Das Musiktheater von Luciano Berio:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | German |
| Veröffentlicht: |
Frankfurt am Main [u.a.]
Lang
2007
|
| Schriftenreihe: | Perspektiven der Opernforschung
13 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | Zugl.: Hamburg, Univ., Diss., 2004 |
| Beschreibung: | 469 S. Ill. |
| ISBN: | 9783631540046 |
Internformat
MARC
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Datensatz im Suchindex
| _version_ | 1804136250899169280 |
|---|---|
| adam_text | Inhaltsverzeichnis
Einleitung .....................................................................................................................................11
Teill
Musiktheaterwerke und
1.1 Mimusique N. 2
1.2
1.3 Projekt
Dokument la: L. BerioanA. Schlee,
Dokument lb: L. Berio, Projektbeschreibung ffir M. Labroca,
1.4
1.5
1.6 Laborintus
1.7
Dokument 2:
1.8
Dokument 3:
1.9 Projekt
DOKUMENT4:
1.10
1.11
Dokument 5:
1.12
1.13
Teil 2
Zur Frage des Metatheaters bei Luciano Berio.........................................................................217
2.1 »Metatheatre« - Lionel Abels Begriffsprägung ......................................................219
2.2 Berios Abel-Rezeption und sein Begriff des »metateatro« ......................................223
2.3 »Formendes Metadramas« nach
2.3.1 Metatheatrale Merkmale in den Werken Berios........................................232
2.3.1.1
2.3.1.2 Thematisches Metatheater ........................................................243
2.3.1.3 Fiktionales Metatheater ............................................................246
2.3.1.4 Episierendes Metatheater ..........................................................248
2.3.1.5 Diskursives Metatheater ...........................................................251
10
2.3.1.6 Figurales Metatheater ................................................................256
2.3.1.7
2.4 Anmerkungen zu Berios Brecht-Rezeption ............................................................270
ТеііЗ
La
3.1 Einführung............................................................................................................281
3.2 Werkidee und Entstehungsgeschichte .....................................................................286
3.2.1 Der zeitliche Rahmen der Entstehung ......................................................286
3.2.2 Entfaltung der Werkidee: Arbeit mit
Dokument 6a: L. Berioan
DoKUMENTöb: L. Berio an
3.2.3 Suche nach neuen Mitarbeitern:
Edoardo Sanguineti
3.2.4 Der Titel..................................................................................................304
3.2.5
3.2.6 Die Phase der Komposition .....................................................................319
3.3 Gewalt und Terror in La
3.4 Analyse..................................................................................................................339
3.4.1
3.4.1.1
3.4.1.2
3.4.2
3.4.2.1
3.4.2.2
3.4.2.3
3.4.2.4
3.4.2.5
3.4.2.6
3.4.2.7
3.4.2.8
3.4.2.9
3.5 Schlussbemerkungen..............................................................................................432
Literaturverzeichnis (Auswahl).....................................................................................................443
Anhang: Abbildungen.....................................................................................................................465
|
| adam_txt |
Inhaltsverzeichnis
Einleitung .11
Teill
Musiktheaterwerke und
1.1 Mimusique N. 2
1.2
1.3 Projekt
Dokument la: L. BerioanA. Schlee,
Dokument lb: L. Berio, Projektbeschreibung ffir M. Labroca,
1.4
1.5
1.6 Laborintus
1.7
Dokument 2:
1.8
Dokument 3:
1.9 Projekt
DOKUMENT4:
1.10
1.11
Dokument 5:
1.12
