Listening to an earlier Java: aesthetics, gender, and the music of wayang in Central Java
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Leiden
KITLV Press
2006
|
| Schriftenreihe: | Verhandelingen van het Koninklijk Instituut voor Taal-, Land- en Volkenkunde
237 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | VIII, 187 S. CD-ROM (12 cm) |
| ISBN: | 9067182737 9789067182737 |
Internformat
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Datensatz im Suchindex
| _version_ | 1804136269714817024 |
|---|---|
| adam_text | Contents
Acknowledgements
Introduction; Preliminary soundings
On the problems of being there: fieldwork at Central Javanese events
Refinement, restraint, rules, and rasa: music and politics in
Central Javanese courts
Listening back to an earlier Java: rasa, female gender players,
and grimingan
I Musical analysis and cultural analysis; Pathet, grimingan, and gender
On musical notation
Javanese
Pathet and the village
Grimingan: an introduction
Culturally bounded styles of analysis
Grimingan: hearing or imposing structure and form?
Comparing suluk and grimingan as played on the gender
The process of grimingan
Sameness in Javanese music performance contextualized
Finding
Conclusion
II Competing hegemonies; The discourse on Javanese gender
On Javanese power and potency
The paradigm of potency: the Javanese idea of (male) potency
Feminist strategies: parallel power structures
Feminist strategies: inserting women into the dominant male
paradigm
Feminist strategies: reinserting women into the discourse
on potency
Disempowerment and male bias
Competing and interacting hegemonies in Java
Ш
Central Javanese myth
Nyai Lara Kidul: loyal consort and destroyer of Central
Javanese rulers
Chaotic love
Female gender players and the gendered interaction between chaos and
order
Myths and mundane realities
TV Javanese rasa; Gendering emotion and restraint
Javanese performance and rasa
Rasa in Javanese music theoretical texts
Javanese music theories in historical context
Location and difference: constructions of urban and rural
performance styles
Talking about difference: distinguishing male and female styles
of genderan
Interpreting difference: distinguishing male and female styles
of genderan
Gendered rasa: concluding marks
V Listening back
Connecting old and court wayang styles through aesthetics
The
Transitions to marital bliss: on the significance oigapuran
Pain and pleasure of separation: the order and chaos of loyalty
Particularly Javanese additions to the
Conclusion; Final soundings
Glossary
Bibliography
Index
|
| adam_txt |
Contents
Acknowledgements
Introduction; Preliminary soundings
On the problems of being there: fieldwork at Central Javanese events
Refinement, restraint, rules, and rasa: music and politics in
Central Javanese courts
Listening back to an earlier Java: rasa, female gender players,
and grimingan
I Musical analysis and cultural analysis; Pathet, grimingan, and gender
On musical notation
Javanese
Pathet and 'the village'
Grimingan: an introduction
Culturally bounded styles of analysis
Grimingan: hearing or imposing structure and form?
Comparing suluk and grimingan as played on the gender
The process of grimingan
Sameness in Javanese music performance contextualized
Finding
Conclusion
II Competing hegemonies; The discourse on Javanese gender
On Javanese power and potency
The paradigm of potency: the Javanese idea of (male) potency
Feminist strategies: parallel power structures
Feminist strategies: inserting women into the dominant male
paradigm
Feminist strategies: reinserting women into the discourse
on potency
Disempowerment and male bias
Competing and interacting hegemonies in Java
Ш
Central Javanese myth
Nyai Lara Kidul: loyal consort and destroyer of Central
Javanese rulers
Chaotic love
Female gender players and the gendered interaction between chaos and
order
Myths and mundane realities
TV Javanese rasa; Gendering emotion and restraint
Javanese performance and rasa
Rasa in Javanese music theoretical texts
Javanese music theories in historical context
Location and difference: constructions of urban and rural
performance styles
Talking about difference: distinguishing male and female styles
of genderan
Interpreting difference: distinguishing male and female styles
of genderan
Gendered rasa: concluding marks
V Listening back
Connecting old and court wayang styles through aesthetics
The
Transitions to marital bliss: on the significance oigapuran
Pain and pleasure of separation: the order and chaos of loyalty
Particularly Javanese additions to the
Conclusion; Final soundings
Glossary
Bibliography
Index |
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| spellingShingle | Weiss, Sarah Listening to an earlier Java aesthetics, gender, and the music of wayang in Central Java Verhandelingen van het Koninklijk Instituut voor Taal-, Land- en Volkenkunde Sekseverschillen gtt Stijlen gtt Wajang gtt Geschlechtsunterschied Sex in music Sex role Indonesia Java Wayang music Indonesia Java Wayang (DE-588)4188961-7 gnd Musik (DE-588)4040802-4 gnd |
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