Layers of musical meaning:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Copenhagen
Museum Tusculanum Press
2006
|
| Schriftenreihe: | Danish humanist texts and studies
33 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | XII, 333 Seiten Illustrationen, Notenbeispiele |
| ISBN: | 8763504243 |
Internformat
MARC
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Datensatz im Suchindex
| _version_ | 1804136241193549824 |
|---|---|
| adam_text | Contents
Preface
CHAPTER
Preliminaries
The uniqueness of the individual musical composition
Language and music
Langue/parole
The musical experience in audiendo
Anything may be perceived as anything
The integrator
Nature and culture
Poiesis and aesthesis
Representation, paraphrasing and interpretation
Representation
Paraphrasing
Interpretation
Summary
CHAPTER
Hermann Kretzschmar
Arnold
Shostakovich s 10th Symphony
2nd
3rd
Lawrence Kramer
Eero
Beethoven s
The dimension of actoriality
Chopin
Summary
VIII
CHAPTER
The melodies in the f-a system
Incipits
Cadences
Cadences mprotus maneria
Cadences in tritus maneria
Cadences in deuterus maneria
Cadences in tetrardus maneria
The melodies in the
The melodies in the
Systems with quintal identity
Further development of the tonal theory
Bifurcation
Modulating melodies
The incidental tertian structure
Tonality based on tertian series
The development of tonal codes
Tone alienation
Summary
CHAPTER
The tonal cadence
Digression on the
Gioseffo Zarlino
Jean-Philippe Rameau
Moritz Hauptmann 191
Arthur
Hugo Riemann
Criticism of the
Transformations of the tonal cadence
Linking of cadences
Exclusion of either
Truncation
Repetition of tonal functions
Repetition of the tonic
Repetition of the dominant function
Fourth suspension of the dominant
Fourth-sixth suspension of the dominant
Seventh suspension ofVII/3
Repetition of the
CONTENTS
The Phrygian half-cadence
A non-existent transformation
Secondary dominants
Altered chords
The Neapolitan
The altered double dominant
Enharmonic change
The diminished-seventh chord
The altered double dominants with augmented sixth
Sequences
Descending-fifth sequence
The Rosalia
The third-Rosalia
Ascending-fifth sequence
The
Primary member: descending fifth sequenced in descending thirds
Primary member: ascending fifth sequenced in descending seconds
Primary member: ascending fifth sequenced in ascending thirds
Mixture and pseudo-mixture
Mixture
Pseudo-mixture
Harmony as an incidental result of voice-leading
Notation of harmonic analysis
Summary
CHAPTER
Musical tempo
Metrical rhythm
Rhythmic alienation
Summary
CHAPTER
Dance music and the theme with variations
The simple rondo
The Italian rondo
The Classical rondo
The sonata form
The exposition section
The development section
The recapitulation and coda
X LAYERS OF MUSICAL MEANING
The fugue
The internal structure of the expositions
The meaning of musical forms
Summary
CHAPTER
The hierarchy of interval-size opposition
The inclusion of rhythm
The step/leap opposition
The up/down opposition
The strong/weak opposition
Summary
Postscript
Literature
|
| adam_txt |
Contents
Preface
CHAPTER
Preliminaries
The uniqueness of the individual musical composition
Language and music
Langue/parole
The musical experience in audiendo
Anything may be perceived as anything
The integrator
Nature and culture
Poiesis and aesthesis
Representation, paraphrasing and interpretation
Representation
Paraphrasing
Interpretation
Summary
CHAPTER
Hermann Kretzschmar
Arnold
Shostakovich's 10th Symphony
2nd
3rd
Lawrence Kramer
Eero
Beethoven's
The dimension of actoriality
Chopin
Summary
VIII
CHAPTER
The melodies in the f-a system
Incipits
Cadences
Cadences 'mprotus maneria
Cadences in tritus maneria
Cadences in deuterus maneria
Cadences in tetrardus maneria
The melodies in the
The melodies in the
Systems with quintal identity
Further development of the tonal theory
Bifurcation
Modulating melodies
The incidental tertian structure
Tonality based on tertian series
The development of tonal codes
Tone alienation
Summary
CHAPTER
The tonal cadence
Digression on the
Gioseffo Zarlino
Jean-Philippe Rameau
Moritz Hauptmann 191
Arthur
Hugo Riemann
Criticism of the
Transformations of the tonal cadence
Linking of cadences
Exclusion of either
Truncation