1.13
Teil 2
Zur Frage des Metatheaters bei Luciano Berio.217
2.1 »Metatheatre« - Lionel Abels Begriffsprägung .219
2.2 Berios Abel-Rezeption und sein Begriff des »metateatro« .223
2.3 »Formendes Metadramas« nach
2.3.1 Metatheatrale Merkmale in den Werken Berios.232
2.3.1.1
2.3.1.2 'Thematisches Metatheater' .243
2.3.1.3 'Fiktionales Metatheater' .246
2.3.1.4 'Episierendes Metatheater'.248
2.3.1.5 'Diskursives Metatheater'.251
10
2.3.1.6 'Figurales Metatheater'.256
2.3.1.7
2.4 Anmerkungen zu Berios Brecht-Rezeption .270
ТеііЗ
La
3.1 Einführung.281
3.2 Werkidee und Entstehungsgeschichte .286
3.2.1 Der zeitliche Rahmen der Entstehung .286
3.2.2 Entfaltung der Werkidee: Arbeit mit
Dokument 6a: L. Berioan
DoKUMENTöb: L. Berio an
3.2.3 Suche nach neuen Mitarbeitern:
Edoardo Sanguineti
3.2.4 Der Titel.304
3.2.5
3.2.6 Die Phase der Komposition .319
3.3 Gewalt und Terror in La
3.4 Analyse.339
3.4.1
3.4.1.1
3.4.1.2
3.4.2
3.4.2.1
3.4.2.2
3.4.2.3
3.4.2.4
3.4.2.5
3.4.2.6
3.4.2.7
3.4.2.8
3.4.2.9
3.5 Schlussbemerkungen.432
Literaturverzeichnis (Auswahl).443
Anhang: Abbildungen.465 |
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| dewey-search | 782.10904 |
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| discipline | Musikwissenschaft |
| discipline_str_mv | Musikwissenschaft |
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| illustrated | Illustrated |
| index_date | 2024-07-02T16:40:21Z |
| indexdate | 2024-07-09T20:53:25Z |
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| isbn | 9783631540046 |
| language | German |
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| series2 | Perspektiven der Opernforschung |
| spelling | Brüdermann, Ute 1970- Verfasser (DE-588)132532956 aut Das Musiktheater von Luciano Berio Ute Brüdermann Frankfurt am Main [u.a.] Lang 2007 469 S. Ill. txt rdacontent n rdamedia nc rdacarrier Perspektiven der Opernforschung 13 Zugl.: Hamburg, Univ., Diss., 2004 Berio, Luciano <1925-2003> Criticism and interpretation Berio, Luciano 1925-2003 (DE-588)118509594 gnd rswk-swf Music theater Italy Musiktheater (DE-588)4040874-7 gnd rswk-swf Italien (DE-588)4113937-9 Hochschulschrift gnd-content Berio, Luciano 1925-2003 (DE-588)118509594 p Musiktheater (DE-588)4040874-7 s DE-604 Perspektiven der Opernforschung 13 (DE-604)BV009695096 13 Digitalisierung BSBMuenchen application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=015464495&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Brüdermann, Ute 1970- Das Musiktheater von Luciano Berio Perspektiven der Opernforschung Berio, Luciano <1925-2003> Criticism and interpretation Berio, Luciano 1925-2003 (DE-588)118509594 gnd Music theater Italy Musiktheater (DE-588)4040874-7 gnd |
| subject_GND | (DE-588)118509594 (DE-588)4040874-7 (DE-588)4113937-9 |
| title | Das Musiktheater von Luciano Berio |
| title_auth | Das Musiktheater von Luciano Berio |
| title_exact_search | Das Musiktheater von Luciano Berio |
| title_exact_search_txtP | Das Musiktheater von Luciano Berio |
| title_full | Das Musiktheater von Luciano Berio Ute Brüdermann |
| title_fullStr | Das Musiktheater von Luciano Berio Ute Brüdermann |
| title_full_unstemmed | Das Musiktheater von Luciano Berio Ute Brüdermann |
| title_short | Das Musiktheater von Luciano Berio |
| title_sort | das musiktheater von luciano berio |
| topic | Berio, Luciano <1925-2003> Criticism and interpretation Berio, Luciano 1925-2003 (DE-588)118509594 gnd Music theater Italy Musiktheater (DE-588)4040874-7 gnd |
| topic_facet | Berio, Luciano <1925-2003> Criticism and interpretation Berio, Luciano 1925-2003 Music theater Italy Musiktheater Italien Hochschulschrift |
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