Music as social and cultural practice: essays in honour of Reinhard Strohm
Gespeichert in:
| Format: | Buch |
|---|---|
| Sprache: | English |
| Veröffentlicht: |
Woodbridge [u.a.]
Boydell Press
2007
|
| Ausgabe: | 1. publ. |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | XVII, 443 S. Ill., Notenbeisp. |
| ISBN: | 9781843833178 |
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| 245 | 1 | 0 | |a Music as social and cultural practice |b essays in honour of Reinhard Strohm |c ed. by Melania Bucciarelli ... |
| 250 | |a 1. publ. | ||
| 264 | 1 | |a Woodbridge [u.a.] |b Boydell Press |c 2007 | |
| 300 | |a XVII, 443 S. |b Ill., Notenbeisp. | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
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| 650 | 4 | |a Musique - Histoire et critique | |
| 650 | 7 | |a Muziek |2 gtt | |
| 650 | 7 | |a Sociale aspecten |2 gtt | |
| 650 | 4 | |a Gesellschaft | |
| 650 | 4 | |a Kultur | |
| 650 | 4 | |a Musik | |
| 650 | 4 | |a Music |x History and criticism | |
| 650 | 4 | |a Music |x Social aspects | |
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Datensatz im Suchindex
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|---|---|
| adam_text | Contents
List of Figures
viii
List of Music Examples
ix
List of Tables
χ
Preface
xi
Contributors
xiii
Abbreviations
xviii
PROLOGUE
Laudatio
Pierluigi Petrobelli
Introduction
Melania
Bucciarelli
é
Berta
Joncus
I MUSIC IN THEORY AND PRACTICE
ι
Anonymous Arabic Treatises on Music: Lost Legacies, Hidden
Answers
її
Amnon Shiloah
2
Compositional Practices in Trecento Music: Model Books and
Musical Traditions
24
Anna
Maria Busse Berger
3
Trompetta and
Concordons
Parts in the Early Fifteenth Century
3 8
Margaret Bent
4
Recording for Posterity: Some Reflections on the Memorialising
of Early Renaissance Music
74
Bawara
Wickham
5
How to Sin in Music: Doctor Navarrus on Sixteenth-Century
Singers
86
Bonnie J. Blackburn
II ART AND SOCIAL PROCESS:
MUSIC IN COURT AND URBAN SOCIETIES
6
Traditions and Practices in Fifteenth- and Sixteenth-Century
Sacred Polyphony: The Use of Solo Voices with Instrumental
Accompaniment
105
David Bryant
&
Elena
Quaranta
7
The City Full of Grief: Music for the Exequies of King Philip II
119
Owen
Rees
8
Giovanni Alberto
Ristori
and his
Serenate
at the Polish Court of
Augustus III,
1735-1746 139
Alina Żórawska-Witkowska
9
Cantate, que
me veux-tu? or: Do Handel s Cantatas Matter?
159
Ellen T. Harris
10
Two
Köchel
Numbers, One Work
185
Christoph
Wolff
III CREATING AN OPERA INDUSTRY
1
1
Identity and Poetic Style: The Case of Rosmene by Giuseppe
Domenico de Totis 199
Norbert
Dubowy
12
How Operatic is Vivaldi s Juditha triumphans?
