Listening to an earlier Java: aesthetics, gender, and the music of wayang in Central Java
Saved in:
| Main Author: | |
|---|---|
| Format: | Book |
| Language: | English |
| Published: |
Leiden
KITLV Press
2006
|
| Series: | Verhandelingen van het Koninklijk Instituut voor Taal-, Land- en Volkenkunde
237 |
| Subjects: | |
| Online Access: | Inhaltsverzeichnis |
| Physical Description: | VIII, 187 S. CD-ROM (12 cm) |
| ISBN: | 9067182737 9789067182737 |
Staff View
MARC
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Record in the Search Index
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|---|---|
| adam_text | Contents
Acknowledgements
Introduction; Preliminary soundings
On the problems of being there: fieldwork at Central Javanese events
Refinement, restraint, rules, and rasa: music and politics in
Central Javanese courts
Listening back to an earlier Java: rasa, female gender players,
and grimingan
I Musical analysis and cultural analysis; Pathet, grimingan, and gender
On musical notation
Javanese
Pathet and the village
Grimingan: an introduction
Culturally bounded styles of analysis
Grimingan: hearing or imposing structure and form?
Comparing suluk and grimingan as played on the gender
The process of grimingan
Sameness in Javanese music performance contextualized
Finding
Conclusion
II Competing hegemonies; The discourse on Javanese gender
On Javanese power and potency
The paradigm of potency: the Javanese idea of (male) potency
Feminist strategies: parallel power structures
Feminist strategies: inserting women into the dominant male
paradigm
Feminist strategies: reinserting women into the discourse
on potency
Disempowerment and male bias
Competing and interacting hegemonies in Java
Ш
Central Javanese myth
Nyai Lara Kidul: loyal consort and destroyer of Central
Javanese rulers
Chaotic love
Female gender players and the gendered interaction between chaos and
order
Myths and mundane realities
TV Javanese rasa; Gendering emotion and restraint
Javanese performance and rasa
Rasa in Javanese music theoretical texts
Javanese music theories in historical context
Location and difference: constructions of urban and rural
performance styles
Talking about difference: distinguishing male and female styles
of genderan
Interpreting difference: distinguishing male and female styles
of genderan
Gendered rasa: concluding marks
V Listening back
Connecting old and court wayang styles through aesthetics
The
Transitions to marital bliss: on the significance oigapuran
Pain and pleasure of separation: the order and chaos of loyalty
Particularly Javanese additions to the
Conclusion; Final soundings
Glossary
Bibliography
Index
|
| adam_txt |
Contents
Acknowledgements
Introduction; Preliminary soundings
On the problems of being there: fieldwork at Central Javanese events
Refinement, restraint, rules, and rasa: music and politics in
Central Javanese courts
Listening back to an earlier Java: rasa, female gender players,
and grimingan
I Musical analysis and cultural analysis; Pathet, grimingan, and gender
On musical notation
Javanese
Pathet and 'the village'
Grimingan: an introduction
Culturally bounded styles of analysis
Grimingan: hearing or imposing structure and form?
Comparing suluk and grimingan as played on the gender
The process of grimingan
Sameness in Javanese music performance contextualized
Finding
Conclusion
II Competing hegemonies; The discourse on Javanese gender
On Javanese power and potency
The paradigm of potency: the Javanese idea of (male) potency
Feminist strategies: parallel power structures
Feminist strategies: inserting women into the dominant male
paradigm
Feminist strategies: reinserting women into the discourse
on potency
Disempowerment and male bias
Competing and interacting hegemonies in Java
Ш
Central Javanese myth
Nyai Lara Kidul: loyal consort and destroyer of Central
Javanese rulers
Chaotic love
Female gender players and the gendered interaction between chaos and
order
Myths and mundane realities
TV Javanese rasa; Gendering emotion and restraint
Javanese performance and rasa
Rasa in Javanese music theoretical texts
Javanese music theories in historical context
Location and difference: constructions of urban and rural
performance styles
Talking about difference: distinguishing male and female styles
of genderan
Interpreting difference: distinguishing male and female styles
of genderan
Gendered rasa: concluding marks
V Listening back
Connecting old and court wayang styles through aesthetics
The
Transitions to marital bliss: on the significance oigapuran
Pain and pleasure of separation: the order and chaos of loyalty
Particularly Javanese additions to the
Conclusion; Final soundings
Glossary
Bibliography
Index |
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| spelling | Weiss, Sarah Verfasser aut Listening to an earlier Java aesthetics, gender, and the music of wayang in Central Java Sarah Weiss Leiden KITLV Press 2006 VIII, 187 S. CD-ROM (12 cm) txt rdacontent n rdamedia nc rdacarrier Verhandelingen van het Koninklijk Instituut voor Taal-, Land- en Volkenkunde 237 Sekseverschillen gtt Stijlen gtt Wajang gtt Geschlechtsunterschied Sex in music Sex role Indonesia Java Wayang music Indonesia Java Wayang (DE-588)4188961-7 gnd rswk-swf Musik (DE-588)4040802-4 gnd rswk-swf Zentraljava (DE-588)4067631-6 gnd rswk-swf CD-ROMs Zentraljava (DE-588)4067631-6 g Wayang (DE-588)4188961-7 s Musik (DE-588)4040802-4 s DE-604 Verhandelingen van het Koninklijk Instituut voor Taal-, Land- en Volkenkunde 237 (DE-604)BV000001129 237 Digitalisierung BSBMuenchen application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=015477788&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
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