Film studies: the essential resource
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London [u.a.]
Routledge
2007
|
| Ausgabe: | 1. publ. |
| Schriftenreihe: | Essentials series
|
| Schlagworte: | |
| Online-Zugang: | Table of contents only Inhaltsverzeichnis |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | XVII, 428 S. graph. Darst. |
| ISBN: | 0415365678 0415365686 9780415365673 9780415365680 |
Internformat
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| 100 | 1 | |a Bennett, Peter |d 1951- |e Verfasser |0 (DE-588)120453975 |4 aut | |
| 245 | 1 | 0 | |a Film studies |b the essential resource |c Peter Bennett, Andrew Hickman and Peter Wall |
| 250 | |a 1. publ. | ||
| 264 | 1 | |a London [u.a.] |b Routledge |c 2007 | |
| 300 | |a XVII, 428 S. |b graph. Darst. | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 490 | 0 | |a Essentials series | |
| 500 | |a Includes bibliographical references and index | ||
| 650 | 4 | |a Film | |
| 650 | 4 | |a Motion pictures | |
| 650 | 4 | |a Film criticism | |
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| 700 | 1 | |a Hickman, Andrew |e Sonstige |4 oth | |
| 700 | 1 | |a Wall, Peter |e Sonstige |4 oth | |
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Datensatz im Suchindex
| _version_ | 1804136244883488768 |
|---|---|
| adam_text | CONTENTS
Acknowledgements x
Introduction
1
1
Raymond Williams: British film history: new perspectives
2
2 Wim Wenders:
Why do you make films?
4
3
Jonathan
Coe:
What a Carve Up!
6
PART
1:
CODES
9
1:
Film language
9
4
Susan
Sontag:
Against Interpretation
10
5
James Monaco: How to Read a Film
11
6
James Monaco: How to Read a Film
12
7
Robert Bresson: Notes on sound
14
8
David Wharton and Jeremy Grant: Teaching Analysis of Film Language
15
9
Roger Crittenden: Manual of Film Editing
21
10
Robert
Kol ker:
Film Form and Culture
25
2:
Production
28
11
Pauline Kael: Trash, art and the movies
29
12
James Swallow: Dark Eye: The Films of David Fincher
32
13
Jim
Uhi:
Fight Club
40
14
David
M
ämet:
On Directing Film
43
15
David
Bordwell
and
Kristen
Thompson: Film Art: An Introduction
48
16
Gianluca
Sergi: A
cry in the dark
52
17
Paul M. Sammon: Future Noir:The Making of Blade Runner
54
3:
Narrative
18
Roland Barthes: Introduction
to the
structural
analysis of
narratives
19
Edward Branigan: Narrative,
Comprehension and
Film
20
David
Bordwell and Kirsten
Thompson: Film Art: An Introduction
21
Robert
Murphy: Realism and Tinsel
22 Wim Wenders:
Why do you make films?
4:
Canon
23
Graham Roberts and Heather
Wallis: Key
Film Texts
24
Sight and Sound ten-yearly polls
1952-2002
25
Simon Callow: Millennium masterworks: Citizen Kane
26
vWhat will be the ultimate film?
27
Peter
Wollen:
Why do some films survive and others disappear?