214
Michael
Talbot
13
Venice and the East: Operatic Readings of Tasso s Armida
in Early Eighteenth-Century Venice
232
Melania Bucciarelli
14
Literary Motifs in Metastasio s and Jommelli s
Ciro riconosciuto
250
Francesca Menchelli-Buttini
15
Producing Stars in
Dramma per musica
275
Berta
Joncus
16
The Pre-revolutionary Origins of
Terrorisme
musical
294
Michel Noiray
17
Pieces into Works: Cherubini s Substitute Arias for the
Theatre Feydeau
312
Michael Fend
18
At the Tavern with Manzoni and Verdi: I
promessi sposi
and the Dramaturgy of
La forza del destino
336
Emanuele Senici
IV THE CRISIS OF MODERNITY
19
The Acoustic Proximity of Temporal Distance:
Auratic Sonority in Mahler s
Lieder eines fahrenden Gesellen 355
Federico Celestini
20
Creating a Concept of Nazi Musicology
374
Pamela Potter
21
Et in
Arcadia adhuc: Observations on the Continuing
Evolution of the Pastoral Idea
391
Giovanni
Morelli
EPILOGUE
Reinhard Strohm:
List of Publications
414
Janet M. Smith
Index
431
Tabula
Gratulatoria
445
List of
Figures
2.1
Vienna model book,
Kunsthistorisches
Museum, Vienna,
Sammlung
für Plastik und Kunstgewerbe (inv. 5003,5004) 26
2.2
Drawing of the Archangel Gabriel from the Fogg Art Museum,
Cambridge
27
3.1
Museo Internazionale e Biblioteca della Musica di Bologna,
fols
R59V-60: Loqueville, Gloria
48
3.2
Zwettl, Zisterzienserstift, MS
without shelfmark,
fols
77,
77ч:
Loqueville,
Gloria
50
3.3
Aosta, Seminario Maggiore, MS
15,
fols 68V-69:
Grossin, Gloria
54
3.4
Zwettl, Zisterzienserstift, MS
without
shelfmark,
fols
54,
54V: Grossin,
Gloria
56
3.5
Museo Internazionale e Biblioteca della Musica di Bologna, Q15,
fols
R240V-241: Franchois, Ave virgo/Sancta Maria
60
7.1
Print of the catafalque for Philip II in Seville Cathedral, in Juan Alvarez
de Colmenar,
Les Délices de l Espagne et du Portugal,
III (Leiden,
1707),
facing p.
423 132
13.1
View of the Seraglio
on a canal
that comes from the open sea. A slave
is thrown down from the height of the walls (Ibraim
sultano,
r, i)
236
13.2
Haste
ghionglum.
.. /
Col Cotogno non m impaccio .
From Giovan
Battista Dona, Della letteratura de Turchi
(Venice,
1688) 247
16.1
Floquet, Le
Seigneur
bienfaisant (Paris,
1781),
Act
11,
Entr acte before
Scene i, p.
137 300
16.2
Méreaux, Alexandre aux
Indes (Paris, 1783),
Act
ш,
Scene
iv,
p.
257 302
16.3
Lemoyne,
Electre
(Paris,
1782),
Act
1,
Scene
iii,
p.
24 304
List of Music Examples
2.1
Paolo da Firenze,
Ars
discantando
8-5-8
progressions (from Seay,
P·
138) 31
2.2
Paolo
da Firenze,
Ars
discantando,
8-6-8
progressions (from Seay,
p·
139) 32
2.3
Phrase
ι
of Giovanni
da Firenze s La bella stella
(after Pirrotta), with
contrapuntal frame
33
2.4
MS variants of
Χα
bella stélla, b.
16 35
7.1 Luis de Aranda, Quomodo sedet
sola
135
9.1 Handel,
Un pensiero , II delirio amoroso: (a) bb.
18-23,
melisma
on
pensiero ; (b) bb.
45-9,
extended setting of pace
170
9.2
Handel,
Fuggì da questo
sen ,
Lungi da me, pensier tiranno,
bb.
1-12 171
9.3
Handel, Per
te lasciai la luce , II delirio amoroso, bb.
71-6, 86-9 172
9.4
Handel, Per
te lasciai la luce , II delirio amoroso, bb.
56-67 173
9.5
Keiser, Wallet
nicht zu laut ,
Octavia, bb.
1-13 174
9.6 Handel,
Lascia ornai le brune vele , II delirio amoroso, bb.
1-17 175
9.7 Handel,
Lascia ornai le brune vele , II delirio amoroso
(opening
vocal
line), bb.
27-33 176
9.8
Handel,
S agita in mezzo l onde ,
Act, Galatea
e Polifemo, bb.