Repetition of tonal functions
Repetition of the tonic
Repetition of the dominant function
Fourth suspension of the dominant
Fourth-sixth suspension of the dominant
Seventh suspension ofVII/3
Repetition of the
CONTENTS
The Phrygian half-cadence
A non-existent transformation
Secondary dominants
Altered chords
The Neapolitan
The altered double dominant
Enharmonic change
The diminished-seventh chord
The altered double dominants with augmented sixth
Sequences
Descending-fifth sequence
The Rosalia
The third-Rosalia
Ascending-fifth sequence
The
Primary member: descending fifth sequenced in descending thirds
Primary member: ascending fifth sequenced in descending seconds
Primary member: ascending fifth sequenced in ascending thirds
Mixture and pseudo-mixture
Mixture
Pseudo-mixture
Harmony as an incidental result of voice-leading
Notation of harmonic analysis
Summary
CHAPTER
Musical tempo
Metrical rhythm
Rhythmic alienation
Summary
CHAPTER
Dance music and the theme with variations
The simple rondo
The Italian rondo
The Classical rondo
The sonata form
The exposition section
The development section
The recapitulation and coda
X LAYERS OF MUSICAL MEANING
The fugue
The internal structure of the expositions
The meaning of musical forms
Summary
CHAPTER
The hierarchy of interval-size opposition
The inclusion of rhythm
The step/leap opposition
The up/down opposition
The strong/weak opposition
Summary
Postscript
Literature |
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| dewey-full | 781.1/7 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 781 - General principles and musical forms |
| dewey-raw | 781.1/7 |
| dewey-search | 781.1/7 |
| dewey-sort | 3781.1 17 |
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| discipline | Musikwissenschaft |
| discipline_str_mv | Musikwissenschaft |
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| index_date | 2024-07-02T16:38:01Z |
| indexdate | 2024-07-09T20:53:16Z |
| institution | BVB |
| isbn | 8763504243 |
| language | English |
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| spelling | Egeland Hansen, Finn 1938- Verfasser (DE-588)134075951 aut Layers of musical meaning Finn Egeland Hansen Copenhagen Museum Tusculanum Press 2006 XII, 333 Seiten Illustrationen, Notenbeispiele txt rdacontent n rdamedia nc rdacarrier Danish humanist texts and studies 33 Music theory Musical analysis Musikalische Analyse (DE-588)4040814-0 gnd rswk-swf Hermeneutik (DE-588)4128972-9 gnd rswk-swf Musik (DE-588)4040802-4 gnd rswk-swf Musikalische Semiotik (DE-588)4195308-3 gnd rswk-swf Musik (DE-588)4040802-4 s Hermeneutik (DE-588)4128972-9 s Musikalische Semiotik (DE-588)4195308-3 s DE-604 Musikalische Analyse (DE-588)4040814-0 s Danish humanist texts and studies 33 (DE-604)BV002798472 33 Digitalisierung BSBMuenchen application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=015457728&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Egeland Hansen, Finn 1938- Layers of musical meaning Danish humanist texts and studies Music theory Musical analysis Musikalische Analyse (DE-588)4040814-0 gnd Hermeneutik (DE-588)4128972-9 gnd Musik (DE-588)4040802-4 gnd Musikalische Semiotik (DE-588)4195308-3 gnd |
| subject_GND | (DE-588)4040814-0 (DE-588)4128972-9 (DE-588)4040802-4 (DE-588)4195308-3 |
| title | Layers of musical meaning |
| title_auth | Layers of musical meaning |
| title_exact_search | Layers of musical meaning |
| title_exact_search_txtP | Layers of musical meaning |
| title_full | Layers of musical meaning Finn Egeland Hansen |
| title_fullStr | Layers of musical meaning Finn Egeland Hansen |
| title_full_unstemmed | Layers of musical meaning Finn Egeland Hansen |
| title_short | Layers of musical meaning |
| title_sort | layers of musical meaning |
| topic | Music theory Musical analysis Musikalische Analyse (DE-588)4040814-0 gnd Hermeneutik (DE-588)4128972-9 gnd Musik (DE-588)4040802-4 gnd Musikalische Semiotik (DE-588)4195308-3 gnd |
| topic_facet | Music theory Musical analysis Musikalische Analyse Hermeneutik Musik Musikalische Semiotik |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=015457728&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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