Satchmo meets Amadeus:
Gespeichert in:
| Weitere Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Innsbruck [u.a.]
Studien-Verl.
2006
|
| Schriftenreihe: | Transatlantica
2 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Inhaltsverzeichnis |
| Beschreibung: | Literaturverz. S. 308 - 316. - Literaturangaben |
| Beschreibung: | 328 S. Ill., graph. Darst., Kt. 24 cm |
| ISBN: | 3706541505 9783706541503 |
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Datensatz im Suchindex
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INHALTSVERZEICHNIS
MURANYI, JOE
POPS MEETS MOZE
S. 34-
STARR, S. FREDERICK
AMADEUS AND SATCHMO
S. 46-
STARR, S. FREDERICK
INCUBATING MUSICAL TALENT: VIENNA AND NEW ORLEANS
S. 54-
PASETZKY, GILDA
POLITICAL AND CIVIC CONSCIOUSNESS IN THE MOZARTS SALZBURG
S. 61-
RATHKOLB, OLIVER
CONTINUITY AND DISCONTINUITY IN MOZARTS EXPLOITATION BY NAZI-GERMAN AND
POST-WAR AUSTRIAN CULTURAL POLICIES: 19381945, 19451955
S. 71-
GSTREIN, RAINER
JAZZ AS NON-CULTURE THE SUPPRESSION OF JAZZ IN THE THIRD REICH
S. 88-
ESCHEN, PENNY M. VON
THE REAL AMBASSADORS
S. 97-
HOFFMANN, ROBERT
MOZART AND THE IMAGE OF SALZBURG
S. 111-
LUGER, KURT
FUN-FACTORY SALZBURG: SOUND OF MUSIC, SALZBURG FESTIVAL, AND TOURISM
S. 119-
ATKINSON, CONNIE
LOUIS ARMSTRONG AND THE IMAGE OF NEW ORLEANS
S. 129-
POWELL, LAWRENCE N.
NEW ORLEANS: AN AMERICAN POMPEII?
S. 142-
OSTENDORF, BERNDT
JAZZ FUNERALS AND THE SECOND LINE
S. 157-
GIESINGER, HUBERT
JAZZ IN SALZBURG
S. 162-
PANAGL, CLEMENS
ROLL OVER MOZART: NEW SOUNDS IN AN OLD MUSIC TOWN
S. 174-
PILLINGER, WOLFGANG
MINUET & BLUES: SCHNITZEL & NOODLES CONSIDERATIONS OF A NOTORIOUS
GO-BETWEEN
S. 181-
REININGHAUS, ABI VON
CLASSICAL MUSIC, JAZZ, ROCK, POP WHATS THE DIFFERENCE?
S. 190-
MCDERMOTT, TOM
JAZZIN THE CLASSICS: A SURVEY OF THE FIRST 100 YEARS
S. 197-
BARON, JOHN H.
MOZART IN NEW ORLEANS, 1800 TO 1925
S. 206-
NELSON, DAVID
THE MOZART EFFECT: TRUTHS, ERRORS, EXAGGERATIONS
S. 220-
GRUBER, HANS-CHRISTIAN
SATCHMO AND WOLFGANG AMADEUS MOZART ON THE SILVER SCREEN
S. 234-
GIEDENBACHER, ERWIN
CULTURAL ICONS: SATCHMO AND AMADEUS IN THE WORLD WIDE WEB
S. 244-
STEWART, JACK
THE MUSICAL GEOGRAPHY OF LOUIS ARMSTRONGS SECOND NEIGHBORHOOD
S. 254-
JONES, TAD
DECEMBER 31, 1912
S. 259-
OSTENDORF, BERNDT
IS AMERICAN CULTURE JAZZ-SHAPED? AFRICAN AMERICAN RULES OF PERFORMANCE
S. 263-
WAGNLEITNER, REINHOLD
JAZZ THE CLASSICAL MUSIC OF GLOBALIZATION
S. 280-
INHALTSVERZEICHNIS ALS PDF
2000- OESTERR. BIBLIOTHEKENVERBUND & SERVICE GMBH [GENERATED:
2007.01.15]
|
| adam_txt |
TD { BORDER-RIGHT: WHITE 1PX SOLID; BORDER-TOP: WHITE 1PX SOLID;
BORDER-LEFT: WHITE 1PX SOLID; BORDER-BOTTOM: WHITE 1PX SOLID }
INHALTSVERZEICHNIS
MURANYI, JOE
POPS MEETS MOZE
S. 34-
STARR, S. FREDERICK
AMADEUS AND SATCHMO
S. 46-
STARR, S. FREDERICK
INCUBATING MUSICAL TALENT: VIENNA AND NEW ORLEANS
S. 54-
PASETZKY, GILDA
POLITICAL AND CIVIC CONSCIOUSNESS IN THE MOZARTS SALZBURG
S. 61-
RATHKOLB, OLIVER
CONTINUITY AND DISCONTINUITY IN MOZARTS EXPLOITATION BY NAZI-GERMAN AND
POST-WAR AUSTRIAN CULTURAL POLICIES: 19381945, 19451955
S. 71-
GSTREIN, RAINER
JAZZ AS NON-CULTURE THE SUPPRESSION OF JAZZ IN THE THIRD REICH
S. 88-
ESCHEN, PENNY M. VON
THE REAL AMBASSADORS
S. 97-
HOFFMANN, ROBERT
MOZART AND THE IMAGE OF SALZBURG
S. 111-
LUGER, KURT
FUN-FACTORY SALZBURG: SOUND OF MUSIC, SALZBURG FESTIVAL, AND TOURISM
S. 119-
ATKINSON, CONNIE
LOUIS ARMSTRONG AND THE IMAGE OF NEW ORLEANS
S. 129-
POWELL, LAWRENCE N.