1-15 177
9.9
Handel,
Nehmt mich mit, verzagte Scharen , Brockes Passion,
bb. 1-5 17p
9.10 Handel,
Symphony, Jephtha,
bb. 1-6 183
10.1 (a) Mozart,
Fantasy
in
С
minor,
к.
475,
opening;
(b)
Sonata in
С
minor,
к.
457/1,
opening;
(с)
Sonata in
С
minor,
к.
457/2,
opening
187
10.2
Mozart, Rondo,
к.
494:
(a) bb.
1-2;
(b) bb.
152-7 190
10.3
Mozart, Fragment no.
1,
к.
Anh. 29 192
10.4
Mozart, Fragment no.
2,
к.
Anh. 30 192
10.5
Mozart, Fragment no.
3,
к.
Anh. 33/40 193
10.6
Mozart, Fragment no.
4,
к.
Anh. 37,
opening
194
12.1
Vivaldi, Juditha triumphans, aria Noli,
о
cara, te
adorantis ,
bb.
13-22 226
12.2
Vivaldi, Juditha triumphans, aria Gaude felix Bethulia , bb.
1-8 227
12.3
Vivaldi, Juditha triumphans,
accompagnato Impii, indigni
tyranni ,
bb.
1-9 228
14-1
Jommelli,
Ciro riconosciuto, li.
v,
Non so: con dolce moto : (a)
first
vocal section; (b)
middle section
261
14.2
Jommelli,
Ciro riconosciuto,
ι.
viii,
Έ
pur dagl inquieti :; (a) bb.
1-4;
(b) bb.
8-9 263
14.3
Jommelli, Ciro riconosciuto,
1. viii,
Sciolto dal suo
timor :
(a) bb.
1-8;
(b)
22-6 265
14.4
Jommelli, Ciro riconosciuto,
1. xii,
Rendimi il figlio mio ,
first
vocal
section
269
14.5
Jommelli, Ciro riconosciuto, in.
iii,
...
Ancor
lo sento
270
14.6
Jommelli, Ciro riconosciuto, in.
iii,
...
Ed io, tiranna!
271
14.7
Jommelli, Ciro riconosciuto, in.
iii,
...
Veggo di Ciro
272
19.1
(a)
Schubert,
Die
Mainacht, D.194,
bb.
1-8;
(b)
Mahler, Wenn mein
Schatz Hochzeit macht, bb. 5-17 357
19.2 (a) Mahler, Die zwei blauen Augen: Auf der Straße steht ein
Lindenbaum ; (b) J.
Strauss,
Eine Nacht in Venedig,
Act
m,
Caramello:
Ach, wie so herrlich anzuschaun ; (c) Wagner, Rheingold,
Act
1,
Scene
ii,
Loge: Die goldnen
Aepfeľ; (d)
folksong, Tyrol,
Es wird scho glei
dumpa
372
List of Tables
1.1
2.1
Comparative table of anonymous treatises
13
Interval progressions in Paolo da Firenze s
La bella stella
34
3.1
The
a versi
repertory: a provisional listing
40
3.2
Pieces marked trompetta or tuba, or using related techniques
46
16.1
Gluck s self-borrowing of pantomimic music
297
|
| adam_txt |
Contents
List of Figures
viii
List of Music Examples
ix
List of Tables
χ
Preface
xi
Contributors
xiii
Abbreviations
xviii
PROLOGUE
Laudatio
Pierluigi Petrobelli
Introduction
Melania
Bucciarelli
é"
Berta
Joncus
I MUSIC IN THEORY AND PRACTICE
ι
Anonymous Arabic Treatises on Music: Lost Legacies, Hidden
Answers
її
Amnon Shiloah
2
Compositional Practices in Trecento Music: Model Books and
Musical Traditions
24
Anna
Maria Busse Berger
3
Trompetta and
Concordons
Parts in the Early Fifteenth Century
3 8
Margaret Bent
4
Recording for Posterity: Some Reflections on the Memorialising
of Early Renaissance Music
74
Bawara
Wickham
5
How to Sin in Music: Doctor Navarrus on Sixteenth-Century
Singers
86
Bonnie J. Blackburn
II ART AND SOCIAL PROCESS:
MUSIC IN COURT AND URBAN SOCIETIES
6
Traditions and Practices in Fifteenth- and Sixteenth-Century
Sacred Polyphony: The Use of Solo Voices with Instrumental
Accompaniment
105
David Bryant
&
Elena
Quaranta
7
'The City Full of Grief: Music for the Exequies of King Philip II
119
Owen
Rees
8
Giovanni Alberto
Ristori
and his
Serenate
at the Polish Court of
Augustus III,
1735-1746 139
Alina Żórawska-Witkowska
9
'Cantate, que
me veux-tu?'or: Do Handel's Cantatas Matter?