PART
2:
CONCEPTS
5:
Genre
28
Philip Raynor, Peter Wall and Stephen Kruger: Media Studies: The Essential
Introduction
97
29
Tom Ryall:The notion of genre
30
Steve Neale: Genre and Hollywood
31
Tim Dirks:
Filmsite
58
58
61
66
69
72
79
81
83
87
91
95
97
97
32
Daniel Chandler: http://www.aber.ac.uk/media/Documents/intgenre/
intgenre5.html
33
Richard Dyer: Entertainment and Utopia
34
Michael Walker: Film
noir
introduction
35
Paul Schrader: Notes on film
noir
36
Tanya Modleski: The terror of pleasure
6:
Auteur
37
Susan
Sontag:
Against Interpretation
38
Wikipedia Internet Encyclopedia:
Auteur
theory
39
Patrick Phillips: An Introduction to Film Studies
40
Peter
Wollen:
Signs and Meaning in the Cinema
101
103
120
123
125
135
144
155
160
161
163
164
168
41
Bruce Kawin: How Movies Work
173
42
Victor Perkins: Film as Film
176
7:
Star
180
43
John Ellis: Stars as cinematic phenomenon
181
44
Paul MacDonald: Star studies
182
45
Richard Dyer: Stars
189
46
Yvonne Tasker: Spectacular Bodies
192
47
Arthur
de
Vany:
Hollywood Economics: How Extreme Uncertainty Shapes
the Film Industry
196
48
Kenneth Anger: Hollywood Babylon II
200
8:
Realism
203
49
Susan Haywood: Key Terms in Cinema Studies
204
50
Andre
Bazin: An
aesthetic of reality:
neorealism
207
51
Robert
Stam:
The question of realism
208
52
Christopher Williams: Realism in the Cinema
209
53
Trinh
T. M
inha-ha: The totalising quest for meaning
212
54
J.
Hallam
and M. Marshment: Realism and Popular Cinema
215
55
Gill Branston: Cinema and Cultural Modernity
219
PART
3:
CONTEXTS
221
9:
Themes of textual analysis
221
56
Joseph McBride and Michael Wilmington: The Films of John Ford
226
57 Jürgen Müller:
The skeptical eye
228
58
Warren Buckland: Notes on narrative aspects of the new Hollywood
blockbuster
231
59
Roger Ebert: City of God
236
60
Mark Kermode: Exorcist
-
the beginning
238
61
Peter Brunette: Adolescence both savage and innocent
239
10:
Theoretical perspectives
241
62
David Weddle: Lights, camera, action: Marxism, semiotics, narratology
241
63
Dominic
Strinati:
Introduction to Theories of Popular Culture
247
64
Mark Allinson: A Spanish Labyrinth: The Films of Pedro
Almodovar
249
65
Matthew Henry: The Eyes of Laura Mulvey: Subjects, Objects and
Cinematic Pleasures
255
66
Olivier Barlet: Postcolonialism and cinema: from difference to relationships
263
67
Brian Henderson: Towards a non-bourgeois camera style
268
11:
Industry
270
68
Thomas
Schatz:
The Genius of the System
271
69 Theodor Adorno
and Max Horkheimer: The Dialectic of Enlightenment
273
70
Graham Turner: Film as Social Practice
274
71
Eileen R. Meehan: Holy commodity fetish Batman!
276
72
Justin Wyatt: High Concept
278
73
Michael
Chañan:
The Chronic Crisis of British Cinema
281
12:
Audience
285
74
All Time World Box Office
285
75
Brigid
Cherry: Screaming for release
287
76
Graham Turner: Film As Social Practice
302
77
Mark Jancovich and Lucy
Faire:
The best place to see a film
305
78
С
Hoskins, S. McFadyen and A. Finn: Global Television and Film: An
Introduction to the Economics of the Business
314
PART
4:
CINEMAS
323
13:
Hollywood
323
79
Richard Maltby: Hollywood Cinema
324
80
Geoff King: Narrative and the spectacular Hollywood blockbuster
329
81
BBC News
20
October
2005:
Countries turn backs on Hollywood
342
14:
British cinema
344
82
Nick James:
Nul
Britannia
345
83
John Hill: Sex, Class and Realism
348
84
Alex Collins: Grim realities
352
85
Andrew Higson: Re-presenting the national past: nostalgia and pastiche
in the Heritage film
353
86
Claire Monk: From underworld to underclass
87
University of Glasgow Media website: Tartanry
15:
National cinemas (or world cinema exploded)
88
Andrew Higson:The concept of national cinema
89
Barry Jordan and Rikki Morgan-Tamosunas: Contemporary Spanish
Cinema
372
360
365
368
369
373
375
379
382
389
90
Thomas Elsaesser. Weimar Cinema and After
91
Sergei
Eisenstein:
The montage of film attractions
92
Bert
Cârdul
lo:
What is
Neorealism?