NEW ORLEANS: AN AMERICAN POMPEII?
S. 142-
OSTENDORF, BERNDT
JAZZ FUNERALS AND THE SECOND LINE
S. 157-
GIESINGER, HUBERT
JAZZ IN SALZBURG
S. 162-
PANAGL, CLEMENS
ROLL OVER MOZART: NEW SOUNDS IN AN OLD MUSIC TOWN
S. 174-
PILLINGER, WOLFGANG
MINUET & BLUES: SCHNITZEL & NOODLES CONSIDERATIONS OF A NOTORIOUS
GO-BETWEEN
S. 181-
REININGHAUS, ABI VON
CLASSICAL MUSIC, JAZZ, ROCK, POP WHATS THE DIFFERENCE?
S. 190-
MCDERMOTT, TOM
JAZZIN THE CLASSICS: A SURVEY OF THE FIRST 100 YEARS
S. 197-
BARON, JOHN H.
MOZART IN NEW ORLEANS, 1800 TO 1925
S. 206-
NELSON, DAVID
THE MOZART EFFECT: TRUTHS, ERRORS, EXAGGERATIONS
S. 220-
GRUBER, HANS-CHRISTIAN
SATCHMO AND WOLFGANG AMADEUS MOZART ON THE SILVER SCREEN
S. 234-
GIEDENBACHER, ERWIN
CULTURAL ICONS: SATCHMO AND AMADEUS IN THE WORLD WIDE WEB
S. 244-
STEWART, JACK
THE MUSICAL GEOGRAPHY OF LOUIS ARMSTRONGS SECOND NEIGHBORHOOD
S. 254-
JONES, TAD
DECEMBER 31, 1912
S. 259-
OSTENDORF, BERNDT
IS AMERICAN CULTURE JAZZ-SHAPED? AFRICAN AMERICAN RULES OF PERFORMANCE
S. 263-
WAGNLEITNER, REINHOLD
JAZZ THE CLASSICAL MUSIC OF GLOBALIZATION
S. 280-
INHALTSVERZEICHNIS ALS PDF
2000- OESTERR. BIBLIOTHEKENVERBUND & SERVICE GMBH [GENERATED:
2007.01.15] |
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| title | Satchmo meets Amadeus |
| title_auth | Satchmo meets Amadeus |
| title_exact_search | Satchmo meets Amadeus |
| title_exact_search_txtP | Satchmo meets Amadeus |
| title_full | Satchmo meets Amadeus Reinhold Wagnleitner (Ed.) |
| title_fullStr | Satchmo meets Amadeus Reinhold Wagnleitner (Ed.) |
| title_full_unstemmed | Satchmo meets Amadeus Reinhold Wagnleitner (Ed.) |
| title_short | Satchmo meets Amadeus |
| title_sort | satchmo meets amadeus |
| topic | Armstrong, Louis <1901-1971> Criticism and interpretation Mozart, Wolfgang Amadeus <1756-1791> Criticism and interpretation Musik Jazz Louisiana New Orleans History and criticism Music Austria History and criticism Music Louisiana New Orleans History and criticism Klassische Musik (DE-588)4164043-3 gnd Jazz (DE-588)4028532-7 gnd |
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Es ist kein Print-Exemplar vorhanden.
Inhaltsverzeichnis