159
Ellen T. Harris
10
Two
Köchel
Numbers, One Work
185
Christoph
Wolff
III CREATING AN OPERA INDUSTRY
1
1
Identity and Poetic Style: The Case of Rosmene by Giuseppe
Domenico de Totis 199
Norbert
Dubowy
12
How Operatic is Vivaldi's Juditha triumphans?
214
Michael
Talbot
13
Venice and the East: Operatic Readings of Tasso's Armida
in Early Eighteenth-Century Venice
232
Melania Bucciarelli
14
Literary Motifs in Metastasio's and Jommelli's
Ciro riconosciuto
250
Francesca Menchelli-Buttini
15
Producing Stars in
Dramma per musica
275
Berta
Joncus
16
The Pre-revolutionary Origins of
'Terrorisme
musical'
294
Michel Noiray
17
Pieces into Works: Cherubini's Substitute Arias for the
Theatre Feydeau
312
Michael Fend
18
At the Tavern with Manzoni and Verdi: I
promessi sposi
and the Dramaturgy of
La forza del destino
336
Emanuele Senici
IV THE CRISIS OF MODERNITY
19
The Acoustic Proximity of Temporal Distance:
Auratic Sonority in Mahler's
Lieder eines fahrenden Gesellen 355
Federico Celestini
20
Creating a Concept of'Nazi Musicology'
374
Pamela Potter
21
Et in
Arcadia adhuc: Observations on the Continuing
Evolution of the 'Pastoral Idea'
391
Giovanni
Morelli
EPILOGUE
Reinhard Strohm:
List of Publications
414
Janet M. Smith
Index
431
Tabula
Gratulatoria
445
List of
Figures
2.1
Vienna model book,
Kunsthistorisches
Museum, Vienna,
Sammlung
für Plastik und Kunstgewerbe (inv. 5003,5004) 26
2.2
Drawing of the Archangel Gabriel from the Fogg Art Museum,
Cambridge
27
3.1
Museo Internazionale e Biblioteca della Musica di Bologna,
fols
R59V-60: Loqueville, Gloria
48
3.2
Zwettl, Zisterzienserstift, MS
without shelfmark,
fols
77,
77ч:
Loqueville,
Gloria
50
3.3
Aosta, Seminario Maggiore, MS
15,
fols 68V-69:
Grossin, Gloria
54
3.4
Zwettl, Zisterzienserstift, MS
without
shelfmark,
fols
54,
54V: Grossin,
Gloria
56
3.5
Museo Internazionale e Biblioteca della Musica di Bologna, Q15,
fols
R240V-241: Franchois, Ave virgo/Sancta Maria
60
7.1
Print of the catafalque for Philip II in Seville Cathedral, in Juan Alvarez
de Colmenar,
Les Délices de l'Espagne et du Portugal,
III (Leiden,
1707),
facing p.
423 132
13.1
'View of the Seraglio
on a canal
that comes from the open sea. A slave
is thrown down from the height of the walls' (Ibraim
sultano,
r, i)
236
13.2
'Haste
ghionglum.
