table
The Contents and Nature of the Poems of "Erh-Nan" Identifiable with Songs of
Southern Elegance of
Table
The Contents and Nature of the Songs of the First Five Subsections of "Feng" in the
Book of Songs.
Table
Different Identifications of the "San-chien" from Different Sources.
Table
Place Names as Appearing in the Sections of "Pei-feng," "Yung-feng" and "Wei-
feng." |
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| institution | BVB |
| isbn | 9783805005418 |
| language | English Chinese |
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| spelling | Zhi, Chen Verfasser (DE-588)141384190 aut The shaping of the book of songs from ritualization to secularization Chen Zhi Sankt Augustin Monumenta Serica Inst. 2007 380 S. Ill. txt rdacontent n rdamedia nc rdacarrier Monumenta serica monograph series 52 Shi jing (DE-588)4259310-4 gnd rswk-swf Shi jing (DE-588)4259310-4 u DE-604 Monumenta serica monograph series 52 (DE-604)BV000022572 52 Digitalisierung BSBMuenchen application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=015502654&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Zhi, Chen The shaping of the book of songs from ritualization to secularization Monumenta serica monograph series Shi jing (DE-588)4259310-4 gnd |
| subject_GND | (DE-588)4259310-4 |
| title | The shaping of the book of songs from ritualization to secularization |
| title_auth | The shaping of the book of songs from ritualization to secularization |
| title_exact_search | The shaping of the book of songs from ritualization to secularization |
| title_exact_search_txtP | The shaping of the book of songs from ritualization to secularization |
| title_full | The shaping of the book of songs from ritualization to secularization Chen Zhi |
| title_fullStr | The shaping of the book of songs from ritualization to secularization Chen Zhi |
| title_full_unstemmed | The shaping of the book of songs from ritualization to secularization Chen Zhi |
| title_short | The shaping of the book of songs |
| title_sort | the shaping of the book of songs from ritualization to secularization |
| title_sub | from ritualization to secularization |
| topic | Shi jing (DE-588)4259310-4 gnd |
| topic_facet | Shi jing |
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