93
David Thomson: That breathless moment
94
Stephen Teo: Hong Kong Cinema: The Extra Dimensions
95
Joseph L. Anderson and Donald Richie: The Japanese Film: Art and
Industry
391
16:
Alternative takes
393
96
Godard
interviewed by Henri
Behar
at the
1995
Montreal Film Festival
394
97
Lars Penning: Review of Godard s Every Man for Himself
395
98
Tony Peake: Derek Jarman
398
99
Luis Buñuel:
My Last Breath
403
100
Luis
Bunuel Un Chien Andalou
-
original shooting script
404
101
Gwynne Edwards: The Discreet Art of
Luis Buñuel
407
102
Haim Finkelstein:
Dali
and
un chien
andalou: the nature of a collaboration
408
103
Juan Luis
Bunuel:
Foreword to New Readings
409
References
Index
411
415
|
| adam_txt |
CONTENTS
Acknowledgements x
Introduction
1
1
Raymond Williams: British film history: new perspectives
2
2 Wim Wenders:
Why do you make films?
4
3
Jonathan
Coe:
What a Carve Up!
6
PART
1:
CODES
9
1:
Film language
9
4
Susan
Sontag:
Against Interpretation
10
5
James Monaco: How to Read a Film
11
6
James Monaco: How to Read a Film
12
7
Robert Bresson: Notes on sound
14
8
David Wharton and Jeremy Grant: Teaching Analysis of Film Language
15
9
Roger Crittenden: Manual of Film Editing
21
10
Robert
Kol ker:
Film Form and Culture
25
2:
Production
28
11
Pauline Kael: Trash, art and the movies
29
12
James Swallow: Dark Eye: The Films of David Fincher
32
13
Jim
Uhi:
Fight Club
40
14
David
M
ämet:
On Directing Film
43
15
David
Bordwell
and
Kristen
Thompson: Film Art: An Introduction
48
16
Gianluca
Sergi: A
cry in the dark
52
17
Paul M. Sammon: Future Noir:The Making of Blade Runner
54
3:
Narrative
18
Roland Barthes: Introduction
to the
structural
analysis of
narratives
19
Edward Branigan: Narrative,
Comprehension and
Film
20
David
Bordwell and Kirsten
Thompson: Film Art: An Introduction
21
Robert
Murphy: Realism and Tinsel
22 Wim Wenders:
Why do you make films?
4:
Canon
23
Graham Roberts and Heather
Wallis: Key
Film Texts
24
Sight and Sound ten-yearly polls
1952-2002
25
Simon Callow: Millennium masterworks: Citizen Kane
26
vWhat will be the ultimate film?'
27
Peter
Wollen:
Why do some films survive and others disappear?
PART
2:
CONCEPTS
5:
Genre
28
Philip Raynor, Peter Wall and Stephen Kruger: Media Studies: The Essential
Introduction
97
29
Tom Ryall:The notion of genre
30
Steve Neale: Genre and Hollywood
31
Tim Dirks:
Filmsite
58
58
61
66
69
72
79
81
83
87
91
95
97
97
32
Daniel Chandler: http://www.aber.ac.uk/media/Documents/intgenre/
intgenre5.html
33
Richard Dyer: Entertainment and Utopia
34
Michael Walker: Film
noir
introduction
35
Paul Schrader: Notes on film
noir
36
Tanya Modleski: The terror of pleasure
6:
Auteur
37
Susan
Sontag:
Against Interpretation
38
Wikipedia Internet Encyclopedia:
Auteur
theory
39
Patrick Phillips: An Introduction to Film Studies
40
Peter
Wollen:
Signs and Meaning in the Cinema
101
103
120
123
125
135
144
155
160
161
163
164
168
41
Bruce Kawin: How Movies Work
173
42
Victor Perkins: Film as Film
176
7:
Star
180
43
John Ellis: Stars as cinematic phenomenon
181
44
Paul MacDonald: Star studies
182
45
Richard Dyer: Stars
189
46
Yvonne Tasker: Spectacular Bodies
192
47
Arthur
de
Vany:
Hollywood Economics: How Extreme Uncertainty Shapes
the Film Industry
196
48
Kenneth Anger: Hollywood Babylon II
200
8:
Realism
203
49
Susan Haywood: Key Terms in Cinema Studies
204
50
Andre
Bazin: An
aesthetic of reality:
neorealism
207
51
Robert
Stam:
The question of realism
208
52
Christopher Williams: Realism in the Cinema
209
53
Trinh
T. M
inha-ha: The totalising quest for meaning
212
54
J.