. /
Col Cotogno non m'impaccio'.
From Giovan
Battista Dona, Della letteratura de' Turchi
(Venice,
1688) 247
16.1
Floquet, Le
Seigneur
bienfaisant (Paris,
1781),
Act
11,
Entr'acte before
Scene i, p.
137 300
16.2
Méreaux, Alexandre aux
Indes (Paris, 1783),
Act
ш,
Scene
iv,
p.
257 302
16.3
Lemoyne,
Electre
(Paris,
1782),
Act
1,
Scene
iii,
p.
24 304
List of Music Examples
2.1
Paolo da Firenze,
Ars
discantando
8-5-8
progressions (from Seay,
P·
138) 31
2.2
Paolo
da Firenze,
Ars
discantando,
8-6-8
progressions (from Seay,
p·
139) 32
2.3
Phrase
ι
of Giovanni
da Firenze's La bella stella
(after Pirrotta), with
contrapuntal frame
33
2.4
MS variants of
Χα
bella stélla, b.
16 35
7.1 Luis de Aranda, Quomodo sedet
sola
135
9.1 Handel,
'Un pensiero', II delirio amoroso: (a) bb.
18-23,
melisma
on
'pensiero'; (b) bb.
45-9,
extended setting of 'pace'
170
9.2
Handel,
'Fuggì da questo
sen',
Lungi da me, pensier tiranno,
bb.
1-12 171
9.3
Handel, 'Per
te lasciai la luce', II delirio amoroso, bb.
71-6, 86-9 172
9.4
Handel, 'Per
te lasciai la luce', II delirio amoroso, bb.
56-67 173
9.5
Keiser, 'Wallet
nicht zu laut',
Octavia, bb.
1-13 174
9.6 Handel,
'Lascia ornai le brune vele', II delirio amoroso, bb.
1-17 175
9.7 Handel,
'Lascia ornai le brune vele', II delirio amoroso
(opening
vocal
line), bb.
27-33 176
9.8
Handel,
'S'agita in mezzo l'onde',
Act, Galatea
e Polifemo, bb.
1-15 177
9.9
Handel,
'Nehmt mich mit, verzagte Scharen', Brockes Passion,
bb. 1-5 17p
9.10 Handel,
Symphony, Jephtha,
bb. 1-6 183
10.1 (a) Mozart,
Fantasy
in
С
minor,
к.
475,
opening;
(b)
Sonata in
С
minor,
к.
457/1,
opening;
(с)
Sonata in
С
minor,
к.
457/2,
opening
187
10.2
Mozart, Rondo,
к.
494:
(a) bb.
1-2;
(b) bb.
152-7 190
10.3
Mozart, Fragment no.
1,
к.
Anh. 29 192
10.4
Mozart, Fragment no.
2,
к.
Anh. 30 192
10.5
Mozart, Fragment no.
3,
к.
Anh. 33/40 193
10.6
Mozart, Fragment no.
4,
к.
Anh. 37,
opening
194
12.1
Vivaldi, Juditha triumphans, aria 'Noli,
о
cara, te
adorantis',
bb.
13-22 226
12.2
Vivaldi, Juditha triumphans, aria 'Gaude felix Bethulia', bb.
1-8 227
12.3
Vivaldi, Juditha triumphans,
accompagnato 'Impii, indigni
tyranni',
bb.
1-9 228
14-1
Jommelli,
Ciro riconosciuto, li.
v,
'Non so: con dolce moto': (a)
first
vocal section; (b)
middle section
261
14.2
Jommelli,
Ciro riconosciuto,
ι.
viii,
Έ
pur dagl'inquieti':; (a) bb.
1-4;
(b) bb.
8-9 263
14.3
Jommelli, Ciro riconosciuto,
1. viii,
'Sciolto dal suo
timor':
(a) bb.
