Our friends in the north:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London
bfi Publ.
2005
|
| Ausgabe: | 1. publ. |
| Schriftenreihe: | BFI TV classics
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | 134 S. zahlr. Ill. |
| ISBN: | 1844570924 |
Internformat
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| 999 | |a oai:aleph.bib-bvb.de:BVB01-015456390 | ||
Datensatz im Suchindex
| _version_ | 1804136239314501632 |
|---|---|
| adam_text | Contents
Prologue
..............................................
ι
P u
rgatory............................................
io
Pre-production
....................................26
Programme.........................................
зі
Postscr
i pt
..........................................
иг
Appendices
........................................
И7
Sources
............................................. 125
Credits
.............................................. 127
Index
................................................
πι
о
иг
Friends in the North
(1996)
is the
kind of epic drama that has ensured the BBC s worldwide reputation for seriousness
and excellence. In nine parts, it tells the life stories of four friends
-
Mary (Gma
McKee), Nicky (Christopher Eccleston), Geordie (Daniel Craig) and Tosker (Mark
Strong)
-
from adolescence to middle age. Their personal triumphs and crises
unfold against the backdrop of massive social and political change in Britain
-
in
particular the rise of Thatcherism and the decline of Socialist ideals. Technically
outstanding, Our Friends in the North is truly a state of the nation drama, exploring
its major themes alongside more specific ones (domestic violence, corruption in
the police and local government, iniquities in the criminal justice system) while
developing its central characters with exceptional subtlety and finesse.
Michaei Eaton traces the history of Our Friends in the North: its origins in Peter
Flannery s
1982
play for the Royal Shakespeare Company and the long road to
TV adaptation. Eaton, himself a screenwriter, has conducted lengthy interviews
with Flannery. Executive Producer Michael Wearing and other key personnel, and
this book provides a unique insight into the often labyrinthine ways in which TV
drama is commissioned and produced. He goes on to locate the series in the
genealogy
et
quality television drama, and he reflects on whether Our Friends
m
tre ■V.?/:»· vGuìg
ever be made today. Did the
senes
bring an end to a Golden Age
of British TV drama
-
and. if so. what have we lost in the process?
is a screenwriter and playwright. His screen credits include
Fêl^oiï
Traveler Sncct to
K:¡i.
Signs and Wonders and Sh:pman. and
ne
is the
author of Chinatown, ¡n the BFI
Fum
Classics series.
|
| adam_txt |
Contents
Prologue
.
ι
P u
rgatory.
io
Pre-production
.26
Programme.
зі
Postscr
i pt
.
иг
Appendices
.
И7
Sources
. 125
Credits
. 127
Index
.
πι
о
иг
Friends in the North
(1996)
is the
kind of epic drama that has ensured the BBC's worldwide reputation for seriousness
and excellence. In nine parts, it tells the life stories of four friends
-
Mary (Gma
McKee), Nicky (Christopher Eccleston), Geordie (Daniel Craig) and Tosker (Mark
Strong)
-
from adolescence to middle age. Their personal triumphs and crises
unfold against the backdrop of massive social and political change in Britain
-
in
particular the rise of Thatcherism and the decline of Socialist ideals. Technically
outstanding, Our Friends in the North is truly a 'state of the nation' drama, exploring
its major themes alongside more specific ones (domestic violence, corruption in
the police and local government, iniquities in the criminal justice system) while
developing its central characters with exceptional subtlety and finesse.
Michaei Eaton traces the history of Our Friends in the North: its origins in Peter
Flannery's
1982
play for the Royal Shakespeare Company and the long road to
TV adaptation. Eaton, himself a screenwriter, has conducted lengthy interviews
with Flannery. Executive Producer Michael Wearing and other key personnel, and
this book provides a unique insight into the often labyrinthine ways in which TV
drama is commissioned and produced. He goes on to locate the series in the
genealogy
et
quality television drama, and he reflects on whether Our Friends
m
tre ■V.?/:»· vGuìg
ever be made today. Did the
senes
bring an end to a Golden Age
of British TV drama
-
and. if so. what have we lost in the process?
is a screenwriter and playwright. His screen credits include
Fêl^oiï
Traveler Sncct to
K:¡i.
Signs and Wonders and Sh:pman. and
ne
is the
author of Chinatown, ¡n the BFI
Fum
Classics series. |
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| index_date | 2024-07-02T16:37:32Z |
| indexdate | 2024-07-09T20:53:14Z |
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| isbn | 1844570924 |
| language | English |
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