Hallam
and M. Marshment: Realism and Popular Cinema
215
55
Gill Branston: Cinema and Cultural Modernity
219
PART
3:
CONTEXTS
221
9:
Themes of textual analysis
221
56
Joseph McBride and Michael Wilmington: The Films of John Ford
226
57 Jürgen Müller:
The skeptical eye
228
58
Warren Buckland: Notes on narrative aspects of the new Hollywood
blockbuster
231
59
Roger Ebert: City of God
236
60
Mark Kermode: Exorcist
-
the beginning
238
61
Peter Brunette: Adolescence both savage and innocent
239
10:
Theoretical perspectives
241
62
David Weddle: Lights, camera, action: Marxism, semiotics, narratology
241
63
Dominic
Strinati:
Introduction to Theories of Popular Culture
247
64
Mark Allinson: A Spanish Labyrinth: The Films of Pedro
Almodovar
249
65
Matthew Henry: The Eyes of Laura Mulvey: Subjects, Objects and
Cinematic Pleasures
255
66
Olivier Barlet: Postcolonialism and cinema: from difference to relationships
263
67
Brian Henderson: Towards a non-bourgeois camera style
268
11:
Industry
270
68
Thomas
Schatz:
The Genius of the System
271
69 Theodor Adorno
and Max Horkheimer: The Dialectic of Enlightenment
273
70
Graham Turner: Film as Social Practice
274
71
Eileen R. Meehan: Holy commodity fetish Batman!
276
72
Justin Wyatt: High Concept
278
73
Michael
Chañan:
The Chronic Crisis of British Cinema
281
12:
Audience
285
74
All Time World Box Office
285
75
Brigid
Cherry: Screaming for release
287
76
Graham Turner: Film As Social Practice
302
77
Mark Jancovich and Lucy
Faire:
The best place to see a film
305
78
С
Hoskins, S. McFadyen and A. Finn: Global Television and Film: An
Introduction to the Economics of the Business
314
PART
4:
CINEMAS
323
13:
Hollywood
323
79
Richard Maltby: Hollywood Cinema
324
80
Geoff King: Narrative and the spectacular Hollywood blockbuster
329
81
BBC News
20
October
2005:
Countries turn backs on Hollywood
342
14:
British cinema
344
82
Nick James:
Nul
Britannia
345
83
John Hill: Sex, Class and Realism
348
84
Alex Collins: Grim realities
352
85
Andrew Higson: Re-presenting the national past: nostalgia and pastiche
in the Heritage film
353
86
Claire Monk: From underworld to underclass
87
University of Glasgow Media website: Tartanry
15:
National cinemas (or world cinema exploded)
88
Andrew Higson:The concept of national cinema
89
Barry Jordan and Rikki Morgan-Tamosunas: Contemporary Spanish
Cinema
372
360
365
368
369
373
375
379
382
389
90
Thomas Elsaesser. Weimar Cinema and After
91
Sergei
Eisenstein:
The montage of film attractions
92
Bert
Cârdul
lo:
What is
Neorealism?