1-8;
(b)
22-6 265
14.4
Jommelli, Ciro riconosciuto,
1. xii,
'Rendimi il figlio mio',
first
vocal
section
269
14.5
Jommelli, Ciro riconosciuto, in.
iii,
'.
Ancor
lo sento'
270
14.6
Jommelli, Ciro riconosciuto, in.
iii,
'.
Ed io, tiranna!'
271
14.7
Jommelli, Ciro riconosciuto, in.
iii,
'.
Veggo di Ciro'
272
19.1
(a)
Schubert,
Die
Mainacht, D.194,
bb.
1-8;
(b)
Mahler, Wenn mein
Schatz Hochzeit macht, bb. 5-17 357
19.2 (a) Mahler, Die zwei blauen Augen: 'Auf der Straße steht ein
Lindenbaum'; (b) J.
Strauss,
Eine Nacht in Venedig,
Act
m,
Caramello:
'Ach, wie so herrlich anzuschaun'; (c) Wagner, Rheingold,
Act
1,
Scene
ii,
Loge: 'Die goldnen
Aepfeľ; (d)
folksong, Tyrol,
Es wird scho glei
dumpa
372
List of Tables
1.1
2.1
Comparative table of anonymous treatises
13
Interval progressions in Paolo da Firenze's
La bella stella
34
3.1
The
a versi
repertory: a provisional listing
40
3.2
Pieces marked trompetta or tuba, or using related techniques
46
16.1
Gluck's self-borrowing of pantomimic music
297 |
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| discipline | Musikwissenschaft |
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| edition | 1. publ. |
| era | Geschichte gnd |
| era_facet | Geschichte |
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| illustrated | Illustrated |
| index_date | 2024-07-02T16:49:12Z |
| indexdate | 2024-07-09T20:54:01Z |
| institution | BVB |
| isbn | 9781843833178 |
| language | English |
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| spellingShingle | Music as social and cultural practice essays in honour of Reinhard Strohm Strohm, Reinhard Strohm, Reinhard 1942- (DE-588)133677311 gnd Culturele aspecten gtt Musique - Aspect social Musique - Histoire et critique Muziek gtt Sociale aspecten gtt Gesellschaft Kultur Musik Music History and criticism Music Social aspects Musik (DE-588)4040802-4 gnd |
| subject_GND | (DE-588)133677311 (DE-588)4040802-4 (DE-588)4143413-4 (DE-588)4006432-3 (DE-588)4016928-5 |
| title | Music as social and cultural practice essays in honour of Reinhard Strohm |
| title_auth | Music as social and cultural practice essays in honour of Reinhard Strohm |
| title_exact_search | Music as social and cultural practice essays in honour of Reinhard Strohm |
| title_exact_search_txtP | Music as social and cultural practice essays in honour of Reinhard Strohm |
| title_full | Music as social and cultural practice essays in honour of Reinhard Strohm ed. by Melania Bucciarelli ... |
| title_fullStr | Music as social and cultural practice essays in honour of Reinhard Strohm ed. by Melania Bucciarelli ... |
| title_full_unstemmed | Music as social and cultural practice essays in honour of Reinhard Strohm ed. by Melania Bucciarelli ... |
| title_short | Music as social and cultural practice |
| title_sort | music as social and cultural practice essays in honour of reinhard strohm |
| title_sub | essays in honour of Reinhard Strohm |
| topic | Strohm, Reinhard Strohm, Reinhard 1942- (DE-588)133677311 gnd Culturele aspecten gtt Musique - Aspect social Musique - Histoire et critique Muziek gtt Sociale aspecten gtt Gesellschaft Kultur Musik Music History and criticism Music Social aspects Musik (DE-588)4040802-4 gnd |
| topic_facet | Strohm, Reinhard Strohm, Reinhard 1942- Culturele aspecten Musique - Aspect social Musique - Histoire et critique Muziek Sociale aspecten Gesellschaft Kultur Musik Music History and criticism Music Social aspects Aufsatzsammlung Bibliografie Festschrift |
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