93
David Thomson: That breathless moment
94
Stephen Teo: Hong Kong Cinema: The Extra Dimensions
95
Joseph L. Anderson and Donald Richie: The Japanese Film: Art and
Industry
391
16:
Alternative takes
393
96
Godard
interviewed by Henri
Behar
at the
1995
Montreal Film Festival
394
97
Lars Penning: Review of Godard's Every Man for Himself
395
98
Tony Peake: Derek Jarman
398
99
Luis Buñuel:
My Last Breath
403
100
Luis
Bunuel Un Chien Andalou
-
original shooting script
404
101
Gwynne Edwards: The Discreet Art of
Luis Buñuel
407
102
Haim Finkelstein:
Dali
and
un chien
andalou: the nature of a collaboration
408
103
Juan Luis
Bunuel:
Foreword to New Readings
409
References
Index
411
415 |
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| author | Bennett, Peter 1951- |
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| dewey-full | 791.43 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
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| dewey-search | 791.43 |
| dewey-sort | 3791.43 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| discipline_str_mv | Allgemeines |
| edition | 1. publ. |
| format | Book |
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| genre | (DE-588)4143413-4 Aufsatzsammlung gnd-content |
| genre_facet | Aufsatzsammlung |
| id | DE-604.BV022249481 |
| illustrated | Illustrated |
| index_date | 2024-07-02T16:39:03Z |
| indexdate | 2024-07-09T20:53:19Z |
| institution | BVB |
| isbn | 0415365678 0415365686 9780415365673 9780415365680 |
| language | English |
| lccn | 2006017728 |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-015460290 |
| oclc_num | 67870497 |
| open_access_boolean | |
| owner | DE-M472 DE-20 DE-384 DE-739 DE-11 DE-188 |
| owner_facet | DE-M472 DE-20 DE-384 DE-739 DE-11 DE-188 |
| physical | XVII, 428 S. graph. Darst. |
| publishDate | 2007 |
| publishDateSearch | 2007 |
| publishDateSort | 2007 |
| publisher | Routledge |
| record_format | marc |
| series2 | Essentials series |
| spelling | Bennett, Peter 1951- Verfasser (DE-588)120453975 aut Film studies the essential resource Peter Bennett, Andrew Hickman and Peter Wall 1. publ. London [u.a.] Routledge 2007 XVII, 428 S. graph. Darst. txt rdacontent n rdamedia nc rdacarrier Essentials series Includes bibliographical references and index Film Motion pictures Film criticism Filmwissenschaft (DE-588)4154385-3 gnd rswk-swf Filmanalyse (DE-588)4140882-2 gnd rswk-swf Filmtheorie (DE-588)4071216-3 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content Filmanalyse (DE-588)4140882-2 s DE-604 Filmwissenschaft (DE-588)4154385-3 s Filmtheorie (DE-588)4071216-3 s DE-188 Hickman, Andrew Sonstige oth Wall, Peter Sonstige oth http://www.loc.gov/catdir/toc/ecip0614/2006017728.html Table of contents only Digitalisierung UB Augsburg application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=015460290&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Bennett, Peter 1951- Film studies the essential resource Film Motion pictures Film criticism Filmwissenschaft (DE-588)4154385-3 gnd Filmanalyse (DE-588)4140882-2 gnd Filmtheorie (DE-588)4071216-3 gnd |
| subject_GND | (DE-588)4154385-3 (DE-588)4140882-2 (DE-588)4071216-3 (DE-588)4143413-4 |
| title | Film studies the essential resource |
| title_auth | Film studies the essential resource |
| title_exact_search | Film studies the essential resource |
| title_exact_search_txtP | Film studies the essential resource |
| title_full | Film studies the essential resource Peter Bennett, Andrew Hickman and Peter Wall |
| title_fullStr | Film studies the essential resource Peter Bennett, Andrew Hickman and Peter Wall |
| title_full_unstemmed | Film studies the essential resource Peter Bennett, Andrew Hickman and Peter Wall |
| title_short | Film studies |
| title_sort | film studies the essential resource |
| title_sub | the essential resource |
| topic | Film Motion pictures Film criticism Filmwissenschaft (DE-588)4154385-3 gnd Filmanalyse (DE-588)4140882-2 gnd Filmtheorie (DE-588)4071216-3 gnd |
| topic_facet | Film Motion pictures Film criticism Filmwissenschaft Filmanalyse Filmtheorie Aufsatzsammlung |
| url | http://www.loc.gov/catdir/toc/ecip0614/2006017728.html http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=015460290&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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